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Posts Tagged ‘housing’

I was thinking about houses this past weekend.

First, there is this house on the grounds of a private school near where I live. I snapped it on my walk.

Concord Academy Treehouse

Second, there is this house on a Hudson River Estate falling down around the ears of the latest, impecunious generation.

Photo of Rokeby, a 43-room house on the Hudson River, by Piotr Redlinski for The New York Times. New York Times story here.

Third, there is a tiny house that a Hampshire College student is living in as a senior project.

James Sullivan writes, “As a child, Hampshire College senior Nara Williams hated being told to pick up after herself. This semester, she’s learning to keep things tidy — very tidy.

“For her senior project, she is living in a 130-square-foot house to explore the realities and benefits of living small.

“A few weeks ago, Williams took delivery on a model home used as a showcase for the Tumbleweed Tiny House Co., a leader in the burgeoning ‘small house’ movement. …

“The housing project, Williams said, is her inquiry into ‘viable alternatives’ to the American dream. Blogging about the experience, she is raising questions about property ownership, material goods, consumption, sustainable living, and other issues in an era marked by housing and environmental concerns.”

Read about Rokeby, the Hudson River estate passed down through too many generations, and read about the tiny house, and pray that no one bequeaths you anything like the former. A tree house or a tiny house are what you want if you prefer to own property and not have property own you.

Update: Omigosh, a scathing memoir is just out on what it was like to grow up at Rokeby — reviewed in the Globe, here

Photo: Darren Durlach/Globe Staff
Boston Globe story here.

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Here is Middle America at 7 a.m. waking up in Boston’s financial district after a cold, rainy night in a tent — and wondering why its college degrees have not led to jobs. It’s not Hooverville. But I think it represents something real.

There is actually a wide array of causes represented. No obvious central theme has emerged. End the War, Tax the Rich, Socialism … .

Every day I get tweets from the Equal Exchange coffee trike. With the Occupiers of Boston, the curiosity seekers, the media, and the police, there has been a steady demand for coffee. Today’s message was  “EEFreeRange EE Free Range Cafe: So busy I can’t get a tweet in edgewise! Trikes are at Charles/MGH and Dewey Sq. Come see us!”

At the Washington Post, Ezra Klein is trying to figure out what it all means. He decided it probably does mean something after he started reading a Tumblr blog called We Are The 99 Percent. He describes the blog as all “grainy pictures of people holding handwritten signs telling their stories, one after the other.

‘I am 20K in debt and am paying out of pocket for my current tuition while I start paying back loans with two part time jobs.’

“These are not rants against the system,” Klein continues. “They’re not anarchist manifestos. They’re not calls for a revolution. They’re small stories of people who played by the rules, did what they were told, and now have nothing to show for it. Or, worse, they have tens of thousands in debt to show for it.” Read more.

In the afternoon I went over and read a few signs. Would love your comments on this one: “I couldn’t afford my own politician, so I made this sign.”

It’s 11/6/11, and I just learned about another great source of Occupy signs, at Mother Nature Network. Check out “I’ll believe corporations are people when Texas executes one” here.

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How can you not love groups that use the arts to facilitate community development goals?

In a recent NY Times article I see that a collaboration to revive a 1937 musical revue is designed to benefit the community. The show is a classic, and it’s called Pins & Needles.

“Running at the Irondale Center in Fort Greene, Brooklyn, from Wednesday through July 9, the show, comprising sketches and songs, is a joint endeavor of the Obie-winning Foundry Theater and Families United for Racial and Economic Equality (Furee), which since 2001 has worked to increase access to housing, jobs and services for low-income families.”  Read the Times article here.

I went to Wikipedia to refresh my memory about Pins & Needles, which I have heard only on an old vinyl recording, and found this.

“The International Ladies Garment Workers Union used the Princess Theatre in New York City as a meeting hall. The union sponsored an inexpensive revue with LGWU workers as the cast and two pianos. Because of their factory jobs, participants could rehearse only at night and on weekends, and initial performances were presented only on Friday and Saturday nights. The original cast was made up of cutters, basters, and sewing machine operators.”

I have to say, I love Wikipedia — you never know what new paths it will lead you down. I had forgotten (if I ever knew) that one of the Pins & Needles creators was Arnold Horwitt, a playwright neighbor who helped me out years ago. He showed me how to write a musical on Fire Island. It was for the annual teenage show. His daughter is a tech writer in the Greater Boston area now, someone who also writes fiction.

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