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Posts Tagged ‘brazil’

Today I want to highlight Taylor Barnes’s story in the Christian Science Monitor about the transformative effect of volleyball among poor Brazilian children.

But first an admission that the topic of volleyball reminds me (incongruously) of the movie A Thousand Clowns, in which an out-of-work writer goes around New York City fulfilling lifetime ambitions such as  standing on Park Avenue at dawn and hollering, “All right, all you rich people; everybody out in the street for volleyball.”

OK. Got that off my chest. Back to Brazil.

“Roberto Bosch’s volleyball school was getting nowhere,” writes Barnes. “Then he invited kids from the slums to join for free.

“The gangly [Bosch] joined his first volleyball club at age 12; before he was old enough to drive, he was already under contract and being paid for playing the sport. In college, Betinho, as he is known [in Rio], dropped out of his classes in economics to travel with a professional team. When he competed in the youth world championships in Italy at age 20, he was considered the best player on earth.

“But health concerns made him leave pro volleyball just as his peers were graduating from college. Soon he found he was struggling to find a new direction for his life. …

“His wife suggested he start his own volleyball school.

” ‘Given that I was really depressed, really low at the time, I didn’t think I was capable’ of running a school,’ he says. Still, he set up a volleyball court on Rio de Janeiro’s glamorous, celebrity-studded Leblon Beach.

” ‘In the beginning, it was one old net, three old balls, and one student, which was my wife,’ he recalls. …

“Then Betinho had an idea … Why not go to the public schools and offer volleyball lessons to students free of charge?”

Students from the favelas and shantytowns jumped at the chance. As the school’s reputation grew, wealthy children signed up, too. Volleyball became the great leveler in Rio. And Betinho found a purpose in life, better than the first.

More here.

Photograph: Jimmy Chalk
Roberto Bosch teaches beach volleyball on Leblon Beach in Rio de Janeiro. His students come from both local slums and wealthy neighborhoods.

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An Associated Press story on an “innovative program that allows inmates to reduce their sentences in exchange for generating power” caught the attention of NPR today. It seems that prisoners may volunteer to help “illuminate the town of Santa Rita do Sapucai [Brazil] at night.

“By pedaling, the inmates charge a battery that powers 10 street lamps along a riverside promenade. For every three eight-hour days they spend on the bikes, [the volunteers] get one day shaved off their sentences.

“The project in the southeastern state of Minas Gerais is one of several across Brazil meant to cut recidivism by helping restore an inmate’s sense of self-worth. Prisoners elsewhere can trim their sentences by reading sentences — in books — or taking classes.

“Officials say they’ve heard a few complaints the initiatives are soft on criminals, but there’s been little criticism in the country’s press or in other public forums.” Read more at National Public Radio.

Here is what such a bike might look like.

Photograph: Eric Luse, The Chronicle / San Francisco

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A new exhibit organized by the Cooper-Hewitt National Design Museum in New York demonstrates the power of design to make life better for disadvantaged people.

“This is a design show about remaking the world … And that’s thrilling,” writes Michael Kimmelman, “whether it’s happening in Cupertino, Calif., or Uganda, where H.I.V. infects hundreds of people a day, and the latest news cellphone-wise has been the design and distribution of a text-messaging system that spreads health care information.

“In Kibera, an area of Nairobi, Kenya, and one of the densest slums in Africa, the challenge was different. Traditional wood and charcoal fires cause rampant respiratory disease there. Refuse fills the streets. So a Nairobian architect designed a community cooker, fueled by refuse residents collect in return for time using the ovens.

“From cellphones and cookers to cities: in Thailand, a public program called Baan Mankong Community Upgrading has, for the last eight years, been improving conditions in hundreds of that country’s 5,500 slums, bringing residents together with government and nongovernment agencies to design safer, cleaner places to live.”

Read more in the NY Times.

You will also enjoy reading about slum (favela) painting in Brazil and what a new coat of paint can do for building residents’ skills while lifting their spirits.

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We watched a couple unusual documentaries last night and last weekend. Often by the time films are available on Netflix, all I remember about the review is that someone highly recommended them. I know only that we will get a big surprise.

“Marwencol” and “Waste Land” were amazing surprises. They turned out to have something in common, too — the idea that art can lift people from despair, help them see things in a way that opens up their world. What was different between the movies was that for the troubled guy who created art in “Marwencol,” showing his work in a NYC gallery is quite beside the point of his healing process and probably the last thing he needs.

The movie is beautifully executed, but one has the sense that the young filmmakers who think the protagonist will benefit from the big-time art world don’t understand psychology very well.

The protagonist of “Waste Land,” successful Brazilian artist Vik Muniz, although equally idealistic, understands his subjects better, having experienced a life similar to theirs in his impoverished childhood. He decides to combine an art project with helping “garbage pickers” in the world’s biggest landfill, in Rio. Getting to know a few of the workers really well, he develops tremendous admiration for them and their deep dignity. He pays a few to work with him on giant portraits on themselves, portraits that play on the themes of some famous paintings. They use recyclables to complete the images, which are then photographed and shown in galleries and at auction. The proceeds come back to the people and help them both individually and collectively.

But the biggest transformation is not monetary but rather what Vik anticipated based on his own life experience — that by seeing things in a new way, they would get new ideas about themselves and their possibilities.

 

 

 

 

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