When I saw the headline at Wired, it didn’t really compute.
“Artists Create Portraits on Live Grass.” What? I don’t get it. Did the artists set up easels and paint with oils? Did they paint directly on the grass?
Writer-photographer Jakob Schiller explains.
“It all started, as these things sometimes do, by accident. In 1990, before they worked in photography, [Heather] Ackroyd and [Dan] Harvey created an art installation that covered an entire room with grass. As part of the art piece they had left a ladder leaning against a wall and when they went to remove it they saw that the ubiquitous and fast-growing plant had been imprinted with the shadow. The grass had stayed yellow where the ladder had prevented it from receiving any light.
“ ‘We didn’t know straight away what we were looking at, but we knew that we had observed something important,’ Ackroyd says.
“They began playing with the idea of manipulating the light that hits grass and by the next year were projecting light through an old 35mm Kodak projector onto a swath of grass on the wall.”
What to think as the grass withers and dies? It’s kind of a Dorian Gray scenario.
Read more about the project at Wired‘s Raw File, here.
Photograph: Ackroyd & Harvey.
Myles, Basia, Nath and Alesha, The Big Chill Festival, Eastnor Castle, between the Cotswolds and the Welsh Marches. 2007
