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Posts Tagged ‘Virginia’

Photo: Garrett Houston.
Terrance Jackson came to Virginia’s Barter Theatre as an actor and now leads Barter’s Outreach and its Black Stories Black Voices initiative.

I have always loved August Wilson’s plays about the Black families in the Pittsburgh neighborhood where he grew up. I’ve seen most as many were tried out in Boston during Wilson’s lifetime. But there are other Black playwrights achieving success, and today’s article from American Theatre highlights efforts to help still more develop their skills.

Former Barter Theatre director Karen Sabo writes, “Barter Theatre in Virginia isn’t unique in their current position: It is a predominantly white institution that is currently attempting to better serve audiences and artists of color. But the innovative structure of Barter’s new Black Stories Black Voices program … could well serve as a national model for inclusive art-making that embraces and empowers Black communities at mainstream theatres.

“It may seem like a departure, but in some ways it’s also a continuation. When, 90 years ago, Robert Porterfield founded Barter in his rural, mostly white hometown of Abingdon, Va., in the midst of the Great Depression, he brought New York actors to this Appalachian agricultural area to match unemployed — and in some cases, underfed — actors with local farmers struggling to sell goods to people with little money. The price of admission was 40 cents, or an equivalent amount of produce, dairy, or livestock. ‘Porterfield and his partners accepted almost anything as payment,’ according to Encyclopedia Virginia. ‘A pig was worth 10 tickets, while two quarts of milk bought one ticket.’ …

“Full disclosure: I spent six years working as a director and resident actor at Barter in the early 2000s. My immersion in this organization gave me an appreciation for certain aspects of the institutional culture of this rural LORT [League of Resident Theatres] theatre. …

“During my tenure, Barter had an acting company made partly of out-of-towners — big-city pros who landed at Barter and stayed — alongside some home-grown artists. A few particularly talented local performers made their artistic home at Barter, and the Barter Players, the young, non-Equity company, produced many actors who eventually joined the resident acting company.

“While few would deny that the creation of regional theatres in the United States was a positive development, in their early days these organizations often operated with a kind of cultural imperialism, as they attempted to enlighten or elevate audiences by bringing work from the cities to ‘the provinces.’ In an attempt to better serve its Appalachian population, 20 years ago Barter started the Appalachian Festival of Plays and Playwrights. This encouraged writers to tell the stories of the unique region where Barter is located, and while some of these new plays featured characters who were Black, Indigenous, or people of color, they mostly told stories of the majority-white population of the Southern Appalachian Mountains.

“Just before the pandemic, Katy Brown became Barter’s new producing artistic director, only the fourth in the theatre’s 90-year history. Brown herself is a home-grown leader; I remember seeing her first performance 25 years ago with the Barter Players shortly after she finished college. Like many other predominantly white theatres, Barter has begun hiring more people of color, and producing more shows telling stories of Black Americans. They’ve also designated that at least one play in the yearly Appalachian Festival of Plays and Playwrights be written by a Black artist. But in the spirit of Barter’s culture of empowerment, honoring its region, and developing local artists, they’ve also created the program Black Stories Black Voices (BSBV).

“BSBV is the brainchild of collaborative thinking from many on the Barter leadership team. The first public performance under this new initiative was the 2022 Shine project last April 24, which featured professional actors reading new monologues submitted by Black residents of the counties surrounding Barter. …

“The Barter team wanted input from an authority regarding presenting more inclusive stories. They reached out to Dr. William H. Turner, a known expert on Black life in the South and Appalachia, and Turner suggested that rather than just focusing on producing Black plays, they help create Black playwrights.

“ ‘We wanted people who knew nothing about playwriting to get involved, so that’s where the story collection idea came from, and that came through Cathy,’ Brown said, referring to Barter’s resident playwright, Catherine Bush. Bush suggested asking local people to share stories and then hiring Black artists to help turn stories into monologues. At Shine, those monologues were performed by professional actors, and the Barter team intends the next steps to be turning monologues into scenes and eventually full-length plays.

“But to encourage the sharing of stories, Barter needed to strengthen their outreach and build relationships, especially with communities of color. Enter Terrance Jackson, a Florida native who initially came to Barter as an actor, and who now leads both Barter’s Outreach and Black Stories Black Voices.

“ ‘Our statement of intent is to provide a safe space for Black Appalachian artists to share their stories and showcase their work, while also fostering our Black community with a safe space to see theatrical work,’ said Jackson. … ‘I will be reaching out to different groups and different people, not just Black and brown people, but all types of people, and letting them know that they matter at our theatre, and that they have a place here.’ …

“Jackson summed up his experience with the project so far by saying, ‘Barter is a predominantly white institution still, and we are actively doing our best to, not necessarily to change that, but to make it equitable, and to build a space where all people feel comfortable to work and to see plays. We’re not done creating dope Black stuff — we’re just beginning. And hopefully we do work that really matters to Black folks in Appalachia, but also to the entire theatre world and theatre industry as a whole.’ ”

More at American Theatre, here. No firewall.

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I wanted to share something from the Christian Science Monitor editor about about a reporter who died recently.

“David Clark Scott traveled the world: He roamed throughout Latin America as the Mexico City bureau chief and reached into Southeast Asia as Australia bureau chief. He supported and counseled dozens of Monitor reporters as international editor.

“When he wrote columns, his favorite stories were of people taking the time to help one another. He even produced an entire podcast.

In these times, when everyone is fixated on what went wrong, it’s important to look for what is going right, and sometimes, frankly, it needs to be at the top of the page.

“Dave passed on this week. On his last day of work, he pitched three stories, any one of which would have made a lovely column. But, he told me, he’d already ‘put a call in to the principal at the Nansemond Parkway Elementary School cuz, well, that’s the intro that tugs at my heart.’

“It did mine, too, so I wanted to share it with you.

“The Nansemond students in Suffolk, Virginia, have been learning a new language: sign language, so they can communicate with food nutrition service associate Leisa Duckwall, who is deaf. It started with a fourth grade teacher, Kari Maskelony, who has deaf family members and started teaching her class. This month it spread when Principal Janet Wright-Davis decided the whole school would learn a new sign every week in honor of Disabilities Awareness Month.

” ‘I don’t think [the students] saw it as a disability,’ Dr. Wright-Davis told me over the phone. It was just a new way to communicate. Her biggest surprise? ‘How much they want to learn it.’ Their favorite sign: pizza.

“The difference in the cafeteria is palpable, she says. Instead of pointing, as they used to, the students sign their requests. ‘She’s smiling and they’re smiling, and it’s just a different environment,’ says Dr. Wright-Davis.

“Ms. Duckwall has come to morning announcements to teach everyone new signs and has signed that day’s menu. Dr. Wright-Davis gets stopped in the hall by students signing good morning and wanting to show her what they’ve learned. Instead of stopping at the end of this month, the students are going to keep learning all year.

“The school had its Trunk or Treat event Thursday evening, and the children were signing as they celebrated Halloween. ‘One gentleman came out, and he was signing,’ Dr. Wright-Davis says. It made her realize the lessons wouldn’t be confined to the lunchroom or even the school. ‘They’re going to encounter someone, even if it’s just to say good morning, or please, or thank you. … Now they know a little bit more to show some gratitude.’

“There’s plenty to learn from Nansemond: Show some gratitude, look for ways to make people feel welcome, and seek out kindness and celebrate it when you find it. Dave always did.”

See the Monitor, here, and more at WAVY television, here. No firewalls.

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Image: Nations Online Project.
At an unnamed trailer park in Northern Virginia, residents help one another.

One recent morning as I returned from my walk, I was stopped by a woman even older than me walking slowly with a cane. She wanted directions to the hospital, apparently to visit a patient. “But,” I said, “you can’t walk there! It’s over a mile!” “I have to get to the hospital,” she said.

After trying unsuccessfully to come up with other transportation options for her (my own car was in the shop), I gave her directions and off she went. I hope she made it. Sometimes women are beyond amazing.

In August, Theresa Vargas at the Washington Post, wrote about how a group of immigrant women turned a manufactured-housing park into a real community.

“The heat was unforgiving and the mosquitoes were biting, but the women who filled the foldout chairs in Imelda Castro’s backyard didn’t seem bothered. During the pandemic, that small strip of greenery tucked behind a Northern Virginia trailer park has been a haven for them. It has served as a classroom, an office and a community play space.

“That backyard is where the women learned from a health-care worker what medical services their children are entitled to receive. That backyard is where a DJ played music on Día del Niño, Day of the Child, and the community invited a police officer to take a swing at a piñata. ‘She had never hit one before!’ said a woman who captured that moment on video. That backyard is where, every Friday, the women form an assembly line and empty with impressive efficiency a truck filled with fresh produce and other goods, and then make sure everyone in the trailer park who needs food gets it.

“ ‘If we didn’t have this community we’ve built, we’d be very vulnerable,’ Rosalia Mendoza said in Spanish as she sat in one of those foldout chairs. ‘We’re united, and it makes us stronger. What affects one trailer affects the whole community.’ …

“That’s why the women want people to know what they’ve created in that trailer park on Route 1. From a shared struggle, they have built something special — a network of moms who regularly check on one another, inform one another and push one another.

To spend time with those moms is to recognize this: Alone, some could find themselves drowning. But together, they’ve been able to do more than tread water.

“ ‘This is unique,’ Patricia Moreno said of the community. ‘This is not everywhere.’

“Moreno has spent the last two decades as an outreach worker for Anthem HealthKeepers Plus, a job that takes her into low-income communities throughout Northern Virginia to teach residents about their Medicaid benefits. Her fluency in Spanish and willingness to go into even the most neglected of neighborhoods has made her a welcome presence among Latino immigrants who don’t trust easily authority figures.

“Moreno first learned about the women when one of them, Ana Delia Romero, called to ask whether she could come speak to them about health care. …

“The population of the trailer park is one that nonprofit workers often worry about. The majority of the residents are immigrants from Central and South America, and their families are tied to the local economy by threads that are usually among the first to be severed during economic downturns. Most of the men work in construction and restaurant jobs, two industries that were hit hard during the pandemic, and many of the women don’t work because of a lack of access to transportation and child care. In the last few years, several families have gone weeks without income, and some have faced eviction.

“Moreno said many people in the communities she visits are hesitant to ask for help, or accept it, but these mothers have worked hard to turn their trailer park into a village. They watch one another’s children. They give one another rides. They invite people to come teach them about subjects that will benefit their families and their neighbors. …

“ ‘I’ve been doing this for 20 years, and I’ve never seen a system like this,’ Moreno said.

“On the day I visited, she sat with eight of the women in the foldout chairs. Also there was Ivana Escobar, director of collective impact for United Community, a nonprofit that provides food to the trailer park and support to the women.

“ ‘We go to every community in this area,’ Escobar said, ‘and these women have made something stronger than anywhere else.’

“As the women tell it, Ana Delia Romero, who is partially blind, is the one who started bringing them together. She was the first person in the community to test positive for the coronavirus, and she ended up in the hospital for six days. After she recovered, she started volunteering with the Health Department. She knew many Latinos were hesitant to learn about the virus and the safety precautions they could take, and she wanted to help get that information to more people.

“She also wanted to make sure none of her neighbors was going hungry during the pandemic. She got involved with free food-distribution efforts and started knocking on her neighbors’ doors to ask whether they had enough to eat. …

“Escobar said that Romero asked United Community whether a truck could deliver food to the trailer park, and now, a truck comes every Friday. When it arrives, the women unload the contents and distribute them. On the day I met the women, all but one were wearing a United Community T-shirt. Escobar said they don’t get paid by the organization. They handle the food distribution as volunteers.

“ ‘The women here, they mobilized themselves,’ Escobar said. ‘You wouldn’t even know they’re struggling because of how they show up.’ …

“ ‘When Ana asked, “Who wants to volunteer?” the answer was “Me, me, me,” ‘ Elizabeth Villatoro said. ‘This community doesn’t have excuses. Ana doesn’t say, “I lost my vision, I can’t do anything.” Alberta doesn’t say, “I have children with special needs, I can’t do anything.” We do what we need to do.’ “

More at the Post, here.

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Photo: Regional Conservation Needs.
Wood turtles are said to make nice pets. Too nice for their own good: their reputation leads to poaching.

There’s a popular kind of turtle that’s losing habitat, like so many species these days. Here’s a story about a man who was determined to preserve his own land for these turtles, particularly for one specimen — his friend Stumpy.

Sadie Dingfelder reports at the Washington Post, “With his brow furrowed, Tom, 70, stomps on the damp leaf litter — thump, thump, thump, thump — and then we wait. A woodpecker cackles; bluebells tremble in the breeze. Stumpy is nowhere to be found. …

“A wild turtle, Stumpy has been meeting up with Tom in these West Virginia woods every spring for more than 30 years. Like his fellow wood turtles, Stumpy spends his winters brumating (the reptile equivalent of hibernating) in a clear, fast-moving stream. As days warm, he emerges from his aquatic home and roams the nearby woods in search of food ⁠— first tender leaves, then flowers and, finally, berries. Early on Stumpy’s circuit is Tom’s former house, where the human tosses him huge, juicy strawberries — months before the wild berries are ready to eat.

“It took a while for Tom to figure out Stumpy’s species, because Stumpy’s shell is worn and scuffed. Usually, wood turtles have gorgeous shells that appear to have been hand-carved from mahogany.

‘He was already old when I first saw him, so he must be really old now,’ says Tom. ‘Of course, he could say the same thing about me.’

“Curious, personable and uncommonly pretty, wood turtles are highly sought-after as pets, says Andrew Walde, chief operating officer of the Turtle Survival Alliance, whom I called after my first visit to Stumpy Acres. This combination of characteristics makes them vulnerable to poachers, who sell them as pets. ‘Whenever anything gets published about a particular population, that population is done for,’ Walde says. (To protect Stumpy and the other wood turtles from poachers, we aren’t publishing his exact location or his human friends’ last names.)

“The eastern panhandle of West Virginia is among wood turtles’ last strongholds, Walde says. Across most of their range, they are in steep decline. Indeed, half of the world’s 357 turtle species are threatened with extinction due to habitat loss, poaching and other human pastimes. This is an animal that survived not one, but two mass-extinction events. …

“Tom no longer lives in Stumpy’s territory. Last spring, he sold his house and moved to a more remote spot, high on a nearby mountain. He loved being by the river, but the pandemic brought an influx of tourists and new homeowners. The noise and traffic were bad enough, but worst of all was their aggressive landscaping.

‘One family clear-cut all the way down to the river,’ Tom says. ‘They didn’t want any brush or shrubbery — they are afraid of snakes or this or that — and they kinda destroyed the habitat.’

“He was determined to find a buyer who would be a good steward of the land — not just for vague environmental reasons, but for Stumpy’s sake, too. Luckily, the first person who came to look at the house fit the bill. Tommy, a 28-year-old computer programmer from D.C., told Tom about the sea turtle conservation project he had worked on one summer in Costa Rica, and he promised not to clear-cut the property to get a river view or better internet access. …

“Does Stumpy represent nature? Survival against the odds? The relentless ravages of time? Tom dismisses all these possibilities. ‘Stumpy is just Stumpy,’ Tom says. ‘He’s an individual. That’s what makes him special.’

“We drive to Tommy’s house and commence stomping. Stumpy should really be out of hibernation by now, but he’s not in their meeting spot near a large fallen tree, and he’s not on the berm by the river. He’s not basking on his basking log, and neither is he napping beneath the papaw trees. …

“If you spend time outdoors, you’ll eventually see something brutal, and you’ll be forced to accept it with equanimity, because nature is obviously beyond our judgment. Loving nature also feels a little tragic, because no matter how much you care about it, it will never care about you.

“But perhaps I’m wrong, because suddenly I hear a rustle in the leaves. Tom makes an excited sound. ‘There he is!’ he says, pointing. About 10 feet in front of us, a little brown turtle is running on his tiptoes — who knew turtles could run? And even though I’m closer and I’m also carrying strawberries, he’s beelining straight to Tom. …

“Pretty soon, Stumpy’s face is covered in pink pulp, and he’s got half a strawberry hanging from his chin. His species may be threatened, his habitat may be imperiled, but in this moment Stumpy seems delighted. ‘He’s such a messy eater,’ says Tom. ‘Do you see that? What a pig.’ Stumpy usually hangs out for a few weeks, making intermittent appearances, Tom says. As to where he goes afterward, no one knows — but Tom has a theory. ‘Maybe he visits lots of people, up and down the river, and we all think he’s ours.’ ”

More at the Post, here.

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Photo: Cardinal News.
Cardinal News calls itself “an independent, nonprofit, nonpartisan news site serving Southwest and Southside Virginia.”

Local news is desperately needed as chains buy up papers for their advertising potential and show little interest in actual communities. The need is especially dire in rural areas.

Margaret Sullivan reports at the Washington Post on one hopeful development in western Virginia, where “veterans of a once-great newspaper are starting something small with big ambitions for serving Appalachian readers.”

She writes, “Two photographs tell the story of Cardinal News, a start-up news site in a mostly rural section of Virginia.

“One shows a lawn chair and small table set up just outside the Fincastle branch of the Botetourt County public library. It’s where editor Dwayne Yancey sometimes goes to use the broadband Internet access that he lacks at his nearby home. When he needs to upload big digital files — particularly photographs he wants to publish on the news site — his mobile hotspot can’t get the job done.

“The other photo is of the ravaged interior of Patty Coleman’s home in Hurley, a community close to the Kentucky and West Virginia state lines, where a flood and mudslide destroyed dozens of homes and caused one death last summer. After Yancey sent Megan Schnabel, one of Cardinal’s two reporters, to Hurley for several days, along with a photographer, their in-depth reporting about the devastation brought much-needed attention to Hurley’s suffering residents — and may help them get $11 million of state aid.

“ ‘Without that story, we wouldn’t have had the awareness we needed,’ said Will Morefield, a state legislator who has proposed a funding bill that is moving forward; the money is sorely needed after the Federal Emergency Management Agency denied the state’s request for financial help to individual homeowners. …

“Like many similar start-ups around the nation, Cardinal — named for Virginia’s state bird — is helping to fill the gap left by the shrinking of traditional local news organizations, particularly newspapers. Most of the staff came from the Roanoke Times.

“Yancey made the move after watching the Times scale back its staff in recent years, especially after its sale by longtime owner Landmark Communications in 2013.

Now the Times, like many other Virginia newspapers, is in the hands of Lee Enterprises, which has been fighting off a takeover bid by Alden Global Capital, a hedge fund that is perhaps the worst newspaper owner in the country. …

“More than 1,800 local papers have closed since 2004 as print advertising revenue plummeted and reader habits shifted to online sources. The shuttering of those papers, along with the shrinking of other local news sources, is having profound negative effects on society. …

“ ‘It was basically like getting the band back together,’ Yancey told me last week. They have also been joined by Markus Schmidt, the Cardinal’s second reporter, who is a veteran of the state politics beat at the Richmond Times-Dispatch. He remains based in Richmond, focused on reporting government news of particular interest to Cardinal’s part of the state.

“[Chief development officer, Luanne Rife, a former Times health reporter] told me she took a buyout from the Roanoke paper after she was told she would no longer be able to do many in-depth stories on the health beat, even in the midst of a pandemic.

“ ‘I had always enjoyed my work, but I was burned out,’ she told me. ‘I would go to my keyboard in the morning and start to feel tears rolling down my face.’ When a foundation approached her about a reporting project it wanted to fund, it lit a spark of inspiration for her — and she started exploring whether she could start her own project, one that would be more ambitious and permanent.

“Cardinal’s territory extends far beyond the Roanoke metro area; its mission is to … what Yancey calls ‘Cumberland County to the Cumberland Gap.’

“Much of it is considered part of Appalachia — ‘an easy part of the state to stereotype,’ Yancey noted. Cardinal’s mission includes providing a more nuanced picture of the region to the rest of the state.

“With no paywall, the site’s funding comes from foundations, businesses and individual donors; it has applied for nonprofit status.

“Rife says she’s heartened by the way those contributions have grown from a handful when the site launched last September to more than 700. A new grant will allow Cardinal to add a reporter soon in Danville, along the North Carolina border; Rife also would like to hire an education reporter and one dedicated to health coverage.

“ ‘We’ve been amazed, overwhelmed and humbled by the support,’ Rife told me. The other day, she picked up the mail to find five checks — one for $25, another for $10,000. Cardinal lists its donors on the site and discloses in stories if a person or organization it writes about is a significant contributor.

“In Cardinal’s first big story about the devastation in Hurley, Schnabel describes Coleman’s house: ‘A blue tarp partially draped the door frame where the mud had rushed in. The floor had caved in, and mold and mildew covered the walls.’

“The house was beyond repair. Coleman didn’t have flood insurance; she did have a homeowner’s policy, but the insurer, according to the story, had given her the crushing news that nothing would be covered.

“Now there may be help on the way after all. And a tiny news start-up with big ambitions will have made a difference.”

More at the Post, here.

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Photo: David L. Ryan/Globe Staff.
Aminullah Faqiry, newly arrived with his family in Rhode Island, was an interpreter for the US military, in Afghanistan. He talks with Edward Fitzpatrick about his life there and his sorrow about the failure of 20 years of fighting the Taliban.

Because I’ve volunteered with refugees for several years, I know firsthand that these people do not leave jobs, friends, and family in their home country because they prefer to live in the United States or any other country. They leave because the situation at home is untenable. And it breaks their hearts.

Consider the sadness of the former military interpreter who recently arrived with his immediate family in Rhode Island, forced to abandon other family members who are now in grave danger. Ed Fitzpatrick, a reporter for the Boston Globe, talked to him.

He writes that Aminullah “Faqiry said he was overcome with emotion as he prepared to board the plane to leave Afghanistan, and people began looking at him, wondering why he wasn’t happy to be escaping an incredibly precarious situation. But he knew the source of his tears.

“ ‘I am a very patriotic person,’ Faqiry explained. ‘I cried for my people, for my country, for the system being destroyed, for so many sacrifices that we had made.’

“He said he cried for the family members he was leaving behind — for his mother and father, who are struggling with health problems, and for the widow and the children of his brother, who was killed by the Taliban. …

“He said he was crying because the Afghan people had been ‘liberated’ before the Taliban arrived.

“ ‘Women were able to go to school, and a girl was able to walk on the streets free without tension and without fear,’ he said. ‘Afghanistan was growing up. We were on the move to compete in the world.’ …

“But now, he said, it was clear ‘We were going to go back — my country was going to be thrown back like 50 years. … We are leaving everything behind to the Taliban, who we fought for 20 years and who are a terrorist organization. … We were not able to hold on — we had fallen. … I wanted my country and my people to have been peaceful. It just didn’t happen,’ Faqiry said. ‘I was crying because we lost everything.’ ”

But as you know, people do what they have to do. Most refugees regroup, find or create work to support their families, and give back to their host countries. Today, in Virginia, former refugees are offering a warm welcome to Afghans.

Story Hinckley reports at the Christian Science Monitor, “For many Americans, it’s difficult to imagine what the tens of thousands of newly arrived Afghan refugees are going through. 

“But Arshad Mehmood doesn’t have to imagine. He knows. Only seven years ago, Mr. Mehmood was in their shoes, fleeing Pakistan. He describes being kidnapped and tortured by the Taliban for being a local politician. 

“Now, as the regional coordinator for a national nonprofit, Mr. Mehmood as well as his team in northern Virginia, many of whom are refugees themselves, is helping these new arrivals with everything from finding apartments to translating school enrollment forms from English to Pashto. They have assisted more than 80 Afghan families over the past three months and expect to help almost 200 by the end of the year.

“And while this practical aid is important, says Mr. Mehmood, it’s not what newly evacuated Afghan allies need most right now. That would be encouragement and empathy. And here in Virginia, Afghans are finding this support in local communities – especially from the refugees who came before them.

“ ‘English was my third language, but I did it. We live a good life here,’ says Mr. Mehmood. His wife, who is a manager at T.J. Maxx, feels welcomed to wear her hijab on the job. His daughter will start her first year of college this fall, and his son is a defensive star on his American football team.’ ”

Read on. There is light in darkness. Perhaps after reading these stories, you will find a way to help a refugee family. And if like blogger Milford Street you already do help refugees, please share a word about your experience.

More at the Monitor, here, and at the Globe, here.

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gordon-stewart
Photo: Victory Hall Opera.
Miriam Gordon-Stewart (above), artistic director of Victory Hall opera in Charlottesville, Virginia, and music director Brenda Patterson had the original idea for deaf opera.

Right before the pandemic, a cutting-edge company in Virginia put on an opera with deaf performers. The company is still going strong. Undaunted by Covid, it claims it was made for this moment and is offering a roster of outdoor performances for its 2021-2022 season.

An example of the company’s creativity was the deafness project. Thomas Floyd wrote the report for the Washington Post.

“Alek Lev understands that he’s not exactly a member of the deaf family, but he feels comfortable enough calling himself an ‘in-law.’ As a student at Wesleyan University, he took a sign-language class on a whim and subsequently dated a deaf person. Over the past two decades, the writer, director, actor and American Sign Language interpreter has largely worked in the deaf community on films and stage productions.

” ‘As someone who is fluent in sign language and has done this for such a long time, just seeing people sign onstage isn’t particularly thrilling now,’ Lev says. ‘It needs to be thrilling for some other reason.’

“One such reason arose in 2018, when Miriam Gordon-Stewart and Brenda Patterson of the boundary-pushing Victory Hall Opera in Charlottesville pitched Lev on a production of Francis Poulenc’s 1957 opera Dialogues of the Carmelites, but with deaf performers.

“The concept came about after Gordon-Stewart, Victory Hall’s artistic director, and Patterson, the music director, read Andrew Solomon’s 2012 nonfiction book Far From the Tree, about how families accommodate children with disabilities. The book mentioned ASL’s roots in French Sign Language, dating to the deaf community of 18th-century Paris. They then drew parallels to Dialogues of the Carmelites, which follows a convent of Carmelite nuns pressured to renounce their vocation during the French Revolution.

” ‘Within the deaf community, there are a lot of similar issues that come up,’ Gordon-Stewart says. ‘There’s a pressure to assimilate with hearing culture, for example, which is intensely political. These things worked together for us into the idea of a production of Dialogues of the Carmelites that would be set in a deaf convent.’

“Victory Hall Opera [took] a step toward making the production a reality with a workshop Feb. 27 [in 2020, featuring] three sopranos singing alongside three deaf actors. …

” ‘There’s something about the challenge of figuring out how to do this and why to do this each time that is just more exciting to me than putting on yet another version of a play that’s been put on several times. … I like that we have a whole new problem now. We have sign language. We have deaf actors. We have hearing actors who don’t know sign language. I love the puzzle.’

“ ‘I’ve done a lot of workshops and productions that include hearing and Deaf actors, but the fascinating thing about those experiences is that it’s never the same,’ [Sandra Mae Frank, who in 2015 played the lead role of Wendla in Deaf West Theatre’s Tony-nominated revival of Spring Awakening on Broadway] writes in an email. …

“Most of the roles in that Spring Awakening production were doubled by a deaf actor, who used sign language, and a hearing actor, who simultaneously performed the vocals. Although that has become a common template for deaf theater, the [Victory Hall] team wants its performers to complement one another in an artistically innovative way. … The deaf actors act out the plot while the singers serve as spiritual guides, representing women who have endured similar oppression.

” ‘If we’re going to create an art form out of this, then we need to push the concept one step further than it’s been pushed before,’ Gordon-Stewart says. ‘There’s a potential for the result being a marriage between two art forms, rather than just the two art forms being simultaneously performed. You bring a potentially heightened physicality to both ends of that equation, making it a more visually compelling art form for the deaf performance, and making it a more heightened experience for the hearing audience.’ ”

More at the Washington Post, here.

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Photo: Robbie Pruitt
Assistant pastor Robbie Pruitt repairs bikes for neighborhood children at his home in Virginia. Pruitt is repairing and giving away bikes free during the coronavirus pandemic.

I’m one of those nosy old ladies who calls the police for things like abandoned bicycles. I used to see them a lot near the train, and if a bike was in the same place with no lock for several days, I would call. The police usually have a list of people upset about a stolen bike.

Kyle Melnick reports at the Washington Post about an assistant pastor who was also upset when his bike disappeared. At least at first.

“Someone stole Robbie Pruitt’s mountain bike off the rack of his Honda Odyssey in September. Pruitt visited a local bicycle store in Ashburn, Va., the next day only to find there were very few bikes in stock available to buy.

“That’s when an idea hit him — the thief might have stolen the bike because they’re in short supply during the coronavirus pandemic. What if the thief needed the bike to get to work? Pruitt, 44, wanted to help people who might be in such a predicament.

“Pruitt, an assistant rector at the Church of the Holy Spirit in Leesburg, Va., posted on a private Loudoun County Facebook page that he’d fix anyone’s bicycle free. In the post he also said he was accepting unwanted bikes, which he’d fix and donate to people in need. …

“That day, he received about 30 bicycles at his townhouse. After his next post, about 500 people expressed interest in either donating bikes or having Pruitt fix them.

“He set a goal of fixing 100 bikes before the end of 2020. He surpassed that, repairing more than 140 bicycles — donating about 60 percent of them and returning the rest to their owners. He gives bikes to anyone who asks, but tries to support children and families who are struggling. …

“Perhaps more important, along the way, he has taught more than a dozen young people in Loudoun County to mend their own bikes and the bikes of others. …

“Pruitt’s interest in helping people with their bikes during the pandemic started a couple of months before his was stolen.

“One July evening, after returning from a mountain bike ride in Reston, Pruitt was revamping the disc brake on his red Diamondback bicycle in front of his house when a group of four children from the neighborhood approached on their own bikes. Pruitt asked if they wanted to learn how to repair parts of a bike. Pruitt also noticed their bicycles were in bad condition, and some had flat tires. That night, he fixed them. It was the start of a friendship, and a neighborhood project.

‘All the neighborhood kids are spending a lot more time doing something that’s hands-on,’ said Danny Offei, Pruitt’s next-door neighbor. ‘Almost everybody in the neighborhood has a bike now, and he’s helped put those bikes together.’ …

“Pruitt grew up with his mother and two siblings in Columbia, S.C., where he said he’d always been interested in building and fixing. … In 2004, when working for Epiphany Episcopal Church in Herndon, Pruitt began repairing and donating bicycles as part of a church project. …

“In July after his family moved to Ashburn, [he] saw the condition of some of the neighborhood children’s bikes. Now, many nights, Pruitt is online, buying materials such as seats, brake levers, handlebars, training wheels, shifters, pedals and brakes. He estimates he has spent almost $1,500 on parts. Pruitt said repairing each bike takes around 30 minutes, depending on what it needs. He tries to restore each one so it’s as good as new.

“ ‘The feeling you get when somebody rides off with a bike that didn’t have one … there’s a lot of gratification,’ said Pruitt. …

“Pruitt’s favorite part of his bike project is creating friendships. He said after he fixes bikes, the owners will sometimes drop by his backyard just to chat. Some people will bring him food, including a Greek family that dropped off chicken souvlakia on Christmas Eve.”

More at the Washington Post, here.

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Photo: Sharon Elin
The Busy Box that John Adams of Bedford, Virginia, made for someone he didn’t know.

Today’s story is about the kindness of one stranger. But something I especially like about it is that it’s also an example of more than one person making the kindness happen. For the woodworker in Virginia to make something that an Alzheimer’s patient in North Carolina would enjoy, it required the patient’s sister to think up the idea and put out a request to the Reddit universe.

Cathy Free reported the story at the Washington Post. “John Adams has been anxious lately. The nuclear engineer and his wife brought home their newborn son shortly before the pandemic started, and working from home has been challenging.

“For stress relief, Adams, who lives in Bedford, Va., likes to scroll through social media looking at woodworking projects, and one of his favorites places is Reddit, where there’s a community dedicated to woodworking. About a month ago, a post jumped out at him.

“ ‘Are there any craftsmen here who would be willing to make a shallow cabinet for me so I can create a “busy box” for my brother with Alzheimer’s?’ it read.

“The poster, Sharon Elin of Mechanicsville, Va., near Richmond, explained that she hoped to attach several kinds of latches and hooks on the doors to provide her brother with something to fiddle with and engage his mind. Her brother had become more frustrated lately and had been wandering around his two-acre property in North Carolina.

“Adams, 31, knew right away that he was the person for the task. … He agreed to make the box, then he stayed awake in bed for hours that night coming up with a design for it.

‘I thought, “I can’t pass this up — it seems like fate,” ‘ said Adams. … ‘I had plenty of scrap wood waiting to be used in my shop.’

“After consulting on Reddit with Elin, Adams spent a weekend in his shop building a polished pine busy box. As he worked, he kept in mind Elin’s brother, a retired chemistry teacher he’d never met, hoping the box would engage him and bring him joy.

“Elin had mentioned that fidget lap quilts with buttons, pockets and zippers can help keep people with dementia busy and give them something to do with their hands when they become agitated. She said she’d noticed that as her brother’s memory loss progressed, he became more restless and could spend hours doing the same tasks repeatedly, often old habits, such as folding towels or arranging bird feeders on the porch.

“ ‘That’s when I started thinking that maybe a busy box would help,’ Elin said. … ‘He’s always loved tools and tinkering with things, and I thought he’d enjoy something that had hardware on it instead of some of the lap cloths I’d seen with zippers and Velcro,’ said Elin, 65.

“ ‘I could envision a “busy box” in my mind, but I had no idea how to make it myself,’ she said. …

“She and Adams messaged on Reddit about her idea, then he designed a box that he thought [her brother, Chad] Chadbourne would appreciate. … ‘Sharon initially said she wanted a cabinet, but then we agreed that something lightweight was better,’ he said. …

“ My wife’s grandmother is going through dementia right now, and my grandmother passed away from it about six years ago,’ he said. ‘I know that she would have enjoyed something like this. I thought about her a lot when I went into the shop to work on the box that weekend.’

“Adams said it took him about 10 hours to make and put the finishing touches on the busy box. Then on Sunday, he arranged to meet Elin in a store parking lot in Lynchburg, about 30 minutes from his house. Elin arrived with the latches she’d bought for the project, and Adams brought along his drill and attached them.

” ‘He put them on right there on the spot,’ Elin said. ‘I’m so appreciative of what he did for my brother. He didn’t want to accept payment. … It’s really been heartwarming.’ …

“Over the summer, Kathryn Chadbourne took [Elin’s brother] to a gerontologist. Tests revealed that he had middle-stage Alzheimer’s disease. …

“Before he lost his memory, Chadbourne had a small day lily flower farm that he’d started as a hobby on his property, and he carried a pair of clippers everywhere in his pocket, she said. As Alzheimer’s took hold and he began cutting flowers repeatedly, her sister-in-law replaced the clippers with a set of pliers to help keep him safe.

“ ‘It became important for him to have those pliers in his pocket,’ Elin said. ‘Being outdoors on his farm was calming and took him back to something he enjoyed doing.’ …

“Several people on Reddit told Adams how much they admired what he did — one called it ‘some Mr. Rogers-level kindness’ — and a few told their own stories of relatives with Alzheimer’s.

“Adams responded that Elin ‘caught me in a rare period where I had finished everything on my wife’s honeydo list for the year but still had some warm-weather months left and was itching for another project. Came across B’s post while doomscrolling reddit and couldn’t pass up the opportunity to help!’ …

“ ‘We’re going through a stressful change, so this kindness is coming at the perfect time,’ Kathryn Chadbourne said. ‘My husband has always loved to do things with his hands. It’s perfect.’ ”

Here’s the follow-up on Reddit.

“A while back I posted on the woodworking subreddit for advice on finding or building a box I envisioned for my brother in the mid-stages of dementia — something he could fiddle with that was ‘masculine’ with hardware. Other Alzheimer’s busy toys are often geared toward feminine objects (such as a lap cloth with zippers, velcro, buttons, and furry textures). A big shoutout to u/vtjadams for volunteering and taking the time & materials to build this awesome unit!! I’m overwhelmed with admiration for his talent and gratitude for his helpfulness!”

More at the Washington Post, here.

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Credit: Science History Images / Alamy Stock Photo
The “lost” colony of Roanoke, Virginia.

The mystery of the “lost colony” of Roanoke, Virginia, may be solved. The answer seems to lie in the enmity of two indigenous tribes and in the likelihood that the English relocated from Roanoke to the village of their friends, the Croatoans.

Jeff Hampton at the Virginian-Pilot reports, “The English colonists who settled the so-called Lost Colony before disappearing from history simply went to live with their native friends — the Croatoans of Hatteras, according to a new book.

‘They were never lost,’ said Scott Dawson, who has researched records and dug up artifacts where the colonists lived with the Indians in the 16th century. ‘It was made up. The mystery is over.’

“Dawson has written a book, published in June, that details his research. It is called ‘The Lost Colony and Hatteras Island,’ and echos many of the sentiments he has voiced for years. A team of archaeologists, historians, botanists, geologists and others have conducted digs on small plots in Buxton and Frisco for 11 years.

“Dawson and his wife, Maggie, formed the Croatoan Archaeological Society when the digs began. … Teams have found thousands of artifacts 4-6 feet below the surface that show a mix of English and Indian life. Parts of swords and guns are in the same layer of soil as Indian pottery and arrowheads. …

“Dawson’s book draws from research into original writings of John White, Thomas Harriot and others. Most of their writings were compiled at the time by English historian Richard Hakluyt. Records from Jamestown also helped Dawson understand more about the tribes’ political structure.

“The evidence shows the colony left Roanoke Island with the friendly Croatoans to settle on Hatteras Island. They thrived, ate well, had mixed families and endured for generations. More than a century later, explorer John Lawson found natives with blue eyes who recounted they had ancestors who could ‘speak out of a book,’ Lawson wrote.

“The two cultures adapted English earrings into fishhooks and gun barrels into sharp-ended tubes to tap tar from trees.

“The Lost Colony stemmed from an 1587 expedition. Just weeks after arriving, White had to leave the group of settlers — including his daughter, Eleanor Dare, and newborn granddaughter, Virginia — to get more supplies from England. White was not able to return for three years. When he arrived at Roanoke Island in 1590 he found ‘CROATOAN’ carved on a post and “cro” on a tree. He found no distress marks.

“They literally made a sign. It was expected the colonists would go with their friends, the Croatoans and tribe member, Manteo, Dawson said. Manteo had traveled to England with earlier expeditions and was baptized a Christian on Roanoke Island.

“White later wrote of finding the writing on the post, ‘I greatly joyed that I had found a certain token of their being at Croatoan where Manteo was born …’

“A bad storm and a near mutiny kept White from reaching Hatteras. He returned to England without ever seeing his colony again. …

“A lead tablet and lead pencil found at the dig could have belonged to White himself, Dawson said. White also was part of the 1585 group, working as an artist who drew natives and wildlife. …

“He likely used the newly discovered tablet or a similar one to draw the miniature pictures. The uncovered tablet has an impression of an Englishman shooting a native in the back. …

“The Croatoans assisted the English in the ambush, Dawson said. The Secotans and the Croatoans hated each other, Dawson said. Secotans enslaved Croatoans just a few years before the English arrived. …

“White was concerned about the danger posed by the Secotans when he left for England. The Croatoans saved the colonists by taking them away from Roanoke Island to their Hatteras Island village, Dawson said. ‘You’re robbing an entire nation of people of their history by pretending Croatoan is a mystery on a tree,’ he said.” More here.

Although this explanation makes perfect sense to me, I would still love to hear from archaeologists not involved in the dig. What do you think?

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Photo: Wing. 
A Virginia school district has been using Wing, a drone service owned by the parent company of Google, to deliver books to students during the pandemic.

I love stories about the determination of librarians to get books to people no matter what the odds. You may have read my bicycle-library post, camel-library post, library-on-horseback post, or the 2020 post about a book bus in Kabul, here. You can’t keep a good librarian down.

The story today is about book delivery by drone. Marie Fazio writes at the New York Times, “Last week, Deanna Robertson and her two sons stood on their front lawn in western Virginia scanning the sky for a drone they could hear humming from almost a mile away.

“When it finally arrived, hovering above their heads, the boys rushed forward to take what it offered: a copy of ‘All Quiet on the Western Front,’ required summer reading and possibly the first library book delivered by drone in history.

“With students unable to make it to the library because of the coronavirus, the Montgomery County Public School district has partnered with Wing, the drone-delivery unit of Google’s parent company, Alphabet, to deliver books to their homes. One week into the project, there have been more than 35 successful deliveries, said Kelly Passek, a middle-school librarian and the mastermind of the project. …

“Students living in Wing’s four-mile delivery zone in Christiansburg can use a Google form to request a specific book or ask Ms. Passek to choose one she thinks they would like. Around 600 Montgomery County students live within the delivery footprint.

After pulling a book from the library shelf and making sure it weighs less than three pounds, Ms. Passek packages the book and brings it to Wing’s office in Christiansburg. The drone takes over from there.

“It flies to a delivery site, lowers the book on a cable and releases the grip as it hits the ground.

“The students can borrow multiple books and do not have to return them until they go back to school in the fall. …

“Keith Heyde, the head of Virginia operations for Wing, said the company had completed thousands of deliveries for requests like Walgreens over-the-counter medications and cold brew from local coffee shops. The drones, which have a wingspan of 3.3 feet and weigh 10.6 lbs., can carry packages around three pounds up to speeds approaching 70 miles per hour, according to the company. They can fly 12 miles round trip.

“Ms. Passek was one of the first Christiansburg residents to receive a drone delivery when Wing began the program. Her first order, a Walgreens cough and cold care package, made her think of other uses for drones in the community, namely library books. She raised the idea with Mr. Heyde last fall, and revisited it with him when the coronavirus hit the United States.

“Book requests have been a mix of required summer reading and books of a student’s choice, Ms. Passek said. While Ms. Robertson’s 14-year-old son, Brendan, was assigned ‘All Quiet on the Western Front,’ [Camden], 11, ordered John Grisham’s ‘Theodore Boon: Kid Lawyer’ to read for fun. …

“Since the coronavirus pandemic began, drones have been used in novel ways all over the world. In Britain, the police used drones to enforce social distancing. In Fairfield, Conn., they were used to monitor beach and parkgoers. An eager drone user in Queens broadcast a coronavirus safety message on his drone’s speakers as it flew over the streets of New York City. …

“Cold-brew coffees from a local coffee shop are particularly popular, Mr. Heyde said. Since the coronavirus, there has been a substantial increase per month in sign-ups for drone delivery, he said, but he believes the virus accelerated a pre-existing trend. … To the best of his knowledge, this is the first library book program by drone in history.

“ ‘If we can provide even one or two students with a resource they wouldn’t have access to otherwise because they wouldn’t be able to go to the library, that’s a win,’ he said.”

More here.

 

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As you know from your earliest history classes, the first immigrants arrived in Virginia in 1607.

For good or evil, depending on how much you identify with an indigenous heritage, immigrants have made America what it is today. The migration started as early as 1607 in Virginia.

That’s what came to mind when I read this news story about the contribution of immigrants to the economy of present-day Virginia.

Katie O’Connor writes at the Virginia Mercury, “A new report from the Commonwealth Institute for Fiscal Analysis says immigrants are key contributors to the state’s overall economy, despite challenges that include health insurance access, discrimination, language barriers, ‘brain waste’ and housing costs. …

“As many parts of Virginia struggle to find enough workers, many immigrants are ‘relatively young, well educated, fluent in English and more likely to participate in the workforce.’

“The one million immigrants in Virginia make up 12.5 percent of the state population. … And while immigration from Mexico tends to dominate the national debate, Virginia’s immigrant population comes from a wide variety of countries.

“ ‘Mexican immigrants make up just 5% of all immigrants in Virginia, fourth after people born in El Salvador (11%), India (9%), and Korea (6%),’ the report says. ‘Looking at continent of birth, rather than country of birth, there is a similar diversity. Forty-three percent of Virginia’s immigrant population was born in Asia, the largest group from any continent.’ Most of them are also between the prime working ages of 25 and 54. …

“ ‘Immigrants participate in Virginia’s workforce at a much higher rate than U.S.-born residents — 72 percent compared to 65 percent — and at a rate six percentage points higher than the national participation for foreign-born residents.’

“But the report also points to public policies that would help address the challenges immigrants face. More than one in three noncitizen residents lack access to health insurance in Virginia, ‘even worse than in the country as a whole,’ the report states. …

“Immigrants face all the challenges that come with lack of health insurance, like large medical bills and a lack of preventative care. Virginia is also one of only six states to require legal, noncitizens to work for at least 10 years before they qualify for Medicaid.

“Housing and poverty remain problems for the state’s immigrants, as does what’s called ‘brain waste’: when people aren’t working jobs that match their educational attainment.

“ ‘In Virginia, 21 percent of college-educated immigrants 25 and older are working in low-skill jobs or are unemployed. This is well above the average for U.S.-born Virginians,’ the report states. ‘Lawmakers, employers, and workforce development officials all have a role to play in reducing this needless inefficiency and maximizing opportunity for the state.’ ” More.

When a much-needed resource is right under our noses, it’s penny wise and pound foolish not to help it flourish.

Hat tip: Economic Policy Institute on twitter.

P.S. I can’t resist adding this poem by Emily Dickinson from today’s Boston Globe:
“These Strangers, in a foreign World,
“Protection asked of me—
“Befriend them, lest Yourself in Heaven
“Be found a Refugee—”

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Photo: Virginia Arts Festival
The original fire curtain of the Attucks Theatre in Norfolk, Virginia, depicts the Boston Massacre and the death of Crispus Attucks, the first to die in the Revolutionary War. Attucks was part African American and part Native American.

Don’t you love seeing old things restored and given new purpose? It’s not just the sight of a lovingly renewed object or building that’s inspiring, but the sense that anything that once had value can be brought back after years of abandonment.

Nicholas Som writes at CityLab, “Behind the modern walls of the Attucks Theatre in Norfolk, Virginia, century-old murals hide in darkness. Three pastoral scenes, created on the theater’s original 1919 walls, were uncovered in 2004 during the restoration that brought the theater back to life. But because of their age, exposing them to light and air could ruin them.

“ ‘Trying to find ways to create access to them without damaging them has been challenging,’ says Anthony Stockard, artistic director at Norfolk State University. So they’ll remain out of sight, sealed and preserved until a plan to display them safely can be established.

“Much like the murals, the history behind the Attucks itself is not immediately apparent from the brick and white terracotta that form the theater’s facade. But ask around Norfolk, and it won’t be too long before you find a city native with some kind of connection to the building. The place the Attucks holds in the collective memory of Norfolk’s African American community has not disappeared, even after years of vacancy, name changes, and collapsing ceilings.

“Appreciation for the Attucks is especially perceptible this year, the centennial of the theater’s construction. A steady stream of stars — from Leslie Jones of Saturday Night Live to basketball legend Kareem Abdul-Jabbar — is lined up to speak or perform, complementing the typical artists the Attucks welcomes every year. Ticket sales have accordingly skyrocketed. …

“ ‘The Apollo of the South.’ That was the nickname the Attucks garnered, referencing the famed Big Apple music hall. With national sensations like Duke Ellington, Louis Armstrong, Cab Calloway, and Ella Fitzgerald frequenting the stage, the Attucks was more than worthy of the designation. …

“Perhaps the Apollo Theater should be known as ‘The Attucks of the North.’ Because unlike the Apollo, the Attucks was funded and designed exclusively by African Americans, an extremely rare occurrence at the time. Twin City Amusement Corporation, the original developer, was formed by a group of black business owners. They approached local architect Harvey Johnson, who went on to help found what became Norfolk State University, to draw up the plans.

“Johnson always intended for the Attucks to be more than just a performance venue; in addition, it doubled as a silent movie house and contained 21 upstairs offices for African American businesses (Johnson himself set up shop there after its completion). They named the theater in honor of Crispus Attucks, a man of African and Native American descent who was the first person to die in the Revolutionary War, and depicted his death on its fire curtain. …

“The end of World War II brought changes that even the Attucks could not survive—at least, not in the same way. Young soldiers with money to spend returned to the city, and as Norfolk began to desegregate, the once-vibrant Church Street declined.

“Eventually, the curtain fell on the building’s time as a theater in 1953. … Denise Christian, project manager for the Attucks’ restoration, helped devise a three-phase approach. The first stage addressed the most pressing concerns: the blighted roof and the preservation of the historic curtain.

“Once pieces of the ceiling were no longer falling and the curtain had been cleaned and stored, the team moved on to the reconstruction of the auditorium seats, which had all been removed during the room’s years as a storage space. They decided to build around 700 new seats for comfort’s sake, though the theater originally squeezed in many more. Significant repairs also had to be made to the balcony and box seats.

“Finally, the Attucks was equipped with the modern trappings necessary for a multipurpose theater to succeed in the 21st century. A new three-story wing behind the building provides banquet rooms, dressing rooms, a green room, and a loading dock, transforming the Attucks into a place for events and arts classes, not just entertainment. …

“For Stockard, personally, being selected to co-chair Attucks100 by Norfolk mayor Kenny Alexander has felt like the culmination of a career-long dream, a ‘bucket-list moment. …

” ‘There was sort of a sense of nostalgia, of realizing these bricks were laid for and organized by African Americans,’ he says. ‘It was revolutionary for them to invest in the arts and entertainment that way—not just being the act, but being the producer and provider, and being able to control the place they had in the community.’ ”

More here.

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Photo: Shirley Curry via Kotaku
A grandmother who plays the Skyrim video game has made more than 300 popular YouTube videos about her pastime. Her videos are said to be soothing.

File this article under “Never Too Old.” It’s a 2016 Kotaku story by Alex Walker that showed how one woman in her 80s became rather cutting edge.

“Unsurprisingly, Skyrim: Special Edition quickly became one of the most popular games on Steam over the weekend,” Walker reported. “And given that she had already established herself as a channel for older gamers and Skyrim fans, it made sense that Shirley Curry, aka Grandma Shirley, would return to Skyrim.

“Her 300th video highlights just how prolific the 80-year-old gamer has been when it comes to updating her YouTube channel. Her first Skyrim ‘Let’s Play’ was uploaded on September 18, and since then she’s received a Silver Play button from YouTube  —  a button given out to channels with more than 100,000 subscribers. …

“The Virginia-based grandmother … gained a following for [the videos’] calming, almost meditative quality.” More here.

I also saw this report from Elizabeth Tyree & Annie Andersen of WSET ABC television. They quote Grandma Shirley saying, ” ‘One of my sons gave me my first computer and he gave me a game, and he taught me how to use both and I got so addicted, I was playing that game day and night, day and night. He would say, “Mom you have to eat and sleep sometime,” Curry said.

“The Rocky Mount senior isn’t the only mature gamer. But she may be the only one with a huge cult following on YouTube.

” ‘It just went viral. I got on my email and it was like 11,000 emails and I didn’t know what to do. I sat here and cried,’ Curry said. …

“Her newfound popularity and the demand for her YouTube can be overwhelming.

” ‘Now, I just make my 30 minute recording. That’s about all I get to do. Because then I spend so much time reading comments and replying,’ Curry said.”

It’s good to have role models. I took up blogging in my 60s. It wasn’t because of the two old gals in wheelchairs who used to blog about politics in funny, unexpurgated language. But seeing them out there sure didn’t hurt. What other seniors have taken up something fun and different?

 

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Graffiti is not what it used to be. At the Studio 360 radio show, Jack D’Isidoro recently reported on an American city that wanted to be a tourist destination for murals on every wall.

“For decades, street art was bemoaned as a symptom of urban decay and detritus — a sign that system had lost control. …

“Times have changed, however; mainstream culture now recognizes that street art can be iconic, sensational, and good for business.

“But what if it was created with the intention of being a public good, as a tool that could revitalize and beautify a neighborhood? Richmond, the capital of Virginia, decided to find out.

“Now in its fourth year, the Richmond Mural Project brings internationally renowned mural artists to install pieces (with the building owners’ permission) throughout the city. The mission: create the highest concentration of murals in the world, turning Richmond into a global destination for street art lovers.

” ‘I thought, “I can make a change in Richmond,” ‘recalls Shane Pomajambo, a Washington, D.C., art gallery owner and organizer of the project. Initially, he had met with the mayor and city council members with the intention of creating an arts district within the city, but it quickly expanded into a wider effort …

“With a total of 84 murals since the project’s inception, it’s inspired local artists as well, who have added to the impressive displays across Richmond’s brick walls.”

More at Studio 360, where you can also see more Richmond murals.

Photo: Richmond Mural Project
A mural by the artist Ever in the city of Richmond, Virginia

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