Photo: Matthew Healey/Boston Globe.
Jeremy Garcia, 22, of Providence takes a break from working on a mural at “The Avenue Concept” in Providence, Rhode Island.
Kids love contributing to community murals. I know because Suzanne and John helped paint one in our town years ago. But that mural — about local history — was bland compared with the passionate work of self-expression and healing by urban youth in Providence.
Alexa Gagosz writes at the Boston Globe, “After setting down her paint brush, Deborah Ndayisaba gazed up at the purple-colored protestors who spread across a section of a new large-scale mural on the exterior of The Avenue Concept’s headquarters.
“A senior at La Salle Academy in Providence, Ndayisaba, 17, said she had her own ‘advocacy awakening’ when the Black Lives Matter movement took off in 2020. She joined the diversity club at school, became involved in PVD World Music, which looks to celebrate and enrich traditional African music and arts, and researched how many of the racial injustices of the Civil Rights era are now still relevant today.
“The protestors, for her, are symbolic. ‘It’s unfair how racial discrimination can touch everything. And activism isn’t just marching on the streets,’ said Ndayisaba, who is applying to colleges to eventually go into the medical field where she hopes to help women of color.
“It’s those kind of personal elements that scatter this newly finished collage mural by local youth who are involved with the Nonviolence Institute, Rhode Island Latino Arts, Haus of Codec, and PVD World Music — all Providence-based organizations. The effort was led by The Avenue Concept, a public arts organization, and international community-based public art organization Artolution. …
“The Avenue Concept, which is the state’s leading public art program, was founded in Providence in 2012. Since then, artists from around the world have been commissioned to paint mammoth-sized murals across downtown that are part of the city’s skyline today. …
“A few of the Concept’s most notable works address longstanding community issues, such as ‘Still Here‘ by muralist Gaia, which depicts Lynsea Montanari, a member of the Narragansett tribe and an educator at the Tomaquag Museum, as they hold a picture of Princess Red Wing, a Narragansett elder who founded the museum. In September, Boston-based artists Josie Morway painted a new mural in Warren that addresses sea level rise.
“This new project, which was completed after 10 painting days on Sept. 30, is a pilot for a larger community participation program that was identified in The Avenue Concept’s latest strategic plan. The goal of the program, Thorne explained, was to address representation, neighborhood voice, unique cultural perspectives, and community needs in their upcoming projects.
“ ‘Over the last year, we’ve really tried to listen and better understand the stories that are intersecting in our own neighborhood,’ [Yarrow Thorne, executive director and founder of The Avenue Concept] said. ‘We are looking to do more than just the giant pieces of beautiful art in downtown, but to serve the community that surrounds us.’
“Thorne said the Concept, which is based in the Upper South neighborhood of Providence, selected the four local organizations because of how their work makes an impact across a diverse set of communities. Each organization brought four to five members of their youth communities to learn, connect, co-create themes, and eventually execute the mural with the help of Artolution’s co-founder Dr. Max Frieder.
“Frieder, a Rhode Island School of Design graduate and former classmate of Thorne’s, brings public art projects around the world — including in refugee camps. Frieder said he trains refugee-artists on how they can work with kids who have been through trauma and teach them to express what’s most important to them through art.
“ ‘With this project, we brought four very different community groups together and it has been remarkable to see them come together and reflect on their similarities,’ said Frieder, who has participated in public art installations on all seven continents. …
“Each participant painted a scene in a ‘memory ball,’ which looked like a golden orb with a scene of their choice inside. Some painted themselves playing basketball, another read ‘stop drug abuse,’ and one painted themselves playing a trumpet.
“One memory ball said, ‘You only get one life. It’s your duty to live it as fully as possible.’ It’s a quote inspired by Jojo Moyes, an English journalist and novelist.
“Each participant talked about the issues they and their families face in South Providence today: their communities getting priced out as the cost of living increases. Others have faced racism and homophobia in school. Some say their family’s generational trauma has prevented their own parents from healing.
“For example, Jeremy Garcia, 22, a self-described ‘proud, Black-Latino,’ described the stereotypes of South Providence being considered an ‘urban hood’ where residents are predominantly people of color. Garcia said many of their neighbors have watched cases of police brutality, such as the killing of George Floyd, and are afraid to call the police.
“ ‘These are the people who are supposed to save us and who we should be able to turn to when we are in danger,’ Garcia said. ‘If you can’t turn to the police, where do you turn?’
“Expressing themselves ‘and letting go of their past is the only way we can can heal and move forward,’ said Cedric Huntley, the executive director of the Nonviolence Institute. ‘We need more of this — in Providence and around the world. We all focus so much on the negative, which certainly impacts all of us, but there’s more to it in these young people’s lives.’ ”
More at the Globe, here. Nice photos. For a no-firewall article on the mural “Still Here,” check the Brown University newspaper.
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