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Posts Tagged ‘rhode island’

Photo: Boston Globe.
Teenage phenom and pastry chef Piper McAloon.

Some folks are still figuring out their calling when they are on Social Security. Others, like this chef in Bristol, Rhode Island, discover it when they are 11 years old.

Andrea E. McHugh has the inspiring story at the Boston Globe, “When she was a little girl, Piper McAloon had a natural curiosity when it came to baking, and was influenced by popular pastry-centric reality television shows. In her family kitchen, her parents Robin and Patrick encouraged her culinary creativity. What was once an 11-year-old’s lighthearted hobby morphed into the now 17-year-old’s career path.

“The high schooler, who lives in Bristol with her parents and sister, maintains a vegan dietShe applied for a job at Foglia when the plant-based restaurant opened in the summer of 2022, hoping she’d land a server position. But when chef/owner — and fellow vegan — Peter Carvelli, who was just named a semifinalist for 2024 Best Chef Northeast by the James Beard Foundation, saw her self-taught pastry skills for himself, he had other plans.

Andrea E. McHugh: How did you hear about Foglia?
Piper McAloon: Someone told me that there was a new vegan restaurant opening and so I reached out, never thinking I’d be their pastry chef — maybe I’d be a waitress. And I told [Peter Carvelli] about all my baking, and he was like, ‘I want you to be my pastry chef.’ I was so shocked. …

Have you always adhered to a plant-based diet?
“I’ve been a vegetarian since I was 11, and I’ve been vegan for about the past two and a half years. I think I was just kind of losing interest in meat, and like, the ethics of it, and then I cut out dairy. It was a very slow process, and eventually, I cut out eggs and other products. I didn’t have to go vegan, but I’m glad I did. I feel so much better.

Dairy is used in a lot of baking. How did you learn about vegan alternatives when it comes to pastry?
“It’s a big learning curve, learning how to switch everything. I’ve gotten the hang of it, and there’s so many people doing it now. At Foglia, we’re also nut-free, so I can’t use almond milk or any cashew [products]. … I learned so much from videos online and YouTube, I would just absorb so much information. I’ll see something and be like, ‘Hey, I could do this with this or that,’ and completely just take the inspiration and make it my own. Ground flaxseed and water, it gets really thick, and you can use it to replace eggs in different recipes. Aquafaba is more for say, macarons, and whipping, like you would an egg white. …

How has this experience at the restaurant expanded your business skills?
“Oh, it’s awesome. My boss, Peter, is such a great mentor. We’re always working together and he’s very, very supportive of me doing my own thing. I’ve also done a couple of pop-ups at the restaurant. I create a limited menu and he lets me use the restaurant during the afternoon because they’re only open for dinner, and I set up kind of like a mini-bakery, and people come in to buy food and I do all the accounting for it, and he helps me. We use Toast [a restaurant point-of-sale and management system], and if I have a special order for someone, he’ll let me use the kitchen.

What are you making right now for Foglia?
“Panna cotta is one of the things that’s a staple right now. It’s gluten-free and really good. It’s kind of like a custard. Generally it’s made out of gelatin, but I use something called agar, which is big in vegan baking for pastry cream, actually. We also have what we call a brownie snowball. …

What do your future plans look like?
“I’m going to Johnson & Wales in the fall, the Baking & Pastry Arts associates program, and then eventually I want to open a vegan bakery. It’s two years, and right after that I want to, I don’t know, travel and experience food everywhere else, and learn from them, and then eventually, probably a couple years after college, open my bakery. I’m very excited about it — it’s been my dream since I was 10.”

More at the Globe, here. What did you want to be when you were 10? Did you do it? I think I wanted to be an actress. Or maybe a ballerina.

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Photo: Lily St Angelo/Burlington Free Press.
Pallet shelters opened in Burlington, Vermont, in November 2022.

Is this unfancy housing a good idea? It’s a reprieve from sleeping rough. It’s off the bare ground, it provides a roof and some heating and cooling, but … but …

In January, Wheeler Cowperthwaite wrote about “pallet shelters” (above picture) for the Providence Journal.

“Since the onset of the COVID-19 pandemic, when the limitations of congregate homeless shelters became clear as the world shut down against a new disease, House of Hope Executive Director Laura Jaworski has been thinking about pallet shelters.

“Three years later, as Burlington, Vermont and Boston have set up their own pallet shelters, Providence could be next in line with a plan for 45 individual tiny shelter buildings, 70 square feet, with screened windows, fire extinguishers, smoke and carbon-dioxide detectors, electrical outlets and their own heating and cooling systems.

“State officials are ‘pursuing’ a plan to open a 45-unit pallet-shelter village on state land off Victor Street in Providence, state Department of Housing spokeswoman Emily Marshall wrote in a news release.

“An additional four ‘office units’ are in the plan, as the site would be staffed at all times, as well as a ‘free-standing community room’ and a combination shower/bathroom and a laundry room. The shower and bathroom would be Americans with Disabilities Act compliant. …

“The proposed site is on 1 acre of a 4-acre half-moon-shaped lot on Victor Street that is bounded by the on-ramp for Route 146 from Douglas Avenue, as well as by Route 146. One street over, on Chalkstone Avenue, is the Foxy Lady strip club.

“It is unclear how long people will stay, but it’s meant to help them stabilize and move into permanent housing. … Rhode Island Homeless Advocacy Project Director Eric Hirsch said the pallet shelters are very needed and will make a difference to the state’s estimated population of 300 people sleeping outdoors.

” ‘These are a particularly good option, and I like the way they’ve set it up, with one person in each unit, so you don’t have to worry about roommate conflict,’ Hirsch said.

“The pallet shelters will take referrals from the state’s Coordinated Entry System, including those who have been chronically homeless.

“The pallet-shelter initiative is largely a result of outreach workers listening to people struggling with homelessness, and the reasons they would rather live outside than go to congregate shelters, where their lives and behavior are largely controlled by the operators, Jaworski said. …

“In congregate shelters, there is no privacy, people are often kicked out early in the morning and not allowed to come back until late in the afternoon and do not allow people to decompress and begin shifting from survival mode to secure residency. …

“Among the ways the pallet shelter would meet people where they are is allowing pets, including having a dog run, and allowing couples. … Pet ownership being banned and couples being separated were two of the major things that providers found were preventing people from taking offered shelter options, she said.

“Each shelter would also have electric service, which is especially important for people who need medication to be refrigerated, including anyone who needs insulin. …

“The city Board of Contract and Supply has scheduled a Jan. 16 hearing on a proposed $475,763 contract with House of Hope, paid for with American Rescue Plan Act funds, as well as a $475,394 outlay for Amos House to extend its program, or add shelter beds, at the Charlesgate shelter program. … In an email, Providence spokesman Josh Estrella wrote that, because the proposed shelter community would be built on state-owned ‘public right-of-way land,’ it is exempt from city zoning regulations.”

My only question is: Since temporary fixes so often become permanent, who is in charge of seeing this solution is truly transitional?

More at Projo, here. A February update from Sarah Doiron and Kayla Fish at WPRI notes that the shelters will open in early spring. See WPRI here.

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Photo: Charles Lawrence.
A renovated 1865 Woonsocket, RI, home now provides living space for homeless female veterans.

When one thinks of homeless veterans, one tends to think of men. I remember visiting a new space for veterans when I worked at Rhode Island Housing. Saccoccio & Associates were the architects for the historic renovation of the Heaton and Cowing Mill in Providence, which created 20 units of veterans housing. It was beautifully done, but it did not house women.

So I was interested to read about housing specifically for female veterans in nearby Woonsocket, Rhode Island.

Bella Pelletiere has the story at the Valley Breeze.

“Homeless female veterans in Woonsocket will now have a home to spend the holidays in, say representatives from Operation Stand Down Rhode Island.

“[In November] the historic house at 495 South Main St. was reopened as transitional housing for female veterans in honor of the late Marine Corporal Andrea Ryder.

“Operation Stand Down Rhode Island is Rhode Island’s primary nonprofit resource for homeless and at-risk veterans. OSDRI facilitates a combination of permanent supportive, transitional and recovery housing to low-income and disabled veterans and has 88 locations for housing throughout the state.

“Executive Director Erik Wallin told The Breeze that since 2010, OSDRI has been operating a six-unit facility in Johnston for female veterans. That facility was recently filled to capacity and they have been trying to find alternative ways to house female veterans, who are currently allowed to stay between 6 and 24 months. …

“In May, Wallin told news sources that lead paint had been discovered during renovations, but OSDRI was working with the city and painters to restore the building. Though it was a long process, he said they knew they wanted to restore this ‘magnificent piece of architecture’ for the veterans who were coming to live there.

He added that they wouldn’t house veterans in any building they wouldn’t put their own family members in. …

“OSDRI dedicated the home to Ryder, a Rhode Island native who enlisted in the Marine Corps after graduating high school and was diagnosed with stage three melanoma when she left the service. After numerous surgeries she appeared to be in remission. In 2014, Ryder learned both that she was pregnant and that the cancer had returned at stage four.

“Ryder give birth to her baby girl in 2014, and in 2020, she ultimately succumbed to her illness after spending some time in hospice.

“Wallin said that throughout the years, they had gotten to know Ryder and her family, hosting fundraisers and supporting her until she died. …

“Many officials attended the reopening of the [house], including Tony DeQuattro, president and chairperson of the board of OSDRI, Sen. Sheldon Whitehouse, and Ryder’s family members.

“Ryder’s mother, Donna Paradiso, as well as her daughter, Olivia, and husband, Dennis Bourassa, also came to celebrate the life of their loved one and her name that will live on at 495 South Main St.”

These stories of veteran homelessness are so sad. You just know every time a war starts up that some who serve will come back traumatized. Some will end up homeless. We never do enough for them, but organizations like Operation Stand Down keeping chipping away at the needs.

More at the Valley Breeze, here. No firewall.

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Photo: Brett Stanley.
The Ocean State’s Jesse Jewels as a mermaid.

Some readers may remember reading in a 2021 post (here) that the US has not one but two mermaid museums! Through that article, I myself learned that spending your free time as a mermaid or merman is a real thing. And quite an industry for waterproof-costume makers.

Today we hear from Emily Olson at ecoRI News, that there’s a mermaid in Rhode Island who’s a serious activist for the ocean.

“When she was young, Jessie Jewels imagined herself a mermaid, moving effortlessly beneath the waves, hair billowing in the current as she played with her ocean friends. But too soon she outgrew her imaginary mermaid tail and contented herself — at least for a while — with exploring the sea on two legs. …

“Jewels is a free diver certified by the National Association of Underwater Instructors, a SCUBA diver, a kayaker, and a Save The Bay beach captain, a role that tasks her with organizing beach cleanups. And in 2021, she revisited the ocean of her childhood imagination when the siren song of mermaiding reached her ears.

“ ‘I found out there’s a culture of mermaids and mermen and mertheys who approach mermaiding as a hobby and athletic sport, and it called to me,’ said Jewel, who willingly succumbed to temptation and donned — or grew, as she’d say — a tail of her own.

“She slowly became more immersed in the culture and decided to test her skills by entering the Miss Mermaid USA pageant, which is similar to Miss USA, but with a twist. ‘You wear the dresses and do all the glam and answer all the questions, but we also do underwater modeling and swimming to show our grace, poise, and distance abilities,’ she said.

“Breath holding is also part of the competition and Jewel can hold hers for 2 minutes, which may sound like a lot to a landlubber, but is a mere fraction of what some professional aquarium mermaids can do.

“Jewels won the Miss Mermaid USA state competition in 2021, 2022, and 2023. She uses her platform to advocate for the importance of clean waterways and draw attention to her work with Save The Bay.

“ ‘I am constantly on Narragansett Bay, and I have seen how things have changed,’ she said. ‘There is a lot of debris floating on the surface, and underwater, there’s a big problem with algae and bacteria, exacerbated by overfishing. I’m in that water, so I see the problems. We’re losing our wild places.’

“She also believes in keeping Rhode Island waters accessible, a value she shares with Save The Bay. …

“When Mermaid Jessie Jewels appears at children’s birthday parties, she encourages them to be stewards of the sea and protect aquatic life. She’s also a mixed-media artist, and a portion of every piece of mermaid-related art she sells goes to Save The Bay. …

“For those who want to join the merfolk community, Jewels hosts mermaid makeovers and photo shoots at her art studio, but she recommends that anyone who wants to learn to swim like a mermaid take a swimming class with a focus on safety. And she stresses the importance of always having a swim buddy.

“And Jewels is really strong, partly due to her months of training last year that led her to the merlympics — an athletic competition for mermaids. The competition requires athletes to don their tails and swim lengths in a pool and navigate an underwater obstacle course. … ‘It was a very, very challenging competition, but super fun,’ she said.

“To learn about Jessie Jewels’ classes and entertainment, visit jessiejewelsart.com. To join her at a Save The Bay beach cleanup, visit savethebay.org.”

More at ecoRI News, here. No paywall.

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Photo: Frank Carini/ecoRI News.
These Growing Futures RI staff members help trainees get landscaping experience through park maintenance.

In a win-win reminiscent of the Great Depression’s Civilian Conservation Corps, trainees are gaining valuable work experience while benefiting Rhode Island parks.

Frank Carini at ecoRI News has the story.

“The infamous hurricane of 1938 built the Tefft Hill Trail. Well, that’s not entirely accurate. One of the most powerful hurricanes in recorded history did the no-bid prep work. The FDR-era Civilian Conservation Corps, while conducting search and salvage operations and helping with the cleanup, built the Tefft and many other hiking trails in the area that would become known as Arcadia.

“The Rhode Island Department of Agriculture and Conservation — now the Department of Environmental Management — acquired the 14,000-acre Arcadia Management Area a few years before the 1938 hurricane struck. Today, Arcadia features a wide range of natural landscapes, including hardwood and pine forests, hills and valleys, ledges, fields, and lakes, ponds, and streams of various sizes. It also boasts miles and miles of trail.

“DEM doesn’t have the staff necessary to maintain all of Arcadia’s recreation aspects, so a 21st-century version of the Corps lends a hand — many hands, in fact. … The trails in Rhode Island’s largest management area are maintained and tended to under the direction of Jordan Miller, director of education and training for the Rhode Island Nursery & Landscape Association and the leader of RINLA’s Growing Futures RI initiative. …

“For the past three winters, Miller and the program’s two other staffers — Christie Milligan, director of workforce programs, and Mason Billings, program associate and resources coordinator — shepherd 30-40 workers into the Arcadia Management Area to maintain trails, clear overgrown vegetation, repair wooden walkways, and remove invasives. …

“Throughout Arcadia during its destination heyday, there were picnic tables and other amenities, offices in the woods, and a house for the caretaker and his family. In the decades since DEM changed its management strategy for state-owned land, the picnic tables and structures that once decorated Arcadia have faded into the landscape. The baseball field swallowed by vegetation. …

“After the campground closed, the state maintained the beach and recreation area until the mid-1990s, which is around the same time that the universal access boardwalk was built and the Tefft Hill Trail was being transformed into an area more accessible to those living with mobility issues.

“Funded by a federal grant, the boardwalk and bridge were built in three phases over 10 years. DEM’s Division of Forestry did the work using no mechanized equipment to avoid disturbing the sensitive environment,’ according to Michael Healey, the agency’s chief public affairs officer. …

“Miller, who has worked in the horticulture industry in a variety of roles since 2004, was hired in 2020 to run RINLA’s new initiative. The purpose of Growing Futures is to ‘cultivate, train, and educate the next generation of natural resource professionals who will be charged with stewarding, protecting, and responding to a changing environment and feeding our community.’ …

“Every January and February for the past three winters, the 30-40 workforce trainees, under the guidance of the Growing Futures trio, prepare Arcadia trails for a new season of hiking and nature watching. Trainees are hired for a week or five, and crew leaders from RINLA’s 250 member businesses are loaned to the program to ‘help run things in small groups,’ according to Miller.

“ ‘One of the main reasons for that is timing of when our industry starts up for the year and hires people, which is typically in March,’ he said. ‘So we’ll do the training so that people graduate and then they go straight into job interviews and are able to get jobs for the season. The other part of it is because that’s a winter layoff time, we can actually get crew leader staff who were laid off from their landscaping jobs to be able to help us out.’ “

More at ecoRI News, here. No paywall. Nice pictures.

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Photo: Alexandra Ionescu/Rhode Island Collective.
This floating wetland, an artificial island hosting a human-made ecosystem, was scheduled to remain in Ice Pond in Southborough, Mass., until Sept. 17.

Here’s a new thing under the sun: a floating wetland. Art and science join forces, and Frank Carini at ecoRI News has the story.

“Floating in a circle around a pond in Massachusetts is a mini-wetland built by six Rhode Islanders. Earlier this summer, the mostly natural creation was chosen as the winning installation in the seventh annual Art on the Trails outdoor art and poetry program.

“But the freshwater wetland, built by a group of Ocean State artists, designers, and a botanist, wasn’t commissioned to win an award. It was designed to raise awareness about the importance of wetlands and show how they work. Mission accomplished.

“Art juror Sarah Alexander, who chose ‘Below and Above: A Floating Wetland Supports Life” by the Rhode Island Collective as the best installation, said, ‘The amount of careful research and thoughtful response to the space, along with the combined efforts of its dedicated creators, blew me away.’ …

“The wetland has been floating in Ice Pond in Southborough since June 11. It was created by sourcing native plants, and experiments with natural cordage. It shows how pollutants could be sucked from stressed waterbodies with a little help from human hands. A single anchor line keeps the wetland floating in a 15-foot circle, and not all over the popular skating pond.

“Members of the Rhode Island Collective include Holly Ewald (visual artist), Maxwell Fertik (interdisciplinary artist), Alexandra Ionescu (ecological artist), Hope Leeson (botanist), and August Lehrecke and Matthew Muller (co-founders of an inflatable architecture studio), who led the project’s construction. …

“ ‘The floating wetland ecosystem creates a habitat for the more-than-human world below and above the water line through the growth of native macrophytes. Through the plants’ life cycles, they regenerate the food web, amplifying the natural processes between sunlight, water, and microorganisms,’ according to the Collective. …

“Their structure was built using dried Japanese knotweed, broadleaf cattails, and bamboo for buoyancy, as alternatives to petroleum-based materials such as plastic and foam typically used to construct floating wetlands. A small amount of stainless steel wire mesh and cable holds the craft together.

“The knotweed used to create the floating wetland was harvested in late winter as dry stems from Mashapaug Pond and Gano Park in Providence. Fertik said repurposing invasive species for the project’s pontoons removed some of their biomass from the environment and transformed the nonnative plants into a vessel to improve water quality and promote biodiversity. (The dead stalks weren’t capable of spreading.) …

“The craft is home to 18 native wetland plant species: American bur-reed; bayonet rush; brown fruited rush; Canada rush; common cattail; Alleghany monkey-flower; blue flag iris; boneset; cardinal flower; flat-topped goldenrod; Joe-Pye weed; New York ironweed; northern water horehound; pickerelweed; swamp milkweed; buttonbush; silky dogwood; and steeplebush. …

“Suspended in water, the plant roots provide a home for diverse communities of algae, bacteria, fungi, and protozoans, known as periphyton. As the plants upcycle nutrients from the water into their roots, stems, leaves, and flowers, the periphyton provide nutrient uptake, filtration, oxygenation, and toxin removal.

“Southern New England’s freshwater lakes and ponds, especially the shallow ones, are being stressed by development, wastewater overflows, old and failing septic systems, antiquated cesspools, and stormwater runoff carrying nutrients such as nitrogen and phosphorous from fertilizers and roadway pollutants such as polycyclic aromatic hydrocarbons. …

“The Collective’s 48-page PowerPoint presentation noted Indigenous communities built floating islands for hundreds of years by harvesting natural materials found in their surroundings. ‘By incorporating native plants from freshwater marsh and pond ecosystems, we are supporting a variety of other life forms,’ they said.

“Ice Pond, part of the 58.5-acre Elaine and Philip Beals Preserve, is a healthy ecosystem in little need of a floating wetland to pull pollutants out of the water, but it did give the Collective an opportunity to learn how floating wetlands create a habitat, observe the decay of the natural materials used to build the craft, and document the growth of the native wetland plants. … The Providence Stormwater Innovation Center has requested the craft’s presence for the ponds at Roger Williams Park. …

Art on the Trails is an annual site-specific ecological sculpture park exhibition. To watch a video about the project, click here.

More at ecoRI News, here.

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Photos: John and Suzanne’s Mom.
Above, the fishing flee in Galilee, Rhode Island. And some rather decent clouds.

Summer always seems to be the best time for photos. In winter I have to look harder. Here are a few recent shots from New England: specifically, from Massachusetts and Rhode Island.

A luau at our new Place had an unusual approach: Hawaiian food, Caribbean music. Well, OK, I thought, I do like the sound of a steel drum.

A very decent artist brought Gerald and Piggy to the front walk of the Fowler Library.

Frog characters welcomed both children and adults to Mass Horticultural Society’s Elm Bank gardens. Nancy and I liked the pollinator garden with its tinkling waterfalls and shady benches a lot more than the formal gardens. I also admired an interesting totem-like carving there.

My other photos are just odds and ends that caught my eye. Let me know if you would like more explanation of any.

I do need to explain that the person floating along the bluffs was likely in a motorized parachute. Frightening! And the truck is included because I was fascinated that metal roofing comes off a giant roll that looks to me like nothing so much as chewing gum.

I’ll wrap up with a word on Joan Mallick’s popular “blue pottery. ” As Joan is unwell and no longer able to work, I think her distinctive mugs, plates, planters, and Christmas ornaments are likely to become collectors’ items.

The last shot shows my husband’s clematis trying to get into the house.

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Photo: Ragosta family via RI Department of Environmental Management.
A family in Rhode Island found a rare blue frog and reported it to the DEM.

What turns kids on to Nature? Often it’s a parent’s enthusiasm about fly fishing, say, or their excitement about a rare bird or wildflower. Sometimes it’s just what kids find on explorations of their world. There are natural curiosities everywhere, even in cities, if you walk around with noticing eyes.

Carlos R. Muñoz reports at the Boston Globe about the rare blue frog Rhode Island boys spotted recently.

“A Rhode Island family made the remarkable discovery of a rare blue frog [in July] and reported it to the state Department of Environmental Management. The bullfrog displayed signs of a rare pigmentation known as axanthism, which is a lack of color-bearing cells that turns green frogs blue.

“The department said in a Facebook post on its Division of Fish and Wildlife Outdoor Education page that the condition is most frequently seen in green frogs, leopard frogs, and bullfrogs — species in the Ranidae family of amphibians. …

“A 1966 study by Cornell researchers found that only 69 out of two million frogs (0.003 percent) are blue.

“Michael Berns and Lowell Uhler, authors of the study, said that blue-green frogs are ‘incredibly rare’ but exhibit different regional occurrence rates. In New England, these blue frogs are most common in Massachusetts and Connecticut. …

“ ‘Green frogs are widely distributed throughout Rhode Island, spending most of their lives in freshwater wetlands such as marshes, ponds, streams, and vernal pools,’ according to a DEM brochure authored by wildlife technician Liam Corcoran.

“Kimberly Ragosta, the mother of five whose kids made the once-in-a-million discovery, said her son Jack spotted the glistening blue bullfrog squatting by the road while the kids were running a roadside stand.

“Jack told his mother he was taking a stroll along the road near a swampy woodland area when he noticed the croaking bullfrog’s shimmering skin ‘sticking out like a sore thumb.’ He ushered it into a bucket to show his mother. ‘It didn’t move at all; it was his easiest catch ever,’ Ragosta said.

“Jack went on to research the amphibian and correctly discovered its rarity. They notified the department, but later released the frog into the woods.

“Another blue frog was caught July 2 in northern Rhode Island by 11-year-old Finn Leonard, according to his mother Kate Arsenault Leonard. She saw the department’s Facebook post and commented with a picture of the giant blue frog with a dark leopard print and a broad grin.

“Finn told the Globe that he was trying to catch frogs for a friend when he saw the blue frog and tried to catch it. He said he also saw it last year but could not get it.

“ ‘He hopped out each time,’ Finn Leonard said of his previous attempts to lure the amphibian. He was triumphant this year when he netted the frog, which he said he knew was rare because he saw it on the YouTube Channel ‘Brave Wilderness.’ …

“Kate Arsenault Leonard said one of the reasons her family loves living in rural Rhode Island is the ability to explore nature in their own backyard. They go out looking for salamanders, fishing, watching fireflies, and of course frog hunting. …

“The family is floating ‘Alien’ as a name. Finn set the frog free. …

“DEM said the exact locations of the rare frogs are being kept secret to limit the number of ‘well-intentioned nature observers who inadvertently may cause negative impacts on habitat.’ “

This story reminds me that maple leaves also “turn color” when a certain pigment is missing. And I’m noting the role of the parents here: the kids in both stories knew their adults would be excited. Now they will be doubly inspired to look closely at Nature and try to make more discoveries. Perhaps they’ll be scientists one day. Even if not, they will always be friends of our planet.

More at the Globe, here.

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Map: Surveyed by Charles Blaskowitz and published by William Faden, 1777.
When the future composer Occramer Marycoo was brought to America as a slave, he landed in Newport, Rhode Island. Today his achievements are getting belated attention.

It isn’t rewriting history to discuss slavery in America or the life of slaves. It’s resurrecting history. As one website admonishes, “To build a more just and equitable future, we must face our history in all its complexity.”

Today’s article, from Early Music America, is about an 18th century African who suffered the horror of slavery and is now being honored as the first published Black composer in America.

Sophie Genevieve Lowe writes, “In January 2023, Sotheby’s held an auction for a Chippendale chest of drawers, estimated to sell for almost $800,000. Part of its unusually high value derived from the original owner, which Sotheby’s advertised as the ‘Important Lieutenant Colonel Caleb Gardner’ — a hero of the American Revolution and friend to George Washington. Sotheby’s omits that Gardner helped enslave some 3,912 human beings, one of whom was Occramer Marycoo, perhaps the first Black African to have music published in America and the first Black musician to be recognized by the white American community as a professional musician.

“Occramer Marycoo’s story commences and concludes in Africa. … Based on the spelling of his name, it is likely that Marycoo was from an Akan language people group from the Gold Coast of Africa, specifically Ghana.

“Marycoo was forcibly transported to the American colonies, possibly on the 1764 voyage of the ship ‘The Elizabeth,’ owned by sea captain Caleb Gardner.  Records from the Transatlantic Slave Database show that the ship left Cape Coast, a prison fort in Ghana, with 120 captives on board. Only 89 survived the crossing.

“Although the majority of enslaved people who were brought to Newport, Rhode Island, were eventually shipped to the Caribbean, Gardner kept Marycoo as his own property, renaming him Newport Gardner. He is thought to have been around 14 years old when brought to America and, throughout his life, he would go by both names. …

“It was not long after arriving in Newport that Marycoo displayed his brilliant intellect. He quickly became fluent in English and French and learned the fundamentals of music. He was said to be composing within four years of his arrival in America. There are several theories as to who taught Marycoo, the most prominent being American composer Andrew Law (1749–1821). Law wrote much about music education. …

“There are numerous references to compositions by Marycoo, but his only known surviving work is the crux of Marycoo’s historical place as the first published musical work by a Black person in the nascent United States. Musicologist Eileen Southern, in her 1997 book The Music of Black Americans: A History, theorized that ‘Crooked Shanks,‘ from a collection called A Number of Original Airs, Duetto’s, and Trio’s [sic], published in 1803, was by Marycoo. The piece is credited to a composer with only the last name given, Gardner.

“However, new research seems to indicate that the music had been composed prior to the 1803 publication date. ‘Crooked Shanks’ was also previously published in London under the title ‘The Sea Side‘ by the publisher Bride in Twenty Four Country Dances for the Year 1768, and in the 1770s, as the ‘The Bill of Rights’ by the publisher Thompson.

John Fitzhugh Millar identified both these melodies in his book Country Dances of Colonial America. He also believes that Marycoo wrote this melody and goes as far to hypothesize that Marycoo also listed the dance instructions that accompany the melody. Marycoo’s status as a slave would have certainly been a deterrent to properly credit him at the time — if he indeed wrote the piece. …

“We can gather clues to some of Marycoo’s musical influences. As a composer and teacher, Law dedicated himself to forging an American musical style based on European traditions. That element is found in Marycoo’s short but delightful ‘Crooked Shanks.’ Although more scholarship may uncover earlier published compositions by Marycoo, as of now ‘Crooked Shanks’ stands as the first attributed published piece of music by a Black composer in the European style in the United States.

“Many sources point to Law as the most likely teacher to Marycoo. The problem is that the first known time that Law went to Rhode Island was in 1783, when Marycoo was already in his late thirties. By then, Marycoo had already composed his first known work, an anthem based on text from the biblical Book of Jeremiah, on or before 1764.

“An earlier teacher could have been the composer Josiah Flagg (1737-1794). Flagg was also a publisher and, in collaboration with Paul Revere, published a collection of psalm tunes in 1764, the same year as Marycoo’s anthem. Marycoo’s anthem was used in worship until at least 1940 at the Union Congregational Church in Newport, though it now appears lost. In all likelihood, Marycoo probably had a variety of musical teachers in America.

“As Marycoo approached his own musical identity, he would no doubt have been influenced by African musical traditions. West Africa had a rich history of musical instruments, for example the lute had been in West Africa since the 14th century. There is also the possibility he was a part of the jilikea or ‘singing men.’ These men were from an aristocratic family who were used by royalty to recall history, perhaps similar to the troubadours of Europe.”

How difficult it is to puzzle out these lost histories! I have to admire the people who are committed to doing it.

More at Early Music America, here. No firewall.

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Photo: Loren King.
Art at St. Ann Art and Cultural Center, Woonsocket, Rhode Island.

For my first issue of a certain Boston Fed magazine in 2005, I was a bit panicked about learning the ropes of editing a new field. I managed to line up an article on a troubling change in bankruptcy law from Elizabeth Warren. And through my friend Nancy L, I talked to a guy who knew everyone in the community development field in the region and who put me in touch with Joe Garlick at the Woonsocket Neighborhood Development Corporation (now NeighborWorks) in Rhode Island.

And so it was that I got a memorable tour of initiatives benefiting residents of this former industrial town, where the rivers once ran with clothing dyes.

Today I learn that I better go back to Woonsocket and check out a particular church, now a cultural center.

Amanda Milkovits reports at the Boston Globe, “Swing open the heavy doors of this twin-spired former Roman Catholic church on an ordinary city street some Sunday afternoon, and enter a museum that takes your breath away.

“Elegant and intricate fresco murals soar across the barreled ceiling and along the walls of the nave, above the sanctuary and alcoves, and the choir loft. Scenes from Bible stories, and religious figures, saints and sinners, angels and devils, nearly glow from the frescoes’ warm pastel colors, painted in the style of the Italian High Renaissance.

“Years ago, Yankee Magazine dubbed St. Ann Arts and Cultural Center as the Sistine Chapel of America, and that’s no exaggeration. The former church, which is actually larger than the Sistine Chapel in Rome, is home to the largest collection of fresco paintings in North America.

“Its place here in this working-class city on the northern edge of Rhode Island, away from the tourist meccas of Providence and Newport, can make visitors feel as if they’ve discovered an incredible treasure.

“ ‘That’s why we say it’s the best-kept secret, and the worst-kept secret, too,’ said Joe Petrucci, a docent and volunteer. ‘Because it’s a wonderful gem, but not a lot of people know about it.’

“Along with the stunning frescoes, there’s the rich color and depth of 40 stained-glass windows made by artisans in Chartres, France, and the hand-carved marble altar and the marble stonework imported from Carrara, Italy. Outside, the church’s twin 165-foot cupola towers resemble those of the Shrine of Sainte-Anne-de-Beaupré outside Québec City, and have been an integral part of Woonsocket’s skyline for a century.

“But for the keepers of St. Ann, what makes the former church so distinctive to the city of Woonsocket is how an artist immortalized its residents in the frescoes.

“Guido Nincheri, an Italian-born artist considered the Michelangelo of North America, painted these ordinary people into his extraordinary artwork. The mill workers, the mischievous children, and those lost in World War II, and other residents were models for the 475 faces painted into the frescoes.

“ ‘Aside from the incredible, amazing art and the architecture, the stained glass and the marble work, my favorite part is the story of how it came to be. It’s a part of my heritage,’ said Dominique Doiron, St. Ann’s executive director and Woonsocket native, who was a parishioner until the church closed in 2000. ‘Especially in such a time of turmoil, to be able to look at something and go, What if we all just got along? Look at the great things that we can accomplish together.’

“Roll back the calendar more than a century, back when Woonsocket was nicknamed ‘Le Petit Canada’ for its large population of French-Canadians, who’d arrived in the city to work in the mills. This church on Cumberland Street, which opened in 1918, was the second French-Canadian parish in the city.

“The church was the social hub for its hardworking parishioners, and there were seven Masses on Sundays, standing room only, Doiron said. Though they were poor, the parishioners pooled together their own meager funds for the construction of their church, and later, for its beautification. …

“While the architecture was beautiful, there wasn’t enough money to complete the interior, so the gray stucco cement walls weren’t plastered. That would turn out to be a lucky accident.

“In 1925, the 35th anniversary of the founding of the parish, the parishioners raised money again to install 40 stained-glass windows, made in Chartres, France.

“During the Great Depression, the priest leading St. Ann’s still wanted to do something about those plain walls. the Rev. Ernest Morin visited different churches throughout Rhode Island for ideas, and ended up at St. Matthew Church in Central Falls, where Nincheri was painting.

“Nincheri had been knighted by Pope Pius XI as one of the great artists of the Roman Catholic Church and would win four papal awards for his work. He’d studied the Old Masters style in Florence and apprenticed in stained glass in Montreal.

“Nincheri had immigrated to Canada and later moved to Rhode Island, where he was working on churches and public projects. Morin invited him to visit St. Ann’s.

“ ‘As soon as he walks into the building, the first thing Nincheri notices is, Oh my God, the walls and ceilings aren’t plastered,’ Doiron said. ‘Now, he’s getting excited, because this is a rare opportunity to do the fresco style.’ …

“The technique, which reached its height in the Italian Renaissance, requires that an artist is both careful and quick, because there is no room for error.

“At this, Nincheri was a master. He explained the possibilities to Morin, how Michelangelo had painted the frescoes in the Sistine Chapel in Rome, and he could do the same here, at this busy Woonsocket church. They settled on a contract for $25,000 in 1940. …

“Nincheri told a reporter for the Woonsocket Call newspaper that St. Ann’s would be ‘America’s most beautiful church.’

“As Nincheri began the work, he studied the faces of people in the community. … ‘All of the faces were people of the parish and people of the city of Woonsocket at the time. He would always be on the lookout for a face that would fit a particular subject, and he would invite them to sit for him,’ Doiron said. ‘And what we now have here is a scrapbook, a pictorial history of who we now call the “Greatest Generation.” ‘ ” More at the Globe, here.

See also my 2018 post on a Sistine Chapel replica in Mexico, here.

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Photo: Joanna Detz/ecoRI News.
The Garden Time program in Rhode Island gives formerly incarcerated people a chance to prepare for reentry into society.

Today’s article about a program to help incarcerated people find work on the outside notes successes and failures. One of the featured participants, Anderson, ended up back in trouble with the law. Others have stuck with the hard work needed to move on.

Colleen Cronin wrote about the initiative at ecoRI News.

“The Green Jobs Reentry Training program run by Garden Time, a Providence-based nonprofit [is] an offshoot of a gardening program run by Garden Time at the Rhode Island Adult Correctional Institutions (ACI) since 2011, according to Kate Lacouture, founder and executive director. In addition to teaching incarcerated people about gardening, the ACI program also helps participants on an individual level with reentry needs when their sentences end.

“Lacouture called the ACI training a ‘pre-employment program,’ because Garden Time teaches gardening, horticulture, and other green industries and brings in employers from those fields to teach and get to know program participants. …

“When the pandemic hit, Garden Time started expanding its work outside the prison. Lacouture said the organization started a garden at Open Doors, a nonprofit focused on reentry in the city’s Silver Lake neighborhood. Working in that garden regularly planted the idea of a formal reentry and job training program for individuals who were out of prison and trying to integrate into the community, Lacouture said.

“Garden Time ran a shorter reentry training pilot program in fall 2021, and thanks to its success, it was funded by the state Department of Labor and Training as a Real Jobs Rhode Island program. This allowed Garden Time to expand the program from six to eight weeks, offer larger weekly stipends to participants ($400 a week), and provide lunch Monday through Thursday.

“For participants of the program who have just left prison, ‘it’s really nice to have a nice landing spot,’ Lacouture said.

“The program also provides students with Chromebook laptops, work boots, and other tools that participants might need on a job. They attend classes in a Manton Avenue classroom on topics such as arboriculture and nutrition, or receive hands-on training at various locations Monday through Friday. Friday mornings are spent at the Open Doors garden.

“During the last week of the program, the students participate in an internship, for which Garden Time pays.

“The internship ‘becomes like an extended job interview, like a chance for the person to prove themselves, a chance for the employer to be comfortable with it,’ Lacouture said. ‘Because a lot of times, you know, you ask an employer if they would hire formerly incarcerated people, and they don’t really know what that means. It sounds scary. They don’t know what that entails.’

“By the end of the program, those who graduate become official Providence tree keepers, receive an Occupational Safety and Health Administration (OSHA) certification for completing a 40-hour training, and hopefully find full-time positions in a green industry job, Lacouture said.

“Participants must attend most of the classes to complete the program, but on the first Friday of the 2022 session, one of Lacouture’s star students was missing.

“Attending classes can be difficult for anyone who has recently been released from prison or has a police record. Suspended or revoked licenses, little funds for car insurance or a car itself, and sporadic and mandatory parole meetings and other legal hearings can all complicate attendance.

“But Ace, who … met Lacouture inside the ACI, missed the first Friday class because of a cat.

“Ace had been working for Groundwork Rhode Island earlier that week, when he saw a stray cat and couldn’t help picking it up, Lacouture said, despite his allergy to cats. The contact caused Ace’s asthma to flare up, keeping him from Friday’s class. …

“Since Ace was released from the ACI, before COVID, he has accumulated cats, dogs, and tons of pepper plants, gotten married, and started his own landscaping business.

“He knows some of the other participants in the reentry program, living in temporary housing and lacking satisfying work, struggling to maintain their connections in the world outside prison walls, looked up to him.

“Even though his success might look easy and the way he speaks and presents himself might seem completely controlled, his journey has been long, he said. He speaks mostly light-heartedly about the past and his hijinks while also admitting to deep pain and trauma. …

“ ‘I’m always getting in trouble,’ Ace said.

“He can talk about growing up in Liberia and sneaking into a neighbor’s garden to snatch fruit in the same easy tone as he discusses the trials of his addiction. And he readily speaks about the therapist he sees regularly to help him with his addiction, as well as attending Alcoholics Anonymous meetings.

“To overcome some of his challenges, Ace said he has had to make adjustments. The green jobs program starts at 9 a.m., but Ace regularly gets there hours early. If he picks his wife up from work, often at 2, 3, or 4 o’clock in the morning, sometimes he chooses to stay up, so he knows he’ll be ready for the class, he said. …

“On an unusually cold Friday morning, John Kenny, owner of Big Train Farm in Cranston, visited Open Doors to talk to the reentry program participants about green farming practices and how they could start their own farms.

“The Farm Service Agency (FSA) within the U.S. Department of Agriculture offers several different loan programs and has targeted incentives for women and people of color.

“ ‘I’m not going to kid you,’ Kenny said, going on to explain that even with help, obtaining a loan and starting a farm isn’t easy. …

“Ace has tried to let a lot go. He knows he’s made mistakes, and he tries to make up for them. He knows his life has been unfair, but he tries not to think about it. On the other hand, injustice boils under Anderson’s skin when [the  57-year-old military veteran and former oil-platform builder] talks about the environmental hazards Black and brown Americans face and their connection to the cyclical criminal justice he and others have experienced.

“Two million people are currently incarcerated in the United States. Out of the 11 participants that arrived at the first day of the reentry program, most were men of color. Two people were white. There was only one woman in the class. The group reflects the larger pool of Americans who are or have been incarcerated. …

“Like many of the people who have been incarcerated around the country, several of the participants in Garden Time’s green jobs program were in prison for long periods or repeatedly throughout their lives.

“A 2021 study of people incarcerated in Rhode Island showed that by the 3-year post-release mark, 47% had been sentenced again to prison. Many of them had been charged again within the first six months of their release date. Education programs inside a prison, like Garden Time, can do a lot to prevent this.”

Read the rest of the long article at ecoRI News, here. No firewall at this nonprofit, but donations are welcome.

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Photo: World Farmers.

Immigrants to the US, if they were farmers in their home countries or just want to grow food they can’t find here, may end up working in agriculture. And as this University of Rhode Island professor’s research shows, many are joining the new wave of urban growers.

Frank Carini reports at ecoRI News on John Taylor, associate professor of agroecology at URI, who recently received a $973,479 award from the National Institute of Food and Agriculture for his research.

I had to look up that new-to-me field of study. The Soil Association says that “agroecology is sustainable farming that works with nature. Ecology is the study of relationships between plants, animals, people, and their environment – and the balance between these relationships. Agroecology is the application of ecological concepts and principals in farming. [It] promotes farming practices that mitigate climate change … work with wildlife … put farmers and communities in the driving seat.” Read all about it here.

Carini writes, “The $973,479 award from the National Institute of Food and Agriculture was one of 12 to receive funding through the institute’s Urban, Indoor, and Other Emerging Agricultural Production Research, Education and Extension Initiative. The agency’s $9.4 million in grants are part of a broad U.S. Department of Agriculture investment in urban agriculture, funding research that addresses key problems in urban, indoor, and emerging agricultural systems.

“The project will bring together Taylor’s research with immigrant gardeners and farmers in Rhode Island, Julie Keller’s agriculture-focused work with diverse communities, Melva Treviño Peña’s work with immigrant fishers, and Patrick Baur’s work on food safety and urban agriculture. …

“Although always a part of city life, urban agriculture has recently attracted increased attention in the United States, as a strategy for stimulating economic development, increasing food security and access, and combating obesity and diabetes.

“Food justice is about addressing access to healthy and affordable food for low-wealth and marginalized communities. It seeks to ensure the benefits and risks of where, what, and how food is grown, accessed, distributed, and transported are shared equally.

“Many neighborhoods in metropolitan areas, including in Rhode Island’s urban core, have little to no access to fresh food or full-service grocery stores — a situation often referred to as living in a ‘food desert.’ Other marginalized communities are surrounded by ‘food swamps,’ areas in which a large amount of processed foods, such as fast food and convenience-store fare, is available with limited healthy options.

“One solution to this environmental justice problem is to encourage the growing of local food. Developing effective policies and programs demands as a first step the accurate mapping of existing urban agriculture sites, according to Taylor. He hopes to provide that template.

“Taylor and colleagues at URI, the University of Maryland, and the University of the District of Columbia will soon begin mapping the alternative food provisioning networks of immigrant communities and communities of color in three East Coast cities — Providence, Baltimore, and Washington, D.C. — to better understand these networks.

“He hopes this transdisciplinary research will reap new information about alternative food provisioning networks in the Northeast, evaluating their impact on food system outcomes, and identifying opportunities for policy support. …

“At URI, Taylor’s ‘home garden’ is a quarter-acre plot at the Gardiner Crops Research Center [at] the bottom of the Kingston Campus. His plot, visible from Plains Road, represents in microcosm the immigrant foodways he will be studying for his research during the next few years.

“At URI’s Agrobiodiversity Learning Garden and Food Forest, he grows crops that are integral to the food traditions of Rhode Island’s diverse communities: South American sweet potatoes, Mexican tomatillos, Haitian tomatoes, Mediterranean herbs, Asian bok choy, and produce from an African diaspora garden. Taylor tends the garden with students in URI’s Plant Sciences and Sustainable Agriculture and Food Systems programs and URI master gardeners, demonstrating how sustainable farming reinforces community-building.

“With the learning garden, he follows a lead set by generations of immigrants who moved to Providence and cities like it, bringing their growing practices, and sometimes seeds, with them. …

“A descendant of five generations of Pennsylvania farmers, he grew up on a 100-acre integrated crop-livestock farm near Pittsburgh. Taylor began gardening at the age of 6 and started a market garden while in high school. He left the farm to attend the University of Chicago … then managed federal education studies for 10 years before returning to school to study horticulture and practice landscape architecture.”

More at ecoRI News, here.

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Photo: What Cheer Flower Farm.

Today’s story shows, among other things, that if you pick a really good name, you’re halfway to your goal. Who wouldn’t be drawn to a charity with a name like What Cheer Flower Farm?

And wait till you hear what it does! Frank Carini’s ecoRI News story was originally reported in 2018.

“The place was a complete mess, but a trio of determined women was going to buy it anyway, as soon as the seller removed about 50 tattered mattresses from the dilapidated building.

“The 2.7-acre property was covered with wind-blown trash. More than a year later, the three women are still picking up broken glass. … They ripped up poison ivy by gloved hand, and brought in a tractor to help tear down the overgrowth. The empty factory with a brick facade, largely vacant since the 1990s, has no running water or electricity, is covered in graffiti, has been the victim of arson, and has been gutted of all scrap metal.

“ ‘The property was neglected for years,’ said Shelby Doggett, who, at 25, is the youngest of the three buyers.

“The women, Doggett, her mother, Marian Purviance, and Anne Holland, bought the derelict property for $525,000, so they could give away flowers.

What Cheer Flower Farm was incorporated [in October 2017] and it acquired the former site of the Colonial Knife Co., forgotten industrial land in the heart of the city’s Olneyville neighborhood, not far from Route 6, this spring.

“After the sale became final, the first two essential items the women had delivered were a port-a-potty and a truckload of compost.

“This new urban farm, at 46 Atwood St., only began its growing season two months ago. The seeds were planted late in the season because there was plenty of other work to do first. For one, the property was covered in pavement.

“Some 4,000 square feet of parking lot was torn up and transformed into an organic raised-bed ‘field’ of flowers, both perennial and annual. Purviance, the farm’s horticultural director, has years of garden cultivation and management experience.

“ ‘I worked in the fine-gardening business for a long time, and I worked for very high-end clients. A lot of them really didn’t even appreciate what it was to have a garden and how much a flower really means,’ said Purviance, 57, a 30-year resident of Providence.

‘I get so much more satisfaction out of working on this project than I did working for people who take that for granted.’

“The nonprofit flower farm with two full-time farmers — Purviance and Doggett, who as the program director also handles the administrative side of things; Holland is the communications manger — and with support from volunteers, grows organic flowers on a brownfield site.

“They give their product away to ‘people who deserve flowers but don’t have access,’ Purviance said.

“To supply those people who deserve flowers, What Cheer Flower Farm has partnered with Amos House, the Ronald McDonald House of Providence, and Meals on Wheels of Rhode Island. The women deliver bouquets and buckets of cut flowers to these institutions and other partners.

“About 90 percent of the flowers currently being grown at the farm were started from seed by Purviance in her kitchen and in a friend’s basement. The rest of the plants were donated by Green Animals Topiary Garden in Portsmouth. …

“Besides brightening people’s lives with free flowers — 1,000 have so far been donated — the nonprofit’s mission also includes reversing urban blight, creating a job training center for Rhode Island residents to help them enter the state’s $2.5 billion ‘green’ economy, and making Providence famous for urban flower farming.

“Chicken manure from Scratch Farm and horse manure from a gentleman farmer in Rehoboth, Mass., have been used to build soil. … The farm rents a meter from Providence Water, which allows it to use a fire hydrant for watering. The water is stored in donated tanks of various sizes.

“Where the dilapidated building now stands, the co-founders envision a barn, classroom space, an office, and space for lease. …

“What Cheer Flower Farm has applied for a brownfield remediation grant with the Rhode Island Department of Environmental Management. An ongoing inventory assessment didn’t find elevated levels of polychlorinated biphenyls (PCBs). The owners have worked with the National Resources Conservation Service and David Foss of Wilcox & Barton Inc., a Vermont-based environmental consulting firm.

“The property is in better toxic shape than the new owners predicted, but there’s still much work to be done. Much of that work will revolve around fundraising. As a 501(c)(3), the organization will rely on grants, donations, volunteers, and kindness. They also plan to host fee-based workshops for hobby gardeners and amateurs.”

From the farm’s website: “Our staff are busy working on growing, rescuing and giving away flowers. You can visit as a volunteer, or as an artist who wants to work outside en plain air or as a group seeking a tour. …

“What Cheer Flower Farm is a nonprofit dedicated to bringing solace, joy and healing to the people of Rhode Island via flowers as well as supporting our local floral economy via job training.

“We grow, rescue and give away 100,000 flowers per year and are on track to expand to giving away 300,000 flowers per year in the next five years. We never sell flowers – all are given away freely via our network of local nonprofits and organizations serving Rhode Islanders including hospitals, senior services, recovery centers, shelters, hospices and food pantries. …

  ” 2022 Achievements

  • “92,000 flowers grown, rescued and given away
  • “$50,000 grant won from United Way/Social Enterprise Greenhouse
  • “Relaunched Flower Festival named ‘The Best Thing to Do in RI’ by The Boston Globe.”

More at ecoRI News, here. No firewall.

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Photo: Lauren Daley.
On March 18, 2023, in a small town in the smallest state, Hundreds of people lined Main Street for ‘The World’s Shortest St. Patrick’s Day Parade,’ ” the Boston Globe says. “The parade route was just 89 feet long.

Here’s something fun and silly. You should file it under sustainable living or slow fashion — that is, the simple life.

Here is Lauren Daley with her cute report for the Boston Globe.

“It just may be the world’s shortest St. Patricks’ Day parade — but it was long on energy. On Saturday, hundreds of Rhode Islanders, many dressed in green, gathered to watch an 89-foot-long parade that was billed as ‘The World’s Shortest St. Patrick’s Day Parade.’ …

“Marjory O’Toole, executive director at Little Compton Historical Society, walked the route with a measuring tape — from the green ribbon starting line at one side of the Kinnane Brothers’ film studio at 26 Main St. (also known as the Old Stonebridge Dishes) to the parade’s end at other end of their property, 89 feet away. Participants left one side lot, marched in front of the building, and then exited into another lot on the other side of the building.

“Rhode Island Lt. Gov. Sabina Matos was on hand to present a proclamation to parade marshals Jim and Paula Downing, of Little Compton.

“ ‘We’re going to make it official! On behalf of the state of Rhode Island, we want to congratulate and formally recognize… the Little Compton 2023 World Shortest St. Patrick’s Day parade,’ she said. …

“A post-parade fundraiser — a corned beef and cabbage dinner at the Buttery Nook, the function room at the Kinnane Brothers’ studio — raised about $10,000 for the Little Compton Food Bank, [co-organizer Charles] Kinnane estimated on Sunday.

“They also raised spirits. The energy, and sense of community, was palpable. In a place where most community events are held on the other side of town, at Town Commons, an outdoor celebration on Main Street in the village district felt new and exciting.

“An estimated 600 to 700 people watched 30 groups — including dancers from the Clann Lir Academy of Irish dance, Portland and District Pipers, the Little Compton Band, bicyclists, motorcyclists, miniature ponies from Adamsville Stables, and others — marched or rode the short route.

“The Little Compton Band idled their turquoise truck for a mini-concert. Local surf legend Sid Abbruzzi was there, as well as Boston-based actor, James L. Leite. …

“On the sidelines, dogs dressed for the occasion, families waved, and kids shouted and collected stickers and candy. One little girl was so taken by the older girls performing Irish step dancing, she stood in the middle of the parade route to watch. A little boy wore his hooded sweatshirt backwards and used his hoodie to collect treats.

“The parade and after-party were hosted in part by the Kinnane Brothers, a group of eight filmmaking brothers known for their works with actor Kevin James and the Netflix hit ‘Home Team.’

“This was the second year the town held the parade, which ‘started as a joke’ said Paddy Manning of Tiverton, a cousin of the Kinnanes. … The pandemic forced a delay, during which they learned about a 98-foot-long parade in Hot Springs, Arkansas, which called itself the world’s shortest St. Patrick’s Day parade. It gave them a benchmark — and a title — to shoot for.

“Last year’s inaugural parade was smaller, Kinnane said. They never expected the crowd to double in size from last year. The amount raised for the Little Compton Food Bank also just about doubled, said Kinnane.

“They may have some competition next year, though not in Rhode Island: Bemidji, Minnesota, held their own ‘World’s Shortest St. Patrick’s Day Parade’ this year. According to the Bemidji Pioneer, there were dozens of onlookers for the event, which ran a length of ’78 paces.’ “

Uh-oh, watch out for Minnesotans! They are competitive and have a lot of experience with weird parades and races. I once attended the outhouse race in Isanti, Minn.

More at the Globe, here.

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Photo: Rachel Rosenkrantz.
Rachel Rosenkrantz, a luthier, uses all-natural materials. For example, to build a bracing structure for the instrument above, she followed a bee blueprint, placed the structure in a hive, and waited for a year.

Now here’s a commitment to using natural materials that I bet you never heard of.

The nonprofit ecoRI News is great at finding stories like this one by Emily Olson on a Rhode Island luthier who makes guitars using mushrooms and honeycomb.

“During the pandemic lockdown,” Olson reports, “local guitar-maker Rachel Rosenkrantz collected shells from her daily two-egg breakfast. They seemed an appropriate — and certainly plentiful — biomaterial to integrate into a USB-chargeable electric guitar she was working on.

“ ‘Calcium is an integral part of violin varnish because it contributes to the sound quality,’ she explains. With this in mind, and inspired by the work of Gaston Suisse, a French art deco artist who worked with eggshell inlay, she used a laser cutter and manicure file to shape her collected shells into tiny triangles. The eggshell guitar was the last in a series of biomaterial-based instruments she completed during the pandemic. …

“Rosenkrantz had a thriving and well-established career as a commercial furniture and lighting designer when, 10 years ago, she had an epiphany.

“ ‘I can always make money,’ she says. ‘But I can’t make time. … I had been daydreaming about being a luthier for too long to not do it.’ …

“Rosenkrantz grew up just outside Paris in Montfermeil, an industrial town she describes as ‘the Fall River of France.’ She is the daughter of a family of tailors; her grandfather lived in an apartment above his small tailoring shop. …

“Rosenkrantz studied at l’ESAG in Paris, and in her college days, crossed the ocean a couple of times, first as an exchange student at the Rhode Island School of Design — ‘I loved the name Providence,’ she recalls. … She now lives just outside Pawtuxet Village in Cranston … above her guitar-making studio, Atelier Rosenkrantz. ‘I guess I’ve come full circle,’ she says, referencing her grandfather’s shop. … ‘This is my happy place.’ …

“Rosenkrantz is well aware of the negative impact guitar-making has on the environment. Though little seems more environmentally conscious than someone sitting outside plucking a guitar, guitars are made from wood. And it isn’t always harvested in a sustainable way. …

“Rosenkrantz relies on timber updates from the Convention on International Trade in Endangered Species of Wild Fauna and Flora, a Switzerland-based organization that, through international agreement, offers a framework to ensure that when plants and animals cross borders, a species’ survival isn’t threatened.

“ ‘Brazilian rosewood is a big no-no because their rainforests were depleted,’ she says. But it isn’t just the type of wood used that she considers; she also considers how a country manages its resources. ‘India, for example, manages their rosewood really well,’ she adds. …

“Replenishment also is important. ‘Every guitar-maker, every woodworker — if we consume wood, we should grow wood,’ she says. The alternative, of course, is to not use wood at all. …

“One afternoon Rosenkrantz was at RISD, where she teaches spatial design, and decided to spend some time in the Nature Lab.

“ ‘RISD has a whole library of natural specimens, including biomaterials,’ she says. … ‘I know that Styrofoam conducts sound because it’s full of air, so I tested RISD’s [imitation Styrofoam] mushroom sample with my sound diffuser and realized that I could make a solid body sound like a hollow body.’

“The thing that excites her most about using farm waste inoculated with mushrooms in her craft is that she can grow her own design — a plastic mold is at her feet, leaning against the bench. ‘It takes about a week to grow a guitar body — four days to grow, then four days to let a crust develop,’ she says. …

“She slides a banjo from a shelf behind her and explains the body is made from kombucha leather. Kombucha home brewers are familiar with a symbiotic culture of bacteria and yeast (SCOBY), a cellulose mat that forms from the basis of kombucha — sweet tea — and houses the cultures that turn sweet tea into more kombucha. To get a SCOBY large enough make adequate leather for a banjo, Rosenkrantz brewed kombucha in a fish tank. ‘It took 11 tries before I made enough leather for one instrument,’ she says. …

“Rosenkrantz began dabbling in beekeeping, and as she researched hive options, quickly discovered the top bar beehive … a horizontal box with bars on top that support honeycomb, and it allows bees to build the way they would in nature. … ‘The bars in a top bar hive reminded me a lot of the bracing that goes in the front of a guitar that provides rigidity and guides sound,’ she says. … ‘I wondered if I provided the bees with bracing, if I could trick them into building a guitar.’

“But bees are not so easily tricked. ‘Bees have their own egress and architectural code,’ Rosenkrantz says, and she had to learn those codes to encourage the bees to collaborate on a design.

“So, after a great deal of research, she built a bracing structure according to the bees’ blueprint, placed it in a hive, and waited for a year. The result was something she never could have anticipated. The bees not only accepted her design and built their comb along her bracing structure, but they maintained the wood.”

More at ecoRI News, here. Amazing pictures. No firewall.

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