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Archive for August, 2011

This is about a Unitarian Universalist minister who decided that community work was more important than having a church building.

As Donald E. Skinner writes of Ron Robinson in UU World, “The particular mission field that the Rev. Ron Robinson has claimed is one of America’s abandoned places.

“Turley, Oklahoma, a suburb of Tulsa, was a thriving place until the 1960s when white flight and the movement of oil industry jobs out of Tulsa began Turley’s long slide into economic and social decline.

“Today many houses in Turley are vacant and abandoned, some boarded up, others open to the elements and slowly falling down. Burned-out structures are nearly hidden by tall weeds and brush. The once robust main street is now down to a gas station, grocery, a pizza place that won’t deliver, self-service laundry, carwash, and a collection of auto repair and salvage businesses.

“Most younger residents have no health insurance and little health care. Most children qualify for free school lunches. Residents live, on average, fourteen fewer years than people five miles south, in midtown Tulsa. Unemployment is twice the national average.

“In the middle of this, Robinson, a Unitarian Universalist minister, has established A Third Place, a community center that includes Turley’s only library, several computers for public use, a free health clinic, food pantry, drop-in living room, and a place to get used clothing and household items.”

Read more here.

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Near where I work in Boston, there is something new to see every day.

Here are two shots of the ever picturesque North End. 

Here are shots of the harbor post-Irene and the James Hook & Co. golden lobster.

And here are the deep red plants that attracted a hummingbird outside the cafeteria yesterday. He didn’t show up today for his screen test, so I borrowed someone else’s hummingbird.

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Manchester (NH) is an official refugee resettlement city. The State Department determines how many refugees the United States will take in each year and works through agencies to ease the transition. A colleague of mine lives in Manchester and was upset to learn about growing hostility to refugee placements.

Kathryn Marchocki writes in The Union Leader, “Mayor Ted Gatsas wants a moratorium on new refugee arrivals in Manchester after learning the city will receive a projected 600 refugees over two years, even though it now is the second-largest refugee resettlement community in New England.”

An alternative paper, The Hippo, goes into more depth. Here it quotes refugee supporters.

“ ‘For us, it’s a double-edged sword,’ said New Hampshire Catholic Charities’ Chesley. ‘The conditions they’re leaving are abhorrent. … But when the refugees come to New Hampshire, we witness the difficulty, the challenge. We also witness the evolution of a refugee’s life. The first few months here, they’re struggling. But there are so many wonderful examples of success.’

“There are many who realize just how much these refugees are bringing to the city. … [Rwandan refugee] Ntabaganyimana is one example of refugees’ giving back. He serves on a variety of community boards and organizations.

“The focus is always on challenges facing refugees or how refugees are impacting services. Ntabaganyimana would like a little more emphasis on the benefits of refugees and their successes. Sure, he says, there is an upfront investment in the refugees. But once they’re settled and acclimated, they’re contributing to the fabric of a community just like everyone else.”

Chesley points out that people have been migrating around the world forever. ” ‘That’s not new to New Hampshire. It’s not new to Manchester. The faces just look different and the colors are darker than the French Canadians or the Irish or the Polish, but the issues are still pretty much the same.’

“Refugees are working, and they are paying taxes. Ntabaganyimana guesses the refugees who are working are probably outweighing any impact that comes from refugees who aren’t able to find work quickly.”

The Hippo article also mentions a student from Suzanne’s alma mater, who has made a documentary on the issue. “Brendan Gillett is a student at Pomona College in California. He spent a great deal of time immersed in the refugee community while he filmed his documentary, Our Community. Gillett …  suggested implementing a program that would spread responsibility and include not just resettlement organizations but also the general public. He suggested establishing a family sponsorship program in which a native New Hampshire family could work with and provide help (rides to appointments, the grocery store, etc.) to a newly arrived family.”

Read more here.

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Suzanne and Erik went to grad school with David O’Halloran, whose consulting company was recently cited in The Irish Times for its focus on sustainable business ventures in Africa.

“For Irish entrepreneur David O’Halloran, adhering to a sustainable business model that helps develop and protect local communities and their environment is the key to enjoying long-term success in Africa’s emerging markets. In late 2006, the Galway man, along with three former colleagues, rejuvenated a business development consultancy called BusinessMinds by turning it into an incubator company that develops, finances and operates sustainable commercial ventures in Africa.

“The idea behind the enterprise is to offer investors a socially responsible approach to doing business on the continent, while also making a profit. ‘Historically, many investors in Africa have used a more short-term, exploitative business model, one which has existed since the days of colonialism,’ O’Halloran says. ‘Unfortunately, for some investors this remains the modus operandi even today. As in, they take what resources they can and then get out without giving much back to the local economies.’

“However, O’Halloran says he believes people are starting to realise that such an approach is inherently unstable and increases risk.” His organization is called BusinessMinds, Africa.

Bill Corcoran wrote the Irish Times article. Read more here.

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A few favorites from a rainy day at the DeCordova Museum and Sculpture Park.

We also liked the Andy Goldsworthy and the Caleb Neelon artwork.

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Blogger Andrew Sullivan is on vacation in Provincetown (uh-oh, hurricane!), but his crack team at the Daily Beast is doing him proud.

I’m so grateful that they clued me in to the delightful Gwarlingo blog. Creator Michelle Aldredge says that her goal with Gwarlingo is to highlight “some of the most inventive work being made today in music, writing, film, performance, and the visual arts.” My first exposure confirms that she’s succeeding.

In this Gwarlingo post, we learn about the fine art of manhole covers in Japan and a book by Remo Camerota on the topic called Drainspotting. Camerota writes, “In the 1980s as communities outside of Japan’s major cities were slated to receive new sewer systems, these public works projects were met with resistance, until one dedicated bureaucrat solved the problem by devising a way to make these mostly invisible systems aesthetically appreciated above ground: customized manhole covers.”

http://www.gwarlingo.com/wp-content/uploads/2011/08/Paper-Crane-Design-in-Hiroshima-Manhole-Cover.jpg

Photo source unknown.

http://www.gwarlingo.com/wp-content/uploads/2011/08/Crane-Japanese-Manhole-Cover-Photo-by-Carlos-Blanco.jpg

Photo by Carlos Blanco via Flickr Commons

Lots more manhole covers at Gwarlingo.


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Back in the day, I was a great fan of Mary Renault. I took her every word as gospel, down to the conversations Theseus had with Ariadne, because the stories generally meshed with what I knew from studying ancient Greek.

The Bull from the Sea was about the sea god Poseidon, who also is the god of earthquakes. I remember Renault’s description of the eerie stillness in the air before an earthquake and the strange behavior of the creatures.

So I am not at all surprised to read in the Washington Post that animals at the National Zoo knew before this week’s earthquake actually quaked that something was about to happen.

“The zoo documented a broad range of animal behavior before, during and after the tremor … . For example, a gorilla, Mandara, shrieked and grabbed her baby, Kibibi, racing to the top of a climbing structure just seconds before the ground began to shake dramatically. Two other apes — an orangutan, Kyle, and a gorilla, Kojo — already had dropped their food and skedaddled to higher turf. The 64 flamingos seemed to sense the tumult a number of seconds in advance as well, clustering together in a nervous huddle before the quake hit. One of the zoo’s elephants made a low-pitched noise as if to communicate with two other elephants. And red-ruffed lemurs emitted an alarm cry a full 15 minutes before the temblor, the zoo said.

“During the quake, the zoo grounds were filled with howls and cries. The snakes, normally inert in the middle of the day, writhed and slithered. Beavers stood on their hind legs and then jumped into a pond. Murphy the Komodo dragon ran for cover. Lions resting outside suddenly stood up and stared at their building as the walls shook. Damai, a Sumatran tiger, leaped as if startled but quickly settled down. Some animals remained agitated for the rest of the day, wouldn’t eat and didn’t go to sleep on their usual schedule.” Read the full story.

And while we’re on the subject, please read about 96 percent of a certain kind of male toad abandoning their breeding ground five days before the 2009 L’Aquila, Italy, earthquake! (That lead came via Andrew Sullivan’s blog.)

 

 

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Ever since the kids were little, we used the term “collapsing fit” to mean an emotional meltdown. It doesn’t need much explanation.

Then around 1990, I read about fainting goats and was fascinated by the idea that some animals collapse when frightened. Needless to say, goats that collapse when frightened by an enemy are fairly rare. Makes it hard to get away.

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But one time I saw the ability to collapse benefit the human animal. Or maybe not.

It happened that a bunch of us teachers back in my first career, were concerned about an angry, out-of-control sixth-grader, so we called a meeting with his mother. After we laid out the problems as gently as possible, she fainted. After she came to, no one ever said anything to her about her son again. His classmates and teachers went for decades thinking they would read a headline about about some guy going postal and it would turn out to be this kid. I’m happy to say we were wrong. I never did learn the medical reason for his mother’s collapse.

This train of thought is the result of my reading in the science section of yesterday’s NY Times about a rare illness associated with the death of certain brain cells. It’s called cataplexy. And cataplexy is — get this — “a tendency to collapse when swept by strong emotions.”

I should write a poem. “A tendency to collapse when swept by strong emotions.” How great is that?

Or maybe one of you poets reading this blog would follow your personal train of thought, and write a poem related to cataplexy or collapsing. I would love to print one here.

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I wrote before about a program using the arts to help people in prisons get beyond the prisoner mindset. Here’s a similar story.

Michelle “Bankston, who has short, blond hair and a muscular build, has spent almost 20 years behind bars. She was incarcerated first at a medium-security facility here in Alabama, and then at a private prison in Louisiana (to relieve overcrowding, Alabama sends some inmates out of state), and finally here, at the Montgomery Women’s Facility, a sun-soused cluster of buildings on the outskirts of the capital city.

” ‘A while back I decided that I could either spend decades in the bunks, watching TV or playing cards,’ Bankston says, ‘or I could get out here and take the opportunity to write poetry and draw.’

“That she’s been given this opportunity to do her art is testament to the work of Kyes Stevens, an avuncular and outspoken educator, poet, and Alabama native. Since 2002, Ms. Stevens has headed The Alabama Prison Arts + Education Project (APAEP), which offers literature and art classes in a range of prisons across the state. The program is funded by Auburn University and an array of grants. The teaching staff consists of five Auburn-based instructors and a rotating cast of teaching fellows from the graduate creative-writing program at the University of Alabama in Tuscaloosa. Classes run for 14 weeks and are rigorously structured, like college courses, demanding a full commitment from students.”

Read the article in the Christian Science Monitor.

On a related note, I met a woman in my playwriting class who founded a nonprofit called On With Living and Learning, Inc. Mary Driscoll lives in the Fort Point Channel area of Boston and works with people who have been through the prison system. She uses theater to generate the catharsis that can result from their telling their stories and also to help them develop “job skills for the 21st century.” Read about her here. A script that Mary was working on in my playwriting class is now going to be made into an opera, with all sorts of helpers, like the Harvard-trained opera composer, the cabaret singer, and the reggae performer.

I can’t help thinking that when these creative people use their talents to help others, they are getting something special in return.

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Barefoot Books, the children’s book publisher, opened its retail store in Concord this past spring.

In addition to selling books, the shop offers storytelling and pottery every day and numerous other activities, like music, dance, and yoga for children. There is a puppet theater play area, a kitchen for food events, and toys. Note the list of August activities in the photo.

The neighbors, by and large, loved the way the company decorated this long-empty building. And they especially loved the new landscaping.

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Philip Levine, 83, is a poet laureate for our times. He expresses, as the NY Times puts it, the “gritty voice of the workingman.”

“Half an hour to dress, wide rubber hip boots,
gauntlets to the elbow, a plastic helmet
like a knight’s but with a little glass window
that kept steaming over, and a respirator
to save my smoke-stained lungs. I would descend
step by slow step into the dim world
of the pickling tank and there prepare
the new solutions from the great carboys
of acids lowered to me on ropes — all from a recipe
I shared with nobody and learned from Frank O’Mera
before he went off to the bars on Vernor Highway
to drink himself to death. A gallon of hydrochloric …”

Read the Times article.

Levine’s appointment as poet laureate feels timely to me for several reasons.

While income inequality in the country has become increasingly pronounced over the last few decades, public attitudes toward the labor unions that worked to level the playing field have become markedly negative. Are unions really no longer needed? Certainly, there have been abuses of their power: for example, the way some teachers unions have protected bad teachers. And weak government officials in Central Falls (RI), having routinely succumbed to the demands of public safety workers, now find there is no money to pay the promised benefits. This summer Central Falls filed for bankruptcy.

But intensely hostile antilabor actions in Wisconsin, Ohio, and even Maine are like throwing the baby out with the bathwater.

A balance between workers and other stakeholders seems to make more sense. Workers are still sometimes abused, after all. That’s why I was happy to see unions helping out foreign “cultural exchange” students to protest conditions at a Hersey’s plant in Pennsylvania last week. (I blogged about that here.)

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Heather Murphy reviews a cool-sounding book about birds as architects in Slate.

“Birds are exceptionally skilled architects. And, unlike humans, they do not require expensive schooling to obtain their skills. Nor do they covet their neighbors’ homes, explains Peter Goodfellow, author of Avian Architecture: How Birds Design, Engineer and Build. The innate ability to create sturdy and beautiful nests is written in their DNA. Goodfellow, a retired English teacher, has been studying birds since the 1970s. His new book documents the process of nest design and construction in extensive detail.” Read the article and check out the terrific slide show at Slate.

To see a bird building one of nature’s most complex nests, watch this BBC video of about 4 minutes, showing a weaver bird learning to master the skill.

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Another new writer focuses on Feathers.

Amazon posts the book description: “Feathers are an evolutionary marvel: aerodynamic, insulating, beguiling. They date back more than 100 million years. [Biologist] Thor Hanson details a sweeping natural history, as feathers have been used to fly, protect, attract, and adorn … . Engineers call feathers the most efficient insulating material ever discovered … . They silence the flight of owls and keep penguins dry below the ice.”

John has been reading Feathers, which he interrupts occasionally to tell us some little-known evolutionary fact or to praise the author’s writing style. John and Meran are really good birders, and it’s looking like their son is a birdwatcher in the making.

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Originally, I was just going to write about a new State Department program that brings foreign cultural acts to the United States. There had been a story in the Boston Globe.

“The US State Department, which has long sent American artists abroad as part of its cultural diplomacy efforts, is for the first time launching a sizable program to bring foreign performers here — an initiative administered by the New England Foundation for the Arts. Comedians, puppeteers, musicians, and dancers from Pakistan, Haiti, and Indonesia will tour to small and midsize cities across America next year as part of the nearly $2 million Center Stage program. ’Since the early ’50s, we’ve basically sent groups overseas to do people-to-people exchange for mutual understanding,’ said Ann Stock, assistant secretary of state for educational and cultural affairs. ‘This is the first time we’re bringing 10 groups to Main Street America.’ ”

It sounded like a nice experience for foreign visitors and audiences alike.

But not all summer visitors who come in under the auspices of the State Department get what they expect. J-1 visas, for example, are given out for young people to work here and enjoy cultural interactions. But according to Monica Lopossay in Thursday’s New York Times, things cans go wrong, especially if job placements are contracted out to contractors who also contract them out.

In Palmyra, near Hersey (PA), “Hundreds of foreign students, waving their fists and shouting defiantly in many languages, walked off their jobs on Wednesday at a plant here that packs Hershey’s chocolates, saying a summer program that was supposed to be a cultural exchange had instead turned them into underpaid labor.

“The students, from countries including China, Nigeria, Romania and Ukraine, came to the United States through a long-established State Department summer visa program that allows them to work for two months and then travel. The students said they were expecting to practice their English, make money and learn what life is like in the United States.

“In a way, they did. About 400 foreign students were put to work lifting heavy boxes and packing Reese’s candies, Kit-Kats and Almond Joys on a fast-moving production line, many of them on a night shift. After paycheck deductions for fees associated with the program and for their rent, students said at a rally in front of the huge packing plant that many of them were not earning nearly enough to recover what they had spent in their home countries to obtain their visas.” Read more here.

In Rhode Island, our family often meets up with young adults on J-1 visas. They staff the grocery store and the restaurants in summer. For us, it is a nice cultural exchange to talk to people from Ukraine, Moldova, or Serbia, but it’s hard to know if the visitors are having a valuable experience. Often their housing is not great, but the location is beautiful and many make good friends.

If you know more about this, do weigh in.

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The Edinburgh Fringe Festival of short theater pieces always sounds like as much fun as the Newport Folk Festival of the 1960s. Maybe more fun.

An intriguing example is described in the August 16, 2011, issue of the Guardian.

“Some shows at the Edinburgh festival are daylight robbery. Some are cheap at the price, and some cost nothing. There is only one show at this year’s festival, however, that invites members of the audience to come on stage and shred their banknotes. And the surprise of it is, people do it.

“Gary McNair, a Glasgow-based theatre-maker, is the artist behind the one-man show Crunch, which runs until 27 August at Forest Fringe. Conceived in the wake of the financial crisis, while McNair was an associate artist of the National Theatre of Scotland, the show seeks to critique money as a belief system. In it, McNair promises a ‘five-step programme’ to ‘release you from the terrors of the financial system.’ …

“The climax of the show was … the moment when he suggested members of the audience feed their hard-earned cash through an office shredder, ‘as a vaccine against the disasters of the future, so that money and greed will lose their grip on you.’ Five did, with £10 notes as well as £5 notes returned to their owners as useless slithers of paper.” Read more here.

At YouTube, McNair Explains his art.

Meanwhile, Cookie Monster contends that “God’s Away on Business.”

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I had heard about community-supported-agriculture-type efforts that deliver fish directly to consumers in the Greater Boston area. Very fresh. What I did not know is that this sort of initiative is taking place on a wider scale.

My husband recently pointed out a NY Times story on how professional Rhode Island fishermen have made it easy for chefs to buy directly from the daily catch. And according to the Times, the chefs are ecstatic.

“This boat-to-table initiative is part of Trace and Trust, a program that [Point Judith-based fisherman Steve] Arnold; Christopher Brown, the head of the Rhode Island Commercial Fishermen’s Association; and Bob Westcott, another local fisherman, started this year to make fishing more lucrative and shopping more reliable. …

“Trace and Trust comes at a moment when the seafood industry is under attack because of misleading labeling as well as the freshness and sustainability of what it sells. Consumers and fishermen have reacted by setting up community-supported fisheries, in which consumers pay in advance for a weekly delivery of seafood. And fishermen have reached out to chefs before. But Trace and Trust has used technology to create a more direct and responsive connection between consumers and fishermen than any other program in the country, said Peter Baker, director of Northeast Fisheries Program for the Pew Environment Group.”

Read more here. See also the Pew Environment Group’s focus on Conserving New England Fish.

Because of the field I’m in, I do have to spare a thought for the fish-processing jobs that may be lost with more of this direct marketing, but there is no doubt that for the fisherman, the consumer, and the restaurant, fresh is best.

Here’s a picture I took of the Point Judith (RI) fishing fleet at rest.

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