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Posts Tagged ‘london’

If you are going to London, try to see where archaeologists have recently located theaters used by Shakespeare.

Matt Trueman writes at the Guardian, “The sites of two Jacobean theatres in London, both used by William Shakespeare, could host drama once again, following planning applications for new theatres.

“The Curtain theatre in Shoreditch, once home turf for the Lord Chamberlain’s Men, was discovered last year after an extensive archeological dig. Under plans submitted to Hackney council, it would be transformed into a 250-seat open-air amphitheatre …

“Meanwhile, just around the corner, it could soon be joined by a six-storey theatre with a 235-seat auditorium, on the site of a performance space known simply as the Theatre.

“Launched a year before the Curtain, this was only the second permanent theatre built in England and hosted the Lord Chamberlain’s Men when its proprietor Richard Burbage joined the company. The Theatre’s remains were uncovered five years ago  …

“Alan Taylor of the Belvedere Trust, the organisation behind the plans, said, ‘We expect to have a Shakespearian piece to what we are offering, but it will by no means be all Shakespeare.’

“Meanwhile, planners at The Curtain, to be called The Stage, have reportedly approached Shakespeare’s Globe about jointly programming the space, but is aiming for similar plurality. Architect John Drew said: ‘It would be great if the performance space was used for all sorts of purposes, such as music as well as theatre.’ ” More.

Can’t help wondering what the characters in my favorite recent TV show, Slings and Arrows (who are completely real in my imagination), would think about adding the non-Shakespeare entertainments.

(By the way, if you rent Slings and Arrows from Netflix, skip the first episode. Not a good introduction.)

Photograph: The Guardian
Excavations at the Curtain theatre in London

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I am intrigued by street art, and have blogged a few times about the British street artist Banksy. For example, here.

So I wanted to share Nicholas Barber’s article “The Full Banksy Experience” at More Intelligent Life.

“Last week I was driving home along an unlovely stretch of main road in east London,” writes Barber, “when I saw what looked like a billboard on the side of a building. It had a friendly message printed in neat black letters: ‘Sorry! The lifestyle you ordered is currently out of stock.’

“It took a few seconds to process. It was definitely pithy, and definitely cheered me up at the end of a boring drive, but what was it? An advert? Did it have The Economist’s red logo at the bottom? Or was it … could it be … a Banksy?

“A few days later, an item in the local paper confirmed that it was indeed a Bansky, and a photo was on the artist’s website. I felt as if I’d lucked into a new artistic experience.

“The pleasure you get from a Banksy comes from the whole process: the chancing upon on an artwork in the unlikeliest of places, the speculation over how it got there, the uncertainty over whether it’s his or not, the subsequent authentication, and then the knowledge that it might have been rubbed out by the time you return.”

That is similar to my own reaction, except for the fact that I knew what I was looking for. And to this day, it has not been “authenticated.” Do you think it looks like a Banksy?

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In a recent study of professions that involve intensive memorization, London cab drivers were found to have brains with swollen hippocampi. Not even doctors or so-called memory champions show that effect. Andrews Sullivan has the story.

Says researcher Eleanor Maguire, “We’re in a situation where people are living longer and often have to retrain or re-educate themselves at various phases in their lives. It’s important for people to know that their brains can support that. It’s not the case that your brain structure is fixed.”

A cabbie competes against a satellite system in a really cool video.

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Did you read in the NY Times about England’s chewing gum artist?

“Ben Wilson, 47, one of Britain’s best-known outsider artists, has for the last six years or so immersed himself in a peculiar passion all his own: he paints tiny pictures on flattened blobs of discarded chewing gum on the sidewalks of London.” The article is sweet, and it shows that an original concept can delight people in large and small ways.

After he “became friendly with the workers in the discount general store that replaced the Woolworth’s, [he] painted a message of love on behalf of Syed Miah, a cashier there who had had a fight with his girlfriend.

“ ‘She thought maybe I’d stuck a sticker on the ground,’ said Mr. Miah, 32. ‘Then I explained that I’d had an artist come and do it. It was brilliant.’ ” 

 

 

 

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