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Photo Live On Nebraska.
If your liver is healthy, it is suited for organ donation no matter how old. Dale Steele’s was donated when he died at 100
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Are you signed up for organ donation on your driver’s license? Although I’ve been registered practically since I learned to drive, I was surprised to learn that my liver could be used even now that I’m pretty old. Apparently that has to do with the way a normal healthy liver keeps renewing itself.

Ramon Antonio Vargas wrote recently at the Guardian about a man who, after a life of service to the country, was considered a suitable donor even when he died at age 100.

“After spending some of his prime years aiding German concentration camp survivors and guarding Nazi leaders tried for crimes against humanity at Nuremberg, a US second world war veteran is now believed to have become his country’s oldest known organ donor.

“The story of 100-year-old Dale Steele, who died in February after a head injury led to his being placed on life support, demonstrates how donors’ health is a more important consideration than how old they are, according to Live On Nebraska, an organ-procurement organization in his home state.

“ ‘Mr Steele … is a powerful reminder that generosity has no age limit,’ Live On Nebraska’s president and CEO, Kyle Herber, said in a statement.

“As Herber’s organization put it, after graduating high school and being selected in the military draft, Steele served in France, Germany, Belgium and Czechoslovakia toward the conclusion of the second world war. His duties involved seeking out remnants of the Nazi army and helping survivors of German concentration camps return home.

“Live On Nebraska detailed how Steele subsequently earned a promotion to staff sergeant and was assigned to guard imprisoned defendants at the Nuremberg trials. …

“He eventually went home to Bassett, Nebraska. … Steele supported his family raising cattle at their ranch, managing a farming cooperative and then selling equipment for irrigation and handling grain.

‘Your liver is about three years old; my liver is about three years old.’

“Steele sustained a head injury in February and ended up on life support, his son, Roger, told the Nebraska broadcast news outlet KMTV. Roger Steele described how Live On Nebraska at that point called him and said: ‘We’d like your dad to donate his liver.’

“Roger Steele said he was shocked at the request and replied: ‘He’s over 100 years old.’ But Dr Lee Morrow, Live On Nebraska’s chief medical officer, explained to KMTV that donors’ livers – no matter their age – are in essence only a few years old if healthy because that particular organ has the unique ability to renew its cells throughout a lifetime. …

“Roger Steele credited his father’s longevity and health to the physical labor he performed throughout his life, KMTV noted. He added that a staple of Dale Steele’s diet was vegetables from his own garden. …

“The Nebraska Medicine – Nebraska Medical Center recovered Dale Steele’s liver. It was successfully transplanted a day later, with Live On Nebraska saying that procedure had provided ‘new life to a grateful recipient.’ …

” ‘Dale was always very helpful and considerate of everyone around him – friends and strangers alike,’ Scott Steele’s statement said. ‘We believe he would do just about anything he could for someone in need.’ ”

More at the Guardian, here.

Writing with Light

Photo: Karim Jabbari.
Karim Jabbari uses long-exposure photography to capture words written with handheld lights. 

There’s an amazing kind of calligraphy that involves writing with light. For Karim Jabbari, it started as a way to connect with his heritage.

Alissa Greenberg reports at the Nova Newsletter (PBS), “Karim Jabbari still remembers how painful it was to walk down the street with his family as a child and see his neighbors turn away. ‘No one was willing to talk to us in public,’ he says. Jabbari’s father was a political prisoner, an activist and ‘public enemy’ of the dictatorship that then ruled Tunisia. …

“Ten-year-old Jabbari, lonely and missing his father, looked for other ways to fill his time. What he found was his father’s trove of 400-year-old religious texts, inherited from an ancestor who had been a renowned scholar of Islam. The books were written in an old form of North African calligraphy known as Maghrebi script. ‘It’s an art form that speaks to your soul, even if you don’t understand the message. … I saw my father, his smile.’

“Before long, he was obsessed, copying what he saw in the books over and over until the arcs and lines settled into his muscles. That obsession only grew once he left his hometown of Kasserine to go to boarding school, and his new skill attracted friends—the one thing he’d never had.

“Today, Jabbari, now 42, is a full-time artist based in Canada and the U.S., using murals, graffiti, and specialized technology to bring traditional Arabic calligraphy to an international audience. He worries that a craft that prizes meditative concentration and lengthy training will be lost in an era so focused on agility and speed. …

“Calligraphy—and calligraphers—have resisted new technologies for centuries. For starters, Arabic and its sibling, Persian, used non-Latin alphabets that made them difficult to adapt for use in printing technology developed in the West, says Behrooz Parhami, an engineer who has studied how Arabic and Persian scripts have evolved alongside technology. Physical typefaces built for Persian and Arabic’s connected letters are more fragile, prone to chipping and cracking. And if they aren’t perfectly made, white spaces appear between letters that shouldn’t be there.

“The scripts also included letters with elements stacked on top of neighboring letters, which was impossible to recreate using the separate blocks of moveable type. And they varied in height and width much more than Latin characters, meaning that the common printing practice of adjusting typefaces to make letters about the same size would render words illegible. …

“It therefore makes sense that in Persia and the Arab world, words simply remained handwritten for centuries longer than in Europe, Parhami says. … Still, Parhami attributes this delay not just to the technical challenges but also to the hallowed role of the written word in these societies. In the Arab world, calligraphy provided an intimate connection to God through handwritten copying of the Quran and other religious texts. …

” ‘You can be a beautiful, amazing, well-known, traditional calligraphy artist, but your art isn’t speaking to the younger generations,’ [Jabbari] says. Refusing to try new things or embrace new technology leaves young people out, he argues, and puts the entire tradition at risk. ‘ “Your art is dying with you,” I said to them. I have nothing but respect for you, but I’m taking calligraphy to the streets.’

“Although Jabbari also paints murals that incorporate written elements, ‘taking calligraphy to the streets’ usually means light painting: a combination of long-exposure photography and perfectly calibrated movements of a handheld light that captures the loops and swirls of Maghrebi Arabic in thin air. In 2011, after Jabbari’s uncle was shot and killed along with 28 other young men during the beginning of the Arab Spring, he returned to Kasserine to do just such a performance piece. ‘I wanted to write his name in light painting, the same place where he died,’ he says. After he finished honoring his uncle, he gave other families in the area the opportunity to do the same, allowing them to write their loved ones’ names in space—a fleeting memorial fixed on film.

“Light calligraphy is a challenging medium. ‘You need to know the limits of the camera, what space it’s covering,’ he says. ‘You have all of that space to explore, so you end up using your body as reference: making a line at chest level, or one at hip level.’ …

“Jabbari has collaborated with dancers and musicians. … He recently hired two software developers to create a program that projects his movements in short near-real-time loops onto skyscrapers, a kind of ephemeral graffiti. …

“Calligraphy has taught him that ‘we are the sum of all the knowledge our ancestors transmitted to one another,’ he says. That’s how the art of calligraphy has been passed down—from master to student, who then becomes the next master—and also what calligraphy was for: recording history and wisdom to be shared with the next generation.

“Jabbari hopes his work will inspire the traditionalists to try out something new and the modernists to remember the value of tradition, reminding them what writing can be: a form of escape, an adventure in memory.”

More at PBS, here. Gorgeous photos.

Photo: John Tlumacki/Globe Staff.
Pencilito the Clown, aka Luis Myorga from Guatemala (right), leads a group of clowns as they romp around the lobby at Boston’s Revere Hotel.

Today’s story about a clown convention has made me think how many different roles clowns have served through the ages. There have been court jesters who entertained kings by making them laugh or knocking them down a peg with impunity. There have been clowns that served religious purposes. In fact, I have a brother who worked as a clown at his church for many years.

From an early March Boston Globe feature by Claire Thornton we learn that professional clowns from around the world recently “gathered for the World Clown Association’s annual convention, dubbed the ‘greatest clown confab on Earth.’

“More than 150 professional clowns converged Wednesday at the Revere Hotel on Stuart Street, where they attended workshops on everything from balloon art to puppeteering to make-up application. While the lectures were invariably interrupted by the sounds of clucking rubber chickens, honking horns, and guffaws, the gathering was no laughing matter.

“The five-day convention, which continues through Friday, has drawn attendees from around New England and the world. Renowned instructors and performers, including former Ringling Bros. circus clowns, have put the focus on traditional comedic and circus clowning.

“ ‘Our goal is to put smiles on people’s faces,’ said 79-year-old incoming WCA president Louise Carnesale, a former New York state government administrator who performs as ‘Lulu the Clown’ in Alabama and Florida.

“Though some circuses have struggled in recent years (Ringling Bros. folded up its tent in 2017 before restarting in 2023), groups like the WCA continue to find new avenues for clowning, attendees said. But whether they work under a big top or not, conference attendees said they remain inspired by clowning greats like Charlie Chaplin, not to mention memorable characters from The Carol Burnett Show and elsewhere back in the 1970s.

“Many attendees had backgrounds in nursing, social work, or the military. Their prior jobs, which often required tackling tough issues in staid professional settings, led them to clowning, because the craft allows them to spread joy, they said.

“ ‘I really found a need for it,’ said Carnesale, who was working at the Twin Towers in New York when the Sept. 11 terror attacks happened in 2001. …

“During the Iraq and Afghanistan wars and in the aftermath of Hurricane Katrina in 2005, Carnesale focused on performing for families who were struggling while separated from loved ones. …

“Not all clowns are beloved, of course. Pennywise, the terrifying killer clown in Stephen King’s It, Twisty from American Horror Story … have left more than one viewer with a paralyzing fear of clowns. (There’s even a name for the condition: Coulrophobia.)

“But people’s negative feelings don’t stem from traditional, comedic clowning, which takes place at parades and in hospital settings where patients benefit from the humor, said Bridgit Bruce, of New Bedford. … Bruce attended her first WCA conference this week, arriving via commuter rail in full costume, including oversized shoes. …

“Bruce was inspired to attend the convention after taking a clowning course with Elaine ‘Daisy D. Dots’ Vercellone, who has performed in a Disney World parade and studied with New York City’s Big Apple Circus clowns.

“Vercellone grew up writing and performing marionette shows for her family and at school.

“In 1987, when her 6-year-old son was undergoing monthslong treatment for leukemia, he asked his mom to dress up as a clown for the hospital’s Halloween party. After buying her first clown costume from Sears for $20, she’s been clowning, and teaching others, ever since, she said.

“ ‘It’s really important to me, not only for the kid patients, but for the families,’ Vercellone said. ‘You take their mind off the hospital for a few minutes.’ …

“Attendees described their role as roving theatrical performers, and said they thrive on connecting with impromptu audiences and seeing people’s reactions to skits. …

“Competitors traveled from as far away as Malaysia, Japan, Guatemala, and Mexico, according to Carnesale.

“In the Boston-area clown community, many professionals perform for patients at Shriners Children’s hospital, and their nonprofit clowning group is a hub for teaching, said 55-year-old Jami Schultz. Professional clowns go through background checks and other safety precautions before performing for children, she said.

“ ‘Charity clowning, you’re not doing it to make money, you’re just doing it for the love of the kids,’ said Schultz, who lives in Natick and works in wealth management.”

More at the Globe, here, with photos that will make you smile.

Photo: Doug Mills/New York Times.
Champion figure skater Alysa Liu says, “I know every beat, I know every lyric. My body feels it.”

Imagine retiring at 16! That is what champion US figure skater Alysa Liu did, realizing the training had eaten up her childhood. Then she discovered there were things she had loved about it all and decided to compete again but speak up about changes that need to be made.

Gia Kourlas dance critic of the New York Times, interviewed her in Milan.

“Alysa Liu, the effervescent figure skater who won gold at the 2026 Olympic Games, moves like a dancer,” writes Kourlas. “She’s studied many forms of dance over the years — flamenco, tutting, ballroom, contemporary, modern contemporary, ballet and, her favorite, hip-hop, for which she still takes classes at an Oakland studio with her friends. ‘Hip-hop style doesn’t really go on the ice, funny enough.’ …

“But Liu’s full-body approach to skating, rooted in a plush, pliant plié, isn’t such a stretch from that expressive, highly rhythmic dance form. While many skaters glide on top of the music, she lives inside of it, showing — in her spontaneous, joyful way — a deeper sense of inner life.

“That much was clear during her performances at the Milan-Cortina Games. Liu, 20, who had retired at 16 before returning to the sport two years later, entered a flow state in her electrifying free skate set to the disco of Donna Summer; the audience was pin-drop silent during her soulfully quiet short program to Laufey’s pop-inflected jazz; and she leaned into the hyperpop of PinkPantheress and Zara Larsson in an exhibition performance. Liu becomes, for each, an extension of their voices.

“ ‘The music allows me to get there, which is why it’s so important I skate to music I like,’ she said. …

“She talked about her approach to performing, the role of music and modernizing the sport. Here are edited excerpts from the conversation.

Gia Kourlas
“What did you tell yourself before you started your free skate?

Alysa Liu
“I visualize my entire program multiple times before I do it, but I also visualize the patterns of my breathing. I practice my breath while envisioning the program. … We really value musicality. We’ll edit the music to match the jump sometimes. If I don’t have enough time to get from point A to point B — to land a jump on the crash or something, we will add in more music just so that I can. I think all my jumps have a timing for all of it. I don’t miss a step. For me, the music carries my body. It tells me what to do. Even though it’s all planned, it’s just so natural. Like I wouldn’t be moving any other way.

Kourlas
“Do you think of skating as dancing on the ice?

Liu
“Yeah. Although, I will say figure skating does not artistically satisfy me. I’m really big into photography because that does satisfy my creative. And then I have to keep dancing off ice because there’s some things on ice you can’t do when you’re wearing your skates. So it’s not enough for me, artistically. Athletically, it is enough. Like I can really push myself. Dance, I can do anything and everything. …

Kourlas
“Do you think about how you will influence skating?

Liu
“You know, it’s actually been a really deep struggle in whether I want skating to be big or not. … I’m glad for it. I wouldn’t change my childhood at all. But I feel like no child should go through that. Figure skating can be so hard and the parents that put their kids into skating — sometimes they get so into it. Sometimes it’s not toxic, but it usually is — especially at the top. Most skaters have had bad experiences.

Kourlas
“There’s so much discussion around body image in dance. How did you deal with yours as a skater?

Liu
“Took a long time, actually. Years. I got a sports psychologist. I had it bad from when I was a little kid until when I quit skating — not even. It took another year. I would say 17 or 18. … The work culture, the training culture. It was crazy. I had not a day off. I would not want any kid to not have a day off. … Things gotta change, 100 percent. I think the whole system’s got to scrap it and start over. The competition system and the setup just isn’t fit for consumption, honestly, because the competitions are too long, no one can sit through and watch all that. …

Kourlas
“You retired from skating at 16, and it was after a skiing trip — your first time — that you decided you wanted to return. Did you figure out that you missed the glide?

Liu
“That’s what it was! It’s the glide. You can’t get that anywhere. Roller coasters, you go fast and they’re smooth, but that’s not glide. I love gliding. Ah! … It’s because you’re on a blade that’s so thin. It feels so whimsical and ethereal. When I went skiing, I felt it. I glided for the first time since I quit, and I was like whoa. … I disliked a lot of things in my life, but that gave me clarity. I was grateful because I realized, well, I really don’t like [parts of skating]. I don’t like being away from my family for years. I hate feeling lonely, and I don’t like not being with my friends. [Nowadays] there are so many new ways I can express myself. …

“I really love the feeling of fight and I think for me, I don’t want life to be [flat]. I want ups and downs. I want to experience all the emotions, and sport is so intense. You can feel such extreme emotions, and I think that’s beautiful. It’s hard to find that in your life.”

More at the Times, here.

Photo: Carlos Bocos.
According to the Guardian, the pygmy long-fingered possum was last known to have lived in West Papua until about 6,000 years ago. 

It’s always good news to me when long-disappeared animals turn out not to be extinct — even if I never knew enough in the first place to be worried. I do know that many species are disappearing rapidly, so it’s comforting when scientists find that one they’d given up on is still around.

Adam Morton wrote about this at the Guardian recently. “Researchers led by the Australian scientist Tim Flannery have made a once-in-a-lifetime discovery: that two charismatic marsupial species that had been thought extinct for 6,000 years are alive in rainforest in remote West Papua.

“The pair are rare examples of ‘Lazarus taxa’ – species that disappeared from fossil records in the distant past that are later found to have survived. [Do note the choice of the word “Lazurus”!]

“One of the species is a striped possum with an extraordinarily elongated fourth digit, twice as long as the rest of its fingers, that it uses to extract and feed on wood-boring insect larvae. Fossil records had previously indicated the species, known as the pygmy long-fingered possum (Dactylonax kambuayai), lived in Australia’s central Queensland region about 300,000 years ago but seemed to have vanished during the ice age. Before the recent discovery, it was last known to have lived in West Papua until about 6,000 years ago.

“The other is a ring-tailed glider (Tous ayamaruensis), which is closely related to the Australian greater glider but with unfurred ears and a strongly prehensile tail used for gripping. It was first described by the late Australian zoologist Ken Aplin, who pieced together fossil fragments found in West Papua late last century. Flannery’s research team found the species was still living in the rainforest and identified it as part of a newly described taxonomic group, or genus, of marsupials. …

“Flannery is best known as a climate campaigner and the author of the international bestselling The Weather Makers, but he made his name in science as a mammalogist and palaeontologist working in New Guinea and Pacific islands. He says the likelihood of finding one mammal species that had been thought gone for millennia was ‘almost zero.’ The chances of finding two? ‘It’s unprecedented and groundbreaking, really, to find two Lazarus taxa,’ Flannery says.

“The 70-year-old says the identification of a new genus, in particular, felt like a ‘lifetime achievement, shared with all our many other co-authors.’ …

“Both species live in lowland mountain forests on the sparsely populated Bird’s Head peninsula, also known as the Vogelkop, in the north-west of the Indonesian-controlled part of New Guinea. Their existence was established through photographs taken by local and independent researchers, fossil fragments and, in the case of the long-fingered possum, a museum specimen that was collected in 1992 but initially misidentified. …

“The long-fingered possum was photographed in 2022 by Carlos Bocos during a trip to the area by the organization mammalwatching.com. A ring-tailed glider was captured by Arman Muharmansyah by the side of a river in a forest belonging to a palm oil company in 2015, and photographed by Ichlas AlZaqie from Orangutan Foundation Indonesia.

“The discoveries are detailed in a special edition of a peer-reviewed journal published on Friday by the Australian Museum, edited by Flannery and the museum’s former chief scientist, Kristofer Helgen. …

“They are in part a result of Flannery’s repeated trips to the Vogelkop, where he works with Indigenous elders, researchers from the University of Papua, the Global Wildlife Fund and the Minderoo Foundation to protect forests from logging and leave them in the control of traditional owners. He says the research underscored the importance of preserving the area’s unique environment.

“David Lindenmayer, an ecologist and professor at the Australian National University who was not involved in the research, says … ‘It’s fantastic to see new species still being discovered and it shows the importance of some of these rainforests in very remote parts of the world where there hasn’t been much study in the past.’ …

“The ring-tailed glider is considered sacred by some Vogelkop clans, who believe it is a manifestation of ancestors’ spirits. Rika Korain, a local Maybrat woman and a research co-author, says the species could not have been identified without the help of traditional owners. ‘This connection has been essential,’ she says.

“Flannery says the discoveries are evidence the Vogelkop was once a part of the Australian continent that had later become part of New Guinea. The link is the subject of another paper in the journal, and may have wider implications. ‘Its forests may shelter yet more hidden relics of a past Australia,’ he says.”

More at the Guardian, here.

Photo: Ogar Monday.
Unity High School students in Nigeria hold conservation signs and copies of the book The Loud Cry of the Ogun River.

It’s good to be reminded that many of our planet’s troubles can be alleviated by good education. It’s especially true when children grasp an idea and take it home. In my own family, I have seen the influence of environmentally oriented children. After a while, efforts to, say, compost food scraps become so embedded in family culture it’s hard to tell anymore if it’s parents or kids who are behind them.

Today we learn how students in Nigeria are influencing grownups to clean up a polluted river.

Ogar Monday reports at the Christian Science Monitor, “Ugonna Nkemjika is reading aloud from a storybook as a classroom of rapt children follows along. When she turns the page to an illustration of a river clogged with plastic bottles, a student’s hand shoots up.

“ ‘Yes, Blessing?’ Ms. Nkemjika says to the girl.

“ ‘Is this our river?’ the girl replies.

“Ms. Nkemjika nods, and the room falls silent. The students, who attend Catholic Comprehensive High School on the outskirts of Abeokuta in Nigeria’s southwestern Ogun state, have crossed the Ogun River countless times. Some have fetched water from the river; others have watched fishers cast their nets into it. Yet for many of the students, this is the first time they are being asked to reckon with the peril their river is in – and how they can help.

“Ms. Nkemjika is a volunteer with Project Conserve Ogun River (COR). The Loud Cry of Ogun River, the book open on the students’ desks, seeks to explain the river’s decline in terms children can absorb. Solomon Ekundayo, who founded Project COR and wrote the book, believes training adults to protect their natural resources is vital but that teaching children will yield results for generations to come.

“ ‘When children learn about conservation, they carry it home,’ Mr. Ekundayo says. ‘They question their parents. They challenge what feels normal. Over time, that knowledge becomes culture.’

“The Ogun is Nigeria’s fifth-longest river. It stretches nearly 480 kilometers (298 miles), beginning in Oyo state and running through the Ogun region before emptying into the Atlantic Ocean via the Lagos Lagoon. In addition to fishing, residents use the river for irrigating crops, drinking, and bathing. 

“As a child, Mr. Ekundayo regularly crossed the Ogun River with his mother, watching fishers ply their trade and kids play along its banks. But his understanding of conservation did not come until much later, after he began studying geology at Ahmadu Bello University and embarked on an externship involving freshwater conservation. As part of the program, supported by the National Geographic Society and the Nature Conservancy, he was asked to study a river system, and thought immediately of home.

“But when he returned to the Ogun River, he barely recognized it. The water was darker and filled with plastic waste and untreated sewage. Fishing activity had plummeted, and in some areas, the stench alone kept people away.

“ ‘I saw more plastic than fish,’ Mr. Ekundayo recalls. …

“In late 2022, Mr. Ekundayo launched Project COR. From the outset, he thought that river cleanups alone would not be enough. The deeper challenge, he believed, was environmental literacy. 

“ ‘People don’t connect dumping waste into the river with illness or flooding,’ he says. ‘No one ever explained it to them in a way they can understand.’

“So Mr. Ekundayo turned to storytelling. He drafted the text for The Loud Cry of Ogun River and worked with Project COR volunteers to illustrate it. Throughout the book, the river speaks. 

“ ‘I used to breathe the fresh air of mother nature,’ the river says in the expanded online version. …

“Child-friendly word puzzles reinforce key ideas, and concepts such as biodiversity are broken down into simple language. The book also weaves in Yoruba proverbs to pass conservation lessons on ‘in a familiar cultural way,’ Mr. Ekundayo says. At the end, the book contains a pledge for students to sign, committing to environmental protection.

“Saviour Iwezue, founder of Team Illuminate, an organization that is raising an army of young environmentalists across Nigeria, agrees with Project COR’s approach. She says many environmental campaigns fail because they overlook how behavior is formed.

“ ‘Children should not be seen only as future leaders, but as also capable of influencing what happens around them today,’ Ms. Iwezue explains. ‘If you want sustainable change, you change values,’ she adds. ‘And values are most malleable in childhood.’

“Teachers in Ogun state have noticed changes in students’ attitudes toward the river, thanks to Mr. Ekundayo’s book. …

“Says Ashade Adepeju, a teacher at Catholic Comprehensive High School, ‘Now they point at the illustrations and say, “That’s our bridge!” or “My father fishes there!” ‘

“Teenager Adebayo Firefunmi says he used to throw plastic pouches of water, commonly sold by Nigerian street vendors, into the river after drinking them. … ‘But when I learned what plastic does to the river, I felt bad.’ Now, he says, he discards trash responsibly and reminds his friends about the ‘three Rs of reduce, reuse, and recycle,’ when he sees them littering.

“Project COR’s efforts include the wider community, too. The group’s volunteers have run campaigns to get residents to stop dumping waste into the river, and have set up informal dump sites that are easily accessible by shoppers at the popular riverside market. The group also has supported school environmental clubs and youth volunteer groups, many led by students who now organize cleanups themselves.

“Mr. Ekundayo still crosses the Ogun River regularly. … On his most recent visit, he noticed something he hadn’t seen in years: fish swimming freely.”

More at the Monitor, here.

Photo: Melanie Stetson Freeman/Monitor Staff.
Carpenters use donated items, such as a surfboard, to create the right environment for cats to play and sleep at a cat sanctuary in Hawaii.

If you are mainly a “dog person,” today’s cat story may seem a bit silly to you. But if you have ever worried about what cats can do to endangered birds, you will be as glad about a sanctuary for feral cats in Hawaii as if you were a longtime “cat person.”

At the Christian Science Monitor, Jackie Valley writes about Lanai Cat Sanctuary. The resident cats, once wild and fierce, are very friendly. That’s because they’ve learned that visitors “come armed with staff-approved goody bags,” Valley says. “[They] saunter up to guests, begging for delicious morsels and maybe some head rubs. The shy cats hang back, with some lounging on benches, curling up in trees, or sleeping peacefully in small condos.

“Call it a cat-lover’s paradise in paradise. This four-acre, open-air haven exists on the Hawaiian island of Lanai.

“ ‘This place is made for feral cats to become friendly,’ says Joe Adarna, the sanctuary’s director of operations.

“Decades ago, Lanai contained the world’s largest pineapple plantation. Today, billionaire Larry Ellison owns roughly 98% of land on this mostly undeveloped and rugged island bursting with pine trees. About 3,000 people call Lanai home, and only Hotel Lānaʻi and two Four Seasons resorts operate here. But every year, thousands of tourists make day trips, usually by ferry, to visit the sanctuary, where more than 700 cats live.

“The sanctuary’s purpose is twofold — protect bird species while saving cats. And it all started with one kitten.

“Kathy Carroll needed help. In the early 2000s, a kitten that had been hit by a car wound up in her care. But no veterinarian lived on the island. So Ms. Carroll boarded a ferry, with the tiny cat in tow, and headed to Maui. The kitten survived.

“While on Maui, Ms. Carroll mentioned Lanai’s swelling population of unsheltered, hungry cats that no one seemed to be helping. The veterinarian’s response: ‘Maybe you should look in the mirror and do something.’

“The blunt advice set in motion an effort to trap and spay or neuter the island’s roaming felines. By 2006, however, the discovery of endangered Hawaiian petrels at a higher elevation on Lanai fast-tracked the desire for a physical sanctuary. The seabirds typically lay one egg per year in a ground burrow, making them particularly susceptible to feral cats.

“The sanctuary started in an unused horse corral until it moved to its current location in 2009, Ms. Carroll says. Over time, the sanctuary’s land – once littered with old car parts and discarded refrigerators — transformed into a series of homey enclosures fit for each cat. Older cats, for instance, have their own fenced-in areas, as do cats with special needs.

“The safe space for the cats, in turn, provides protection for the island’s vulnerable feathered inhabitants, including the wedge-tailed shearwater, the Hawaiian coot, the Hawaiian stilt, and the Hawaiian petrel.

“Hawaii is an island ecosystem in which birds evolved without the presence of feline predators, says Grant Sizemore, director of invasive species programs for the American Bird Conservancy. He credits Lanai Cat Sanctuary with playing a ‘valuable role’ in protecting vulnerable birds. …

“The nonprofit’s leaders say fights among the felines are rare. There’s no need to be territorial. The cats have enough nourishment (120 pounds of dry food and 100 cans of wet food per day total), plenty of room (70,000 square feet of enclosed spaces), and, for those who want it, lots of attention (12,000 or more visitors a year). The cost to keep the operation afloat: $2 million per year, most of which comes from donations. …

“Every year, the nonprofit takes in 150 to 200 cats, most of whom come from Lanai. An exception occurred in August 2023 after a deadly blaze swept through Lahaina, a city on Maui’s northwestern coast. The sanctuary opened its arms to 220 cats rescued postfire by the Maui Humane Society. In exchange, that organization agreed to take 220 adoptable cats from Lanai Cat Sanctuary over the next few years, Mr. Adarna says.

“Some cats live out their remaining time at the sanctuary. But the true aim of sanctuary workers – who give the cats unique names – is to socialize them better and help each one find a loving forever home.

“ ‘As they get older, it’s so much better to have a couch and a family,’ Mr. Adarna says.

“The sanctuary facilitates anywhere from 50 to 100 adoptions each year, with new homes as far-flung as New York and Florida. Some of those bonds begin when visitors meet a special four-legged friend at the sanctuary.

“Other visitors come for the cuddles and leave with happy memories. A few have even departed with wedding rings. About a dozen couples have gotten married at the sanctuary.” More at the Monitor, here.

I am not that level of cat person, but I do like cats and am glad they have a sanctuary, especially as I care a lot about endangered birds.

But changing the topic, I’d like to say before closing that it makes me really uncomfortable that one man “owns 98 percent” of this island. Something feels wrong about that.

Photo: Rafael Hoyos/Unsplash.
What if horses could speak? What if they already do?

Who remembers Mister Ed, the television series in the early 1960s? The usual bad things were going on in the world at the time, but anyone who needed an escape could indulge in the adventures of a talking horse. Special effects in tv had not advanced very far at the time, but somehow the producers created the illusion that Mister Ed’s lips were moving as if using human speech.

And of course, he often whinnied.

Today we learn from National Public Radio that the dual-layer whinny of real horses is almost as surprising.

Ari Daniel writes that the researcher “Élodie Briefer grew up in the countryside near Geneva — and horses have long been a part of her world. …

“She recalls, ‘I can’t remember at which age I started, but maybe 6 or 7 years old. I did [a] few competitions, but I was never a big fan of that. I would prefer to go for a walk with the horse and enjoy.’

“All this time with horses means that Briefer, now an animal behavioral scientist at the University of Copenhagen, has heard a lot of whinnying over the years. She never noticed anything out of the ordinary until a little more than a decade ago when she was working on a project that involved comparing how different animals, including horses, express themselves vocally.

” ‘The first time I really listened to a horse whinny that I had recorded,’ she says, ‘I was confused because I thought there were two horses — as if there [were] two voices at the same time.’

“Briefer created a visual representation of the sound file, called a spectrogram, to inspect the whinny more closely. And that’s when she saw two frequencies occurring at the same time: one high and one low.

“In a paper appearing in the journal Current Biology, Briefer and her colleagues present a set of experiments that reveal how horses manage to create these two tones simultaneously. It’s a complex feat that seems to be made possible by the anatomy of their vocal tract.

“Briefer was perplexed by what she observed in the whinny for a couple of reasons. First, larger animals tend to produce lower vocalizations, and the high-pitched part of the horse whinny seemed too high for such a big creature. Second, a fair number of birds can produce two simultaneous frequencies like this. But among mammals, ‘it’s quite uncommon, at least when it appears all the time in one type of sound,’ says Briefer. …

“Briefer first went to a Swiss stud farm (where her sister, who’s a co-author on the study, works). She threaded a small camera down the noses of 10 breeding stallions until it was just above the larynx. It’s the same procedure that’s routinely conducted on these animals as part of their physical checkups, so they were accustomed to it.

“Briefer then played the stallions the sound of a female whinnying, or in certain instances, she paraded a mare in front of them. … She noticed how the vocal folds of the larynx vibrated (just like when we speak) to produce the low-frequency part of the whinny.

“In addition, just above the larynx, horses have strong cartilage. The video revealed the cartilage constricting, creating a small opening that likely produced a whistle — the high-frequency part of the whinny.

“Briefer had her first evidence that two different parts of the horse’s vocal anatomy were likely operating in tandem to produce the whinny’s two distinct frequencies.

“Next, Briefer’s colleagues connected with a butcher in France, a country where people eat horses. ‘I know it’s not the same in every country,’ she says, ‘but there it’s quite common.’

“The butcher provided the team with half a dozen horse larynges. ‘And then you blow air through it to reproduce the sounds,’ says Briefer.

“They successfully generated both the low and high tones in the excised larynges, confirming the results on the stud farm. Then, when they blew helium through them, the low pitch was unaffected, but the high pitch shifted higher. That’s what Briefer and her colleagues were expecting, since helium doesn’t affect the pitch of vocal fold vibrations, only that of whistles.

“CT scans provided 3D portraits of the same larynges, revealing ‘a small kind of cavity just above the vocal fold that hadn’t been documented before,’ explains Briefer. That could be where the air is forming a vortex, which then makes the whistle.’ More work needs to be done to confirm that mechanism.

“Finally, the team tracked down several stallions with a rare disease called recurrent laryngeal neuropathy, which tends to paralyze one of the vocal folds fully or in part. They recorded these animals’ whinnies. The low tone was partially absent, but the high pitch was unaffected.

” ‘That was another confirmation that the high pitch is not produced by vocal fold vibration,’ says Briefer. Briefer concludes that a whinny is a unique blending of vocal fold vibration that generates the low pitch and a whistling above the larynx that produces the high pitch. …

” ‘What I really liked in this paper is that they used a very comprehensive experimental approach that combined different techniques and that all converge [on] the same results, says Mathilde Massenet, a bioacoustician at the University of California, Los Angeles, who has worked with Briefer in the past but didn’t participate in the new research.

“As for why horses might be producing these two-toned whinnies, Briefer’s earlier work suggests they appear to encode different pieces of emotional information. ‘The [high-frequency] one indicates whether the emotion is pleasant or unpleasant,’ she says. ‘And then the [low-frequency] one indicates whether the emotion is intense or not.’

“Massenet says that discerning how complex sounds like the whinny are produced can help yield insights into what it is that animals are communicating. ‘Understanding the vocal behavior is important for us to have a better idea of how healthy’ a population of animals is, she says.”

More at NPR, here.

Photo: GuillaumenBaptiste/AFP via Getty Images.
Ali Akbar is shown selling newspapers in the Latin Quarter in Paris in September 2025. The Pakistani-born 73-year-old is believed to be the last remaining newspaper vendor in the French capital.

Our old habits and traditions, the kinds that helped us feel part of a community, are fading fast. Especially in cities. Imperceptibly, we have become more isolated as we alter the routine of exchanging a few words when we buy our morning coffee at a shop with longterm employees — or we pick up a newspaper at a market where we know the owner. We don’t take our daily walk where we’re likely to see the same friendly dog walker or encourage the neighbor’s toddler as he tries out his first time on the park swings.

It is all connected to doing things faster, to “convenience.”

Paris is no exception. And that is why the man in today’s story is cherished.

Rebecca Rosman wrote at National Public Radio in February, “They call him the voice of Paris’ 6th arrondissement. In the cafés of Saint-Germain-des-Prés, Ali Akbar is a fixture — with a voice you can’t miss. You usually hear him before you see him, shouting ‘Ça y est!‘ — his signature catchphrase, ‘That’s it!’

“For more than 50 years, the Pakistani-born newspaper hawker has made the same daily rounds on his secondhand bicycle, weaving between brasseries with fresh stacks of papers like Le Monde and Libération. His customers have ranged from neighborhood regulars to Left Bank intellectuals like the 20th century philosopher Jean-Paul Sartre and visiting presidents including Bill Clinton.

“And last month, another of his old customers — French President Emmanuel Macron — awarded him one of France’s highest honors, naming Akbar a knight in the National Order of Merit.

” ‘You are the accent of the 6th arrondissement,’ Macron told Akbar in a formal ceremony at the Élysée Palace in late January. … Macron went on to refer to Akbar as ‘the most French of the French — a Voltairean who arrived from Pakistan.’

“Akbar’s medal comes with a quiet footnote: He is believed to be the last newspaper hawker left in Paris. A job that once dotted street corners across the city has almost vanished, pushed out by the internet and the collapse of print journalism sales. In a city that now gets most of its headlines on phones, Akbar still delivers them by hand.

“At 73 years old, Akbar still works seven days a week, 10 hours a day — rain or shine.

“Born in Rawalpindi, Pakistan, the oldest of 10 children, he says that growing up in poverty, he had one big dream — to make enough money to build his mom a house. Just before his 18th birthday, he left home, determined to make a better life abroad. …

“For a while, he cleaned floors on a ship in Greece, picking up the Greek language. After that, he spent some time in the Netherlands and in the northern French city of Rouen.

“When he wound up in Paris in 1973, an Argentinian friend suggested he start selling newspapers with him in the Latin Quarter. One of the first titles Akbar sold was a satirical weekly, which shocked him with its raunchy cartoons and irreverence toward French politicians.

” ‘My first thought was: in my country, if you do that, they will kill you,’ Akbar says.

“He then added mainstream dailies, and grew to love the work of newspaper hawking, barely thinking twice about 18-hour days. …

“But that doesn’t mean things were easy. There were times when he was homeless, choosing to sleep on the streets to save money and send it back to his family.

” ‘I was always thinking of my mother and her children,’ he says.

“Eventually he was able to fulfill his dream of building his mom her house. In the years since, he has continued earning a modest living selling papers. After an arranged marriage back in Pakistan, Akbar and his wife, Aziza, settled in a Paris suburb and raised five sons. …

“He is not afraid to acknowledge the hardships he has faced. The title of his 2005 memoir hints at what lies beneath the jubilant image that’s made him famous: I Make the World Laugh, but the World Makes Me Cry.

“Even so, Akbar [chooses] to focus on the positive. ‘You can meet bad people everywhere, and there are also good people everywhere,’ he says, when asked about his struggles. …

“For his family, his medal is also about healing. ‘It has put a bandage on old wounds,’ says his son, Shamshad Akbar. …

“People in the neighborhood say Akbar has given them something priceless — a chance for daily human connection.

” ‘He’s interested in you, and then you’re interested in him,’ says longtime customer Michel Mimran. ‘And this is very rare now in the big cities.’

“These days, Akbar says he’s lucky to make about 60 euros — about $70 — a day selling papers. …

“On a recent Sunday afternoon, Akbar pushed open the door of a packed brasserie on the Boulevard Saint-Germain. Heads turned. From the back of the room, a small crowd started chanting his name. Then the rest of the place joined in.”

More at NPR, here.

Photo: Rukhshana Media.
Every Thursday, five friends come together – one over the phone – to discuss what they’ve been reading. They call their group “women with books and imagination.” Such determination offers hope for Afghanistan. After all, as one of the group says, “If a woman is aware, a family is aware.”

When we were young, it was not unusual to be so enthralled by a book that we would read it with a flashlight at night under the covers, knowing that we could get in trouble. But trouble was never going to be anything much worse than a scolding.

Not so for women in Afghanistan whose reading of forbidden texts is against the law and whose rebellion could ultimately lead to death.

Azada Raha, from Rukhshana Media, reports at the Guardian, “Four young women sit together, waiting for the phone to ring. When the call finally comes, their friend’s voice is crackly and hard to make out, but they wait patiently for the signal to improve so they can start discussing their chosen book.

“Every Thursday, the five friends come together away from the disapproving gaze of the Taliban for a reading circle. They read not for entertainment but, as they put it, to understand life and the world around them. They call their group ‘women with books and imagination.’

“Most of the women in the group meet in person, but Parwana [their names have been changed here], 21, lives in a different district so has to join by phone. She was still a child when the Taliban pulled girls out of education, so didn’t get to finish school. Now, she says, her entire week revolves around books.

“ ‘When they banned us from attending school, I lost all hope. My mother encouraged me, but I knew things wouldn’t improve,’ she says. ‘I decided to do something myself.’ …

“This week, Parwana is leading a discussion on The Year of Turmoil, a novel by the Iranian writer Abbas Maroufi about a young woman named Noushafarin who finds herself trapped in an oppressive marriage. Set against the backdrop of turmoil in mid-20th-century Iran, its themes of repression, faith and patriarchal power resonate strongly with the women. …

“ ‘She represents women who have suffered, who have remained trapped, and who are oppressed by family and society in today’s Afghanistan,’ says Parwana of the character. ‘From the very beginning, I identified with her; it was painful, very painful.’

“Most of the books the five women have discussed since they started the reading circle last June are classics, and most deal with issues of power, suffering, and the place of women. … The works they’ve read include George Orwell’s Animal Farm, Ernest Hemingway’s The Old Man and the Sea, Zoya Pirzad’s I Will Turn Off the Lights and Symphony of the Dead, also by Abbas Maroufi.

“Most of the books can be found online and downloaded free, although occasionally they borrow books from libraries.

“They meet every week for an hour-and-a-half at the home of one of the members, varying the location to avoid scrutiny in a country where women’s freedoms have been severely curtailed.

“Parwana sometimes has to climb a hill to get a strong enough internet connection on her phone to download the book they are reading. But it’s worth it, she says, and she has the support of her elder brother, who has told her to keep at it. … ‘The excitement I feel for these sessions is indescribable,’ she says. …

“ ‘Reading has always been an integral part of my life,’ says the group’s coordinator Darya, 25, who was in her third year of a language and literature degree when the Taliban closed universities to women. ‘When I read, I feel as if I’m in another world – the characters, the places, nature. Sometimes I cry with the story, sometimes I laugh. But always, books have given color to my life.’

“Darya says The Year of Turmoil had a particularly strong impact on her. ‘This novel narrates years full of pressure and restriction. … Her situation mirrors the lives of people in today’s Afghanistan – people grappling with educational restrictions, social repression and political pressure. Like the characters in the novel, we keep hope alive through resistance and learning.’

“Roya, another member, explains the purpose of the circle this way: ‘Most women who accept oppression do so because they are unaware of their rights. The books we read are about suffering, choice and standing up to force – things we ourselves live with every day.’

“Morwarid, 22, says many women in Afghanistan resemble Noushafarin, who she sees as ‘trapped between tradition, religious power and social judgment.’

“ ‘She transforms from a silent woman into an aware human being. Her fate shows that, in such an environment, the very desire to choose is a form of resistance,’ says Morwarid, who won a place at Balkh University in northern Afghanistan to study law and political science, but wasn’t able to take it up before the ban was introduced.

“ ‘The very night I was supposed to leave for Balkh, universities were closed to women,’ she says. ‘I cried until morning. Life became dark for me. Through reading and this group, I gradually emerged from that nightmare. … The Taliban fear aware women. To confront the Taliban, one must become aware and grow – all together,’ she says.”

More at the Guardian, here.

Photo: Valerie Plesch/NPR.
The Washington Monument is seen from the sky lounge of the rooftop penthouse at Accolade, a former office building.

In Boston for a long time, builders of office buildings and politicians thought it was brilliant to build out some undeveloped low land called the Seaport District, or Innovation District. Environmental voices weren’t loud enough to compete with that sort of unity, never mind the tendency of that part of the city to flood. (See the movie Inundation District,)

Then came Covid.

Companies stopped relying on office buildings. Even after the intense days of the pandemic, both workers and their employers saw benefits in allowing employees to work at home.

‘There’s a concept in the industry called ‘extend and pretend.’ 

The question became, what can we do with those empty buildings?

Eleana Tworek and Jacob Fenston reported recently at National Public Radio about a growing trend to convert the buildings to housing, which unlike office space, is badly needed.

“The room looks like your typical office suite,” they write, “white walls, low ceilings, gray carpet worn thin from years of foot traffic. But for this vacant office outside Dupont Circle in Washington, D.C., real estate developers see potential.

“Matt Pestronk is the president of Post Brothers, a development company that bought the entire office building back in 2021, along with a neighboring building. Instead of making updates to attract new business tenants, Post Brothers decided to convert the old offices into more than 500 apartments.

“  ‘This location is a little bit off the beaten track for major office tenants, and it’s an incredible residential neighborhood,’ Pestronk says. …

“Cities across the U.S. are grappling with two parallel problems: too much empty office space and not enough housing. Nationally, office vacancy rates reached roughly 20% in 2024, after years of employees working from home. At the same time, the national housing shortage is in the millions. …

“Post Brothers has completed half a dozen office-to-residential conversions so far. Its project in D.C., which broke ground last month, is the largest such conversion in the city to date.

“Pestronk says the overall structure of the buildings will remain the same, but with some major additions. A lighter-colored limestone-like aggregate facade will replace the gray concrete from the 1960s, and old inefficient windows will be replaced by larger ones that let in more light per unit. …

“  ‘One of the advantages of doing conversions is that we don’t have to dig a hole for a foundation because there’s already one,’ he says.

“Plans for the completed building include luxury amenities such as a pool and a dog park. Projected rent for a one-bedroom apartment is around $4,000 per month, but 60 units will be set aside as affordable housing. …

“Tracy Loh, a fellow at the Brookings Institution who studies adaptive reuse of old buildings, says the scale of the shortage far outpaces what conversions can provide.

” ‘Office-to-residential conversion is not going to solve the housing crisis,’ she says. But she argues that these projects still matter.

” ‘ It does kill two birds with one stone, in terms of providing some housing supply,’ Loh says. And it tends to create housing in central, transit-accessible areas that are in high demand. …

“Loh says this downturn is unlike past office slumps and warns developers against relying on old cyclical patterns to continue.

” ‘There’s a concept in the industry called “extend and pretend,” ‘ she says. ‘In times past when there’s been a glut of supply in office space, it has gradually resolved itself over time with new growth and new demand.’

“This slump in office demand is likely to persist, though. In our digital age, office storage is less essential because files live on our computers. So even when workers are coming into the office, employers need less space per employee.

“D.C. leaders are responding to that shift. Since 2024, the city has completed 11 office conversions, creating nearly 2,000 new apartments. Mayor Muriel Bowser has made adaptive reuse a focus of her administration, offering incentives such as a 20-year property tax abatement to encourage developers to move forward.

“Today, D.C. has the second-largest number of planned office-to-residential conversions in the country, just behind New York City. But it’s a trend that’s gaining popularity more broadly, in cities from Dallas to Manchester, New Hampshire.”

More at NPR, here.

Photo: Newberry Library.
This image from the Newberry Library
in Chicago represents the clans of the ogimaag (chiefs) of the Lake Superior bands of Ojibwe. The clans are shown united at a time when they were petitioning the US government to revise treaty boundaries set in 1842. 

In Chicago, there’s a library with an impressive indigenous studies collection, of which the art above is an example. I have never seen anything like it, a charming illustration of tribal chiefs, their individual symbols, and their collaboration to deal with the US government. It is in the Newberry Library.

Courtney Kueppers reported recently for WBEZ about the library and a $4 million grant “from the Mellon Foundation that will help widen access to Indigenous languages, some of which have been on the brink of disappearance.

“The research library holds roughly 2,400 items directly related to more than 300 different Indigenous languages as part of its vast Indigenous Studies collections, which include more than one million manuscript pages, 11,000 photographs and 2,000 maps.

“Right now, only a small percentage of that is available digitally, which can pose a barrier to tribal nations and scholars. Part of the new grant funding will focus on making more of the collection available on Newberry’s website, with a specific focus on language-related items.

“ ‘Those are often of major interest to tribal nations who are working on language revitalization activities,’ said Rose Miron, Newberry’s vice president for research and education. …

“The loss of Indigenous languages has been called a state of emergency. Many languages were nearly eradicated after the U.S. federal government attempted to force Indigenous people to assimilate in the 19th and 20th centuries through orders that included Native American boarding schools. …

“ ‘Children were literally being punished for speaking their own languages and being forced to speak English instead,’ said Miron, a historian whose area of study has focused on Indigenous history in the Great Lakes region. Now, as many tribal nations focus on revitalizing languages and teaching them again, Miron said items in the Newberry’s collection can play a critical role, especially for nations with no living speakers. …

“The Newberry collection includes Bibles and other religious texts created by missionaries who were attempting to assimilate tribal members by translating those works to Indigenous languages. Among the other linguistic items are boarding school materials that were translated into Dakota. …

“Miron said, ‘I have seen people in the collection weep upon seeing something that is related to their family, or is related to their community that they’ve never seen before.’ …

“In total, Newberry says, more than half the funds will go directly to tribal nations.

“ ‘We fundamentally believe that tribal nations are the best representatives of their own history,’ said Miron, adding that the library is also open to repatriating items in its collection.

“The Indigenous collection at the library originated with a donation in 1911 from the wealthy businessman Edward E. Ayer, whom Miron said was an avid collector of books, manuscripts, artwork and publications about different tribal nations. Ayer also endowed the collection, and that has allowed the Newberry to grow the collection over the years and dedicate a librarian to it. …

“The latest round of Mellon funding is an extension of a previous planning grant, which the museum received in 2020. The planning process resulted in the ‘Indigenous Chicago‘ project, which looks to provide information and resources on Chicago’s historic and modern-day Indigenous communities. It includes interactive online maps that reinterpret Chicago’s history from Native American perspectives.

“The project comes amid other recent local efforts to better recognize Indigenous people and their culture. A new partnership between the American Indian Center of Chicago and the Forest Preserve of Kane County led to the introduction of a new bison herd, bringing the animals to the local tallgrass prairie for the first time in 200 years. The center will steward the herd.”

More at WBEZ, here. If you live in Chicago or visit, try to give us a firsthand account of the library.

Pokemon Explained

Photo: Reuters.
By the time Pokemon landed in North America in 1999, it already had a fully formed media ecosystem. Above, a Nintendo employee displays Pokemon Gold, left box, and Pokemon Silver.

Perhaps because I never learned how to play video games, I missed out on the Pokemon craze. But now that Pokemon is celebrating its 30th year, I think it’s time to catch up. My kids were grownups when their own kids were into it, and John was so keen a few years ago, he could be seen wandering across streets absentmindedly following a Pokemon character that appeared on his phone.

What was it all about?

Philip Drost reported February at Canadian Broadcasting, “As a child, Satoshi Tajiri loved to collect and play with bugs in his backyard. As he grew up, he loved going to the arcade to play video games. So he decided to merge the two. The result? One of the biggest franchises in the world. 

“ ‘Pokemon is almost a lifestyle at this point,’ Matt Alt, a Tokyo-based writer and author of Pure Invention: How Japan Made the Modern World, told [CBC’s] Sunday Magazine.

“[In February] Tajiri’s creation, Pokemon, celebrates its 30th anniversary, which it kicked off with a Super Bowl ad featuring celebrities such as Maitreyi Ramakrishnan, Lady Gaga, Trevor Noah, Jisoo, and Lamine Yamal discussing their favorite Pokemon. …

“Tajiri began working on a game for the Nintendo Game Boy in 1990. … Development took six years, but on Feb. 27, 1996, Pokemon Red and Green were officially released in Japan. 

“Alt says when Nintendo realized it had a hit, it threw its weight behind it. It made comic books for the franchise, a cartoon series and trading cards — a common marketing practice in Japan, Alt says.

“By the time Pokemon landed in North America in 1999, it already had what Alt calls a fully formed media ecosystem.

“ ‘It hit like a meteor,’ Alt said. ‘It absolutely profoundly transformed the childhood fantasy space in the West.’

“Hanine El Mir was seven when her brother got a Game Boy Color, the follow-up to Nintendo’s original Game Boy. … Since then, El Mir has played every Pokemon game that’s been released, and now she studies video games at Concordia University in Montreal. Even the music from the games has an effect on her, she said.

“ ‘It transports me to a different time, a time with less responsibility,’ she said. ‘I’m on my parent’s couch not having to worry about anything, just playing for hours and hours during summer,’ said El Mir, who has researched the power nostalgia has over Pokemon fans.

“Pokemon cards, which cost just a few dollars a pack when they came out, can now sometimes be worth thousands — or in rare cases, millions — inspiring scalpers to snatch up as many as they can to resell.

“Then there’s Pokemon Go, an app that took the internet by storm by allowing people to catch the cute little creatures on their phone by walking around in the real world. …

“Pokemon’s intense popularity around the world has made it what’s known as a soft power, according to Shaoyu Yuan, a scholar of international relations and adjunct professor at New York University’s Center for Global Affairs. …

” ‘[Soft powers] don’t arrive as a policy memo, they arrive as a music playlist, weekend movie or TV show binge,’ said Yuan. ‘Once culture becomes a shared reference point, it quietly does something political.’ And that’s what happened with Pokemon.

“In the 1960s, Japan became an economic giant, which created fear in the Western markets, Alt said. This prompted the U.S. government to slap tariffs and restrictions on Japanese goods such as cars, electronics and appliances. 

“But the government wasn’t worried about toys, action figures, video games or TV shows. …

“Alt said, ‘While the adults were trying to keep Japan out of American markets, they didn’t realize at the same time that Japanese fantasies were flooding in, and they were transforming us young people as we consumed them.’ …

“Pokemon will kick off celebrations for its anniversary on Feb. 27 [2026], the same day Pokemon Red and Green were released in Japan 30 years ago. 

“And while the franchise continues to turn a profit, El Mir said the biggest challenge for Pokemon will be what happens when the nostalgia runs dry and those who grew up in the 1990s and early 2000s are no longer consuming these products. …

“But Alt said that over 30 years, Pokemon has managed to keep up with its younger fan base. In addition, the franchise has so many facets, from battling to collecting, that it brings in all types of people. …

“ ‘It’s really a testament, I think, to the vision and to the passion of Satoshi Tajiri. Pokemon not only continues to be alive, you know, decades after its release, it’s thriving. It’s not even Japanese culture anymore, it is global culture.’ ”

More at CBC, here.

Photo: Johnny Savage/The Guardian.
David Keohan, aka Indiana Stones, lifting a stone on a beach in County Waterford. 

When the great James Hackett first visited his cousins in New Shoreham, Rhode Island, he commented on how much the island looked like his native Ireland. He wasn’t the first notice. It’s largely because of the ubiquitous stone walls.

Some of those walls have giant boulders placed strategically as a base. Today I’m learning that such boulders have a long history in Ireland, a history most contemporary Irish knew nothing about. Rory Carroll writes at the Guardian about the man who dug out the history.

“David Keohan surveyed the County Waterford beach and spotted a familiar mound half-buried in sand: an oval-shaped limestone boulder. It weighed about 115kg [~253 lb].

“He wedged it loose with a crowbar, wiped it dry with a cloth, dusted his hands with chalk and paused to gaze at the Irish Sea, as if summoning strength from the waves pounding ashore.

“He hunkered down, gripped the boulder and hoisted it to his lap. Legs trembling, Keohan straightened his knees and hoisted the weight up to his chest, close enough to kiss it. Two seconds later he lowered and dropped the boulder, which thudded back on to the sand.

“It was a demonstration of the ancient sport of stone lifting. Keohan has almost single-handedly revived the practice in Ireland and helped stir global interest.

“ ‘It’s not just about strength. Every single lifting stone has an amazing story attached to it,’ said Keohan, 47. …

“To his fanbase Keohan is better known by his Instagram handle Indiana Stones. On there, he is a scholarly Hercules who parses myth, folklore and literature to locate boulders around Ireland that for centuries were used to test strength and bond communities.

“Some were lifted at funeral games to honor the dead, some to celebrate harvest festivals and some to mark a chieftain’s ascension, said Keohan. ‘One stone was almost like a job interview to become a stonemason – you had to be strong enough to lift it.’

“To lift a designated stone … a few inches above the ground was known as ‘getting the wind under it,’ said Keohan. ‘That was a great day in a young man’s life. If you lift it to your knees, you’re a champion. Lift it up to your chest, you are a phenomenon of strength and spoken about for generations to come.’

“He has identified 53 lifting stones, spanning beaches, fields and graveyards, and hopes to locate dozens more. To lift such a stone today is to connect with all those who previously managed the feat, a continuum that in some cases stretches back millennia, said Keohan. …

“Few in Ireland had heard of the sport until Keohan stumbled into it.

“When Covid restrictions shut gyms in 2020, the former kettlebell lifting champion started using stones in his garden as weights. Galvanized by documentaries about stone lifting in Scotland, Iceland and the Basque region, he made a post-Covid ‘pilgrimage’ to the 127kg [280 lb] Fianna stone in Scotland. ‘It was strength, mythology, history. I fell in love with it.’

“After reading Liam O’Flaherty’s 1937 short story ‘The Stone,’ about an elderly man who tries to lift the ‘manhood stone’ of his youth, Keohan tracked down a pink-tinged granite lump that matched the story’s description on the Atlantic island of Inishmore, where O’Flaherty grew up.

“Now, a sport that was all but forgotten boasts a devoted following on Instagram and TikTok, and a competition organized by a group called Irish Stone Monsters. The ride-sharing company Lyft has sponsored a stone lifting studio at a Dublin gym.

“Enthusiasts trek to remote rural areas to try to lift designated stones. A stone in County Clare named after Mrs Kildea, a possibly apocryphal figure who reputedly lifted an enormous boulder, has inspired women to take part. Last year a boulder known as Cloch Bán, or White Stone, was shipped to enthusiasts in Boston.

“Stone lifting practices existed across Europe, Asia and Africa, said Conor Heffernan, a cultural historian at Ulster University. The legend of the warrior Finn McCool creating a path to Scotland by laying basalt columns in the sea – the Giant’s Causeway – illustrates Ireland’s connection to its rocky landscape, said Heffernan. …

“Keohan and Heffernan are seeking to get stone lifting included in Ireland’s inventory of intangible cultural heritage – a first step to Unesco recognition.

“Guided by local lore, the National Folklore Collection, and tips from Instagram followers, Keohan has found dozens more stones around Ireland. ‘This dam burst of information came out,’ he said. ‘It has given me purpose and a reattachment to what it means to be Irish.’ …

“The father of three, who works at a construction depot in Waterford, has tapped into a passion for Irish culture that has also boosted the Irish languageroad bowling and TikTok’s #GaelTok content. Keohan has written a forthcoming book, The Wind Beneath the Stone.”

More at the Guardian, here.

Photo: David Lurvey/Museum of the City of New York.
Joe Macken’s “He Built This City” is a 50-by-27 foot piece made of wood and cardboard. It’s on display at the Museum of the City of New York (1220 5th Avenue at 103rd Street) through summer 2026.

Today’s story is about determination. Specifically, it’s about the determination of a former trucker who spent decades building a replica of the five boroughs of New York City, now displayed at the Museum of the City of New York.

For the Smithsonian, Sonja Anderson wrote, In 2004, truck driver Joe Macken created a miniature replica of New York City’s 30 Rockefeller Plaza out of balsa wood. Although he had intended to stop there, he realized he was hooked.

” ‘Then the next day, I built another one,’ he tells CBS News’ Steve Hartman. ‘And then I built another one.’

“Macken kept building for more than two decades. He worked his way through Manhattan and began work on the other boroughs. He made 320 sections — each representing about a square mile of New York — with wooden buildings, painted parks and tiny artificial trees. When he ran out of room at home, he rented a storage unit.

“Macken ended up with a 1,350-square-foot model depicting New York City in its entirety. Last summer, his work went viral on TikTok.”

At the Guardian, Alaina Demopoulos adds to the story.

“In 2003, Joe Macken built a miniature model of a bridge out of popsicle sticks [but] ‘It got destroyed, and I was kind of bummed,’ said Macken, who is now 63. ‘So I figured, let me build something better.’

“Twenty-three years later, that ‘something better’ survived another truck drive – this time to the Museum of the City of New York, which now houses the project that spiraled into Macken’s life’s work.

“After the accidental bridge demolition, Macken focused on another New York landmark. He carved a mini replica of 30 Rock, the art deco skyscraper and centerpiece of Rockefeller Center. That went well, so he started adding on, using wood to render the surrounding Midtown neighborhood. His mini Midtown became mini Manhattan. Then, he decided to model all of New York’s five boroughs, block by block.

“The result is a 50-by-27ft piece made of wood and cardboard, held together by glue and the sheer determination Macken needed to get it done. … Macken said, ‘I just started cutting one little house at a time.’ It took him 10 years to cover Manhattan, and then another decade to get through the rest of New York.

“In the late 60s and early 70s, Macken watched the twin towers rise from his childhood bedroom window. He remembers seeing cranes hoist girders into the sky. ‘It was my favorite building,’ Macken said. So he put it in the model, which has replicas of both One World Trade Center, which opened in 2014, and the original towers. ‘No matter what, the [former] World Trade Center was going to be in there,’ he said. ‘That was just a personal thing I wanted to do.’

“Before it arrived at the museum, Macken kept the model in a storage unit near his home. Macken, a former truck driver, stacks the boards into piles when transporting the piece. He tries to avoid another model bridge massacre by ‘driving slow.’ …

“The museum exhibits the model in a large, ground-floor gallery, arranged from due north to south. Manhattan, the borough used to getting all the attention, is dwarfed by the outer boroughs, reminding viewers that much of the city’s magic occurs far away from tourist hubs.

“ ‘I’ve been thinking a lot about how knowable and unknowable New York City is to all of us, whether we’re from here or just have a mental picture of this place,’ said Elisabeth Sherman, MCNY’s deputy director and chief curator. …

“There are binoculars placed on the outside edges of the model, so viewers can take a closer look at specific sections. People who live near landmarks can easily find their blocks – one museum employee pointed out their home on the edge of Brooklyn’s Prospect Park. …

“Sherman said that when museum staff first saw the model, ‘we were all standing around squealing, “Look, there’s our museum!” “There’s the Met, there’s the Guggenheim.” ‘ …

“Sherman first heard of Macken the way many others did: last summer, the project went viral on TikTok, when 8 million people – coincidentally, that’s about the population of New York – turned into his delightfully lo-fi first video. In the clip, Macken stares directly at the camera, holding up downtown Manhattan, making sure to point out his beloved twin towers. It was not his deal – Macken said his daughter egged him on.

“ ‘I’m totally clueless when it comes to that stuff,’ he said. ‘It took me longer to download the app than it did to build this whole thing.’ “

More at the Guardian, here. For Sonja Anderson’s report at the Smithsonian, click here.