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Posts Tagged ‘providence’

Photo: What Cheer Flower Farm.

Today’s story shows, among other things, that if you pick a really good name, you’re halfway to your goal. Who wouldn’t be drawn to a charity with a name like What Cheer Flower Farm?

And wait till you hear what it does! Frank Carini’s ecoRI News story was originally reported in 2018.

“The place was a complete mess, but a trio of determined women was going to buy it anyway, as soon as the seller removed about 50 tattered mattresses from the dilapidated building.

“The 2.7-acre property was covered with wind-blown trash. More than a year later, the three women are still picking up broken glass. … They ripped up poison ivy by gloved hand, and brought in a tractor to help tear down the overgrowth. The empty factory with a brick facade, largely vacant since the 1990s, has no running water or electricity, is covered in graffiti, has been the victim of arson, and has been gutted of all scrap metal.

“ ‘The property was neglected for years,’ said Shelby Doggett, who, at 25, is the youngest of the three buyers.

“The women, Doggett, her mother, Marian Purviance, and Anne Holland, bought the derelict property for $525,000, so they could give away flowers.

What Cheer Flower Farm was incorporated [in October 2017] and it acquired the former site of the Colonial Knife Co., forgotten industrial land in the heart of the city’s Olneyville neighborhood, not far from Route 6, this spring.

“After the sale became final, the first two essential items the women had delivered were a port-a-potty and a truckload of compost.

“This new urban farm, at 46 Atwood St., only began its growing season two months ago. The seeds were planted late in the season because there was plenty of other work to do first. For one, the property was covered in pavement.

“Some 4,000 square feet of parking lot was torn up and transformed into an organic raised-bed ‘field’ of flowers, both perennial and annual. Purviance, the farm’s horticultural director, has years of garden cultivation and management experience.

“ ‘I worked in the fine-gardening business for a long time, and I worked for very high-end clients. A lot of them really didn’t even appreciate what it was to have a garden and how much a flower really means,’ said Purviance, 57, a 30-year resident of Providence.

‘I get so much more satisfaction out of working on this project than I did working for people who take that for granted.’

“The nonprofit flower farm with two full-time farmers — Purviance and Doggett, who as the program director also handles the administrative side of things; Holland is the communications manger — and with support from volunteers, grows organic flowers on a brownfield site.

“They give their product away to ‘people who deserve flowers but don’t have access,’ Purviance said.

“To supply those people who deserve flowers, What Cheer Flower Farm has partnered with Amos House, the Ronald McDonald House of Providence, and Meals on Wheels of Rhode Island. The women deliver bouquets and buckets of cut flowers to these institutions and other partners.

“About 90 percent of the flowers currently being grown at the farm were started from seed by Purviance in her kitchen and in a friend’s basement. The rest of the plants were donated by Green Animals Topiary Garden in Portsmouth. …

“Besides brightening people’s lives with free flowers — 1,000 have so far been donated — the nonprofit’s mission also includes reversing urban blight, creating a job training center for Rhode Island residents to help them enter the state’s $2.5 billion ‘green’ economy, and making Providence famous for urban flower farming.

“Chicken manure from Scratch Farm and horse manure from a gentleman farmer in Rehoboth, Mass., have been used to build soil. … The farm rents a meter from Providence Water, which allows it to use a fire hydrant for watering. The water is stored in donated tanks of various sizes.

“Where the dilapidated building now stands, the co-founders envision a barn, classroom space, an office, and space for lease. …

“What Cheer Flower Farm has applied for a brownfield remediation grant with the Rhode Island Department of Environmental Management. An ongoing inventory assessment didn’t find elevated levels of polychlorinated biphenyls (PCBs). The owners have worked with the National Resources Conservation Service and David Foss of Wilcox & Barton Inc., a Vermont-based environmental consulting firm.

“The property is in better toxic shape than the new owners predicted, but there’s still much work to be done. Much of that work will revolve around fundraising. As a 501(c)(3), the organization will rely on grants, donations, volunteers, and kindness. They also plan to host fee-based workshops for hobby gardeners and amateurs.”

From the farm’s website: “Our staff are busy working on growing, rescuing and giving away flowers. You can visit as a volunteer, or as an artist who wants to work outside en plain air or as a group seeking a tour. …

“What Cheer Flower Farm is a nonprofit dedicated to bringing solace, joy and healing to the people of Rhode Island via flowers as well as supporting our local floral economy via job training.

“We grow, rescue and give away 100,000 flowers per year and are on track to expand to giving away 300,000 flowers per year in the next five years. We never sell flowers – all are given away freely via our network of local nonprofits and organizations serving Rhode Islanders including hospitals, senior services, recovery centers, shelters, hospices and food pantries. …

  ” 2022 Achievements

  • “92,000 flowers grown, rescued and given away
  • “$50,000 grant won from United Way/Social Enterprise Greenhouse
  • “Relaunched Flower Festival named ‘The Best Thing to Do in RI’ by The Boston Globe.”

More at ecoRI News, here. No firewall.

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Photo: Suzanne and John’s Mom.
Snowdrops arrive in Massachusetts.

I haven’t posted photos for a while, and now I’m realizing that today’s selection goes way back to early January, when Erik’s mother was still visiting from Sweden. She showed me a garden-like cemetery in Providence where she loves to run — and where we were greeted by the largest gang of wild turkeys I have ever encountered!

I particularly liked the unique headstone below: someone must have felt OK about having a final home in this park.

The next photo shows my frosty windshield in February. But indoors at John’s house, warm floral colors were defying the frost.

Note that Suzanne’s stone wall has a light pattern on it. It comes from the sunrise over the river in Providence and through her fence. I have to be quick with the camera as the pattern disappears fast.

The tree of many eyes was also in Providence. Kind of weird and interesting.

The tiny bicycle is ready for a windy ride. The chewed-up bench at the commuter rail station suggests to me that the train is often late.

The book store with the literary squirrel in Boston is part of the indie book store resurgence I wrote about recently, here.

There was a mechanical face in the sidewalk near the park. Conducting surveillance, I suppose.

Finally, a spring treat: Meredith Fife Day’s lovely contribution to a recent exhibit at Concord Art.

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Photo: Matthew Healey/Boston Globe.
Jeremy Garcia, 22, of Providence takes a break from working on a mural at “The Avenue Concept” in Providence, Rhode Island.

Kids love contributing to community murals. I know because Suzanne and John helped paint one in our town years ago. But that mural — about local history — was bland compared with the passionate work of self-expression and healing by urban youth in Providence.

Alexa Gagosz writes at the Boston Globe, “After setting down her paint brush, Deborah Ndayisaba gazed up at the purple-colored protestors who spread across a section of a new large-scale mural on the exterior of The Avenue Concept’s headquarters.

“A senior at La Salle Academy in Providence, Ndayisaba, 17, said she had her own ‘advocacy awakening’ when the Black Lives Matter movement took off in 2020. She joined the diversity club at school, became involved in PVD World Music, which looks to celebrate and enrich traditional African music and arts, and researched how many of the racial injustices of the Civil Rights era are now still relevant today.

“The protestors, for her, are symbolic. ‘It’s unfair how racial discrimination can touch everything. And activism isn’t just marching on the streets,’ said Ndayisaba, who is applying to colleges to eventually go into the medical field where she hopes to help women of color.

“It’s those kind of personal elements that scatter this newly finished collage mural by local youth who are involved with the Nonviolence InstituteRhode Island Latino ArtsHaus of Codec, and PVD World Music — all Providence-based organizations. The effort was led by The Avenue Concept, a public arts organization, and international community-based public art organization Artolution. …

“The Avenue Concept, which is the state’s leading public art program, was founded in Providence in 2012. Since then, artists from around the world have been commissioned to paint mammoth-sized murals across downtown that are part of the city’s skyline today. …

“A few of the Concept’s most notable works address longstanding community issues, such as ‘Still Here‘ by muralist Gaia, which depicts Lynsea Montanari, a member of the Narragansett tribe and an educator at the Tomaquag Museum, as they hold a picture of Princess Red Wing, a Narragansett elder who founded the museum. In September, Boston-based artists Josie Morway painted a new mural in Warren that addresses sea level rise.

“This new project, which was completed after 10 painting days on Sept. 30, is a pilot for a larger community participation program that was identified in The Avenue Concept’s latest strategic plan. The goal of the program, Thorne explained, was to address representation, neighborhood voice, unique cultural perspectives, and community needs in their upcoming projects.

“ ‘Over the last year, we’ve really tried to listen and better understand the stories that are intersecting in our own neighborhood,’ [Yarrow Thorne, executive director and founder of The Avenue Concept] said. ‘We are looking to do more than just the giant pieces of beautiful art in downtown, but to serve the community that surrounds us.’

“Thorne said the Concept, which is based in the Upper South neighborhood of Providence, selected the four local organizations because of how their work makes an impact across a diverse set of communities. Each organization brought four to five members of their youth communities to learn, connect, co-create themes, and eventually execute the mural with the help of Artolution’s co-founder Dr. Max Frieder.

“Frieder, a Rhode Island School of Design graduate and former classmate of Thorne’s, brings public art projects around the world — including in refugee camps. Frieder said he trains refugee-artists on how they can work with kids who have been through trauma and teach them to express what’s most important to them through art.

“ ‘With this project, we brought four very different community groups together and it has been remarkable to see them come together and reflect on their similarities,’ said Frieder, who has participated in public art installations on all seven continents. …

“Each participant painted a scene in a ‘memory ball,’ which looked like a golden orb with a scene of their choice inside. Some painted themselves playing basketball, another read ‘stop drug abuse,’ and one painted themselves playing a trumpet.

“One memory ball said, ‘You only get one life. It’s your duty to live it as fully as possible.’ It’s a quote inspired by Jojo Moyes, an English journalist and novelist.

“Each participant talked about the issues they and their families face in South Providence today: their communities getting priced out as the cost of living increases. Others have faced racism and homophobia in school. Some say their family’s generational trauma has prevented their own parents from healing.

“For example, Jeremy Garcia, 22, a self-described ‘proud, Black-Latino,’ described the stereotypes of South Providence being considered an ‘urban hood’ where residents are predominantly people of color. Garcia said many of their neighbors have watched cases of police brutality, such as the killing of George Floyd, and are afraid to call the police.

“ ‘These are the people who are supposed to save us and who we should be able to turn to when we are in danger,’ Garcia said. ‘If you can’t turn to the police, where do you turn?’

“Expressing themselves ‘and letting go of their past is the only way we can can heal and move forward,’ said Cedric Huntley, the executive director of the Nonviolence Institute. ‘We need more of this — in Providence and around the world. We all focus so much on the negative, which certainly impacts all of us, but there’s more to it in these young people’s lives.’ ”

More at the Globe, here. Nice photos. For a no-firewall article on the mural “Still Here,” check the Brown University newspaper.

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Altruistic Granola

Photo: Maliss Coletta.
Afghan refugees enjoy a meal with the team at the granola nonprofit Beautiful Day RI in Providence.

In around 2015, I was writing blog posts for Anne Dombrokski at what was first called the Providence Granola Project and later Beautiful Day, a granola company with a mission to help acclimate refugees to American workplace norms and launch them into jobs. Anne died in a freak biking accident (despite a helmet) in 2016, but Beautiful Day remembers and honors her with the Granola for Good award.

Since Anne’s time, Beautiful Day has expanded its mission a little every year, and you can follow it by signing up for newsletters.

Here’s a recent example: “Since last fall when Afghans started arriving in Rhode Island, Beautiful Day has been reaching out in many ways. We contributed granola bars, hummus and messages of welcome to food baskets delivered weekly by the local food bank. We collected wool rugs to give to Afghan families to help them feel more at home. And we began welcoming Afghans into both our youth and adult job training programs. It’s critical to our mission to support the Afghan community, and we were always looking for chances to connect.

“A new opportunity arose two weeks ago when we partnered with the Refugee Dream Center (RDC) to host a group of Afghan women and their families at our kitchen. The Afghan women’s group had been meeting at RDC for several months and done a number of things together. But without access to a kitchen, they weren’t able to cook. And that’s where we could help. With our beautiful, newly renovated kitchen, we could offer the group the perfect place to cook up a storm! So we invited them to come and prepare a typical Afghan meal and share it with us in our space.

“People began arriving mid-afternoon and soon we had a crowd of over forty people, which included Afghan women, men and children as well as volunteers and staff from both Beautiful Day and RDC. The menu consisted of goat meat with vegetables over rice along with homemade Afghan bread. There was also a salad of fresh greens, picked straight from the overflowing garden boxes on our patio.

“Our time together might best be described as organized chaos. While we entertained the kids with games and puzzles on rugs spread out on our classroom floor, the adults took over the kitchen. The goat meat had to be marinated and tenderized, the dough kneaded and baked, and the rice boiled and seasoned. People broke into spontaneous groups and set to work.

“It took about three hours to prepare the meal and our space bustled with happy talk and laughter.

It’s amazing how well you can communicate even if you don’t share a common language! 

“And when the food was ready, everyone settled down on the rugs to enjoy the meal together. Afghans typically eat with their fingers sitting on rugs on the floor and we had prepared the space ahead of time. All the cooking and preparation led to hearty appetites and it was a happy, hungry crowd that enjoyed a delicious meal together. …

“As people were leaving, one Afghan woman said, ‘This felt just like home.’ It doesn’t get any better than that.”

Also in the latest Beautiful Day newsletter, we learn some good news on college scholarships.

“In July, we received a grant through the Beneficent Congregational Church Scholarship Endowments (specifically, the Lucinda Maxfield and Andrew Ferko Endowments) to provide college scholarships to our refugee youth. Three of our young people have been able to take advantage of this generous gift.

“Marvens, originally from Haiti, has a full-year scholarship to study at URI. This summer, he lived on campus as part of the Talent Development Program, an enrichment program designed to prepare first-generation college students for success. He’s now enrolled there as a freshman and will be studying computer science.

“Rama, originally from Syria, has a scholarship to Johnson & Wales University. For the fall semester, she will be enrolled in an English immersion program and next semester, she’ll attend regular classes. She hopes to complete the prerequisites needed to study neuroscience at URI.

“Our third scholarship recipient is Dahaba, originally from Eritrea and a member of a previous Refugee Youth Program cohort. She attended Holy Cross University last year and thanks to this endowment award, has started her sophomore year there debt-free. She’s majoring in mathematics.”

Other Beautiful Day news, here.

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The Michael S. Van Leesten Memorial Bridge is a footbridge crossing the Providence River. The bridge connects Providence’s Fox Point neighborhood to the city’s former Jewelry District.

Spring is coming to New England in fits and starts. I warned Stuga40 before she left Sweden to visit Providence that she might need to bring clothes for anything from balmy days to a deep freeze. She was glad to know that, as it turned out we did have both.

The day we walked with her over the Providence River pedestrian bridge (above) it was cold but warm enough to eat our lunch outside at a nearby vegan restaurant. We were dressed for it.

When the I-195 highway was rerouted, Providence had a big debate about what to put in the old Jewelry District area where land was freed up. I’m so glad the pedestrian advocates won out. The bridge is truly magnificent, a model that other cities would be well to emulate. We don’t need to enable more cars and driving. And the bridge has become a major attraction, which helps local businesses.

While our Swedish relative was at Suzanne and Erik’s house, my husband and I stayed at a rental apartment nearby in order to have more time to explore the city with her. Below are two photos from our rainy day at the Rhode Island School of Design Museum. The RISD Museum is a quirky collection of buildings featuring photogenic nooks and crannies that I like. I also liked this Georgia O’Keeffe. When I showed the photo to my 7-year-old granddaughter, she knew already that many O’Keeffe paintings are close-ups of flowers. She’d heard about the artist in school.

Stuga40 and I also walked the downtown area and chatted with the shoemaker at the new cobbler shop, recently reviewed in the Boston Globe.

The other photos are just things that caught my eye, both in Rhode Island and Massachusetts.

Note that signs of Ukraine solidarity are popping up everywhere. You might be interested in a Kyiv messaging project that Asakiyume and I (and many other volunteers) are working on. Podcast here.

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Suzanne’s mother-in-law, known on this blog as Stuga40 (see selfie below), flew from Sweden in March to hang out with family in Providence for a few weeks. She brought along her artist’s eye.

My husband and I had many nice walks with her, outdoor lunches, indoor conversations, and playtimes with grandchildren. Because of Covid, it had been three years since we’d seen her.

I wanted to share a few of Stuga40’s photos with you because I liked them so much.

Above, you see a view under the I-195 bridge over the Providence River, where a new bike trail passes. It reminded me of artists like Charles Sheeler, whose work was among those we saw on a rainy-day visit to the RISD [Rhode Island School of Design] Museum.

She also took shots of random things that intrigued her: utility-box art, a large mural, and the plant life we have all around us but don’t always notice.

When Stuga40 gets back to Sweden, I know she will continue to apply her connoisseur’s eye to the photos she takes on her walks around Stockholm. I hope to have some more to show anon.

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Photo: Genesis Center.
Culinary skills training session in Providence. The amazing Josh Riazi built the program into what it is today.

One of the two Providence agencies where I’ve been volunteering to help English teachers is the Genesis Center. In addition to providing English classes to immigrants, Genesis offers child care, many social services, and career programs. Perhaps the most renowned of its trainings is under the aegis of a gifted and highly motivated chef called Josh Riazi. I have tasted the food. It’s top of the line.

Alexa Gagosz wrote at the Boston Globe about plans for expanding the program.

“In the next few weeks, construction will be underway at the Providence Public Library. … Come 2022, a new restaurant run by the Genesis Center, known as CHOP (the Culinary Hub of Providence) will open as a hybrid retail store and workforce and economic development hub. The initiative, according to the Center’s chief executive Shannon Carroll, is a natural expansion of the Center’s longstanding culinary arts program that has been a pipeline to local restaurants for decades.

“But the key difference with this program, said Carroll, is that participants will get paid to learn and will experience a ‘real world’ environment as they develop their culinary skills. Students will have knife skills training, classes in safety and sanitation, proper use of equipment, culinary math, soft skills, and participating in food production for the CHOP commissary. Carroll said they will be able to complete their Servsafe certification and work on individualized goals related to their career and financial empowerment. …

Q: Who can become a student and how much does it cost?

“Carroll: Genesis Center (located in Providence’s West End neighborhood) serves families throughout the greater Providence area. … The training program would be no cost to the students and participants would receive an hourly wage as apprentices. This paid, on-the-job training allows us to reach students who cannot afford to spend several months on training with no income.

Q: How is the program funded?

Carroll: Our programs are funded through grants both for the buildout of the space and the training program. [Funders include Anonymous, Carter Family Foundation, Champlin Foundation, City of Providence, Egavian Foundation, Governor’s Workforce Board, Jacques Pepin Foundation, Ocean State Charities Trust, and Social Enterprise Greenhouse.]

Q: When and why did the Center decide to expand its culinary program?

Carroll: We have had many conversations over the years about expanding our culinary offerings to reflect the changes in the industry and the needs and wants of our students.

“When we toured the PPL renovations last year, before COVID, they mentioned wanting to open a cafe in the space. The location, timing, and synergy of missions between the PPL and Genesis Center just made sense to us. It was the perfect opportunity to explore taking our program to the next level.

Q: How does CHOP fit into the mission at the Genesis Center?

Carroll: Our mission is to provide the highest quality education, job training, and support services to people of diverse cultures so that they may achieve economic independence and participate fully in society.

“Many [of Genesis Center’s adult learners] hold full-time employment or multiple part-time jobs, but they struggle to support their families with very low-income levels. Most of them have children. They struggle with the same challenges faced by most low-income individuals — unstable housing, inconsistent resources for transportation, limited resources for child care and health care, and difficulty overcoming unexpected problems or emergencies. As members of racial, ethnic, cultural, and linguistic minority groups, they face additional barriers to education and employment. …

Q: How will the menu work at CHOP?

Carroll: It will reflect the diverse community we serve. We plan to incorporate feedback and recipes from our staff and students to provide lunch and to-go items to the downtown business community. … We hope it will serve as a community space to bring people together.”

More at the Globe, here, and at ConvergenceRI, here.

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Photos: Luna & Stella
Drive-in version of the dramatic production
Constellations in Providence.

A few nights ago, Suzanne attended a drive-in theatrical performance in Providence and posted photos to her Luna & Stella account on Instagram. She went “with” a friend. That is, Suzanne was in her car, and her friend was in another car. The husbands were at home babysitting.

Suzanne’s understanding from the article she had read was that the play had something to do with an illness, maybe not too far from what we are all dealing with now. She had no idea that the illness in question was the one my sister died of a year ago. All illnesses are metaphors these days.

From Susan McDonald’s special report to the Providence Journal: “Two years ago, when Josh Short assumed a role in ‘Constellations,’ it was in the black-box space of Wilbury Theatre Group, where he is artistic director, framed by walls and a ceiling, the audience an arm’s length away.

“When he next slips into the persona of Roland, half of a romantic duo grappling with love and pain against the shifting backdrop of the cosmos, there will be a limitless feeling to the stage and, hopefully, a twinkling drape of actual stars overhead.

“Wilbury and Short teamed with WaterFire Providence to bend the constraints of traditional theater environs and follow the governor’s COVID-safety directive in taking the show outdoors.

“Fueled by a grant from the state’s Take it Outside initiative, the groups offer a new take on Nick Payne’s play ‘Constellations’ through Dec. 19 [in Spanish on Dec. 18, thewilburygroup.org]. Audiences will stay in their vehicles and listen through their radios while a production crew streams multiple angles of the performance on a 40-by-30-foot screen.

“While ‘Constellations’ is staged simply without set or props, Short says the challenge in restaging it has been to maintain the intimate feel of romance. …

‘We stylized it to combine original elements because the intimacy is important. This is a love story about connections and missed connections.’

“Compelling outdoor performances are the bailiwick of Barnaby Evans, WaterFire’s artistic director, who long wanted a towering screen for outdoor movies and artistic performances. The social distancing guidelines in place during the COVID-19 pandemic provided even more impetus. …

“The screen worked well for smaller productions, but he says ‘Constellations’ called for more advanced planning and elaborate production elements, such as four cameras. …

“The story’s health crisis — the female character Marianne, played by Rachel Dulude, grapples with serious illness — also parallels COVID.

“ ‘With COVID, we really understand connections versus distance and random versus determined,’ Evans adds. ‘The context makes the play much, much richer. … Artists thrive on creative challenges, and we just make the safety of the audiences and production team front and center.’ …

“Being safe means tapping CVS for twice-weekly COVID-19 tests for the cast and production crew and working with an epidemiologist on a plan to minimize risk, Short says. The actors union demanded proof of their efforts before granting project approval.

“ ‘It took months to get their approval, and there were hoops to jump through, but you’ve got to drive forward,’ Short says.”

Driving forward. That’s another metaphor for our times.

More here.

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Photo: Library of Congress
In the early 1900s, people knew ventilation was essential to stop the spread of tuberculosis. Above, an open-air classroom in Chicago.

Now is the time we start to learn which of the many approaches to conducting school during a respiratory pandemic works best — and where. An outdoor version of school might work better in the South than the North.

Or maybe not. New England once held school outdoors, right through the winter. People in those days knew that ventilation was essential to slowing the spread of tuberculosis. The attitude to science was different then.

Dustin Waters writes at the Washington Post, “Nine schoolchildren sat at their desks wrapped in chunky layers of flannel, their feet resting on heated soapstones as the frigid New England air stung their faces. In January 1908, amid a tuberculosis epidemic, these Rhode Island students were part of a unique experiment to combat the infectious disease: America’s first open-air school. …

“In the early 1900s, it was estimated that as many as 30 percent of school-age children in Providence carried tuberculosis, a bacterial infection that often attacked the lungs. Although many of the infected children showed no outward symptoms, the infection could lie dormant for years and ultimately contribute to death in adulthood. To combat this, medical experts urged the importance of plenty of sunshine and fresh air.

“Tuberculosis specialist Mary Packard — one of the first women to graduate from the Johns Hopkins School of Medicine — wrote to the Rhode Island state medical examiner in August of 1907 to propose a plan. Along with fellow Hopkins-educated physician Ellen Stone, Packard had overseen an open-air summer camp for tubercular children. The students who attended the camp were set to return to their cramped classrooms in the city at the start of the school year. The doctors feared that any progress that had been made over the summer would be lost. They suggested the creation of a new type of classroom.

“Work soon began on an unused schoolhouse on Providence’s East Side. The large, open classroom on the second floor was painted a soft shade of green, save for the wall facing south. This was demolished and replaced with a row of large windows operated by pulleys. Despite the harsh winter temperatures, these windows remained open during class — filling the room with fresh air and sunlight. …

“The school’s pupils varied in age and grade level, but they did share a similar set of characteristics: They were all underweight, anemic and weak. For some in attendance, it was their first opportunity to participate in an actual classroom due to a lifetime of poor health. Some had recently lost parents to tuberculosis. Each child was weighed and examined by a physician after arriving to class.

Then the children would be wrapped in large flannel sacks lined with paper and cotton, many of which were donated by a local church’s sewing circle.

“Each student’s desk sat atop a movable platform that allowed for the pupils to be easily shuffled around during the day to chase the rays of direct sunlight. Students were led in breathing exercises and singing practice to strengthen their lungs. Owing to its former use as a cooking school, the classroom was outfitted with a cavernous oven that served as a source of warmth.

“News of the school quickly spread, with newspapers across the country running an identical report shortly after the school opened: ‘Little faces that were sallow and pinched a few weeks ago have a healthy flush, and children who were too tired to play are beginning to show some interest in life. All of this … is what the fresh-air school has accomplished.’ …

“Wrote historian Richard Meckel in a 1995 article in Rhode Island History. ‘Virtually all the children attending the school had gained weight and improved in general health, and even a few had been able to return to normal classrooms.’ …

“[In today’s pandemic,] members of the Providence Teachers Union are worried that some classrooms are not safe. One of the concerns, according to the Providence Journal, is ventilation and classroom windows that are unable to open.”

More at the Washington Post, here.

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jeannetteandevon

Photo: Beautiful Day
The photo above was taken before social distancing. But the nonprofit Beautiful Day has made Covid-19 adjustments like the rest of us and continues to train refugees in making delicious products.

It’s been a while since I wrote about the Rhode Island miracle called Beautiful Day (originally Providence Granola Project), and I want to update longtime blog readers while also letting newer readers know about this amazing initiative.

The nonprofit was founded in 2012 by Keith Cooper, who grew up among missionaries in foreign lands. It gives workplace training to refugees and supports itself not only by donations and grants but by selling the delicious products the trainees learn to make. I laid in a haul of my favorite granola at the beginning of the pandemic, and I must say it cheers me up every day.

On March 27, Keith wrote on his blog about the childhood that shaped him.

“I was born during a curfew. I grew up in a war zone. Over the last couple weeks I’ve been having flashback memories from my childhood. We lived in the central highlands of Vietnam, in a town called Kontum, not far from the border or Laos and Cambodia. We lived near a US military airport and compound which we always called MAC-V.

“So military conflict was part of the context for daily life. Just the way things were. My siblings and I had a bullet shell collection. My mom sometimes kept flowers in a brass mortar shell. My parents were linguists working with indigenous peoples who were in the process of being displaced by the war. There were visitors and stories, adults making decisions or talking in a certain tone of voice. There were sometimes flares and gunshots at night, the whir of Chinook and helicopter blades.

“When I was around 4 or 5 … my dad built built a cement-walled bunker under the house with steep steps going down from a wooden trapdoor. Some of my earliest memories, either real or imagined, came from that bunker.

“For some reason I remember the light down there as a beautiful emerald green. I remember a cylindrical kerosene heater with pretty blue flames. My dad had been in ROTC and part of a reserve unit, so he knew enough to make a guessing game of estimating the distance and counting down to the boom of mortars. For some reason, having a shaking boom correctly predicted for you by a voice you love counters any surge of fear….

“I know we can all feel the world getting a shaking these days. I suspect there will now be a break between a pre- and post-carona world and our pre- and post-carona lives. Yet my flashback memories remind me how significant the little things are. My mom pinning laundry. My puppy and a paper birthday hat. The bright scent of coffee blossoms or taste of ripe coffee cherries.

The fact that I remember these better than artillery booms reminds me to make room in my life these days for the small things.

“I’m painting the ceiling of my entryway a twilight blue and a woman at our local hardware store spent a half hour on the phone helping me choose the right finish. What a kind gift from a stranger. And we made a special trip to the store today for cake flour. Tomorrow my daughter and I will bake a lemon birthday cake for my sister. One of my daily joys now is going for a walk around dinner time. Never before have I seen so many apartment lights on or smelled so many wonderful things being cooked in our neighborhood. It has a completely different feel.

“Even in a great shaking there are joys.” More.

Earlier this month, Keith emailed supporters about how Beautiful Day is managing in the pandemic, which has coincided with moving into a new kitchen.

“Everything went as smoothly as could be expected given the new space, the new equipment, and the new routines. The trainees worked long hours making hundreds of [granola] bars and bags of Mochaccino Hazelnut, Ginger Muesli and Pistachio Cardamom granola. …

A big challenge has been to make sure that everyone maintains proper social distance while still having enough room to dance.

“That’s right, dance! The owners of the kitchen left us a big Bluetooth speaker along with a playlist of spirited tunes. When the trainees aren’t listening to music from their own countries, they are blasting top 40’s hits and bouncing around. The Bluetooth has been a big hit and has helped everyone stay productive and focused. Morale is high. …

“We have so much to learn from our trainees in times like these. Even in the midst of a pandemic, they remain upbeat and strong. And they are dancing.”

My past posts on Beautiful Day may be found in 2012, 2015, and 2018.

Buy something yummy for yourself or send a care package to a shut-in, here. You won’t regret it.

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I was hurrying along Walden Street on a cold and rainy Sunday, awkwardly carrying parcels and a heavy umbrella, when whom should I see but a couple of historical reenactors. So of course I had to put everything down in the damp and find my phone to take a picture. I still don’t know what the occasion was for the guys above or who they were supposed to be, but this sort of thing happens all the time where I live.

Here are a few more photos, going back to October.

First, I wanted to show you the finished mural by Shepard Fairey in Providence. I posted the work in progress here. The sign by RISD Coworks is just one example of the welcome that Providence and the Rhode Island School of Design give to artists in general.

And speaking of RISD, my husband and I took my sister’s husband to the RISD art museum at Thanksgiving, and he loved it. I took pictures of some art I liked below, but I also want to tell you about an auditory installation that meant a lot to us.

In one room, a museum guard pointed out a circle of chairs on a dais and an old-fashioned microphone. You could vaguely hear a tape of voices looping softly in the background. The guard said that one could speak into the microphone and in a few seconds, one could hear the words projected and amplified. I stepped up and said to my sister, who died in September, “Hey, Nell, wherever you are. We’re thinking of you.”

The effect of hearing those words resonate around the room a moment later was spectral, indescribable. We felt we were communicating.

I close with the ruined wall in Providence that features a constantly changing array of artworks. And then one of my shadow pictures, this one taken in late afternoon in the local cemetery.

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Photo: The Providence Journal / David DelPoio
Refugee campers line up for lunch beneath a portrait of George Washington at Camp RYSE in Providence. The camp is specifically targeted to cater to refugee children.

I work with refugees and other immigrants as a volunteer in Providence, and I thought I knew about most of the refugee initiatives there. Then along came a Providence Journal article about a summer camp for refugee kids that reminded me I am still learning.

Kevin G Andrade reports, “If you sit down with Jetu Neema in the Highland Charter School cafeteria this summer, you are likely to get a quick and enthusiastic Swahili lesson.

” ‘Jena laka nani? [What is your name?]’ she asked the Journal reporter at Camp RYSE Tuesday afternoon, before teaching him how to respond. ‘Jena langu nina etwa … [My name is…]’

“Though energetic and friendly, as children tend to be, those at RYSE — an acronym for Refugee Youth Solidarity through Education — all have one thing in common. They are refugees from war, disaster or dictatorship all over the world. …

“Tanzania — which has had a relatively stable government compared with those of its neighbors such as Mozambique, Burundi, Uganda, Rwanda and the Democratic Republic of the Congo — has hosted many refugees over the years according to Bienfait Jaigado, a 14-year-old junior camp counselor whose family came to the U.S. after escaping unrest in Burundi about 5 years ago.

” ‘I was little, I did not know why we were coming,’ Jaigado said, a common story among campers who knew only that they and their parents had to leave their homes. … ‘I was getting bullied a lot in school [when I immigrated] because of my skin color and … basically because I was new and did not know the language.’ …

“Jaigado said that when he came to the camp as a camper, it was a cathartic experience that made him want to give other refugee children the same opportunity.

‘All I know from my first days in camp is that I felt welcome,’ he said. ‘In camp, people were respectful of my race and my traditions.’ …

“Beginning in 2011 as the Brown Refugee Youth Tutoring Initiative, the RYSE program’s mission is two-fold, to provide a safe space for refugee children and to catch them up on education they may have missed out on due to the chaos of life. …

“The camp includes classes in the mornings that focus on improving literacy and mathematics skills to prepare the students for entering the next grade level. Yet the courses also make sure to incorporate folklore and history from the dozens of languages, cultures, and nations represented there. …

“RYSE also concentrated on hiring support staff from the communities where the children live to offer additional support to the campers and their families.

” ‘We work with translators from the community,’ said Donia Torabian, the camp’s director of family and community outreach. ‘We try to hire drivers from the community … It is exhausting, but it is work that fills your soul.’ ”

More here.

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What is so rare as a day in June? I wish I could capture it all. With photos, one can express delight in terms of light and shadow, but how to convey the way the air feels and the breeze? Or the effect of wraparound birdsong, the smell of white pine and hemlock, warm pavement, and the spicy fragrance of verbena and lilac. So different from even a month ago.

A really fun thing that happens around here in June is the Arlington Porchfest, in which a changing array of local bands perform on residents’ front steps. Above you see the versatile Will McMillan wearing one of his many musical hats. This particular hat is as leader of a pickup ukulele band that meets every week at the library. Wonderful old-time songs. People of all ages singing along under the shade of the trees.

You can see I’m also loving the peonies of June, the poppies, the rhododendrons, and the last of the azaleas. By the way, what is that fuzzy blue star in our yard? We have it such a short time, and it always makes me smile.

The Pink Lady Slippers, one step away from endangered, collect in small groupings in the conservation woodlands. I’m always thrilled to see them as I know they require very special growing conditions and are becoming increasingly rare.

The wonderful mural of wings is in an area sometimes called Upper South Providence, near Classical High School. The colorful art really cheers things up in that neighborhood.

And speaking of art, Concord Art has an excellent retrospective on the oeuvre of Susan Maxfield, who died last month. She worked in an impressive array of media. I especially loved her peonies and teasels, but the only photo I took was of the chair with the amusing title, “Benjamin Moore Sample Paint Colors Peony Chair, 2017.”

And I shot the museum’s stairwell with its the peony arrangement at the bottom.

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The quirky Frog & Toad shop on Hope Street carries a variety of these funny metal creatures. This lobster on ice is an especially good one for New England.

Most weeks when I am in Providence, I volunteer at Dorcas International Tuesday morning and at the Genesis Center Tuesday afternoon. Last week, because Dorcas was doing its standardized testing, I had the morning off and decided to stop in at the Swedish-themed shop called Café Choklad and then at the nearby Rhode Island School of Design Museum. Here are a few photos of that morning and another day of Providence wandering.

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I lifted this from Beautiful Day, an organization I’d like you know about if you don’t already.

Founder Keith Cooper writes, “A couple months ago a guy named Scott Axtmann brought a great group of interns from his church (Renaissance) to visit our kitchen facility at Amos House. We did the things we usually do — greeted the trainees, chatted with our chef and other staff, then sat out in the dining hall to talk more about mission and share thoughts about resettlement, the job market, and being a part of positive change in our city.

“This is an aside — but if you live in driving distance of Providence and are interested in our work, you should stop by for this kind of tour. Plan to come after 5 on Tuesday, Wednesday or Thursday. If possible give us a couple weeks warning. A tour doesn’t take long, but seeing something with your own eyes usually takes the strangeness out of it. I know we are intense and painstaking about the way we make granola, but making granola is still not rocket-science. Neither is job training. What I always find mysterious in our kitchen (though I know we’ve also been painstaking about creating this atmosphere too) is the laughter shared by a group of trainees and staff who don’t even share a language. This is always the thing that reassures me that we are doing something right. But please take this as an open invitation. These tours are part of our mission to connect more people with refugees. Our organization may lack a lot of things, but we’re rich in relationships with former refugees and would love to share our wealth with you.

“Anyway, during that tour Scott challenged me in the style some faith leaders have perfected—encouragement that leads to self discovery. In this case, he created space for me to say something I hadn’t intended to say. The gist went something like this:

Scott (to the interns): Keith writes a [something flattering here] blog for Beautiful Day about immigration and refugee resettlement.

Me (grimacing): Oh thanks Scott. Actually I’ve hardly been writing anything this year.

Scott: Really? Why not? You should be. [Then, to the interns, some thoughts about how critical it is for people of faith to welcome refugees and what a privilege it is. Scott has a contagious enthusiasm about our city that I love.]

Me: Honestly, I feel like I’ve lost my voice over this last year. I’m really struggling with it.

Scott: You had better get it back.

“Then suddenly we all had to go.

“That was back in July and I’ve been chewing on this ever since. I’m pretty sure I intended to answer his question by complaining about how busy I am, how many hats I need to wear. These things are true and I say them all the time. Saying I lost my voice instead provoked me to think about what’s happening to or in me. Beautiful Day works with marginalized people who, for the most part, are hidden and voiceless — most obviously because they don’t speak English and don’t yet understand much about American culture, but also because they’ve had experiences of being chased away, silenced, discarded, warehoused. We live in a country that has welcomed them, yet is also growing more ambivalent and sometimes openly hostile to them. I believe we all have something critical to learn from these voices.

“So how can I possibly advocate for voiceless people if I don’t have a voice myself?

“And another thought: isn’t saying I’m voiceless another way of saying I’m afraid. What am I afraid of?

“But, okay, Scott. Thank you both for the compliment and the invitation to think. Here’s my idea. I’ll try to start writing more often. I know I need to do this right now if only because we are heading into the holiday season when we hope (need!) to sell about 75,000 dollars of granola in 3 months. These sales are vital to our training program, so I need to be connecting and resonating with our customers.

“(And, a sideways invitation here: as part of this sales initiative, we are currently launching efforts to increase traffic to our website. Part of what helps attract traffic is interaction, so if you appreciate anything in this blog and what Beautiful Day is doing, please speak up and comment either here or on our Facebook or Instagram feeds. It’s okay if you disagree as a long as you’re not trolling. A voice isn’t very real until it’s in dialogue.)

“Along the way, maybe I can try to figure this out by writing it out. I know one of my fears is that I just can’t write an Inc-style business post where I try to play the confident hipster entrepreneur and wax eloquent on how great our product is, how well we are doing, how hard we work, and which fancy apps we use. Something about who I am and about working with voiceless people makes that impossible. Nor can I promise that it will be consistent or coherent or polished. It will need to just come out of what’s in my head at that moment with what time I’ve got available. But I’ll give it a try. Maybe I’ll rely on some of the internet’s favorite formats like top 10 lists. But I’ll try to let it be a real voice. I suspect I’m not the only one trying to retrieve theirs these days.”

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