Feeds:
Posts
Comments

Posts Tagged ‘egypt’

Maybe one of my Egyptian relatives will know about this poet. I enjoyed what Abdalla F. Hassan had to say about him in the NY Times, but I wish there had been examples of his poems to share with you. (Sorry, Poets!)

“Along a narrow, leafy road just past a small domed mosque is an electric pole with a handwritten sign showing the path to the country home of the poet Abdel-rahman Elabnoudy. The sign reads Aya and Nour, the names of his daughters.

“Sequestered from the big city, Mr. Elabnoudy, a songwriter, dramatist, social critic and man of verse, lives in a whitewashed home on small plot of land planted with mangoes and date palms in a village in Ismailia Province, along the Suez Canal. A couple of decades ago, he tilled and sowed the earth, and designed a home modeled on the traditional architecture of Abnoud, the Upper Egyptian village of his birth.

“ ‘I am from a village where everyone sings, except the shop owners, who reap the output of the singing at the end of the day,’ said Mr. Elabnoudy, 74, one of the Arab world’s best-known vernacular poets. ‘People work and sing, and with their earnings they would buy simple things like cigarettes and tea.’

“Books and awards line the shelves of his sunny study and reception room. On one wall, below a black-and-white portrait of his father, Mahmoud Elabnoudy, is a photograph of a beaming Abdel-rahman embraced by his mother, Fatma Qandil.

“ ‘It was an exaggerated love,’ he said of his mother. ‘She is present a lot in my poetry, but my father isn’t. She is my true educator.’ …

“Mr. Elabnoudy wrote the songs and the dialogue for the landmark 1969 film ‘Touch of Fear,’ which tells the story of a tyrannical village chief and his demise. The film narrowly passed the censorship authorities and was screened only after Mr. Nasser had seen it and given his approval. …

“Its theme — a mass uprising against tyranny ignited by a senseless death — was what unfolded four decades later to topple a system of authoritarianism established by the military coup-turned-revolution of Nasser and the Free Officers in 1952. Mr. Elabnoudy’s only poem in homage to a leader was written to Nasser 40 years after his death in 1970 and weeks before the 2011 revolution, praising his incorruptibility.

“Mr. Elabnoudy’s ascendancy has endured through six decades. His poem ‘The Square’ … captured the dreams and hopes of a nation during the height of the 18-day revolution. ‘A ruler should never think he understands Egypt,’ he said.”

More.


Photograph of vernacular poet Abdel-rahman Elabnoudy is by Abdalla Hassan

Read Full Post »

Do men and women have different approaches to charitable giving?

In the July 12 Christian Science Monitor, Temma Ehrenfeld writes that the Women’s Philanthropy Institute at Indiana University has found that “female-headed households are more likely to give to charity than male-headed households, and that in nearly all income groups women give more than men.”

In addition, continues Ehrenfeld, “Insiders say women have their own culture in grant-making. …

“For example, the Global Fund for Women (GFW), unlike most grant-givers, accepts handwritten proposals of any length and in any language, and is unusually open to grants for general purposes rather than specific projects. It also funds meetings to create networks of women activists.

“The approach demonstrated its power during Egypt’s Arab Spring, said Christine Switzer, GFW’s director of development. ‘Our women were able to mobilize together,’ she said, pointing to 77 grants totaling more than $1 million GFW has given to Egyptian women, young and old.”

I often wonder, though, Are women more generous to the underprivileged when they become heads of state? I doubt it. Indira Gandhi? Maggie Thatcher? Golda Meir? Kirchner of Argentina? Let me know if you see studies on this topic.

Meanwhile, there’s more to read at the Monitor.

Photograph: http://www.dw.de

Read Full Post »

I like reading about street art and what motivates the creative outbursts. I have blogged on this before (Slinkachu, Banksy).

The Art Newspaper recently did quite a long feature on street art inspired by (and inspiring) the Arab Spring.

Anny Shaw and Gareth Harris interview “Hans Ulrich Obrist of London’s Serpentine Gallery, who is chairing a discussion on art patronage in the Middle East as part of a summit at the British Museum and the Royal College of Art (12-13 January).”

” ‘What is interesting to see in Egypt, and in all these countries, is that artists are not only going out into the city, they also become agents of change in society. … If you think about it in terms of the Russian Revolution and Mayakovsky saying “the streets are our brushes, the squares our palettes,” it’s about art going beyond the museum and blurring the boundaries between art and life.’

“Obrist also notes that there is a long-standing tradition, particularly in Egypt, of contemporary artists using the street to mount performances or install works. Indeed, several contemporary Egyptian artists, including Susan Hefuna and Hassan Khan, have used the city as a site for their work, both before and in response to the uprising. …

“As Anthony Downey, the director of contemporary art at Sotheby’s Institute of Art in London, editor of ibraaz.org and a speaker at the summit says, the region has ‘antecedents in graffiti-based pro­tests,’ citing those against the Shah of Iran before his flight from Tehran in 1979 and the graffiti and posters used in Beirut during the civil war in Lebanon.”

What a hoot that this art has been taken up by auction houses like Sotheby’s! But on the whole it’s good for the artists. I know what a great moment it was when the favela artists from Brazil were able to sell their work in the movie Waste Land.

Read more here.

 

Read Full Post »

Gene Sharp (founder of the Albert Einstein Institution and the go-to guy on nonviolent revolution) is proof that one and one and 50 make a million. Sharp is one man, but his writings have had a powerful influence on many of the players in the 2011 Arab Spring and democracy movements elsewhere.

Today I went with Jane’s family to see a movie about Sharp at the Boston Film Festival. (Jane’s cousin, Ruaridh Arrow, directed it.) It’s a remarkable film. There were interviews with organizers of nonviolent change in Serbia, Ukraine, Egypt, Syria, and beyond. The documentary was interspersed with news footage and video from recent uprisings around the world. A key message is that change takes strategic planning (you can’t wing it) and is a kind of armed resistance, only people are armed with ideas for undermining the pillars that support an oppressive regime. In addition to conducting research on the subject of nonviolence, Sharp has offered a list of 198 techniques that effect change.

After a standing ovation, a frail Gene Sharp, 83, his assistant, Jamila Raqib, and nonviolent-change trainer Col. Robert Helvey, retired, came up on the stage with the director and took audience questions. Raqib was asked about the funding for the Albert Einstein Institution, which operates out of a small space in East Boston. She said that likely funders back off because the ideas do relate to overthrowing a government. The institution is struggling.

I wish you could have been there to hear a young woman stand up and say that she is Egyptian and took  part in the January uprising. She said the overthrow of the government was easy but the rebuilding is hard. She wanted to know if any studies had been done comparing the transitions to democracy of other uprisings. When Sharp said that studies had yet to be done, I couldn’t help thinking what a good use of new funding such research might be. The film itself was funded by large and small donations from around the world through Kickstarter, which I blogged about here. Perhaps it can kickstart nonviolent change elsewhere.

 

Read Full Post »

A friend of mine has a new blog on economic education.  He’s a very good writer with a great sense of history and how history repeats itself. Here he notes that there have always been vested interests in America giving immigrants a hard time. Those immigrants become integral to the fabric of American life, but sometimes their descendants forget the struggle and turn against newer immigrants. We need to remind ourselves of how well things have worked out when newcomers have gotten education, started businesses, hired people, run for office, invested in communities.

Personally, I love to think of America as built by immigrants. Besides, Erik is from Sweden and my daughter-in-law’s parents came from Egypt.

If you sign up to make comments on my friend’s blog, I know he will be happy. I myself am happy when people make comments.

Read Full Post »

Follow

Get every new post delivered to your Inbox.

Join 275 other followers