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My friend Di, who is a trustee of our library, caught me going into the building Monday and said she had put a new bench in the Large Print section and asked me to let her know what I thought of it. Little did she know what a kindness I think benches are!

Sydney Page at the Washington Post reports on a kind man who was moved to make a bench for a weary bus rider he’d seen — and was then moved to make another bench and another.

“James Warren rides the public bus a lot in his hometown of Denver. Ever since he went car-free in 2017, he uses buses to get around if he can’t get to his destination on foot or bike. Many of the bus stops, he began to notice, lack seating for riders as they wait.

Then in January, Warren spotted a woman waiting for a bus along a busy road. There was no seating at the stop — and no sidewalk — so she sat in the dirt.

“ ‘For people to have to sit in the dirt while they’re waiting for a bus is just undignified,’ said Warren, 28, who works as a consultant for the Colorado Workforce Development Council. He wanted to do something about it. He decided to build a bench.

“ ‘I just took some scrap wood and went to town,’ Warren said, adding that he hoped this woman — and others seeking a seat — would not need to rest in the dirt again.

“He then realized that one bench was far from enough. There are more than 9,000 Regional Transportation District (RTD) bus stops in the Denver metro area, many of them without seating or shelter.

“Warren decided to contribute what he could. Perhaps, he thought, his homemade bench initiative might get the attention of transit or city officials who would see the need for better bus stops. …

“Since building his first bench in January, he has crafted seven more and placed them at bus stops around Denver — each made from scrap wood he finds in construction dumpsters. As far as design goes, ‘I mostly just wing it,’ Warren said.

“The benches take about three hours to build, and Warren inscribes ‘Be Kind’ on each one — either using a stencil or a wood-burning tool. …

“For Warren, what is most rewarding about his project is knowing his benches are being put to use.

” ‘I get a little giddy when I see someone using a bench,’ he said. ‘They are so thankful. … I met some ladies the other day who were talking about how they used the benches every single day,’ Warren added. ‘It fills me up. It’s air in my tires.’

“Although some of the benches have been vandalized or stolen, Warren said it doesn’t dampen his desire to make them. … ‘It’s not going to stop me,’ he said. ‘I’ll keep doing it. For every bench they steal, I’ll put out two more.’

“Warren said many people have hopped on his bench-making bandwagon, which has motivated him to build more. …

“Aleks Haugom, 32, heard what Warren was doing and was eager to join the effort. They spent an afternoon together building a bench.

“ ‘He showed me how he does it. It’s a pretty simple design, but it seems to work well,’ Haugom said. … ‘This guy has motivation [and not] just a normal amount, huge amounts of motivation. I have never seen anyone quite as motivated as James is to do these things. Hopefully it rubs off on me.’

“Others saw Warren’s work in the local news and decided to take out their tools, too. People also started donating supplies.

“ ‘That puts me over the moon,’ Warren said. ‘That’s the idea. Let’s just all help our neighbors.’ ”

More at the Post, here.

Photo: Suzanne and John’s Mom.
A public bench is a kindness.

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Photo: Vail Lawn Chair Team.
Precision lawn-chair team in Vail, Colorado. It takes commitment to pull off something so unserious this well.

Never doubt the ability of the human brain to amuse itself.

In Vail, Colorado, there’s a group of guys who work long hours to perfect their moves for the next lawn-chair precision-marching event. Randy Wyrick wrote about this unusual group at the Vail Daily.

“Nine guys launched Vail’s Precision Lawn Chair Demonstration 35 years ago. …

“Lawn chair pioneer Richard Carnes said [that] they debuted in Vail’s 1984 July Fourth parade. The crowd went wild, especially when the chair men lobbed water balloons at the crowd and one splashed former President Gerald Ford. …

“One thing led to another, as things often do, and they landed all sorts of gigs. No one had ever seen anything like them. We still haven’t.

“There was a Heath candy bar commercial, multiple performances nationwide for conventions and other special events like NBA halftime shows and even a few NFL and MLB events.

“For the uninitiated, the Vail Precision Lawn Chair Demonstration Team is a bunch of guys and several Banner Babes in Hawaiian attire, shorts and sunglasses and, for [the 2019] Vail America Days parade, 10th Mountain Division baseball caps. Their performance is sort of like a military drill, except they use lawn chairs instead of rifles. …

“Participation faltered a bit in the early 1990’s, but resurrection was close at hand. They represented Colorado in Washington, D.C. for President Bill Clinton’s 1993 Presidential Inauguration. …

“It was 9 a.m. January 20, 1993 and the local chair men owned Pennsylvania Avenue, an eight-lane thoroughfare lined with tens of thousands of spectators, held back by hundreds of D.C’s finest. …

“Maybe it was the buffed aluminum, or the intricate nylon webbing with the strategically placed finger-hole in the back. Or maybe it was their new Hawaiian shirts, sometimes-sponsored shorts, sunglasses and sporadically matching shoes.

“No one knows for sure, but minor TV commercials with major ski resorts led to TV interviews with the likes of Erma Bombeck and Bob Beattie, all leading to the pinnacle of TV fame — a Miller Lite ‘Tastes Great/Less Filling’ commercial.

“They ‘suffered’ through four days of shooting on the beach around the Santa Monica pier, surrounded by bikini-clad women. That’s what it takes to create greatness, and film a 30-second commercial.

“The D.C. Elite decided if the chair men were good enough for Bubba, they were good enough for Bush.

“ ‘For whatever reason, and trust me when I say many were searching for them, we were invited back to Washington D.C. to do it all over again, this time for George Bush’s Inaugural Parade in 2001,’ Carnes said.

“They appeared live on ‘Good Morning America’ with Tony Perkins, followed by a humorous discussion with Charles Gibson and Diane Sawyer. Taped appearances went national. …

“Seventeen radio shows beamed them around the globe from Eugene, Oregon, to Boca Raton, Florida, and all the way to the BBC in London. In fact, three separate divisions within the BBC did three separate interviews; all transmitted live throughout Western Europe.

“They don’t make as many personal appearances as they used to. Some of the original nine — Craig Campbell, Gary Pesso, Will Lewis, Kirk Kennedy, Nick Svoboda, Brian Heslerlee, Jeff Atencio, Gary Howe and Carnes — have passed the torch, and the chairs, to their children.

“ ‘The Vail Fourth of July parade is an annual rite of passage, for the crowds of course, but also for team members and now even their children,’ Carnes said.”

More at the Vail Daily, here. Or watch them perform in the television interview below.

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Photo: AP.
Housing barracks at the Amache internment center near Granada, Colorado, where Japanese Americans were relocated during World War II, June 21, 1943.

Many Americans today are unaware that the country actually set up concentration camps for Japanese Americans in WWII. We weren’t gassing people, but what we did was pretty dark. In today’s story, we learn how a school near one camp decided that facing that dark history was important for healing.

Sarah Matusek reports at the Christian Science Monitor, “The wind sings a wordless song across the Colorado plains, making acres sway. Out of the brush rise concrete remains of a camp that imprisoned over 10,000 people.

“Carlene Tanigoshi Tinker, a toddler during World War II, lived at this Japanese American internment camp, called Amache. She sat atop her father’s shoulders with a scarf around her face – a shield against wind-whipped sand – as they lined up outside for food. Her parents were United States citizens.

“After their release, stigma followed her to Denver, she says, where kids would pelt her with rocks after school. For the rest of her childhood, Amache was ‘a topic that we never discussed,’ remembers Ms. Tinker, a retired biology teacher living in California. …

“[In March], President Joe Biden designated Amache as a national park, but for some it was, in essence, already serving as one. For years, camp survivors and descendants have visited the site that once confined their families, welcomed by a local educator in the nearby town of Granada.

“Over almost 30 years, John Hopper, dean of students at Granada School District RE-1, and hundreds of his pupils have helped preserve the rural site and run a museum in Granada. Their sense of civic responsibility has built bonds across cultures and generations, transcending a dark chapter of American history.

“ ‘It’s taught me a lot about empathy,’ says Bailey Hernandez, a junior. ‘You start to think, well, how would I have reacted if my family was forced into one of these camps?’

“One of his predecessors toured Ms. Tinker around Amache in 2004, her first trip back. She remembers feeling uplifted.

“ ‘These kids are really, really amazing to be so dedicated,’ says Ms. Tinker. ‘They know how important it is and they want to preserve this story.’ 

“Two months after the December 1941 Japanese attack on Pearl Harbor, Franklin Roosevelt signed Executive Order 9066. That led to the forced removal of more than 100,000 people of Japanese ancestry from their homes into internment camps. …

“Amache mostly held American citizens – who were seen as potential enemies and subjected to loyalty questionnaires.

In spite of these conditions, internees beautified their arid captivity by planting trees and gardens, even creating a pond.

“The U.S. government under Ronald Reagan formally apologized in 1988; reparations checks followed. And now with [the] signing of the Amache National Historic Site Act, oversight of the property will transition to the National Park Service. …

“Despite being recognized for his work – including praise from the consul general of Japan in Denver – Mr. Hopper says he prefers to ‘be on the sidelines’ and center his students.

“ ‘It is a heavy, heavy topic, especially when you talk about civil liberties,’ he says. ‘But that’s part of my job I enjoy talking about – needs to be talked about.’

“Mr. Hopper, who does not have Japanese ancestry, first visited Amache as a new Granada high school social studies teacher in 1990. …

“In 1993, some ‘really bright and willing students’ wanted to pursue an Amache project and began interviewing a survivor whom Mr. Hopper’s family knew. That year the teacher established the nonprofit Amache Preservation Society (APS). What began as extracurricular activities eventually formalized into a class. Collaboration with survivors, descendants, and the town, and partnership with groups like the Amache Club and Amache Historical Society, have been key to building trust.

“Over the years, students have divided their time between physical preservation of the site – mowing or renovating a cemetery or other landmarks – and interpretive efforts. APS students present to other schools and groups, and help keep up the Amache Museum, where they double as docents. …

“When Mr. Hopper retires, he plans to pass the mantle of APS leadership to social studies teacher Tanner Grasmick, who joined APS as a high schooler.  The teacher credits his experience as one of Mr. Hopper’s students as the reason he became an educator himself. 

“ ‘You hear what they had to go through, the adversities that they had to face, and for them to come back and just be so grateful [for the preservation efforts] … it’s amazing,’ says Mr. Grasmick.”

More at the Monitor, here.

Be sure to check out Alden Hayashi’s novel Two Nails, One Love, which includes a vivid description of his mother’s experience as an American of Japanese descent during WWII.

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Photo: Sarah Matusek/
The Christian Science Monitor.
The Animas View MHP Co-op in Durango, Colorado, sits above the Durango and Silverton Narrow Gauge Railroad. It is one of six resident-owned manufactured housing communities in Colorado.

In the world of affordable housing, the trailer park traditionally got no respect. Until now. When residents cooperatively buy the land under them, self-esteem is one of the many benefits.

Sarah Matusek writes at the Christian Science Monitor, “One sunny, cold morning last January, John Egan joined fellow mobile home park residents on a neighbor’s front porch. They needed to organize. But how? 

“ ‘I had to go to the restroom, and when I came back from the restroom, they said, “Hi! You’re president!” ‘ recalls Mr. Egan.

“The half-dozen folks had convened to think through how to buy their Durango, Colorado, park from the private landlord – a move Mr. Egan and others deemed a shot in the dark. But now they at least had a president for what would become an interim board. With guidance from a housing nonprofit and majority support from the community, residents succeeded in purchasing the roughly 15-acre property within five months. They celebrated with a picnic, as the new Animas View MHP Co-op joined some thousand other resident-owned communities countrywide. …

“The resident-owned market constitutes just 2.4% of manufactured housing communities nationwide. Bolstering the health and longevity of mobile home parks is important as they are a critical source of affordable housing, say industry experts. Recent legislation in Colorado offers some provisions for communities like Animas View that hope to secure their future by governing themselves.

‘Everybody sleeps better at night,’ says Steve Boardman, here for 20 years, as he takes out his recycling. ‘We’re in control.’

“River, mountains, grasses bleached blonde in autumn – the Durango mobile homes have a million-dollar view. Largely immobile and costly to move, these factory-built units have been commonly called ‘manufactured homes’ since 1976. They house an estimated 18 million to 22 million people in the United States. …

“The median annual household income of these homeowners – $35,000 – is half that of site-built homeowners, according to Fannie Mae. Manufactured housing fills 6.3% of U.S. housing stock, with more than double that share in rural areas.

“Many residents own their homes but not the underlying land, for which they pay ‘lot rent.’ That model can spur financial precarity: These homeowners are ‘more likely to see their homes depreciate and have fewer protections if they fall behind on payments,’ reports the Consumer Financial Protection Bureau

“Media reports have increasingly shed light on private-sector purchases of these parks that often result in rent increases, which housing advocates deem predatory. 

“Mobile home park investor Frank Rolfe counters: ‘When we buy these properties, they’re often in terrible condition, and [we] bring them back to life. … You can’t bring old properties back to life without raising rents.’

“Mr. Rolfe estimates that he and a partner are the fifth largest owners of U.S. mobile home parks. ‘There is this conception I think out there that park owners are in some way hostile to residents buying their own communities, and that is completely off base,’ says Mr. Rolfe, co-founder of Colorado-based Mobile Home University, which trains investors to purchase parks. Three parks he co-owned have been sold to residents.

“Mr. Egan and his wife, Cate Smock, bought their trailer here in 2012 – an affordable move to Durango so their son could attend a better school. But afterward, they saw their lot rent, which includes utilities, increase annually, if not twice a year. … Animas View residents also complained of the previous owner’s lack of attention to their needs and delayed repairs.

“Shortly before Christmas 2020, residents learned that the latest landlord, Strive Communities, intended to sell. Residents began to organize almost immediately. …

“ ‘We don’t tell people that it’s easy’ to become resident-owned, says Mike Bullard, communications and marketing manager for ROC USA, a New Hampshire nonprofit that, along with its affiliates, reports having helped nearly 300 manufactured housing communities become resident-owned. (ROC stands for resident-owned communities.) …

“In Colorado, the network affiliate Thistle ROC helped the Durango cooperative patch together funding for their purchase. But to afford the financing, the co-op increased lot rent by $80 this fall (rent ranges between $755 and $825). While the uptick may seem counterintuitive, it’s not uncommon, says Mr. Bullard. 

“ ‘These groups are buying not just the real estate, but the business,’ he says, adding that lot rent for new resident-owned communities will typically drop down to market rate or below within five years. …

“ ‘One of the first things that we decided when we met as a board was that we would not allow anybody to be forced out of the park because of an inability to pay the rent,’ says former board president Mr. Egan. …

“To ensure folks can afford to stay, the community is developing a rental assistance fund. In addition to seeking outside funding, some residents plan to donate spare dollars themselves.”

More at the Monitor, here. By the way, this all started with New Hampshire’s Community Loan Development Fund, here. I published several articles from them when I worked at the Boston Fed.

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Photo: Anslee Wolfe/ Colorado Springs School
Sophomore Haegan Malone works on composing music for the radio play with junior Finnegan Thompson in the background of the sound booth at Colorado Springs School.

Pandemic adaptations have led to many changes we may want to keep. Which isn’t to say I’m not desperate for my turn at the vaccine and more quality time with grandchildren. But I’m grateful for some of the online things that have become part of our lives. Here’s a story about renewed appreciation of the radio play.

Ali Budner writes at Colorado Public Radio (CPR), “One of the casualties of the coronavirus has been the traditional school play. You know, the kind with a stage and a live, in-person audience. But instead of giving it up altogether, some drama teachers have re-imagined the annual student performance.  

“At the Colorado Springs School, a private K-12 college prep school, the fall production morphed into a radio drama. ‘Trap’ is a meta mystery thriller about a school play gone awry and set (somewhat ironically for the circumstances) inside a high school auditorium. 

“When theater director Jonathan Andujar realized the show couldn’t happen in person on a normal stage, his mind spun through other options.

“Could they perform outside? No, too cold. Could they film it? No, too much equipment, and besides, filming on location became impossible when the school went virtual. 

“When he finally landed on the idea of a radio play, Andujar said it felt like an ‘aha’ moment. … He had originally chosen the play because he loves sci-fi and mysteries. However, more than anything he loves a good plot twist. And real life in 2020 has been full of its own plot twists. …

‘A radio drama as its own art form is super exciting because the play lives in a complete world of sound,’ Andujar said. ‘You can be in point A and point B and point C instantaneously. And you don’t have to worry about the set.’

“He did, however, have to worry about how he’d create characters, scenes and plot using sound alone. And that’s where sophomore student Haegen Malone came in. 

“Malone voice-acted several characters in the play. He also helped out with the sound effects like doors opening and footsteps on stairs. And he composed original music for the scenes. Malone refers to himself as a house musician and makes tracks at home on his computer all the time.

“But this was his first time scoring a radio drama. And he happily took on the challenge. …

“Andujar had students’ record their lines straight into their computers or iPhones at home and send them in to be woven into a final mix. 

“ ‘We live in a wondrous age of technology with a bunch of teenagers and they all definitely had a phone,’ he said. ‘So that was super handy.’

“Recording her lines into a phone, and acting without costumes, sets, or props was all new and a little overwhelming for senior Whitney Richardi. Even without a stage to rehearse on, she found ways to develop her character’s persona. She plays a few characters, including a detective. 

“ ‘I found myself pacing around my room or using my hands to express something,’ she said. … ‘You really have to concentrate on how you use different pitches and tones to convey to the audience what the scene is about. And that takes a lot of focus. …

” ‘I’m very extroverted, but the voice portion taught me a lot about just how I can utilize that to best portray my character.’

“Her fingers are crossed that she’ll get to transfer those skills into a role in the spring musical. It’s her senior year, so these are her last high school plays. 

“It’s been bittersweet not to be able to rehearse and perform in person with her castmates, but she’s grateful there was something to do. …

“ ‘I think one of the best parts about theater for me is just being able to go in every day and hang out with my friends, you know, in between scenes or after rehearsal. So it was definitely different. You didn’t get that, you know, physical face-to-face social time.’ …

“Andujar encouraged the students to let their guards down during virtual rehearsals because he knew it could be hard to build that rapport from afar. 

“ ‘I try to make it very clear,’ he said. ‘We can be silly. Let’s do these crazy voices.’ …

“ ‘When I found out that we were going into lockdown, I was just like, Oh my gosh, I didn’t know if I was able to get through it,’ [Malone] said. ‘But when I found out I could get a part in the new upcoming radio play, I thought this is like a perfect opportunity. It just made everything feel like so much more possible.’ ”

More here.

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Photo: Shanna Lewis for KRCC
Muralist Valrie Eisemann is among the first four artists to work on the new levee wall in Pueblo, Colorado. She’s creating a mandala, KRCC reports.

Last month, I pondered the challenges presented over time by public art in the form of statues of historical figures. In the past, art that could last through the ages — Michelangelo’s “David,” for example, and the stone lions on the Greek island of Delos — was highly valued. Even painted frescoes were made to last, with pigments worked into plaster.

Nowadays, murals on buildings are proliferating, and I’m thinking that transitory art like that is a good idea. It’s OK for them to be painted over, worn out, or recreated with a new vision.

Today’s story is about a group of artists in Colorado doing just that.

Shanna Lewis reports for KRCC, “Bright colors have blossomed once again on the concrete face of Pueblo’s Arkansas River levee. Paintings are going up in an effort to reclaim a lost public art space and the title of the world’s largest outdoor mural.

“Muralist Valrie Eisemann of LaVeta is among the first of four artists to work on the new levee wall. Using paint donated by a local recycling company, as well as some that she bought herself, she’s creating a colorful mandala. …

“Muralists have to rope up for safety to work on the steeply sloped concrete. But that isn’t slowing any of them down.

“Each artist will bring their own unique vision and ideas to the project. Celeste Velazquez of Pueblo said her imagery is of a native woman that references the Azteca community, as well as Toltec and Olmec cultures.

“ ‘She’s going to have like four arms, almost like a shaman and there’s going to be the spirit Quetzalcoatl in the back of her in her native tent,’ Velazquez said.

“Puebloan Thomas Garbiso’s piece is a mountain view along I-70. … Aurora artist Kalyn Connolly’s design is of a deer with Colorado flora and fauna on its antlers, including columbines, crows and white butterflies.

“All the artists are excited to be among the first brush paint on the levee since construction to repair it started six years ago. … According to [artist and levee mural coordinator Cynthia Ramu], since the 1970s, hundreds of people helped create the murals that once lined the levee.

“ ‘Eventually, it became like a storybook for a lot of people,’ Ramu said. … Some of [the story] is literally underfoot because the concrete with the old murals was torn off during the repair project and then ground up and used to create a walking trail for the top of the levee. …

“She said, ‘I feel so excited at the possibility. It’s kind of like moving forward. It’s just endless possibility.’

Pueblo Arts Alliance director Karen Fogelsong agreed. … ‘One of my favorite things is to see beautiful art go on yucky cement,’ Fogelsong said. ‘So let’s put beauty on top of it. On viaducts on levees, on the sides of buildings, wherever we can make it beautiful.’

“Fogelsong thinks if Pueblo can regain the world record, it’ll draw tourists to the area to see it. The current record is held by a mural in South Korea that’s more than 254,000 square feet — so a lot of art is needed again to beat that.

“It could happen though. More applications for new murals are rolling in and creative energy is flowing along this part of the Arkansas River.”

More here.

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When residents of Holyoke, Colorado, saw local businesses struggling in the pandemic, they stepped up.

Sometimes it’s hard to know where to start when many problems call for attention at the same time. In one small Colorado town, the almost unimaginable generosity of the community helped neighbors — and built a lifetime bond.

Cathy Free reports at the Washington Post, “Brenda Hernandez Ramirez thought she might have to close the doors of her family’s small-town Mexican restaurant for good when she was temporarily forced to shut down in March because of the coronavirus pandemic.

“With bills piling up and no income, ‘we weren’t prepared for the challenges that covid-19 brought,’ said Ramirez, who owns Taqueria Hernandez in Holyoke, Colo., population 2,313.

“When she and her employees heard in late March that a Help Holyoke campaign had been started to assist small businesses, Ramirez said she felt grateful, thinking she might get a few hundred dollars to help pay her utilities.

“Two months later, when Holyoke Chamber of Commerce Director Holly Ferguson stopped by with a check, Ramirez was shocked to learn that people in her farming community had donated their government stimulus checks and dipped into their bank accounts to raise $93,592 — enough to help every business in town affected by the shutdown.

“In addition to about $2,000 to pay her restaurant bills, Ramirez also received smaller checks for each of her six employees.

‘We were overwhelmed with emotion,’ said Ramirez, 24. ‘Feeling our community’s support during the pandemic gave us the ambition to keep on going. I’m beyond thankful.’

“The Help Holyoke fund came about after Tom Bennett, president of the town’s First Pioneer National Bank, wondered if people might be willing to part with the $1,200 stimulus checks that most had received from the federal government.

“Even during normal times, it’s not easy to run a business in a small town, he said. … ‘Having our restaurants, bars, salons, the gym and movie theater shut down was unprecedented. You start thinking, “What if that was me?” ‘

“Bennett contacted Ferguson, Phillips County Economic Development Director Trisha Herman and Brenda Brandt, publisher of the Holyoke Enterprise, and arranged a meeting at the newspaper’s office to talk about his idea to help save their downtown. …

“The group members quickly developed a plan: They would get the word out about Help Holyoke through the Enterprise, the local radio station and social media, plus enlist high school students to help call everyone in town. Once the donations were collected, they would cut checks based on how many employees each business owner had to lay off. …

“Karen Ortner, a family and consumer sciences teacher at Holyoke High School, rounded up members of the Family Career and Community Leaders of America club she advises and put the teens to work calling every household in Holyoke.

“ ‘We split up the phone book with two other student organizations — the Future Business Leaders of America and the Future Farmers of America,’ she said. ‘Almost everyone the kids called said they’d give what they could.’ …

“ ‘This is a supportive, tightknit town,’ added FCCLA President Amy Mackay, 17. ‘Everybody knows everybody and they knew exactly who that money would be going to in the end.’ …

“ ‘This was the best way we could make a difference,’ said Nancy Colglazier, 67, executive director of Holyoke’s Melissa Memorial Hospital Foundation. … Colglazier and her husband, Harvey Colglazier donated one of their $1,200 checks to the fund after seeing how abandoned their downtown had become, she said. …

“Said chamber director Ferguson, ‘Some gave $10, some gave $100 and little kids came to my office to empty their piggy banks,’ she said. ‘Everyone did what they could and showed overwhelming compassion.’ …

“In addition to receiving about $3,500 from Help Holyoke, Veronica Marroquin, 44, who runs Veronica’s Hair and Nail Salon, also received checks from customers who wanted to pay for the haircuts they missed due to covid-19, she said.

“ ‘I’d been really worried, and I got teary-eyed when I saw everybody’s generosity,’ Marroquin said. ‘I’m close friends with my clients — they’re family. But this took it to a new level,’ she said. ‘None of us will forget their kindness.’ ” More here.

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nahkofinal2

Photo: Michael Pierce
Nahko & Medicine for the People performs at the Four Corners Folk Festival in 2018. Recently, a local radio station agreed to take ownership of the festival.

There’s an Allen Ginsberg poem I love to the effect that sometimes things mysteriously appear just when they are needed. I thought of that poem when I read about a small radio station in Colorado’s Four Corners area taking on live shows it never imagined it could afford.

Braeden Waddell wrote about this at Current last summer.

“Public radio station KSUT in Ignacio, Colo., will assume ownership of two annual music festivals Sept. 30 as part of an agreement with local nonprofit organization FolkWest.

“No money will change hands as part of the arrangement. KSUT Executive Director Tami Graham said that the transfer of the Four Corners Folk Festival and the Pagosa Folk N’ Bluegrass Festival, both three-day events held in Pagosa Springs, Colo., was ‘an incredible donation’ to the station.

“The organizations had developed a relationship through a partnership of more than two decades, with KSUT sponsoring FolkWest in exchange for live studio sessions featuring artists playing for the festivals.

“ ‘My biggest goal with the acquisition of the festivals is just to maintain a really high level of production quality and a great experience for the musicians as well as the attendees,’ Graham said. …

“The decision was made after FolkWest Executive Director Crista Munro took on a new position heading the Sisters Folk Festival in Sisters, Ore. …

“ ‘It was a bittersweet moment for me, knowing that my chapter at the helm of FolkWest would be ending,’ Munro said in a post on KSUT’s website. ‘KSUT always seemed like a natural choice to take over our events. They do an amazing job with everything they produce, and Tami Graham brings a ton of live music production experience to the table.’ …

“Munro told Current that KSUT ‘believed in the vision’ she and her husband had for the festivals. ‘If it were anyone else taking this on, I would be a lot more nervous,’ she said. …

“In an interview with the Colorado Bluegrass Music Society, Munro said that the Folk N’ Bluegrass festival brings in about 2,000 attendees per day and the Four Corners Folk Festival draws nearly double that. …

“KSUT does not plan to make any ‘significant changes’ to the festivals but does aim to expand FolkWest’s Pagosa Folk N’ Bluegrass Jam Camps, which provide three days of music classes for adults and children.

“ ‘There’s a lot of grant funding available for music education … to support bringing in world-class stringed instrument musicians, for example, that want to want to teach and work with adults and youth,’ said Graham. … ‘This is just a perfect fit.’ ”

More here.

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5becce96818cc.image_Photo: Dani Hemmat
The elongated rocks seen above are called lithophones and are used to make xylophone-like music. Found in Colorado as well as other parts of the world, they are 6,000 years old.

Do you sometimes imagine being a person in a completely different period of history? What would it feel like? One thing I’m pretty sure of: you would behave has if your time period was the only one.

But today, let’s imagine living 6,000 years ago, before the European invasion, in what is now Colorado. Let’s imagine having an urge to make music.

Dani Hemmat writes at the Left Hand Valley Courier, “Colorado has rocks that, well, rock. They are called lithophones, and a local archaeologist who first came across these strangely shaped stones 40 years ago is finally sharing their musical story.

“Longmont archaeologist Marilyn Martorano first laid eyes on the long, baguette-shaped rocks almost four decades ago, as a volunteer at what is now Great Sand Dunes National Park and Preserve in southern Colorado.

“The clearly hand-shaped stones, which had been discovered in the area, were housed in the on-site museum when Martorano first saw them. They were a strange set of artifacts for which no one had yet determined a use. Martorano put them back into their drawer, assuming that someday someone would figure out their purpose.

“Thirty years later, Martorano borrowed the rocks from the museum to study. While many had postulated that the rocks were tools for grinding, the absence of typical marks led Martorano away from that theory. She studied for three years, without success.

“The day before she was to return the rocks to the museum, a friend sent her a video that showed a collection of stones from Paris — stones that looked exactly like those she’d been studying. The rocks, musical stones classified as lithophones, had been found all over the world, but never in Colorado. After watching the video, Martorano started tapping the mysterious stones, and their purpose was suddenly clear. …

“ ‘The rock is very dense, usually volcanic, granite or basalt. In order to be shaped, it can’t be hit too hard or too soft,’ Martorano said.

“She presented some of her findings and artifacts during her open-to-the-public presentation on Nov. 8 at Front Range Community College (FRCC). FRCC instructor and Niwot musician Michael DeLalla had heard about Martorano’s work on public radio, and reached out to her. …

“Martorano demonstrated the different tones achieved by hitting the lithophones with wood, antler and bone. The lithophones produce sounds ranging from the sound of tapping on a crystal glass, to a wooden marimba, to a xylophone.

“ ‘Out of the 22 artifacts we studied, we got a minimum of 57 notes out of them. That’s at least two different notes from each stone,’ Martorano said. …

“While most of the stones Martorano has studied have come from the San Luis Valley area, lithophones have been found in the eastern plains of Colorado and near Salida as well. One Colorado percussionist, Jeff Shook, has found several lithophones while digging post holes.”

More here.

 

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Photo: Helen H. Richardson/Denver Post
Denver Performing Arts Complex in 2017. The creative economy in Colorado accounted for 4.3 percent of the state’s gross domestic product in 2015, the most recent year for which data are available.

It can’t be stated too many times that the arts are often an important driver of local economies — and a reason for states and municipalities to help artists be successful. Rhode Island, for example, aims to help artists by not taxing art sales, but the lack of affordable housing in the state remains a big problem.

Joe Rubino writes at the Denver Post about Colorado’s creative economy, noting that anyone who saw a show at the local opera house in 2015, bought a painting or book by a Coloradan, or visited a local museum “contributed to the $13.7 billion arts and culture brought to the state’s economy that year, a figure that outdid both the mining and transportation sectors. …

“The U.S. Bureau of Economic Analysis and the National Endowment for the Arts on [March 7] unveiled their most recent analysis of the economic impact of arts and culture in the U.S. In 2015, the year with the most recent reporting data, goods and services generated by museums, architecture firms, artists and other artistically inclined businesses and agencies accounted for 4.3 percent of the Colorado’s GDP. …

“[Nationwide,] creative industries accounted for a $20 billion trade surplus that year, according to the analysis. Work in arts and culture accounted for 4.9 million U.S. jobs in 2015. Of those, 100,631 were in Colorado. …

“The analysis, collectively known as the Arts and Cultural Production Satellite Account, or ACPSA, looked at 36 industries that contributed to America’s arts and cultural economy. Some of them are considered core contributors — like museums and graphic design firms — and others are viewed as support industries [including] broadcasting. …

“When it comes to comparing states in the American West, arts and culture in Colorado ranked only behind California and Washington in terms of money made.”

More at the Denver Post, here.

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Photo: Luke Runyon/Harvest Public Media
In a small Colorado farm town, immigrants accept America’s least popular jobs. Now the town is helping them gain citizenship.

When you hear that immigrants are important to a farm town, you probably think of farm labor. But farm towns, like other small towns in America, struggle to find workers for many grueling jobs citizens don’t want.

Now the town of Brush, Colorado, is offering help to its new residents to become citizens themselves.

This Harvest Public Media report by Luke Runyon, broadcast on National Public Radio, explains.

“At the public library in the rural Morgan County town of Brush, Colo., Marissa Velazquez welcomes her students to class. It’s a sunny Saturday morning, and the day marks the halfway point in Velazquez’s class, a 10-week crash course on American history, civics and English.

“Nearly all of the students work in either meatpacking or dairying. Everyone in it has the same goal: become an American citizen. In two hours, Velazquez runs through voting rights, the legislative process and some grammar tips. …

“Morgan County has anchored its local economy to agriculture. A meatpacking plant, cheese factory, sugar beet processing plant and large dairy farms provide plentiful yet grueling jobs that require little proficiency in English, just hard manual labor. That has made the rural county a magnet for migrating immigrants and refugees. It now holds sizable Somali, Mexican, Ethiopian, El Salvadoran, Guatemalan and Honduran populations. …

“In some smaller towns … fear has spurred some to take steps to go from green card holders to fully fledged citizens.

“The number of people who applied for U.S. citizenship rose across the country in 2016. And while there are no definitive data for the first part of 2017, there are small indications that the same trend could be continuing this year.

“To become naturalized, applicants are tested with a series of questions about the U.S. They are given a dictation exam and an interview, most often in English.

” ‘That’s why we get to practice listening skills, writing skills, reading, so that they’re ready for when they go in for their interview to become a citizen,’ Velazquez says.

” ‘I never thought I would teach the class, because I took this class as a student,’ says Velazquez, who became a naturalized citizen in 2016.

“Citizenship classes are pretty standard in some parts of the country, often offered by nonprofit groups and immigration law firms. What makes this one unique is its size. In 2015, 10 people finished it. In 2016, just five. This year, Velazquez has a class of 21 students. In a rural area like Morgan County, that is huge.” More.

One thing you can say about immigrants who take those tough jobs: they work hard. I believe that the country is strengthened by people like that deciding to become part of it.

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Photo: Thomas Peipert/AP
Leaders of this Colorado Boy Scout troop say the group helps refugee kids adjust to American culture while providing a safe place where they can be themselves.

It may be surprising, given the news that grabs our attention these days, but stories about ordinary people showing kindness to refugees are everywhere. I can hardly keep up. Consider this KidsPost about a Colorado Boy Scout troop published in the Washington Post January 2, 2017.

“Boy Scouts Jean Tuyishime and Moise Tuyikunde sit around a campfire under a canopy of stars in Colorado’s Rocky Mountains, joking and teasing each other as teenage brothers often do. Only 2½ years ago, they were a world away, living at a crowded camp in the central African nation of Rwanda (pronounced ru-WAHN-duh).

“The brothers were born in the Gihembe refugee camp after their parents fled violence in 1996 in what was then known as Zaire (zah-EER). They relocated with their family to the Denver area in 2014, and they gradually became a part of their new surroundings, learning to speak enough English to get by and signing up for a typical American experience — Boy Scouts.

“But the troop Jean, 15, and Moise, 12, joined is not like many others in the United States. Troop 1532 is composed almost entirely of refugees who hail from faraway places such as Burma, Rwanda and Nepal.

“At campouts, such traditional American food as hot dogs and trail burgers is replaced by fish head stew, fire-roasted corn and chatpate, a popular street snack in the Asian country of Nepal. Dessert, however, still includes s’mores. …

“Troop 1532, formed in 2014, could be a model for other Boy Scout groups looking to welcome young refugees. [Justin] Wilson and P.J. Parmar, a doctor who started the troop, say the kids’ backgrounds present challenges that other troops don’t face. Members come and go, which makes it hard to focus on earning merit badges and advancing in rank. …

“Many of the parents have little money and work long, odd hours, which makes it hard to plan meetings. Parmar said the scouts often can’t get to meetings, so he decided to gather only for camping trips. …

“Jean’s father, Jean Batacoka, a 37-year-old housekeeper with five children, says the efforts of Wilson and Parmar have helped his kids.

“ ‘What they do down there is not just leadership, because they learn discipline, how to behave, how to respect people who are older than them,’ he said through a translator. ‘I think it’s a really good thing for them, and I can see something is happening.’ ”

I have nothing but admiration for the men who organized this. Any scout troop requires a big commitment from adult leaders, as some readers of this blog know. The time and energy Troop 1532 leaders give to the unique challenges of refugee Scouts is especially remarkable.

More at the Washington Post, here.

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Julie Turkewitz writes at the NY Times about a mountain library planned by two not-exactly-wealthy book lovers with big ideas.

“The project is striking in its ambition: a sprawling research institution situated on a ranch at 10,000 feet above sea level, outfitted with 32,000 volumes, many of them about the Rocky Mountain region, plus artists’ studios, dormitories and a dining hall — a place for academics, birders, hikers and others to study and savor the West.

“It is the sort of endeavor undertaken by a deep-pocketed politician or chief executive, perhaps a Bloomberg or a Buffett. But the project, called the Rocky Mountain Land Library, has instead two booksellers as its founders.

“For more than 20 years, Jeff Lee, 60, and Ann Martin, 53, have worked at a Denver bookshop, the Tattered Cover, squirreling away their paychecks in the pursuit of a single dream: a rural, live-in library where visitors will be able to connect with two increasingly endangered elements — the printed word and untamed nature. …

“They have poured an estimated $250,000 into their collection of 32,000 books, centering the collection on Western land, history, industry, writers and peoples. There are tales by Norman Maclean; wildlife sketches by William D. Berry; and books on beekeeping, dragonflies, cowboys and the Navajo. …

“Mr. Lee and Ms. Martin have a grant from the South Park National Heritage Area and this summer will finally begin renovations, repairing two leaky roofs. Construction will be limited, however, as they have gathered less than $120,000 in outside funds. An estimated $5 million is needed to build out their dream.” More here.

Photo: Michael Ciaglo for The New York Times

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I do like stories about people who love their work so much that they never want to stop.

Perhaps it helps to have a talent like muralist Eric Bransby, who got to study with one of my favorite artists, Thomas Hart Benton. (Suzanne says I have a personal aesthetic, which is a polite way of saying I’m crazy about anything wavy, like Benton’s energetic American landscapes.)

Chloe Veltman writes at National Public Radio, “Eric Bransby is one of the last living links to the great age of American mural painting. He studied with one of this country’s most famous muralists — Thomas Hart Benton — and went on to create his own murals in prominent buildings across the west. The artist is now 98 and still painting.

“At his Colorado Springs studio, Bransby attacks a drawing with tight, sharp strokes, a pastel pencil grasped between gnarled fingers. His studio is unheated, but he doesn’t seem to notice the cold. He’s completely engrossed in the image taking shape on his easel. It’s a study for a new mural that he hopes to install at nearby Colorado College. He says he draws between two and eight hours every day.

” ‘Drawing has been a continuous thing for me, like exercises for a musician,’ he says. ‘It’s refreshing. I draw better. I paint better.’ …

“His parents didn’t encourage his artistic pursuits. It was during the Depression, and when he demanded that he get sent to art school, he remembers his parents said: ‘Well, he’ll do one year and he’ll come back so discouraged that we’ll make something else out of him.’

” ‘But that didn’t happen,’ Bransby says. ‘I found heaven.’ ” Read more here.

Photo: Nathaniel Minor/Colorado Public Radio
Eric Bransby, pictured above in his home in Colorado Springs, is still creating art at 98. “I try to make each mural a project that will somehow expand my abilities a little bit more,” he says.

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One of these days I hope to see a moose in the wild, but not under the circumstances described in this recent report on National Public Radio.

“It was the brown snout and ears that caught their attention. Then they heard noises coming from under the snow. That was reason enough for three passing snowmobile riders to jump off their machines and start digging.

” ‘It looked like a guy’s arm at first because we were expecting to see a skier,’ Marty Mobley told the Alaska Dispatch News. …

“Mobley said he and two friends, all residents of Matanuska-Susitna Borough, Alaska, used their shovels to free the animal. …

“When the moose was mostly free, one of the men gently poked the moose, which suddenly stood up. Mobley said it looked like the abominable snowman, as it was covered in packed snow.

“It shook off the snow and ran down the mountain ‘at full steam’ and was apparently uninjured.

” ‘I am an animal lover, and I couldn’t leave it there,’ Mobley said. ‘Besides, we deal with a lot of avalanches and a lot of snow. That kind of karma is something we don’t pass up.’ ” More at NPR.

Photo: Pitkin County Sheriff’s Office, near Aspen, Colo./AP
Not moose but elk. It’s bad all over. Two out of three elk were saved in time.

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