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Posts Tagged ‘radio play’

Photo: Anslee Wolfe/ Colorado Springs School
Sophomore Haegan Malone works on composing music for the radio play with junior Finnegan Thompson in the background of the sound booth at Colorado Springs School.

Pandemic adaptations have led to many changes we may want to keep. Which isn’t to say I’m not desperate for my turn at the vaccine and more quality time with grandchildren. But I’m grateful for some of the online things that have become part of our lives. Here’s a story about renewed appreciation of the radio play.

Ali Budner writes at Colorado Public Radio (CPR), “One of the casualties of the coronavirus has been the traditional school play. You know, the kind with a stage and a live, in-person audience. But instead of giving it up altogether, some drama teachers have re-imagined the annual student performance.  

“At the Colorado Springs School, a private K-12 college prep school, the fall production morphed into a radio drama. ‘Trap’ is a meta mystery thriller about a school play gone awry and set (somewhat ironically for the circumstances) inside a high school auditorium. 

“When theater director Jonathan Andujar realized the show couldn’t happen in person on a normal stage, his mind spun through other options.

“Could they perform outside? No, too cold. Could they film it? No, too much equipment, and besides, filming on location became impossible when the school went virtual. 

“When he finally landed on the idea of a radio play, Andujar said it felt like an ‘aha’ moment. … He had originally chosen the play because he loves sci-fi and mysteries. However, more than anything he loves a good plot twist. And real life in 2020 has been full of its own plot twists. …

‘A radio drama as its own art form is super exciting because the play lives in a complete world of sound,’ Andujar said. ‘You can be in point A and point B and point C instantaneously. And you don’t have to worry about the set.’

“He did, however, have to worry about how he’d create characters, scenes and plot using sound alone. And that’s where sophomore student Haegen Malone came in. 

“Malone voice-acted several characters in the play. He also helped out with the sound effects like doors opening and footsteps on stairs. And he composed original music for the scenes. Malone refers to himself as a house musician and makes tracks at home on his computer all the time.

“But this was his first time scoring a radio drama. And he happily took on the challenge. …

“Andujar had students’ record their lines straight into their computers or iPhones at home and send them in to be woven into a final mix. 

“ ‘We live in a wondrous age of technology with a bunch of teenagers and they all definitely had a phone,’ he said. ‘So that was super handy.’

“Recording her lines into a phone, and acting without costumes, sets, or props was all new and a little overwhelming for senior Whitney Richardi. Even without a stage to rehearse on, she found ways to develop her character’s persona. She plays a few characters, including a detective. 

“ ‘I found myself pacing around my room or using my hands to express something,’ she said. … ‘You really have to concentrate on how you use different pitches and tones to convey to the audience what the scene is about. And that takes a lot of focus. …

” ‘I’m very extroverted, but the voice portion taught me a lot about just how I can utilize that to best portray my character.’

“Her fingers are crossed that she’ll get to transfer those skills into a role in the spring musical. It’s her senior year, so these are her last high school plays. 

“It’s been bittersweet not to be able to rehearse and perform in person with her castmates, but she’s grateful there was something to do. …

“ ‘I think one of the best parts about theater for me is just being able to go in every day and hang out with my friends, you know, in between scenes or after rehearsal. So it was definitely different. You didn’t get that, you know, physical face-to-face social time.’ …

“Andujar encouraged the students to let their guards down during virtual rehearsals because he knew it could be hard to build that rapport from afar. 

“ ‘I try to make it very clear,’ he said. ‘We can be silly. Let’s do these crazy voices.’ …

“ ‘When I found out that we were going into lockdown, I was just like, Oh my gosh, I didn’t know if I was able to get through it,’ [Malone] said. ‘But when I found out I could get a part in the new upcoming radio play, I thought this is like a perfect opportunity. It just made everything feel like so much more possible.’ ”

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