
Photo: Charles Gorry/AP/File.
Entertainer Harry Belafonte in Washington during a 1958 youth march for integration. A confidant of Martin Luther King Jr., Belafont mediated disagreements between King and the John F. Kennedy administration. He also refereed conflicts between King and young Black Power activists.
At the Christian Science Monitor, Barbara Spindel recently reviewed a new Harry Belafonte biography, Daylight Come. It’s reminding me how much my family admired Belafonte, to the point that my father took us to see the star in Island in the Sun — which turned out to be unsuitable for kids. we were hustled out after a character in the film was strangled!
But we always loved Belafonte’s music and kept an eye on his multifaceted career. I once got his signature on a petition opposing a road on Fire Island, where pretty much everyone preferred the absence of cars.
Here’s Spindel’s book review.
“Actor and singer Harry Belafonte was one of the biggest celebrities of his time: His 1956 album, ‘Calypso,’ held the No. 1 spot on the Billboard pop albums chart for 31 weeks, and his iconic version of the Jamaican work song “Day-O” is recognized the world over. But an admiring new biography of the star demonstrates that Belafonte was more passionate about the work he was performing away from the spotlight – from bankrolling the Civil Rights Movement to brokering talks between Martin Luther King Jr. and the Kennedys.
“Daylight Come, by Joshua Jelly-Schapiro, captures the epic sweep of its subject’s long life. Belafonte, born in Harlem in 1927 to Caribbean immigrants, had a difficult childhood. His father, a cook on United Fruit Co. ships, was in and out of his life. Meanwhile, his mother frequently sent young Harry and his brother to her native Jamaica to stay with her mother or in a series of boarding houses while she worked as a domestic in New York City.
“Belafonte, who struggled academically, dropped out of school in the ninth grade. He worked menial jobs until 1944, when he was old enough to enlist in the U.S. Navy. He was stationed stateside through the end of World War II, loading military ships bound for the Pacific.
“The armed forces were racially segregated then, and Jelly-Schapiro notes that Belafonte’s time among Black seamen ‘supplied him, as a high school dropout who became a proud autodidact, with his essential political education.’ …
“Back in New York after being discharged, Belafonte was given a ticket to see a play at the American Negro Theatre. Enthralled, he began volunteering there as a stagehand, and eventually, the handsome and charismatic young man was asked to read for parts. He soon met another 19-year-old aspiring actor, Sidney Poitier, whom Belafonte called his ‘first friend.’ Both were hungry to see plays but short on funds, so, as Jelly-Schapiro reports, they would purchase a single ticket, with Poitier attending the first act and then, during intermission, summarizing the action for Belafonte, who would swap places with him to see the second. …
“He was cast in a theater role that required him to sing, and people noticed that he could carry a tune. By 1949, he had married his first wife, Marguerite, and they were expecting a child. In need of steady income, he landed a regular nightclub gig in Manhattan. His successful club engagements led to a record contract.
“He started out singing folk music but found his sound with the runaway hit album ‘Calypso.’ … During the 1950s, Belafonte also won groundbreaking roles in films, including Carmen Jones and Island in the Sun. Considering his wide appeal to white audiences, Belafonte opined in his 2011 memoir that he was ‘Black, but … not too black.’
“Belafonte met King in 1956, when the young minister traveled to New York seeking support for the mass boycott of segregated buses then underway in Montgomery, Alabama. The two men became friends, and in the coming years, Belafonte worked closely with King in addition to donating generously to civil rights causes. … He refereed conflicts within the movement as well, as the young activists who would go on to embrace Black Power grew impatient with King’s leadership. In addition, Belafonte corralled famous friends including Marlon Brando and Paul Newman to march for civil rights.
“Daylight Come succeeds in elucidating Belafonte’s cultural significance. … Late-night host Johnny Carson turned The Tonight Show over to Belafonte for an extraordinary week in February 1968. … While hosting the show, Belafonte – then married to his second wife, Julie Robinson, who was white – aired ‘home videos of his interracial family waterskiing on vacation in Las Vegas,’ Jelly-Schapiro writes. To convey how meaningful this was, the author reports that around the same time, a brouhaha erupted over a television special featuring a duet between Belafonte and British singer Petula Clark: A corporate sponsor protested because the white Clark had touched Belafonte’s arm during the performance. …
“His deeply felt work as an activist comes through clearly. … A 1996 profile of Belafonte by writer Henry Louis Gates Jr. noted that the singer ‘was radical before it was chic and remained so long after it wasn’t.’ ”
More at the Monitor, here. No paywall.



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