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Posts Tagged ‘favela’

Today I want to highlight Taylor Barnes’s story in the Christian Science Monitor about the transformative effect of volleyball among poor Brazilian children.

But first an admission that the topic of volleyball reminds me (incongruously) of the movie A Thousand Clowns, in which an out-of-work writer goes around New York City fulfilling lifetime ambitions such as  standing on Park Avenue at dawn and hollering, “All right, all you rich people; everybody out in the street for volleyball.”

OK. Got that off my chest. Back to Brazil.

“Roberto Bosch’s volleyball school was getting nowhere,” writes Barnes. “Then he invited kids from the slums to join for free.

“The gangly [Bosch] joined his first volleyball club at age 12; before he was old enough to drive, he was already under contract and being paid for playing the sport. In college, Betinho, as he is known [in Rio], dropped out of his classes in economics to travel with a professional team. When he competed in the youth world championships in Italy at age 20, he was considered the best player on earth.

“But health concerns made him leave pro volleyball just as his peers were graduating from college. Soon he found he was struggling to find a new direction for his life. …

“His wife suggested he start his own volleyball school.

” ‘Given that I was really depressed, really low at the time, I didn’t think I was capable’ of running a school,’ he says. Still, he set up a volleyball court on Rio de Janeiro’s glamorous, celebrity-studded Leblon Beach.

” ‘In the beginning, it was one old net, three old balls, and one student, which was my wife,’ he recalls. …

“Then Betinho had an idea … Why not go to the public schools and offer volleyball lessons to students free of charge?”

Students from the favelas and shantytowns jumped at the chance. As the school’s reputation grew, wealthy children signed up, too. Volleyball became the great leveler in Rio. And Betinho found a purpose in life, better than the first.

More here.

Photograph: Jimmy Chalk
Roberto Bosch teaches beach volleyball on Leblon Beach in Rio de Janeiro. His students come from both local slums and wealthy neighborhoods.

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I like reading about street art and what motivates the creative outbursts. I have blogged on this before (Slinkachu, Banksy).

The Art Newspaper recently did quite a long feature on street art inspired by (and inspiring) the Arab Spring.

Anny Shaw and Gareth Harris interview “Hans Ulrich Obrist of London’s Serpentine Gallery, who is chairing a discussion on art patronage in the Middle East as part of a summit at the British Museum and the Royal College of Art (12-13 January).”

” ‘What is interesting to see in Egypt, and in all these countries, is that artists are not only going out into the city, they also become agents of change in society. … If you think about it in terms of the Russian Revolution and Mayakovsky saying “the streets are our brushes, the squares our palettes,” it’s about art going beyond the museum and blurring the boundaries between art and life.’

“Obrist also notes that there is a long-standing tradition, particularly in Egypt, of contemporary artists using the street to mount performances or install works. Indeed, several contemporary Egyptian artists, including Susan Hefuna and Hassan Khan, have used the city as a site for their work, both before and in response to the uprising. …

“As Anthony Downey, the director of contemporary art at Sotheby’s Institute of Art in London, editor of ibraaz.org and a speaker at the summit says, the region has ‘antecedents in graffiti-based pro­tests,’ citing those against the Shah of Iran before his flight from Tehran in 1979 and the graffiti and posters used in Beirut during the civil war in Lebanon.”

What a hoot that this art has been taken up by auction houses like Sotheby’s! But on the whole it’s good for the artists. I know what a great moment it was when the favela artists from Brazil were able to sell their work in the movie Waste Land.

Read more here.

 

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