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Posts Tagged ‘ica’

I keep a folder of things I want to check out in walking distance of the office. Today I pulled out a Boston Globe article from 2-1/2 years ago, “Depression-era mural gets a second chance to shine,” and set out.

A Stephen Etnier mural of Boston Harbor that had been rolled up and stored away in 1981 was back on display.

Etnier, as Brian Ballou wrote in the Globe, was “one of hundreds of artists across the country picked by the federal government in the late 1930s to early ’40s to depict characteristic scenes of their region in post offices. …

“In early 2005, postal employee Brian Houlihan came across the painting and alerted Dallan Wordekemper, the federal preservation officer for the United States Postal Service. The mural was sent to Parma Conservation in Chicago, which began to restore the artwork in late 2008.”

The restored painting, “Mail for New England,” was unveiled in April 2010, but it took me until today to get to the post office branch at Stuart and Clarendon.

I got an extra bonus, too, because on the way I saw a completely unexpected bit of street art by the famed Gemeos twins, whose work at the ICA and Dewey Square was described in an earlier post.

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There is a huge structure in the middle of the Greenway that the inventive Sam and Leslie of Uni Project fame once envisioned as a projection screen for summer film festivals. It houses the Big Dig’s ventilation system.

About a week ago I was walking past and noticed what looked like window washers cleaning it. I thought, “Now, why would anyone want to wash that thing?”

A couple days later I saw why. Prepping the canvas.

This is in Dewey Square, where less than one year ago Occupy Boston pitched camp.

Now, writes Geoff Edgers in the Boston Globe, “That’s where Os Gemeos (‘the twins’), famous in the street art world for creating towering cartoonish figures with bright colors and grimacing expressions, began work on their first Boston piece. Depending on weather, they’ll need a little over a week to craft the mural on a wall of a Big Dig ventilation building and a second, smaller piece on the Revere Hotel near Boston Common.

“The pieces are part of the first solo museum exhibition in the United States for Os Gemeos. The Institute of Contemporary Art show, featuring paintings, mixed media works, and installations, opens Aug. 1.”

Read more and check out other art by these guys at the Globe.

You might also like to read the museum’s description of the brothers’ upcoming the exhibition:

“This August the ICA will present the first solo exhibition in the United States of works by the Brazilian brothers Otavio and Gustavo Pandolfo. Best known as Os Gêmeos, the twins are a major force in graffiti and urban art. The twins have a deep bond; they are tireless collaborators and say that they often experience the same dreams. In an effort to share their dreams with the world, they depict their visions in surreal paintings, sculpture, and installations: human figures with removable faces, exploding bursts of color, and room-size heads installed with shanty interiors.”

More from the ICA here.

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Sunday evening I went over to Concord Academy to hear Seán Curran talk about how he creates choreography. Betsy, one of the dancers from his company, did a beautiful job of demonstrating what he meant.

As a little boy growing up in Watertown, Seán said, he waited eagerly for the mail that brought Look magazine. He liked to cut out pictures and make collages with them.

He says that his approach to choreography is similar. He arranges many snippets or dance phrases in different ways. His challenge is to edit down the many ideas so that the choreography doesn’t topple from too much weight.

I make collages, too. I have always liked the idea of taking a bunch of random things people have said and trying to make a play out of them, for example.

I also make collage greeting cards. I keep a box of promising pictures, cut from magazines and gallery postcards. I go through the whole pile and set aside maybe 20 items that somehow remind me of the person for whom I am making the card. Then I edit them down to the few pieces that will be best for the particular occasion.

All that happens before I cut the shapes and decide on how to arrange them. Sometimes I do a cutout of a cutout and put something else in the space: for example, I cut a vista out of a painting of a window and put a girl in the space (bottom right).

Here are examples.

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