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Archive for August, 2025

Photo: Riley Robinson/Staff.
Organic farmers Kayleigh Boyle and Doug Wolcik stand in a hoop house at Breadseed Farm in Craftsbury, Vermont.

‘I have long believed this is a bipartisan issue,’ says John Klar, a Vermont farmer who in 2022 ran for a Vermont state Senate seat as a Republican.

One reason I like the Christian Science Monitor is that it’s so good at searching out stories of divided Americans coming together. Today’s example features a diverse group of Vermont farmers promoting sustainable practices and eat-local values.

Stephanie Haines writes, “Kayleigh Boyle and Doug Wolcik knew all the reasons not to farm in Vermont: the short growing season, the hilly terrain, the dirt roads that make it hard to get products to market.

“Even the size of most farms here is a problem. For decades, farms across the United States have gotten larger as agricultural policies pushed growers to consolidate and scale up their operations. Vermont’s farms, however, have stayed relatively small. According to conventional wisdom, that means unprofitable.

“But small was what the couple wanted. Ms. Boyle is from Vermont, and while studying at Emerson College in Boston, she worked an office job connected to the local food movement. But she quickly realized she wanted to be outside with her hands in the earth.

“Mr. Wolcik graduated from the University of Massachusetts Amherst, where he studied sustainable agriculture and community food systems. He, too, realized he wanted a life close to the soil.

“They met while working at a nonprofit farm outside Boston and soon discovered they shared a dream about buying their own acreage to grow food and flowers. They weren’t interested in a massive operation. Instead, their vision included no-till growing methods, hand tools, and a desire to build a ‘human scale’ production system.

“They also wanted to make their living entirely from their farm – something increasingly difficult to do in New England. Over the past 60 years, the region has lost 80% of its farmland. …

“They spent years saving money and scouring Zillow listings and USDA soil surveys online. They eventually found a 16-acre property at the edge of Vermont’s rural Northeast Kingdom, complete with a house and a flat, 2-acre plot that got a lot of sun. In September 2020, they decided to take the plunge.

“And they’ve thrived. ‘We’ve just far exceeded any expectations that we set for ourselves,’ says Mr. Wolcik. ‘We’re selling everything we can. We can’t even grow enough. There’s such demand for it, from restaurants to retail to wholesale to markets,’ he says. ‘We can’t produce enough product fast enough.’

“Some of this is because of the couple themselves: Ms. Boyle’s sense of marketing, Mr. Wolcik’s attention to detail and innovation, and the experience and high standards they share as growers.

“But it is also because, when they bought these rare flat acres, they joined a community actively building a new storyline around farming, food, and resilience in New England.

“Here, in this part of little Vermont, statewide population 648,000, a coalition of farmers, nonprofits, and residents is eschewing mainstream beliefs about what makes agriculture successful and what it means to create a prosperous economy.

“Instead, they are building a system in which farmers are able to make a living and residents can eat healthy food grown nearby. They are intentionally moving away from a global supply chain vulnerable to market shocks – everything from pandemics to tariffs to natural disasters. …

“Across the country, communities on all sides of the political spectrum are reimagining the way Americans produce and value what they eat, tapping into a simmering belief that something is amiss with how detached, both economically and nutritionally, we have become from this fundamental human sector. …

“Subsistence farming gave way to commercial dairying and gardening for market. Refrigeration, and the resulting large-scale grocery stores, meant individuals didn’t need to spend their time growing food. Urbanization and competition from out-of-region farms followed.

“Still, what we think of as the modern food system is largely a phenomenon of recent decades. This includes a global supply chain, factory farming, and ultraprocessed foods, which now make up more than 50% of the calories in the American diet, according to the Johns Hopkins Bloomberg School of Public Health. What people tend to think of as the ‘local food movement’ is also relatively new. 

“[Although fascination] with locally grown organic foods became popularly associated with progressives – and was regularly criticized as elitist – there was also an emerging libertarian and conservative desire for a different, more localized sort of food system.

“ ‘I have long believed this is a bipartisan issue,’ says John Klar, a Vermont farmer who in 2022 ran for a Vermont state Senate seat as a Republican, a bid that fell short. ‘If there’s one thing that should bring Americans together, it is local, healthy food.’

“To him, the small farm is inherently conservative – a rejection of what he sees as dangerous globalism. It is a return to self-sufficiency, and far more environmentally and climate friendly, he says, than the traditionally liberal causes of electric vehicles and solar farms. …

“ ‘Both sides have been lulled by modernization of agriculture and the technological sirens,’ says Mr. Klar. ‘But both sides are coming back and coming together. These things don’t lend themselves to the red-blue dichotomy.’ ”

More at the Monitor, here. No paywall. Lots of cool pictures.

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Photo: Pat Greenhouse/Globe Staff.
Dutch artist Hendrick Avercamp’s winter scene, stolen in 1978, arrived in May at the Worcester Art Museum in Massachusetts. 

As an inveterate reader of mystery novels, I do love a yarn about art thieves, especially if there’s a clever sleuth who figures out what happened. It’s best if the perps end up in jail, but you can’t have it all. These things take time.

At the Boston Globe, Malcolm Gay has a good story about Clifford Schorer, a former president of the Worcester Art Museum’s board as well as “an international art dealer and sleuth who spends his days (and many nights) hunting ‘sleepers’ — lost masterpieces whose true identities have been obscured through the ages.

“Schorer had flown from Brussels [on a day last May] with the painting he now carried in his hands, a winter scene by the acclaimed Dutch Golden Age artist Hendrick Avercamp.

“The artwork was stolen nearly half a century earlier in a sensational 1978 heist from the baronial estate of Helen and Robert Stoddard, a Worcester industrialist. The Avercamp picture, along with numerous other paintings and other valuables taken from the home that night, had not been seen since. Local officials were stumped. So was the FBI. …

“[Schorer] and a conservator carefully unwrapped the package, revealing the aged but unscathed picture of Dutch figures skating in winter.

“ ‘It was nirvana,’ Warner Fletcher, a nephew of the Stoddards, said of the moment. …

“The Avercamp originally disappeared the night of June 22, 1978, when thieves broke into the 36-acre Stoddard estate, hacking open sofa cushions to cart away valuable works by Camille Pissarro, J.M.W. Turner, and Pierre-Auguste Renoir, among others. …

“That night, with Helen undergoing cancer treatment at a Boston hospital, Robert turned in just before midnight. [He] was sound asleep when thieves broke in through the sun porch.

“The burglars ransacked the home, rifling through drawers and closets. They drank the couple’s liquor and ate food from the fridge, according to later news reports. They made their way through each room, snatching paintings from the walls and pocketing collectibles including miniature carvings, silver tea sets, watches, and valuable music boxes.

“When Stoddard awoke the next morning, he realized the house had been robbed when he found his glasses on the floor. …

” ‘We never had a suspect,’ Ralph E. Doyle, a retired detective sergeant with the Worcester Police Department, told the Telegram & Gazette in 2000.

That‘s not to say there haven‘t been breakthroughs.

“The most valuable work in the Stoddard’s collection, Pissarro’s 1902 oil on canvas, ‘Bassins Duquesne et Berrigny à Dieppe, temps gris,’ surfaced at a Cleveland auction house in 1998. …

“The discovery of the Pissarro prompted authorities to look closely at a Springfield-area art dealer named Robert Cornell and his ex-wife, Jennifer Abella-Cornell, who had brought the painting to Ohio. But the estranged couple gave wildly conflicting accounts. [An FBI] spokesperson later told the Telegram & Gazette that reconciling their stories was ‘like beating a dead horse.’ …

“The trail of the Avercamp and other missing works then went cold. Frustrated by the lack of progress and still hoping they might be retrieved, Fletcher, the Stoddards’ nephew, finally turned to Schorer in 2021. He put information about the missing artworks in a manila envelope and sent it to the sleuth.

“Fletcher was by then familiar with Schorer. … He’s renowned in the trade, and he’d recently discovered a previously unknown drawing by Northern Renaissance master Albrecht Dürer that was purchased at a Concord estate sale for $30.

“Schorer was only vaguely aware of the Stoddard theft at the time, but as he looked through the envelope’s contents, he began to concentrate on the works he found most interesting: the Avercamp, the Turner, and an oil painting by 19th-century Dutch painter Johan Jongkind. …

“His search came up empty. But from his years of experience tracking down stolen art, Schorer knew that disreputable dealers will sometimes misrepresent works to evade detection.

“ ‘Finally, I said, “All right, if I had that painting, who would I fence it as?” ‘ Schorer recalled thinking.

“He knew that Avercamp, a mute painter who specialized in outdoor winter scenes, had a nephew, Barent Avercamp, who mimicked the style of his more gifted relative. Schorer turned again to his computer, this time searching for winter scenes by the famed painter’s nephew.

Bingo: Fifteen minutes later, he came across a throw pillow that was selling for $18.40 with a portion of the missing Avercamp scene — including a distinctive arch — printed on its case. …

“Schorer had made a breakthrough. The only known images of the Avercamp were grainy black and white photos from the ’70s. But this image was in color. It could mean only one thing: The photo was taken after the theft.

“ ‘I clicked on that, and it took me to a page trying to sell me a pillow,’ Schorer recalled. There, just above the asking price, he also found the logo of the image licensing company that held the source file.

“Schorer navigated to the site and paid $39 to download the photo. As he parsed its metadata, he discovered the copyright on the image: L.S.F.A.L., an acronym for Lawrence Steigrad Fine Arts Ltd., a dealer he’d known for years.

“Steigrad told Schorer he’d taken a photo of the painting for Newhouse Galleries, which had offered the artwork at a fine arts fair in the Netherlands in the mid-90s.

“Working another angle, Schorer discovered the name of the person who’d originally sold the work to Newhouse: Sheldon Fish. Fish told Schorer he’d purchased the painting at the Brimfield Antique Flea Market, a short drive from Worcester.”

Brimfield, Holy Cow! It’s a really famous flea market in our area, where Suzanne found most of the antique lockets she sold. I followed her around as she shopped one rainy weekend before Covid.

I love reading this stuff. The rest of the story is at the Globe, here.

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