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Posts Tagged ‘england’

Photo: Sara Teresa
The rollout of a dance-based falls prevention programme in the UK by arts and health charity Aesop will see 1,000 older people benefit.

About 15 years ago, after breast cancer treatment, I joined a hospital-based class called “I Hope You’ll Dance.” I used to call it Cancer Dance Class because anyone who was being treated for cancer or had been treated could join. It happened to have only women during the time I was a participant although men were welcome.

The dance routines were very simple, but there was something pleasant about doing them with women you didn’t know but with whom you shared something as big as cancer. I also liked the music selections, which ranged from the playful “Diamonds Are a Girl’s Best Friend” to numbers that were more moving, like “You Raise Me Up” and “I Pray You’ll Be All Right.”

I thought of the mysterious comfort that class provided when I read about a dance program for the elderly in England and Wales. Christy Romer described it at Arts Professional, a UK-based website.

“The rollout of a dance-based falls prevention programme by arts and health charity Aesop will see 1,000 older people benefit from a new £2.3m investment.

“The programme will run for two years from October 2017, during which time 63 interventions will take place across England in Wales. These will be delivered in collaboration with health and social care providers, and arts organisations including Yorkshire Dance and Birmingham Royal Ballet. …

“Previous Aesop research showed how the Dance to Health programmes could address a problem that costs the NHS £2.3bn a year, as the rates of completion for dance-based alternatives to NHS exercise courses are 55% higher.

“An evaluation of the Dance to Health pilot programme in February 2017 also concluded that dance artists could be trained to deliver classes which were an enjoyable artistic challenge, faithful to healthcare objectives, and would deliver measurable reductions in loneliness for participants. …

“The expanded programme will receive support from ‘Dialogue Partner’ organisations, including Age UK and NHS England, and collaborate with eight Arts Council England-funded dance organisations. …

“A formal evaluation of the programme will be conducted in 2019, ahead of an anticipated national rollout in the coming years.” More at Arts Professional, here.

Romer mentioned the effort to address loneliness through the dance classes, but I imagine that the way physical motion improves thought processes is a big piece of the health benefit. And what about improving balance? That’s a concern for me, and a reason I take both tai chi and Essentrics when I’m not on vacation.

But I’m on vacation. So I’ll sign off now and go practice standing on one foot.

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Art: Simon Roberts
Simon Roberts was the “election artist” for the 2010 general election in the United Kingdom. He chose 24 images — one for each day of the campaign — to reflect the geographical breadth of the trail
. Cornelia Parker is the election artist for 2017.

Not long ago, my husband pointed out a story about official “election artists” in England. That was a new idea for me.

An article in the Economist offers background.

“Many were bemused by the announcement on May 1st that Cornelia Parker was to be the official artist of the 2017 general election. Not as a comment on Ms Parker’s credentials — she is widely considered to be one of Britain’s most exciting contemporary artists — but to discover that such a post exists.”

Parker is the first woman chosen since the post was established in 2001 and the first conceptual artist.

“Jonathan Yeo, the inaugural artist, created a triptych oil painting of the main party leaders where the size of their portrait correlated to their portion of the vote. In 2005, David Godbold produced Hogarthian satirical illustrations on scraps of election ephemera such as manifestos, letters and flyers. In 2010 Simon Roberts photographed the quiet lanes and doorstep conversations of day-to-day campaigning …

“Ms Parker is using an Instagram account (@electionartist2017) to offer an eclectic commentary: so far she has posted pictures of road signs, homeless people and newspaper headlines. One image, captioned ‘The election contenders,’ shows a group of waving garden gnomes.

“Two further stipulations come with the role. First is that the artist must remain politically impartial. … The second is that they must produce a final work — one that can be put on display, or contain elements that can be displayed — which will eventually join the parliamentary art collection.”

I searched the web but couldn’t find Parker’s piece for the permanent collection. Maybe a reader will find it for me. It’s hard to envision what an artist known for “detonated sheds, cut-up shotguns and squashed instruments” would come up with, even if she is currently focused on instagram.

The Economist story is here, the Guardian‘s here and the New Yorker‘s here.

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Photo: British Pie Awards
One of Britain’s most traditional pies is the Melton Mowbray pork pie. It was granted protected European Union status. (Can that protection last post-Brexit? The Law of Unforeseen Consequences strikes again.)

My husband loves learning about the origins of language. He recently sent me an article about English pies and pie-related expressions.

Norman Miller at the BBC explained, “Every March, St Mary’s church in the Leicestershire town of Melton Mowbray becomes a cathedral of pies: it fills with tables bearing more than 800 pastries.

“Some recipes are particularly offbeat. While the quirkiest entry in this year’s Speciality Meat category was a cricket pie, one celebrated past winner was Phil Walmsley’s squirrel pie in 2014. Walmsley told me that it has medieval origins, but still sells out at Market Harborough’s twice-monthly farmers’ market. ‘They’re also a great way to deal with a pest,’ he laughs. …

“Even in their early days, pies served different purposes for the rich and poor: as show-off delicacies for the former and portable food for the latter.

“So while wealthy feasts might include pies containing anything from game birds to mussels, the less well-off used simpler pies as a way to have food while doing outdoor work or travelling – the crust both carried and preserved the tasty filling. …

“Pies have been adding rich flavour to the English language for centuries. Even Shakespeare got in on the act, writing in his 1613 play Henry VIII that ‘No man’s pie is freed from his ambitious finger’, giving English the phrase ‘a finger in every pie’. …

‘Eating humble pie’, meanwhile, comes from medieval deer hunting, when meat from a successful hunt was shared out on the basis of social status.

“While the finest cuts of venison went to the rich and powerful, the lower orders made do with the ‘nombles’: a Norman French word for deer offal. Anglicisation saw ‘nombles’ pie become ‘humble’ pie. …

“One gigantic 16th-Century royal pie concealed a gaggle of musicians who began playing when the pie was cut, while another trick saw people burst out of a pie to recite poetry. Concealing live birds was also popular – hence the ‘four and twenty blackbirds’ in the nursery rhyme Sing a Song of Sixpence.”

Be sure to read about some great English pastries here, especially the traditional pie with sardines gazing up from the crust that commemorates a 17th century fisherman who saved his village from starvation.

As for squirrel pie, if Erik doesn’t find a way to keep a local squirrel from getting into the bird feeder, I fear that scalawag’s fate is sealed. Hungry, anyone?

Photo: Aubrey K. Huggins

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Famed physicist Stephen Hawking has ALS and has to talk using an electronic voice substitute. Recently, as part of a skit for the antipoverty charity Comic Relief’s Red Nose Day fundraiser, he pretended to audition a bunch of well-known actors to be his newest voice.

Erin Jensen reports at USA Today, “A new, highly sought after role might not win actors any Oscars or BAFTAs, but that’s not stopping Hollywood’s elite from auditioning.

“In the clip, Hawking, who has ALS and communicates with synthesized speech, reviewed tapes from the self-described ‘intelligent … kind of’ Anna Kendrick and Rebel Wilson, who got a hard no from the physicist. Hawking also wasn’t persuaded by The Theory of Everything stars Felicity Jones and Eddie Redmayne or the ‘soothing, calming voice’ of Gordon Ramsay.

“Hawking wasn’t Taken with Liam Neeson’s voice either, despite the actor’s opinion that it possessed ‘a tinge of … physics.’ ” More.

For the true story behind Hawking’s voice, read this Wired article. Joao Medeiros details the many iterations of the technology underlying Hawking’s ability to communicate, but he notes Hawking likes his original “voice” and has stuck with it.

“His voice had been created in the early ’80s by MIT engineer Dennis Klatt, a pioneer of text-to-speech algorithms. He invented the DECtalk, one of the first devices to translate text into speech. He initially made three voices, from recordings of his wife, daughter and himself. The female’s voice was called ‘Beautiful Betty’ the child’s ‘Kit the Kid’, and the male voice, based on his own, “’Perfect Paul.’ Perfect Paul is Hawking’s voice.”

Photo: http://www.hawking.org.uk/

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A while back, I wrote about Lata, which teaches older folks around the world to create street art with spray paint. I follow Lata on Instagram and can confirm that the results of senior graffiti are a hoot.

Now Vicky Thornton writes at Arts Professional about starting a modern dance troupe for people over 60. There’s hope for us all.

She writes, “DANCE SIX-0 started in response to a visit to the Elixir Festival at Sadler’s Wells that included a performance by the Company of Elders, a contemporary dance company for people aged over 60. Judith Bossano, Meg Edgar and Philippa Heseltine were inspired to establish a similar opportunity for contemporary dance in Salisbury and sought my advice and support.

“I was overwhelmed by their effervescence in describing what they had seen, their enthusiastic response and a very clear directive that ‘we need this’. Judith spoke passionately and eloquently about why at the age of 80 she felt it absolutely necessary to keep moving and dancing and experience the joy she feels when performing. …

“Meg felt this was something needed in Salisbury, recognising that dance brings many physical, social and emotional benefits that are so important for overall wellbeing. She identified Salisbury Playhouse as an ideal venue, considering its location, facilities and audience base.

“Salisbury Playhouse enthusiastically recognised the project’s potential, offering support to trial the idea. We were keen to emphasise that it cater for anyone over 60 with varying levels of mobility. The playhouse facilitated three taster workshops with three professional dance practitioners …

“The high demand for places resulted in two open classes and we held an audition for our inaugural performance company, selecting nine women and three men. …

“At the Wiltshire Public Health Awards in April we won our category of ‘Tackling Health Inequalities in the Community’ for our work with people aged over 60. We hope this award reflects our commitment to offering opportunities but also in challenging stereotypes of what older people can and should do.”

I’m down with that. Read more at Arts Professional, here.

Photo: Adrian Harris/ArtsProfessional
DANCE SIX-0 is a contemporary dance company for the over 60s in Salisbury, UK.

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Photo: Prezi
Something Shakespeare didn’t have to worry about: expensive energy for productions and emissions that increase global warming.

Christy Romer over at the UK website Arts Professional recently posted on the money British arts groups are saving by cutting their energy emissions — a win for them and a win for the environment.

“Arts Council England’s National Portfolio Organisations (NPOs) have saved £8.7m by cutting greenhouse gas emissions since 2012/13, according to a major new report by environmental charity Julie’s Bicycle. …

“The report draws on data submitted via an online reporting tool, an evaluation survey and case studies, ultimately concluding environmental action is making the sector more financially resilient.

“Compared to doing nothing, the reduction in energy emissions has saved £8.7m since 2012/13. The report predicts that if the 4.5% annual decrease continues until 2019/20, emissions will be 46% lower than in 2012/13 and £54m will have been saved in energy costs.

“Alongside a fall in the overall emissions output, and a fall in the amount of electricity and gas used, there has been a 210% growth in the generation of on-site renewable energy since the project started in 2012/13. …

“Julie’s Bicycle pledges to develop Arts Council England’s (ACE) approach to environmental sustainability at the operational, planning and policy development levels. …

“Darren Henley, Chief Executive of ACE, added: ‘Our collaboration with Julie’s Bicycle is introducing us all to new ways of working. … We all believe that art and culture can make the world a better place; this programme shows how our actions can make a real difference.’ ”

More at Arts Professional, here.

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Our friend Mika is back in Hokkaido these days, after several years in New York working in restaurants and perfecting her “house” dancing. But every once in a while she ventures out to help on a street art project. Here is her friend Florence Blanchard’s mural for CBM Network (Crossing Biological Membranes) at the University of Sheffield in England.

At her WordPress site, Florence explains what the art represents, “I am delighted to present my newest mural here – a collaboration with CBMNet at the University Of Sheffield, in conjunction with Festival Of The Mind 2016 / Fear of the Unseen: Engineering Good Bacteria.

“The ‘Crossing Biological Membranes Network’ is composed of scientists working to understand the mechanisms by which substances are transported into, within, and out of cells. Their ultimate aim is to produce knowledge which will enable the development of new technologies in the Industrial Biotechnology and Bioenergy sector (eg: producing biofuels using E coli bacteria).

“My role in this collaboration has been to translate the CBMNet area of work into a large outdoor mural located within the university campus. For this occasion I have presented my interpretation of a detail of a cell membrane as seen under an electron microscope, having undergone a cryofracture.

“A cryofracture is a procedure in which the sample is frozen quickly and then  broken with a sharp blow so you are able to study its structure in very close detail – Imagine breaking a bar of chocolate with hazelnuts, this way you can see how hazelnuts are positioned inside the bar.”

“For an online animation of a biomembrane cryofracture follow this link: http://www.sciencephoto.com/media/530082/view.”

Check out the WordPress post.

Photo: Florence Ema Blanchard
Blanchard’s street art is tied to a scientific quest: “Engineering Good Bacteria.”

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