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Posts Tagged ‘subway’

I saw these fiddlers a couple times while waiting for the evening train to Porter Square. For weeks there were tweets: “Who are those guys?”

Steve Annear at Boston magazine got the scoop. “Two former Berklee College of Music students have made a full-time job out of playing contemporary music on their violins for the swarms of passengers that crowd the platforms of the MBTA each day.

“After meeting in 2009 outside of the school, violinists Rhett Price and Josh Knowles got together and decided to form a two-piece ensemble and perform songs while standing on the Boston Common. But when winter got too cold and their fingers ‘started to get stiff,’ Price says the pair turned to the T for a busker’s permit so they could share their songs with riders traveling on the underground transit system.

“ ‘It’s been amazing. I was really nervous at first—we were nervous about playing on the T in general, and we didn’t think any one would give us any money. But there are people who come up and [request songs],’ says Price. ‘This is what we do right now to pay bills.’ …

“Price says he and Knowles play at three stops throughout the week, including North and South Stations, and at the Harvard Square stop. In a few weeks, they’re kicking the public transportation appearance up a notch, and will travel to New York City to play for riders there.”

Um. Forget about New York. Spend more time at South Station, please.

More.

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The New York Times recently printed a lovely collection of pop-up music sightings by various reporters. Each unexpected free performance affected New Yorkers like a flash mob.

At the High Line, surprised “participants were given small sets of speakers that could be attached to their coats or backpacks, or held by hand. As you began the walk at the southern end of the High Line, near Gansevoort Street, your every footstep or hand twist kicked the app into action, and you heard various sounds — clinking, chimes, splashing water, car horns, chords on electric guitar and, in a novel touch, occasional rounds of applause.”

Another report notes, “The High Line elevated park does not normally allow group walks or amplified sounds, but it made an exception for ‘The Gaits,’ one of a dozen participatory performances that constituted Make Music Winter.

“The event was an offshoot of Make Music New York, a festival of hundreds of concerts that occurs in June on the first day of summer, in public spaces around the city. Modeled after Fête de la Musique, an annual affair in Paris started in 1982, the New York version is in its sixth year.

“The founder of Make Music New York is Aaron Friedman, a composer and political activist who decided it was time to add a winter solstice edition.”

Several delightful Winter Solstice music events are described here.

Photograph: Todd Heisler/The New York Times
Meredith Krinke, 6, holds Bach sheet music for her father, Brian, December 21 on the G train in New York.

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Hurricane Sandy was terrible for many communities in its path, and the devastation has given urgency to climate concerns and innovative solutions.

Henry Fountain writes about one such solution in the NY Times, “With a few dull thuds, the one-ton bag of high-strength fabric tumbled from the wall of the mock subway tunnel and onto the floor. Then it began to grow. As air flowed into it through a hose, the bundle inflated until it was crammed tight inside the 16-foot-diameter tunnel, looking like the filling in a giant concrete-and-steel cannoli.

“The three-minute procedure, conducted on a chilly morning this month in an airport hangar not far from West Virginia University, was the latest test of a device that may someday help guard real tunnels during disasters — whether a terrorist strike or a storm like Hurricane Sandy, whose wind-driven surge of water overwhelmed New York City’s subway system, shutting it down for days.

“ ‘The goal is to provide flooding protection for transportation tunnels,’ said John Fortune, who is managing the project for the federal Department of Homeland Security’s Science and Technology Directorate.

“The idea is a simple one: rather than retrofitting tunnels with metal floodgates or other expensive structures, the project aims to use a relatively cheap inflatable plug to hold back floodwaters.

“In theory, it would be like blowing up a balloon inside a tube. But in practice, developing a plug that is strong, durable, quick to install and foolproof to deploy is a difficult engineering task, one made even more challenging because of the pliable, relatively lightweight materials required.”

More.

Photograph: NY Times

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Some outstanding musicians have performed in the Cambridge and Boston subways over the years. I never know quite what to expect.

New Yorkers also get some nice surprises in the subway. Alex Vadukul of the NY Times writes about a paper-cutting portraitist who works fast:

“In the congested world of subway performers, where dance troupes, conga circles and violin players blur, Ming Liang Lu, 57, is an alluring presence. A self-described ‘master paper portrait cutter,’ he has the ability to trim facial portraits out of frail paper within minutes, compelling some riders to willingly miss their trains.

“Mr. Lu practices several ancient Chinese art forms, and says he hails from a noted Shanghai teaching lineage. On weekends, he teaches calligraphy, painting and cutting at the New York Chinese Cultural Center. He said that in Shanghai, his birth city, he was renowned for stone sculpture and stamp seal carving. He credits the facial portraits to his formative training in a three-dimensional form.” 3-D before 3-D. Read all about it.

Photograph: Joshua Bright for the NY Times

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Those of us who go to work on the commuter rail or on the subway (the T) have a love-hate relationship with our public transportation system. Probably more love than hate since we forgive everything, always reminding ourselves how much more we would hate sitting in road traffic listening to the same news headlines repeated multiple times. We just make sure to carry a book and snacks in case of train breakdowns.

Take tonight. When I got down to the platform, the numbers of commuters seemed ominous. Even more ominous was the recorded message that kept telling us our train was “arriving” even though we know it never says “arriving” more than once for any train.

My boss said, “Don’t you have the option of taking the commuter rail from North Station?” Good point. I set off on foot, caught a number 4 bus, and landed at North Station in reasonable time, but for a later train.

The country badly needs good mass transit, and I think focusing on cars, gas, and roads is misguided. We riders get mad at the T and often complain about how it spends its money, but man, it sure is old and beat up! It’s held together with string — and the efforts of people who work all night on repairs to try to get the system functioning by 5:30 a.m. every day.

Now the T has made a 45-minute documentary on its night-time moles. If you don’t have time for the whole documentary, here’s a taste.

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We went downtown to have lunch at the Whitney Museum with friends and to take in the Real/Surreal exhibit.

Favorite artists like Charles Sheeler, Mardsen Hartley, and Grant Wood were featured. I liked the eerie emptiness of Edward Hopper’s “Seventh Avenue” and the anxious denizens of George Tooker’s subway world.

Sounds unnerving, but in surfacing the alienation, I think the artists make one feel the possibility of getting a grip on it.

Afterward, we walked up Madison, stopping at a gallery in the Carlyle Hotel that was showing Magritte works, some for sale.

I have always liked Magritte, with his bowler-hatted men blocked by giant green apples and his nighttime streets overarched by daytime skies. And I especially like him because once in a workshop, I directed a Tom Stoppard one-act play inspired by him, After Magritte. It was the best fun!

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This morning at Porter Square, none of the escalators were working. As I walked down the long staircase into the subway, I heard music. That is not unusual. We commuters often get to hear a busker or a group of musicians at Porter Square, some of them truly outstanding. Today as I descended I thought I heard opera.

It was indeed opera. Baritone Wesley Ray Thomas had set up his boom box and was performing “It Was You” from Verdi’s “Masked Ball.” When I say “performing,” I mean that not only was he singing beautifully but acting. Very emotional. I waited for a train to go by so I could hear the whole piece.

I asked for Thomas’s card, which gives his MySpace site, but when I poked around on YouTube, I found much more.

It turns out that not only is Thomas an opera singer, but being partly American Indian, he participates in the singing at PowWows and other traditional events.

I highly recommend this six-minute video. (The subway location shown is Porter Square.)

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