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Posts Tagged ‘radio’

When you consider all the minority languages that are endangered today — many of which I’ve blogged about (for example, here) — it seems a bit perverse to be bringing back Latin on the radio. But as one more way to interest people in languages, how bad can it be?

For the Finns, who have to speak many languages because hardly anyone speaks theirs, it’s just one more.

As John Tagliabue wrote in yesterday’s New York Times, the Internet has given a boost to “a weekly summary of world events and news broadcast by Finnish state radio — not in Finnish, but in classical Latin. …

“In recent weeks, the subjects have included the financial crisis in Cyprus, an unusually brilliant aurora borealis and the election of Pope Francis. …

“It may be no coincidence that the broadcast began in 1989, the year Communism collapsed in Eastern Europe and the Finns turned toward Western Europe. For educated Finns, Latin had long been the country’s link to Western culture, and they were required to study the language in school. …

“While the broadcasts once went out over the airwaves, with shortwave reception for listeners outside Finland, more and more listeners tune in to the program’s Web site, through podcasts and MP3 downloads.” More.

Image: Wikipedia
Cicero Denounces Catiline, fresco by Cesare Maccari, 1882–1888. It’s what Suzanne’s Mom thinks of when she thinks “Latin.”

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Here’s a guy who loves music, who loves nature, and who is taking his own quirky path to bring the two together.

On the radio show The World, Gerry Hadden interviews the impresario on location.

“We are talking about a solar power recording session in the southern Sierra Nevada mountain range, outside Granada, Spain.

“It is part of an open air recording project called Wapapura, the brain child of musician Rafa Kotcherha.

“And as Kotcherha explains, ‘for a Wapapura recording to take place, you need three elements: Music, Space and Earth.’

“ ‘The music is of course the musicians we’re going to record,’ he says.

“ ‘The space is the environment in which it is going to take place’ and ‘the earth element is the environmental non-profit, linked to the recording, which benefits from part of the purchase of the CD online when it is released.’ ”

Learn about a recording session with the European ensemble Merope high on a mountain in Spain.

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I have been reading a comic book by Jessica Abel, ”How to Make Radio That’s Good,” about Ira Glass and his special brand of storytelling for Public Radio International’s “This American Life.” The book was recommended by a National Public Radio guest speaker where I work. The library was able to order it from WBEZ in Chicago, but it might be out of print.

I have to admit that I have never been a huge fan of “This American Life” or the Ira Glass style of speech. But I’m really liking his ideas on how to build a story from a central character and hooking onto “something surprising.”

And I love this little animation of one of the shows, which is a near-perfect illustration of the comic book’s precepts.

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Living on Earth, a national radio program produced in Somerville, Massachusetts, has interviewed an interesting guy who makes audio recordings of nature.

He may record, for example, what a woodland sounds like before a logging company comes in and what it sounds like after clear cutting. He may record the sounds of insects in trees. He says it is nearly impossible to get away from man-made sounds when recording nature.

Listening to his recordings early this morning resulted in my listening for the birds more on the walk I took later. (And I turned to see a very jubilant cardinal.)

“Few have heard the world as Bernie Krause has. Originally trained as a musician, he spent years recording the most famous musicians of the 1960s and 70s. Then he left the studio to explore the origins of music in nature. Krause has recorded wild sounds in places few have ever been or even dreamed of. Living on Earth’s Ike Sriskandarajah listens in.” Listen here or read transcript.

Krause calls his field of study soundscape ecology. Here is his new book, The Great Animal Orchestra.

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Heard this interview today on the great environmental radio show Living on Earth. Tom Montgomery Fate talks about  trying to “live deliberately” like H.D.  Thoreau and connecting to nature and memories of his father in the woodland cabin he often escapes to. His book is  Cabin Fever: A Suburban Father’s Search for the Wild.

In the elementary school Suzanne attended, all second-graders learn about Thoreau, and as a parent volounteer, I went with her class to the cabin site at Walden Pond. The children had a quiz sheet with questions like, “What sounds would Thoreau have heard in his cabin?” The teacher asks,  ”An airplane?” (All the kids say, “No-o-o!”) When the Living on Earth interviewer asked the author about his own retreat being near a noisy highway and a short walk to a pub, I was surprised that he didn’t point out that a Boston-Fitchburg train ran right along the edge of Walden Pond in Thoreau’s day, and that the famous naturalist had an easy walk back home to Concord for a Sunday dinner with his mother. Fate did explain that the Walden mystique was all about a mindset and keeping a balance between what’s important and the often numbing dailiness of modern life.

Asakiyume comments: Living deliberately. Something that’s very important to me about that concept is the notion that you can do it anywhere, in any circumstances. I’ll grant that some circumstances make it really hard: if you’re in a job you hate, or a relationship you hate–basically, if there’s some part of your life that’s putting a huge negative drain on you–I think it’s very hard. But I do think that living deliberately can be done in a suburb, in the country, in a city… not just in the wilderness. I think Thoreau wanted to mark, in actual space, his separation from mundane daily life, and I understand that. But I think it’s the mindset, not the location, that’s important.  

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