Feeds:
Posts
Comments

Posts Tagged ‘movie’

p1022720-720x540-1

Photo:
In a Brazilian favela, Rocywood actors pose with their screenwriter and their director.

The headlines from the slums of Brazil are hardly ever good. Between the gang violence and the police violence, there is frequent loss of life among innocent bystanders. So anytime I see something upbeat about these places — say, colorfully painted houses or musical instruments created from dump discards — I want to share the news.

This story is about the joy of making movies, even when the movies are about the harshness of life. It’s about the feeling of rising above it all.

Mariana Simões writes at Hyperallergic, ” Stacks of houses that showcase raw, exposed brick frame the rooftop view where I meet screenwriter Fabiana Escobar, or Bibi Danger, as she is known in Rio de Janeiro’s Rocinha, the largest favela in Brazil.

“With around 70,000 inhabitants, Rocinha is a vibrant community made up of low-income improvised homes built atop rolling hills that tower over Rio de Janeiro like a city within a city. Rocinha is also where, since 2015, Escobar and four other filmmakers have championed a budding film scene they call ‘Rocywood,’ combining Rocinha with Hollywood. Their Rocywood production company has one award-winning short under its belt and another short and two features in the making.

The films portray local realities, from the joys of growing up in a tight-knit neighborhood to the difficulties residents face living among drug traffickers and gun violence.

“ ‘When I was a kid, I stayed home to watch the Oscars on TV and I would marvel at every little detail. Hollywood creates that kind of magic that envelops us, even though it’s something that is so distant from our reality,’ Escobar says. …  ‘I grew up with that magic, but the industry doesn’t embrace Rocinha. We have to create our own magic. We are going to make it happen for ourselves.’

“The 38-year-old screenwriter used to own a salon and clothing store, but now rents out her shop while she dedicates her life to making Hollywood magic. But most of the people involved can’t afford to make movies full-time.

“ ‘The actors, the producers, the whole team has a second job. I am a manager at a clothing store, and I make films up here on the hill on the side,’ says Sergio Dias, Rocywood’s 31-year-old director. Dias was born and raised in Rocinha where he is known by his stage name, Sergio Mib. His one-bedroom apartment functions as a dressing room and houses Rocywood’s equipment and props, including three toy assault rifles that look impressively real.

“Rocywood’s productions cost $50 dollars (USD) on average. The filmmakers often take the budget out of their own pockets to cover transportation fees and snacks. With no dedicated financing, everyone in the community pitches in to make the films come to life, from lending filming equipment to styling hair and makeup for free at the local salon. Dias explains that Rocywood makes a conscious effort to include only people from favelas in its productions. The films, made for locals by locals, are screened on the streets of Rocinha using a projector and an improvised tarp as a screen, but are also available on YouTube for a worldwide audience to see. …

“I went in search of Rocinha’s low-budget Hollywood scene after meeting American filmmaker Alan Hofmanis by chance at a traditional Rio de Janeiro fast-food style chicken restaurant in the bustling tourist neighborhood of Copacabana. I struck up a conversation with him about his dessert and ended up learning about Wakaliwood, Uganda’s version of Hollywood, named after Wakaliga, the slum in Uganda’s capital of Kampala where the films are made.

“Eight years ago, after Hofmanis saw a trailer for a feature by Ugandan director Isaac Nabwana that mixed mafia gangs, kung fu, and gun fighting, he hopped on a plane to meet Nabwana. In 2013, Hofmanis sold everything he owned in New York and moved to Wakaliga, where he has been making movies with Nabwana ever since. Nabwana founded Uganda’s first action-film company, has produced about 45 films, and just had his feature Crazy World premiere at this year’s Toronto International Film Festival (TIFF).

“Fascinated by Nabwana and his ability to make kitschy action films with budgets around 65 dollars that still draw in millions of online viewers, Hofmanis searched the world for others like him. He found people in Ghana, India, Afghanistan, Peru, and even Siberia who are also making low-budget, Hollywood-inspired productions. He came to Brazil in the hopes of discovering the same scene in Rio de Janeiro. …

“The American filmmaker believes low-budget, Hollywood-inspired films are a growing phenomenon. … ‘They are taking something that is outside their reality and spinning it and making it their own,’ he says. ‘So maybe this [new movement] can be called the Micro Wave because it’s a New Wave movement, but it’s based on these micro-economies.’ …

“Escobar summarizes, ‘I decided our next feature will be a horror film to break free from that stigma that because I live in a favela, I can only make films about drug trafficking and violence. If we want to write about drug trafficking it will be a great film, but we can rock other narratives, too, and we want to break that barrier.’ ”

More at Hyperallergic, here.

Read Full Post »

01_yvesmarchandromain20meffre_repurposedtheaters_photovertical

Photo: Yves Marchand and Romain Meffre
Two French photographers spent years capturing the new uses of old movie theaters, like this one. Now a gym, the building was once famed as the Alhambra Theater of San Francisco.

Sometimes spectacular old buildings simply cannot be returned to their original purpose. Times change. But as I learned from pictures by two French photographers, many people value the old movie theaters and are giving them new life.

Michael Hardy writes at Wired, “Between the 1920s and the 1950s, Hollywood studios built thousands of ornate movie palaces in cities across the United States. Warner Bros., Paramount, RKO, MGM, and others competed to build the biggest and gaudiest cinematic cathedrals to showcase their big-budget blockbusters. In this vertically integrated era of filmmaking, when the major studios tightly controlled the production, distribution, and exhibition of movies, these palaces served as the showrooms in which they displayed their wares. Seating thousands of spectators, the theaters were decorated in a fanciful array of styles, including art deco, art nouveau, and ancient Egyptian.

“In 1948 the US Supreme Court found that such vertical integration violated the Sherman Antitrust Act and ordered the biggest movie studios to divest themselves of their theater chains. The decision spelled the end for the era of the movie palace, as the studios were forced to sell or close their theater holdings. Television and suburbanization — the grand old theaters were mostly located in downtown areas — provided the coup de grâce.

“One of the grandest of the old palaces was Detroit’s United Artists Theatre, a 2,000-seat, Spanish Gothic–style venue that showed movies from 1928 until the 1970s. French photographers Yves Marchand and Romain Meffre stumbled across the abandoned theater in 2005 while working on a series about the effects of deindustrialization on the city.

“Stunned by the building’s fading grandeur, Marchand and Meffre began traveling the country, seeking out other abandoned theaters to photograph.

‘The amount of fantasy and detail are amazing in some of the theaters,’ Meffre says. ‘I don’t think we have anything comparable in Europe except for our cathedrals.’ …

“After discovering some tastefully repurposed palaces, such as Brooklyn’s cavernous Paramount Theater—now used as a gymnasium by Long Island University—they expanded the scope of their project. Not all renovations were so sensitive. Marchand and Meffre shot palaces that have been transformed into grocery stores, office buildings, even school bus depots. …

“Because the palaces are so expensive to tear down, many have survived more or less intact, a process the photographer calls ‘preservation by neglect.’ ”

Funny. Here’s to life-saving neglect!

More at Wired, here.

Read Full Post »

One of the many reasons I’m grateful to WordPress is that, as the largest self-hosted blogging tool in the world, it gives me some visibility among other bloggers.

One day recently I garnered a “like” from the Girl Scouts of South Carolina Mountains to Midlands. I decided to check out their blog, and I found a good story to share.

Michelle Taylor writes, “Zainab Bhagat has always reached out to the hurting, even when she didn’t realize she was practicing philanthropy. As a child in elementary school, she noticed one of her friends often went without. Her friend never seemed to have school supplies or a complete lunch. Without a second thought, Zainab shared everything she had to offer. …

“When Zainab had the opportunity to earn the Gold Award in high school, she never questioned if she should pursue it or not. She felt it a moral obligation to share her time, talent, and treasure with the world. …

“She knew the project would take her full devotion. She would have to spend at least 80 hours researching, planning, and working her project. She would have to present her concept before a committee, and her project would have to address a real issue in her community. But anything worth doing is rarely easy.

“Zainab created a documentary about homelessness in her hometown of Irmo, South Carolina. She interviewed and became fast friends with a local teen who had endured incredible hardship. Watch her hard-hitting and inspirational documentary [here].”

More at the Girl Scouts of South Carolina blog, here. How reassuring it is to see young people like this readying to enter the world of adulthood. They will make that world better.

Read Full Post »

Although Ginia Desmond had been writing scripts for 12 years, she had never made a movie. Now at 74, she has risen to the challenge.

Johanna Willett writes at the Arizona Daily Star, “Ginia Desmond had a decision to make. Buy a house. Make a movie. Buy a house. Make a movie. She made a movie.

“The 74-year-old has been writing scripts for a dozen years, but ‘Lucky U Ranch’ is her first feature-length film to make it to the big screen.

“That’s because she funded it.

” ‘I consider myself the writer,’ she says of the low-budget film, which so far isn’t readily available for viewing. ‘I wrote the script, and I wrote the checks.’

“Writing screenplays is not Desmond’s first career — or even her second. This act follows others that starred Desmond as a mother and wife, professional artist and businesswoman. …

“For almost 30 years, she imported goods such as furniture and baskets to sell in her Tucson store Sangin Trading Co. on Sixth Avenue. She sold the business in 2003. …

“ ‘Ginia is an interesting combination of very creative and very practical,’ says Victoria Lucas, a Tucson screenplay consultant with a 20-year career in Los Angeles.

” ‘She has that sense of the big picture and how a business is run, and with her writing skills and talent, she has the ability to understand characters. … Very few writers write visually so that when you read the script, it’s like you have seen the movie. … Ginia writes like that. She has a real gift for getting under the skin of characters and making the reader or audience understand them. … She is a treasure for Tucson.” Read more here.

Thank you, Cousin Claire for posting the story on Facebook. Like Desmond, Cousin Claire lives in Tucson, and she has at least one script stored away somewhere about an adventurous female ancestor. I read it. And I know for a fact she is under 74, so …

Photo: Kelly Presnell/Arizona Daily Star
Ginia Desmond, 74, is reflected in her movie poster’s glass.

Read Full Post »

I added Ello to my social media a while ago but am only now beginning to explore it. A kind of Facebook without ads, it seems to be preferred by people in the arts. Lately, Ello has been publishing interviews with particularly interesting users.

Here are excerpts from Ello Chief Marketing Officer Mark Gelband’s interview with Ben Staley.

“Ben Staley is an Emmy award-winning filmmaker, storyteller, photographer, and professional adventure-haver. His striking portraits and nature photography are a constant source of inspiration to the Ello team. …

“Mark: I started paying really close attention to your work when you were documenting the film you’re making about ships and welders. Could you tell us more about that project?

“Ben: The project is called ‘Starbound’ and it’s about a boat of the same name. The boat is a catch processor that fishes on the Bering Sea. It’s a top performer but the factory was outdated and inefficient and they were losing money. The construction project would lengthen the boat, making it as environmentally friendly as possible and saving the jobs of the 100+ crew members. The owners are doing it for the best reasons. They could have taken the easy way out and and saved a lot of money up front and had no risk, but they undertook this incredible challenge because they care about the environment and their employees and their families. …

“For me as a storyteller it’s a once-in-a-lifetime opportunity to capture this process and tell their story. The family that owns the boat are incredibly committed and hardworking people and they will willingly spend more money and take on this risk to do things the right way. …

“Picking a 240 foot-long boat up out of the water, cutting it in half and sticking 60 foot section in the middle, welding it back together and putting it back in the water. All in the space of a couple months. The hard work, skill and craftsmanship are incredible. …  I’ll be making the first trip to sea with the boat later this summer and hope to have the doc done by end of year. …

(more…)

Read Full Post »

Here is my latest photo roundup, but the picture I’d hope to start with will not appear.

I thought I was in the 1960s film Blowup. I spent ages (well, at least 30 minutes) zooming in on a photo I took of what I’m pretty sure was a bluebird. When I finally found the bird in the background of woodland twigs and leaves, he was so blurry I couldn’t use the picture to confirm the identification. So no photo of a bluebird for this post.

I have two other photos from walking in the town forest, one of Fairyland Pond and one of trail markers, including the Emerson-Thoreau Amble.

Next is my youngest granddaughter chasing a squirrel up a tree on Easter (love the shot my husband got). My oldest granddaughter is captured mid-Easter-egg hunt. The robin stayed stock-still for his portrait that afternoon.

The window fish was painted by my younger grandson at his Montessori nursery school. As usual, I couldn’t resist shooting shadows.

Now, about the shadows on brick. For nearly three months, until the moment when the sun shone through the alley (like the sun that shone on the keyhole to Smaug’s back door in The Hobbit), I thought the window in the renovated building was smack up against a wall and there was nothing to see there. What a lovely surprise!

I’m wrapping up today’s collection with a license plate from the Pawnee Nation. Since the Pawnee Nation is in Oklahoma and the car was in Providence, I’m intrigued and hope to learn more. Here’s the tribe’s website.

033116-pond-in-town-forest

033116-trail-in-woods

 

 

 

 

 

 

 

 

 

 

 

032716-squirrel-went-up-tree

032716-Easter-basket

 

 

 

 

 

 

 

 

 

 

 

032716-robin-Blackstone-Blvd

032916-grandson-fish-decoration

 

 

 

 

 

 

 

 

 

 

 

 

032216-sudden-light-narrow-alley

033016-Pawnee-Nation-car-license

 

 

 

 

 

 

 

 

 

Read Full Post »

Don’t you love it when something that is extinct turns out not to be extinct at all? Like coelacanths, which, according to Wikipedia, “were thought to have become extinct in the Late Cretaceous, around 66 million years ago, but were rediscovered in 1938 off the coast of South Africa.”

While I’m waiting for someone to prove unequivocally the existence of the Ivory Billed Woodpecker, I will regale myself with Lazarus-like sea snakes in Australia.

I saw this Australian Associated Press story at the Guardian: “A species of sea snake thought to be extinct has been rediscovered off the Western Australian coast. A wildlife officer spotted two courting short-nosed sea snakes while patrolling in Ningaloo marine park on the state’s mid-north coast. …

“The Western Australian environment minister, Albert Jacob, said the discovery was especially important because they had never been seen at Ningaloo reef.

“A Department of Parks and Wildlife officer photographed the snakes on Ningaloo Reef and James Cook university scientists identified them.”

Maybe marine creatures such as sea snakes and coelacanths are more likely to be preserved than woodpeckers — hidden away in the ocean’s unexplored depths. Still, as a movie I reviewed, Revolution, made clear, the seas are threatened, too.

More on courting sea snakes at the Guardian.

Photo: Grant Giffen/AFP/Getty Images
The discovery of the short-nosed sea snake, previously thought to have been extinct, is significant because the species had never been seen in the Ningaloo marine park in Western Australia before.

Read Full Post »

Today would have been Shakespeare’s 451st birthday, and I am seeing testimonials all over Facebook and twitter. So it seems like a good day to write about the Sonnet Project in New York City.

Stuart Miller wrote at the New York Times about “an ambitious project to create a short film for each of Shakespeare’s 154 sonnets, with each movie shot at a different New York City location.

“ ‘It brings Shakespeare to people who might not be in touch with it, and we can use social media like Twitter and Instagram to spread the word,’ [actor Billy] Magnussen said. The endeavor, called the Sonnet Project, grew from the work of the New York Shakespeare Exchange, a local theater group.

“The group, which started the project in 2013, just completed its 100th film: Sonnet 27, starring Carrie Preston, an Emmy award-winning actress, and filmed on the Verrazano-Narrows Bridge [and premiering] April 8 on the Sonnet Project website and app. …

“Some directors found inspiration at the location where the films were shot. At Leidy’s Shore Inn, a 110-year-old bar on Staten Island, Daniel Finley, who was making Sonnet 19, filmed Laurie Birmingham, an actress who works mostly in regional theater, as a world-weary regular musing over her drink.

“ ‘We walked in at 10 a.m. and the regulars were there watching OTB and scratching their lotto tickets,’ he said. ‘We learned some of their stories and Laurie based her character on those impressions.’ ” More at the New York Times, here.

Photo: Chang W. Lee/The New York Times
A crew filming Sonnet 108 at the John T. Brush stairway. 

Read Full Post »

It always seems so limiting to put anything in a category. Some WordPress bloggers are good at categorizing their posts, and I’m sure that helps many readers, but my posts are never about one thing only.

Netflix makes movie recommendations based on categories that pigeonhole movies we’ve rated highly. But the approach seems clunky. Just because we have liked a lot of foreign films (Wadjda, Son of Rambow, Princess Mononoke), that doesn’t mean we like all foreign films. Maybe we like the ones we’ve seen for some other reason than being foreign. Maybe they are less glitzy, more honest, or more entertaining.

He are some funny categories Netflix recommended for my husband and me: “emotional, independent films based on books,” “critically acclaimed foreign movies,” “mind bending movies,” “anime,” “musicals,” “social & cultural documentaries,” “critically acclaimed emotional movies,” and “horror movies.” Horror!? Where did they get that?

At the late, lamented Kate’s Mystery Books in Cambridge, you could get pretty sound advice on books from Kate herself. She would ask you to name some mysteries you liked, and you might say you had read all of Tony Hillerman and Arthur Upfield. Then she would say, “Different cultures.”

Well, ye-es. But what kept me coming back to those authors were detectives who were likable and endings that were positive in some way. no matter how small. Kate did give me some authors I loved, like Eliot Pattison (mysteries about Tibet and, more recently, several about 18th century American Indians), but other books about different cultures might be too noir for me or too fluffhead, like mysteries with animal detectives.

I suppose categories help a bit. I just think they are clunky. Where would I file this post, now? Movies? Books? Retail? Misconceptions? Colin Cotterill, Dr. Siri, Laos?

Colin Cotterill writes a series that is both funny and deadly serious about a 70+ coroner in Laos, Dr. Siri, a likable antihero with an offbeat bunch of equally likable cronies.

Read Full Post »

John found a sweet little video clip of the 1955 Danny Kaye film The Court Jester featuring my favorite lullaby.

I often sing “I’ll Take You Dreaming” to my grandchildren, and I sang it to John when he was a baby and to Suzanne. (A pre-verbal Suzanne used to make a squeaking noise when I came to the word “dreaming,” and I finally figured out she thought the word was “screaming.”)

The YouTube video refused to embed, try as I might, and as I poked around the web for another video, I came on some information about Danny Kaye, who was hilarious in that movie. I never saw my mother laugh so hard. The lullaby was one of the few quiet places.

“Danny Kaye left school at the age of 13 to work in the so-called Borscht Belt of Jewish resorts in the Catskill Mountains. It was there he learned the basics of show biz. From there he went through a series of jobs in and out of the business. In 1939, he made his Broadway debut in Straw Hat Revue, but it was the stage production of the musical Lady in the Dark in 1940 that brought him acclaim and notice from agents.”

Oh, boy, I saw a production of Lady in the Dark in the 1980s at the Boston Conservatory. What a show!

“Samuel Goldwyn had been trying to sign Kaye to a movie contract for two years before he eventually agreed. Goldwyn put him in a series of Technicolor musicals, starting with Up in Arms (1944). His debut was successful, and he continued to make hit movies such as The Secret Life of Walter Mitty (1947) and The Inspector General (1949). In 1954, he appeared with Bing Crosby in White Christmas (1954), which was based on the Irving Berlin song of the same name. In 1955, he made what many consider his best comedy, The Court Jester (1955). …

“He also worked tirelessly for UNICEF.” More at IMDb.

You can find the lullaby scene on YouTube. I thought the sound quality was best here.

Studio publicity photo of actor and comedian Danny Kaye. 

Read Full Post »

Photo: Greenfusefilms.com

Vanessa Gould, the sister of one of Suzanne’s elementary school buddies, is a documentarian. A while back, she made a Peabody-winning film about makers of advanced origami called Between The Folds. More recently, she was given unheard-of access to the New York Times obituary desk.

Her parents just sent an e-mail about the resulting movie and what Vanessa has been up to in general.

“Vanessa recently worked on Showtime’s Years of Living Dangerously, a nine-part series tackling the challenges of climate change. … Vanessa was a producer on several of the stories and did additional cinematography on others. You can see most of her work in episodes three (“Super Storm Sandy”) and nine (“Chilean Andes”). Episode three, “The Rising Tide” with Chris Hayes, airs tonight, Sunday, April 27, at 10 pm on Showtime. … Here are links: http://www.yearsoflivingdangerously.com and https://www.facebook.com/YearsOfLiving. …

“Soon after making Between The Folds, one of the artists in the film passed away. Vanessa alerted the Times of his death, aware that it was unlikely they would run an obituary. And yet – somewhat amazingly – they did, and she assisted them in the unusual process of putting together an editorial obituary. Only three or four such obituaries are written by the NYT staff each day. The whole story of how these obituaries are selected and written, as well as the social history they tell, became her fascination. Hence OBIT will be her next film. Check out these links: http://www.obitdoc.com, http://www.greenfusefilms.com, and www.vanessagould.com.”

I wonder if OBIT will show to what extent the obituaries of famous people are written before they shuffle off this mortal coil. Come to think of it, do any newspapers let people submit their own obit in advance? I recently read a hilarious one that a small paper accepted from the deceased at the insistence of his grandson. It revealed a guy with a terrific sense of humor — not a bad tribute.

Read Full Post »

A guy at the office reads a different blog I write, a blog for work, and knows the types of stories I like. Recently he e-mailed me about a new documentary in which the solutions to our economic problems are tackled by “just folks.” Add this to the growing list of proofs that “one and one and 50 make a million.”

“In Fixing the Future, host David Brancaccio, of public radio’s Marketplace and NOW on PBS, visits people and organizations across America that are attempting a revolution: the reinvention of the American economy. By featuring communities using sustainable and innovative approaches to create jobs and build prosperity, Fixing the Future inspires hope and renewal in a people overwhelmed by economic collapse.

“The film highlights effective, local practices such as: local business alliances, community banking, time banking/hour exchange, worker cooperatives and local currencies.” That’s what the film’s website says anyway. Read more. And if you see the movie, please let me know.

 Photographs: http://fixingthefuture.org

Read Full Post »

Pamela and I went to see the movie Hugo. The theater didn’t have 3-D, and one critic said 3-D is essential for full enjoyment of the film, but we found it delightful anyway.

Before I saw the movie, a NY Times review worked its way into my post on the charm of looking out windows. Indeed, as little Hugo peers out of windows and clock faces in the Paris train station where he works, it’s as if he were watching a theatrical entertainment staged for him alone.

A major “character” in Hugo is an old automaton that the boy had worked to repair with his father before a fire left him an orphan. He desperately wants to finish the work. He fancies that if the automaton were to write something, it would deliver a message from his father.

Automatons were apparently quite popular in the early 20th century. They were ingenious robots that could perform feats like writing and drawing.

There is one that can be seen today at the Franklin Institute in Philadelphia. Thought to have been constructed around 1800, it knows how to make four drawings and write three poems — two in French and one in English. “Henri Maillardet, a Swiss mechanician of the 18th century who worked in London producing clocks and other mechanisms” is the tinkerer behind it. Read more.

Read Full Post »

When you have a doctor’s appointment in the morning and go to work late, you see a whole different crowd riding the subway. In the summer after rush hour, there are a lot of families on outings. A woman and a boy of about 11 got on and sat near me. The boy began to tell his mother that he had been reading about a made-up language called Esperanto. She said she had heard of it and thought it had been popular a long time ago but hadn’t worked out. An older kid they didn’t know chimed in to confirm the woman’s view. Esperanto was intended to be used as an international language, but nobody spoke it anymore.

That was too much for me. “Well,” I said, “hundreds of thousands of people speak it. I speak it.” If I may say so, the boy and his mother were delighted. Could I speak a few words, they asked?

“Mi parolas Esperanto,” I said. The boy repeated the “I Speak Esperanto” phrase several times. He then wanted to know “hello.” “Saluton,” I said. I told him and his mother why Ludwig Zamenhoff had felt a need for such a language more than 100 years ago in a war-torn part of Eastern Europe.

When the woman and the boy were leaving the train, they asked how to say “good-bye” and told me good-bye in Esperanto.

Now get this. Here is William Shatner, long before “Star Trek,” in a spooky black and white movie called “Incubus” — filmed in Esperanto!

That is so bizarre, I thought at first it must be a hoax. Maybe some Esperantists dubbed it for a joke on YouTube, I thought. But Wikipedia is very careful about such things, and it confirms that William Shatner performed in a movie in Esperanto that was thought to be lost. The recently rediscovered print had subtitles in French, which have now been converted to English. Read Wikipedia here. (Read my previous post on invented languages here.)

And just in case you are now inspired to learn the language, this little clip offers a pretty good lesson.

I hope the boy on the subway finds it. A terrifically curious and open-minded young man.

Read Full Post »

We watched a couple unusual documentaries last night and last weekend. Often by the time films are available on Netflix, all I remember about the review is that someone highly recommended them. I know only that we will get a big surprise.

“Marwencol” and “Waste Land” were amazing surprises. They turned out to have something in common, too — the idea that art can lift people from despair, help them see things in a way that opens up their world. What was different between the movies was that for the troubled guy who created art in “Marwencol,” showing his work in a NYC gallery is quite beside the point of his healing process and probably the last thing he needs.

The movie is beautifully executed, but one has the sense that the young filmmakers who think the protagonist will benefit from the big-time art world don’t understand psychology very well.

The protagonist of “Waste Land,” successful Brazilian artist Vik Muniz, although equally idealistic, understands his subjects better, having experienced a life similar to theirs in his impoverished childhood. He decides to combine an art project with helping “garbage pickers” in the world’s biggest landfill, in Rio. Getting to know a few of the workers really well, he develops tremendous admiration for them and their deep dignity. He pays a few to work with him on giant portraits on themselves, portraits that play on the themes of some famous paintings. They use recyclables to complete the images, which are then photographed and shown in galleries and at auction. The proceeds come back to the people and help them both individually and collectively.

But the biggest transformation is not monetary but rather what Vik anticipated based on his own life experience — that by seeing things in a new way, they would get new ideas about themselves and their possibilities.

 

 

 

 

Read Full Post »

%d bloggers like this: