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Photo: Capital Area New Mainers Project.
Abdalnabi family members (left) are seen here with property manager Efrain Ferrusca (right). The family lives in what used to be St. Matthew’s Episcopal Church in Hallowell, Maine, a building managed by Capital Area New Mainers Project [CANMP].

As church attendance decreases and buildings can no longer be supported by the remaining congregants, some properties are sold or donated to worthy causes. Tara Adhikari and Erika Page write about church transitions at the Christian Science Monitor.

“Victoria Stadnik glides on roller skates down one side of a wooden halfpipe decorated in neon spray paint. Light pours in through stained-glass windows, catching her body as she rotates through the air in the nave of what used to be St. Liborius Catholic Church [in St. Louis]. 

“After the church shut down in 1992, the building served briefly as a homeless shelter. Now, St. Liborius is better known as Sk8 Liborius – a skate park in use informally for a decade, with plans to open officially in three years.

“St. Liborius is one of hundreds of churches across the United States beginning a second life. As congregations dwindle – only 47% of American adults reported membership in a religious organization in 2020, down from 70% in 1999 according to a Gallup poll – churches are closing doors and changing hands. Developers have jumped at the chance to transform the consecrated spaces into luxury condos, cafes, mansions – even a Dollar Tree

“For some, the trend brings with it a sense of dismay. … But in some cities, residents are breathing new life into sacred spaces by giving fresh thought to what it means to serve, and who can constitute a congregation. Groups in St. Louis, Philadelphia, and Hallowell, Maine, are finding that one fundamental purpose of church – community uplift – can take many forms. 

“ ‘These places are very powerful links to the history and the evolution of our neighborhoods,’ says Bob Jaeger, president of Partners for Sacred Places, based in Philadelphia. Even though a church ‘may need repair, even though it may be empty, … it’s a bundle of assets. It’s a bundle of opportunities.’ …

“When Dave Blum, co-owner of Sk8 Liborius, speaks about his plans for the church, his voice echoes out across the sanctuary, ringing with the hope and certainty of a sermon. His team is creating not only a skate park but also an urban art studio where local artists can display and sell their work and children can learn skills ranging from metalworking to photography.  

“In every empty nook and cranny, he sees the potential to support a new congregation: underserved urban youth. He hopes skateboarding will get kids in the door – where vital lessons await. …

“The church was completed in 1889, and after years of neglect, it has a long way to go before it can pass an inspection and be formally opened to the public. Emergency exits, bathrooms, window repair, plumbing, electricity, and heat are just a few of the items on a to-do list of fixes estimated at $1 million. But donations are pouring in from supporters, and local skaters like Ms. Stadnik, who also works as a skating coach, spend weekends helping with repair work.

“ ‘A whole community came together to build these structures because it was important to them. And now, what we’re trying to do is have a whole community come together to maintain this structure,’ says Mr. Blum. 

“Welcoming newcomers into the fold is another function churches often fulfill. In Maine, a local nonprofit is continuing that mission by turning a former holy space into a home and community center.

He appreciates the sacredness of his new home and is just happy to finally have enough space to study. 

“Ali Al Braihi and Mohammed Abdalnabi came to the U.S. as refugees because war – in Iraq for the first and Syria for the second – made staying home impossible. Their journeys were different, but their families both ended up in Hallowell, Maine. Housing was limited, says Mr. Abdalnabi, and squeezing all nine members of his family into a two-bedroom apartment was ‘rough.’ Mr. Al Braihi had the same difficulty.

“Now, the 18 people that make up both families live in what used to be St. Matthew’s Episcopal Church. … 

“ ‘What I feel is fortunate and thankful,’ says Mr. Al Braihi, now a college student. His family is Muslim, but he says he appreciates the sacredness of his new home and is just happy to finally have enough space to study. 

“After closing last summer, St. Matthew’s offered the building to Capital Area New Mainers Project (CANMP), which supports the growing number of refugees and other immigrants in the area.

“The congregation chose CANMP because it ‘felt like we would be carrying on the mission,’ says Chris Myers Asch, CANMP’s co-founder and executive director. ‘We take that responsibility very seriously. It’s hallowed ground.’ 

“Mr. Myers Asch and his team of volunteers are currently renovating the sanctuary to create the Hallowell Multicultural Center. When it’s ready, anyone in the community will be able to host events: dinners, talks, movie screenings, weddings – whatever brings people of different backgrounds together.”

More about church reuse at the Monitor, here. No firewall.

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Photo: Grit Jandura/Frauenkirche Dresden.
Sweat from fingers and scratches from coat buttons take their toll on the highly ornamented interior of this historic German church. Every January, the doors close for a week so cleaners and craftspeople can get to work.

I’ve always admired people who do a real spring cleaning, a thorough “clean-up, fix-up, paint-up.” It’s not in my DNA, but I admire it. And I don’t mind lending a hand to someone else. I once helped an Orthodox friend prep her house for Passover. My job was to dig every bit of crumb and masticated baby food out of the high chair. Whew!

In Germany, a church is kept gorgeous by this kind of attention to detail. Gemma Tarlach reported at Atlas Obscura about “cleaning week at Dresden’s glorious Frauenkirche, a beloved house of worship and international symbol of reconciliation and resilience.

“ ‘It’s just a big praying room,’ says its lead architect Thomas Gottschlich, a soft-spoken man. … Gottschlich’s duties include overseeing the iconic church’s maintenance, including the annual January spruce-up, when every inch of the interior gets a once-over. …

“The Frauenkirche has been a part of the German city for a millennium, though its most famous iteration was a Baroque building envisioned by George Bähr and completed in 1743. The church earned the nickname Steinernen Glocke, or Stone Bell, thanks to Bähr’s unique design. ‘The dome construction is very special, you don’t have it that way in any other building in Europe,’ says Gottschlich. ‘Normally, the domes in other cathedrals are made with a wooden construction, which is covered with copper, lead, or whatever.’ Instead, Bähr used local sandstone for the entire dome.

“Because it is not the seat of a bishop, the Frauenkirche is technically a church, though it rivals many cathedrals in size. During construction, critics worried about the stability of that massive stone dome, which rises more than 300 feet above central Dresden. But it endured for centuries — until World War II. Although the church initially survived an intense bombing raid in February 1945, it collapsed days later.”

This is me again. In case you don’t know about the tragic US-British fire bombing of Dresden or haven’t read the novel Kurt Vonnegut wrote after he lived through it as a prisoner, Slaughter-House Five, I just want to state the obvious. Wars are bad. Let’s not have any.

Tarlach continues, “For decades the ruins of the Frauenkirche served as a war memorial and gathering point for peaceful protests under East German rule. Shortly after Germany’s reunification, an ambitious, decade-long project reconstructed the church using much of the original 18th-century sandstone. It quickly became a symbol of reconciliation and renewal. …

“While Gottschlich and his team also monitor the church’s exterior, where moss and crumbling mortar can be problematic, he says that it is the interior that demands much more attention. So, for the last 15 years, for one week in January, the church closes to visitors, and dozens of carpenters, painters, and other craftspeople and cleaners get to work. The crew repairs wobbly benches and worn wood, touches up paint, and scrubs, sands, and vacuums every nook and cranny of the highly ornamented space.

“Although the number of visitors has fallen since 2020 due to pandemic restrictions, the annual cleaning event went on as usual in early 2022. Like the constant monitoring of different climate zones around the building to ensure optimal conditions for the church’s organ, art, and load-bearing supports, the annual deep clean is an integral part of ensuring the Frauenkirche stays healthy and stands witness for several more centuries.

“Gottschlich notes that, during the reconstruction, the team chose a conspicuous interior location for the 18th-century cross that once topped the church’s tower. ‘We placed it so that, whenever you leave the church, you pass the old cross, and get an inkling of what it means to be both in history and in present time,’ he says.”

More at Atlas Obscura, here.

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last-supper-detail

Photo: Evy Mages
Detail from a massive sculpture of a black Last Supper discovered by a demolition crew in the Columbia Heights section of Washington, DC.

Oh, my! Imagine the wonder of the demolition crew that uncovered this artwork in a former church! I wish reporter Andrew Beaujon at the Washingtonian had tracked them down and interviewed them for their immediate thoughts.

Here’s his story.

“Joy Zinoman got an unexpected phone call [in early October]. Demolition had just begun inside a former church in Columbia Heights that she’s turning into the new home of the Studio Acting Conservatory. Now the boss of the the crew working was on the line to tell the Studio Theatre founder about a remarkable discovery his guys made: An enormous frieze of the Last Supper that was hidden behind drywall for more than a decade.

“The building on Holmead Place, Northwest, had been slated to become condos before the conservatory bought it earlier this year. It was built in 1980, city records say, to house New Home Baptist Church, which moved to Landover, Maryland, in the 1990s. After that it became a building for the Church of Jesus Christ of Latter-Day Saints. A signature on the lower right of the sculpture  leaves no doubt at which point it joined the building’s history: ‘All rights reserved 1982 Akili Ron Anderson.’ …

“New Home trustee board chairman Willie L. Morris told Post reporter Esther Iverem, ‘It was very important to us that we have a black artist. All the other Last Supper pictures we’d seen were always in a white framework.’ …

“Anderson now teaches at Howard University and some of his artwork is easier to see, particularly his work Sankofa at the east and west entrances of the Columbia Heights Metro Station as well as stained glass at Andrew Rankin Memorial Chapel and the Prince George’s County Courthouse.

“The fact that the participants in the Last Supper are black reflects a movement among African American artists, beginning in the late 1960s, to make the art in places of worship look like the people inside them. ‘I think it’s important for black children sitting in churches all over this country on Sunday morning to look up at the windows, look up at images and see themselves and believe that they can ascend to heaven, too,’ Anderson told Iverem in 1993.

“It’s not clear when the 232 square feet of religious art was covered by drywall. City records show that an inspector reviewed some ‘Close-in (concealment)-Walls Construction’ in 2003. Anderson says he undertook the artwork when he worked at Duke Ellington School of the Arts and had a coworker who attended New Home. ‘Most of the time I was in there by myself,’ he says.

‘It actually got to be something of a spiritual experience for me.’ …

“When you first view the frieze in person, as I did Friday, you’re likely to gasp: It’s difficult to convey just how large and impressive this sculpture is.

“Acting studios are supposed to be bare, and Zinoman, who likens this piece to the Sistine Chapel, really hopes it won’t end up behind a curtain at her conservatory. … She’s hoping a museum might wish to take it. Removing it from the wall will not be easy and will require a lot of skill and experience (and presumably money) to do properly. ‘All I want is for it to be in a place where people can see it,’ Zinoman says. ‘I think it’s a great work.’ ”

You can tell that a lot of love went into this frieze. If it does end up behind a curtain, at least it will still be available to visitors. If you know of any venue that could afford to move it and make it available to the public, please get in touch with the Studio Acting Conservatory, 202.232.0714.

More at the Washingtonian, here. Lots of great photos.

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Stuga 40 followed an inspired impulse on our way to the Swedish west coast and took a detour to a historic church that she had never visited. Off in the open countryside, the Romanesque Husaby Kyrka was beautiful and serene. We felt like we were discovering it.

I am sharing a few photos, including one showing the tombstones of Queen Estrid and King Olof Skõtkonung, who was said to have been baptized at a nearby spring in 1008 by the English missionary Sigfrid. Olof was the first Christian monarch in Sweden.

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Two women in San Francisco felt compassion for homeless people who have nowhere to go during the day. So they arranged with a local Catholic church to welcome them.

Patricia Leigh Brown wrote the story for the Christian Science Monitor series called “People Making a Difference: Ordinary People Taking Action for Extraordinary Change.”

“Tina Christopher’s day begins at 5:45 a.m. as she cleans the sidewalk in front of St. Boniface Catholic Church in the Tenderloin, the once-colorful vice district in San Francisco now better known as a province of the poor, the desperate, the addicted, and the down and out. …

” ‘All right my beautiful brothers and sisters!’ Ms. Christopher says in her always-chipper voice. ‘Good morning! Time to get up! Wakey wakey!’ Then she unlocks the church’s heavy iron gate.

“Soon, St. Boniface’s 74 backmost pews will cradle some 150 homeless people seeking ‘sacred sleep,’ the sound of snoring permeating the incense-filled room. Beneath the saints painted on the church’s glittering dome, they stretch out for nine hours of vital slumber, resting their heads on ad hoc sweatshirt and T-shirt pillows or sometimes their folded hands. For a brief moment, their faces, beatific and babylike in sleep, do not betray the nights of fearful wandering and the way concrete seeps into a person’s bones and stays there.

“Christopher is the program director of The Gubbio Project, a pioneering effort, believed to be the country’s first. … Cofounded in 2004 by the Rev. Louis Vitale, a well-known peace and human rights advocate, the program provides a place for homeless people to sleep during the daylight hours, when most shelters are closed.

The project is named after Gubbio, the Italian town where, the story goes, residents befriended a wolf after realizing the animal wasn’t dangerous, just hungry.

“The project’s guiding lights are two women who are devoted to the dignity of the people they call ‘guests.’ Laura Slattery, Gubbio’s executive director and public voice, is a West Point graduate-turned-social justice activist who wears jeans and hiking boots and exudes a sense of calm resolve, even in a crisis. Christopher is the exuberant all-hands-on-deck ground commander who knows the name of every guest and whose finely tuned antennae swiftly intuit their needs and issues. …

“At St. Boniface, Christopher writes daily notices on the whiteboard:

“Shower bus 8:30-2
“We have Blankets!
“Tomorrow – some socks.

“She is in constant motion, eyeglasses perched atop her head, dispensing cough drops, rubber bands, tampons, shaving cream, and other necessities from a converted confessional. She makes it a point to ask guests whether they’d prefer a pink toothbrush or a blue one, a black blanket or a brown one. ‘Even the simplest things are important to people who don’t have choices,’ she explains.

“Socks and other staples come from volunteers like Roberta Snyder, who has established relationships with housekeepers at nearby hotels and provides soaps, shampoos, and other items …

“[Slattery] thinks of The Gubbio Project as ‘the ministry of presence,’ one that dispels some popular myths about homeless people along the way. Quite a number of donations to Gubbio’s $350,000 annual budget, for instance, are made by guests. ‘Last week it was $42,’ Slattery says. ‘The week before it was 24. Flips the idea of panhandling on its head, right?’ ”

Click here to read about the women’s routes to their unusual calling — one through addiction, one through West Point.

Photo: Melanie Stetson Freeman/Christian Science Monitor
Tina Christopher (l.) and Laura Slattery run The Gubbio Project, which gives people experiencing homelessness in San Francisco a place to go during the day.

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OK, it’s not really a totem pole, but I was afraid the word kopjafa wouldn’t ring any bells with readers.

Today at church we dedicated a wooden pole that was carved by the minister of our sister church in Transylvania when he visited Massachusetts last year.

A translated Wikipedia entry says that, originally, two kopjafa poles were to used to carry a coffin to a cemetery. The poles were then placed at the head and foot of the mound. But according to my minister, nowadays kopjafa poles are set outside churches and, as in our case, sometimes given to a partner church.

The minister read the poem below as he spoke about our church’s connection to Transylvanians of the (almost) same religion. The subject is a little sad for what we do at Suzanne’s Mom’s Blog, but it fits with our previous discussions about the value of preserving language and customs in minority communities. (Hungarian Transylvania was handed over to Romania after World War I, and has had some challenges, starting with language challenges.)

“Leave, if you can …
“Leave, if you think,
“That somewhere, anywhere in the world beyond
“It will be easier to bear your fate.
“Leave …
“Fly like a swallow, to the south,
“Or northward, like a bird of storm,
“And from high above in the wide skies
“Search for the place
“Where you can build a nest,
“Leave, if you can.
“Leave if you hope
“Against hope that homelessness
“Is less bitter abroad than at home.
“Leave, if you think
“That out in the world
“Memory will not carve new crosses from
“Your soul, from that sensitive
“Living tree.”

Read about the poem’s author, Hungarian poet Sandor Remenyik, here.

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flowering-tree-BostonlEven though it was a bit chilly early on, the flowering trees and sunshine suggested that spring isn’t going back on us.

After church, we had a lively, chaotic Easter egg hunt and marching band with grandkids who are 1, 2, and 4 and very funny.

Then came a leisurely brunch with a beautiful fruit salad from my daughter-in-law, and new recipe for egg strata that turned out very well.

My husband and I got a little bonus time with Suzanne and Erik as the three of us tried to tire out the two-year-old in the playground before his car ride back home.

Suzanne is always up for an Easter egg hunt. In fact, Liz, her roommate, used to do the honors for her back in college. Liz sent Suzanne a text this year to make sure that everyone’s Easter was being taken care of.

Easter-at-churchdyed-eggsWhatever you celebrate, I hope you had a sunny weekend.

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If you had to guess one church in San Francisco that would be all over the idea of rooftop gardening to feed whoever needs feeding, which one would it be?

Right. Glide. I like its garden’s name: Graze the Rooftop.

“Graze the Roof is an edible, community-produced vegetable garden on the rooftop of Glide Memorial Church, a progressive church and nonprofit located in the Tenderloin district of San Francisco.

“Graze the Roof features lightweight (upcycled) raised garden beds made from milk crates; a worm composting system and an educational mural which ties the whole project together. Glide youth and volunteers from throughout the Bay Area maintain the garden and host monthly tours and workshops.”

Do you live in the San Francisco area? Looks like there are a lot of fun workshops available, such as Designing Sustainable Habitats, Introduction to Permaculture, and Urban Fruit Tree Stewardship. Read more here.

Photo: Graze the Roof

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Photograph: James Montague for The New York Times
Outside the Vakar Lajos rink, where the Hungarian name of the Romanian ice hockey team, Hoki Sport Club Csikszereda, is printed on the ice.

I don’t follow ice hockey, but a recent article on ethnic Hungarians playing for the Romanian ice hockey team caught my eye.

I already knew that a chunk of Romania is like a little Hungary because my church and a church in Transylvania (20 percent ethnic Hungarian) have a longstanding relationship. Exchanges back and forth occur nearly every year.

So in flipping past the sports section the other day, I couldn’t ignore an article by James Montague on the irony of Romania, a country that under communism repressed ethnic Hungarians, having so many of them on their national ice hockey team. A feeder team in Miercurea Ciuc, Romania, calls itself Szekely Land, after a former province of the Kingdom of Hungary.

“The Szekely Land, named for a warrior tribe that dates to the Middle Ages, is a Hungarian-dominated area of Romania, covering three counties in the center of the country. The roughly 1.2 million Hungarians represent Romania’s largest ethnic minority, about 6 percent of the country’s population. The fall of the Austro-Hungarian empire after World War I marooned millions of Hungarians in what is now Romania, Slovakia, Ukraine and Serbia. The Szekely found themselves cut off and subject to a policy of assimilation, including heavy restrictions on the use of their language, under the former communist leader Nicolae Ceausescu.”

Sometimes having so many ethnic Hungarians on the Romania team can lead to unhockeylike situations. The “anomaly reached a critical point during a 2011 game between Romania and Hungary in Miercurea Ciuc,” writes Montague. “After the game, almost all of Romania’s players joined with their opponents to sing the Hungarian anthem.

“ ‘Some of the paparazzi caught it, and it was a big scandal,’ said Attila Goga … who has played for the Romanian national team for a decade but holds dual Romanian-Hungarian citizenship. ‘It’s a little bit strange, but I can see that, too. They don’t understand our situation here.’ ” More.

My advice to autocrats: Don’t try to change people’s language. It always ends badly.

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Suzanne and Erik loved attending Glide Memorial when they lived in San Francisco. It’s a big, welcoming Gospel church. It calls itself “radically inclusive,” and having been there several times, I can attest to that.

“A radically inclusive, just and loving community mobilized to alleviate suffering and break the cycles of poverty and marginalization.”

Lots of hugging goes on. Homeless people participate, society ladies, political celebrities, gay and straight … Perhaps you saw the church in the Will Smith movie The Pursuit of Happyness, based on a true story.

Besides the extraordinary choir, which is the initial draw for many churchgoers, we liked the congregant testimonials about what Glide has meant in their lives. Some people had been through pretty dark times, and Glide had been one piece of the road out.

Today as my husband and I drove home from a visit to Providence, we put on a radio broadcast from a Unitarian Universalist church, where a friend sometimes reads the announcements on air. The minister introduced a new-to-the-church idea, which I hope works out as well in Boston as it does at Glide.

He called it My Story and gave his own spiritual story as his first example, inviting parishioners to let him know if they wanted to do the same in upcoming weeks.

If nothing else, it should help the service be more interactive. And it should let members get to know each other better, especially if they are brave enough to share their rough times, the things they don’t bring up at coffee hour.

By the way, life’s difficult passages may be well served by our favorite bit of wisdom from Glide: “A setback is just a setup for a comeback.”

How many friends and even public figures would you like to tell that to?

Photograph: http://www.firstchurchboston.org

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This is about a Unitarian Universalist minister who decided that community work was more important than having a church building.

As Donald E. Skinner writes of Ron Robinson in UU World, “The particular mission field that the Rev. Ron Robinson has claimed is one of America’s abandoned places.

“Turley, Oklahoma, a suburb of Tulsa, was a thriving place until the 1960s when white flight and the movement of oil industry jobs out of Tulsa began Turley’s long slide into economic and social decline.

“Today many houses in Turley are vacant and abandoned, some boarded up, others open to the elements and slowly falling down. Burned-out structures are nearly hidden by tall weeds and brush. The once robust main street is now down to a gas station, grocery, a pizza place that won’t deliver, self-service laundry, carwash, and a collection of auto repair and salvage businesses.

“Most younger residents have no health insurance and little health care. Most children qualify for free school lunches. Residents live, on average, fourteen fewer years than people five miles south, in midtown Tulsa. Unemployment is twice the national average.

“In the middle of this, Robinson, a Unitarian Universalist minister, has established A Third Place, a community center that includes Turley’s only library, several computers for public use, a free health clinic, food pantry, drop-in living room, and a place to get used clothing and household items.”

Read more here.

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