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Photo: The Guardian.
Born and raised in Tokyo, Rina Hanzawa is one of thousands of women around the world who have taken up Ori Tahiti, the traditional Polynesian dance.

The joy of dance is international. It’s fun for me to see, for example, that Shagufa, raised in a conservative Afghan community and now a student at Brandeis, is adding belly dancing to a repertoire that has long included golf.

Meanwhile, around the world, many people are discovering the fun of a Polynsian dance form once banned by colonizers. Tiare Tuuhia has a story about that at the Guardian.

“Wearing intricate costumes made of plants and adorned with tropical flowers, the women look spectacular. While their torsos remain completely still, somehow, impossibly, their hips are moving in circles so fast it’s almost a blur.

“These women are performing traditional Tahitian dance, or Ori Tahiti, in Tahiti’s annual cultural festival, the Heiva. And they’re not alone. Thousands of women across the globe, from Mexico to Japan, are doing it too. …

“Ori Tahiti is a broad term that encompasses the many traditional dances native to the island of Tahiti, performed by both men and women. The most well-known is the ote’a, a very fast, hip-shaking dance performed by women. Another is the aparima, which features slower, more graceful body movements. …

“ ‘In my eyes it is the most beautiful, powerful, sensuous and expressive,’ says Tumata Robinson, a renowned Tahitian choreographer, costume designer and founder of acclaimed dance group Tahiti Ora.

“ ‘I think Ori Tahiti is very complete, you know. It’s fierce, but also elegant and powerful, graceful, feminine when we dance,’ [says] says Moena Maiotui, one of Tahiti’s most beloved professional dancers, who has traveled around the world performing, teaching Ori workshops, and sharing Tahitian culture. YouTube videos of her dancing, both solo and with the dance group Tahiti Ora, have racked up millions of views. …

“Self-expression and connecting to nature are what Ori Tahiti is about for Rina Hanzawa. Born and raised in Tokyo, Hanzawa discovered Ori Tahiti in her early twenties.

“ ‘I went to dance school and I found Ori Tahiti there,’ says Hanzawa. ‘At the time I had no clue about Tahitian culture. But I fell in love with Ori Tahiti when I tried it.’ …

“What started as a casual hobby soon became an enduring passion, which led to her competing at a national level. Hanzawa now lives in Australia, where she has set up her own Tahitian dance school, Tai Pererau, in Sydney’s northern beaches. …

The arrival of Europeans in French Polynesia, along with their religion and laws, saw Ori Tahiti banned or repressed for close to 100 years.

“At the end of the 18th century, dance was banned by European missionaries, who labelled it immoral. Then, in 1819, the Pomare Code, a set of laws laid down by the Tahitian monarchy, forbade traditional dancing outright. In 1842 the French protectorate allowed dancing – but with so many conditions that the practice was still repressed.

“It was only in the 1960s that the church began to lose influence and traditional dancing really began to be revived. During this time the first modern dance group appeared on the scene, led by Madeleine Mou’a.

“Damaris Caire, author of a book titled Ori Tahiti: Between Tradition, Culture and Modernity, says: ‘Little by little, by doing dance shows at hotels for tourists, Ori Tahiti became popular – even if the local population initially struggled to accept it.’ …

“Despite a rocky past, Ori Tahiti has today become a way for Tahitians to connect with their ancestors, their land and their language. It is a celebration of a cultural identity and pride that was almost lost to colonization. Now, it has become one of Tahiti’s best exports.

“Hinatea Colombani, a Tahitian cultural expert and director of the Arioi culture and arts centre, says it is particularly satisfying to see Ori Tahiti become popular in the very countries that tried to stamp the practice out two centuries ago.

“ ‘For me it’s a revenge, because they celebrate our culture,’ she says. …

“This year, the Heiva Ori Tahiti Nui international 2021 – Ori Tahiti’s biggest competition – had to be held online due to the pandemic. However, it still managed to attract competitors from 12 countries and territories, including two new participants: New Caledonia and Switzerland. …

“ ‘It was really a superb experience,’ says [Ginie Naea, a dance teacher at the Te Ori Tahiti school in Geneva]. ‘We danced in front of Lake Geneva and the mountains; it was just magic. The best part of the competition was actually the preparation and team cohesion that it necessitated – a connection that’s created when performing. There is a real bond between Ori Tahiti dancers, a real family that is created around the same passion.”

More at the Guardian, here.

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Photo: Naturskyddsforeningen.
The aim of the Swedish birdhouse championship is to encourage birds’ nest building and children’s commitment to nature.

I follow @swedense on Instagram, which is where I learned about an annual birdhouse competition for students.

The Swedish birdhouse championship, says Swedense, “is for primary and secondary school classes and is organized by the Swedish Society for Nature Conservation, @naturskyddsforeningen. The aim is to encourage birds’ nest building and children’s commitment to nature.

“This year’s special prize goes to the special school at Sanda education centre in Huskvarna for their contribution ‘Trafikljuset’ (traffic light). The birdhouse has a built-in camera that lets students follow a nesting bird’s yearly cycle from eggs to flight-ready birds in the schoolyard.

“Birdhouses have come to play an important role in the biodiversity of the forest. The lack of older deciduous trees means that many birds in Sweden are currently suffering from a housing shortage.”

Meanwhile, others are getting into the act.

“Bee Breeders Competition Organizers is excited to announce the results for its Legendary Bird Home / Edition 2 competition! This is the second competition in a series aiming to raise awareness for the global environmental crisis. This competition was held in collaboration with Birdly – a socially-responsible start-up that aims to support environmental activism worldwide through funds raised by selling bird homes.

“Bee Breeders worked with an international jury panel consisting of: Marco Barba, Mexican industrial designer and founder of Marco Barba Design and designer of the KUKU birdhouse product; Andris Dekants, project manager at the Latvian Ornithological Society; Farid Esmaeil, co-founder of Dubai based X Architects and winner of the Aga Khan award for the Wasit Natural Reserve Visitor Center project; Mark Gabbertas, founder of West-London based Gabbertas Studio with a portfolio that includes the Gloster Birdhouse; James Krueger, Design Principal in HMC Architects’ in San Diego studio; Heike Schlauch of Heike Schlauch raumhochrosen which has designed the ‘Vorarlberger Baukunst’ birdhouse series; Jolanta Uczarczyk, who runs Uczarczyk, through which she produces original, handmade works such the Mocak Bird Feeder; and Chad Wright, founder of Studio Chad Wright with a portfolio that includes the Attic birdhouse.”

Last year Sofia Wickström, then a 9th grade student at Futuraskolan International Bergtorp, was one of the finalists with Naturskyddsforeningen. The school’s profile on her says she had “been working on her birdhouse during wood shop since the end of 8th grade totaling about 50 work hours. Her entry is called ‘Bergsprängaren’ (Boom Box).

“When designing her birdhouse, she was inspired when seeing two old boomboxes on the floor of the woodshop room where the project got started, she decided then and there on her design. According to Sofia, the hardest part and what actually took the longest time in making the ‘Boom Box’ birdhouse was getting the edges round and smooth. … In researching birds for this project, Sofia found that small birds actually love bright colors; this was perfect as she herself is a big fan of bright colors, hence the pretty pink/green look to the birdhouse.”

More here and here. Good photos here. I especially love the birdhouse with stones embedded in plaster and a handy woodpile. Who can resist designing a birdhouse after seeing these pictures?

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Photo: IHISADC.
Participants in the 2021 Indiana High School Architectural Design Competition.

It makes a difference when professionals offer their expertise to school students. In today’s story we see what happened when an architect returned to his old high school to teach in its STEM [Science, Technology, Engineering, and Math] program.

Victoria St. Martin reports at the Washington Post, “It can happen in an instant: that moment when you go from not knowing what you want to do for the rest of your life, to having absolute certainty about it. For Tarik El-Naggar, it happened in 1970, when he was in the seventh grade working on a project for English class.

“The assignment? Construct a reproduction of Shakespeare’s Globe Theatre out of everyday objects. He built a 2-foot-diameter cardboard model — and an architect was born. … Says El-Naggar, who’s now 63 and co-owner of an architecture and interior design firm, ‘I don’t know what it was about the building. It had all the seating, the stage and the open roof — it was just awesome. It was a lightbulb moment.’

“El-Naggar’s life came full circle when he added ‘high school teacher’ to his résumé nine years ago — building a STEM curriculum with members of the administration at his former school in northwest Indiana. Inside his Valparaiso High School classroom, students have their own lightbulb moments by creating projects using ping-pong balls, cardboard, computers and 3-D printers. ‘Instead of just teaching the basics of architecture, I’m actually really teaching them design theory,’ says El-Naggar, whose class is similar to what he taught at a nearby college.

“And he’s gotten results: [In 2021] his Valparaiso students swept the Indiana High School Architectural Design Competition, winning all nine awards out of 72 entries from eight schools. …

“Valparaiso, a middle-class community about 55 miles southeast of Chicago, began incorporating more STEM courses into its curriculum about six years ago. A school official said the district wanted to place more emphasis on skills such as critical thinking, communication, creativity and problem-solving, and secured several grants from the county redevelopment commission to bolster tools across K-12 classrooms. The high school roughly ranks in the top 10 percent in Indiana, and its standardized test scores in reading and math significantly outpace the rest of the state.

‘There are schools around the country that have great basketball programs. So, what do parents do? You move there because you want your son or daughter to go there,’ says El-Naggar. ‘I want people to look at what we’re doing here and say, “My kids are going to be engineers, architects. They need to be here.” ‘

“For high-schoolers who want to pursue architecture as a career, taking classes with El-Naggar is paying off: In the past three years, all five of the students who applied to university-level architectural programs have been accepted. ‘People were really impressed that I had already had this experience,’ says Henry Youngren, now a freshman at Carnegie Mellon University in Pittsburgh. … ‘It’s really guided me on how I want to live the rest of my life.’

“Brandon Farley, an architect who is the chair of the high school design competition, says he has some records that date back to the 1970s and he’s ‘never seen anything where one school won all the awards.’ It’s rare that judges see high school teachers with formal architectural training, he adds. With Valparaiso High School’s entries, he says, ‘you can see it immediately in the way the students address the problems and their solutions, and in the way that they talk about their designs. It really raised the bar on the competition.’

“Seventeen-year-old Olivia Lozano received one of the awards. ‘It kind of got the ball rolling for me,’ she says of the contest, for which she created a reading room filled with glass windows that opened to the outdoors. ‘Then it turns into a vortex and you’re down in El-Naggar’s classroom like four hours a day, and then you’re here after school, and then you’re here on the weekends and over spring break.’

“El-Naggar says the lightbulb moment for his students today really happens when they first see a 3-D view of their building. ‘The ones that go, “Oh, my gosh,” and they start “walking” through it and they’re telling other people, “Look at this.” ‘ …

“When the University of Notre Dame, near South Bend, Ind., asked him to critique student projects, he met a fellow architect and professor who would help him get his first teaching gig, at Andrews University in Michigan. Once he started, he knew he’d discovered a second passion. Several years later, he was asked to fill in and teach architecture in his hometown at the high school. He welcomed the opportunity to teach five minutes from his home.

“Now his fervor for teaching is gaining more attention, earning him a teacher of the year award from a national project-based-learning group this past fall. ‘We consider ourselves very blessed to have a teacher like him in the classroom,’ says Nick Allison, the school district’s assistant superintendent for secondary education.”

More at the Post, here.

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Photo: Ryan Lenora Brown/The Christian Science Monitor.
Juliet Mzibeli (front) is 12 and has been kayaking with the Soweto Canoe and Recreation Club (SCARC) since she was nine.

Every story I share here comes bundled with Covid-era caveats. You know: are the people still doing on Saturday what was reported on Friday? I’m counting on the thought that Omicron having peaked in South Africa, the kids in this article are back to enjoying their sport.

Ryan Lenora Brown reported from Soweto for the Christian Science Monitor, “As a kid growing up in South Africa, Nkosi Mzolo and his friends had a front-row seat each summer to Africa’s largest river kayak race, a 75-mile endurance paddle over bone-rattling rapids.

“But as he sat on the banks of the Msunduzi River near Durban watching the paddlers stream by in a rainbow of bright spandex, he couldn’t imagine being in their shoes. ‘I thought that was a sport for white people,’ he says.

“But Mr. Mzolo happened to grow up straddling a revolution. When he was born, in 1988, Black South Africans like Mr. Mzolo couldn’t vote or live in most parts of the country, let alone play sports with white people. By the time he was 12, though, paddling was changing in post-apartheid South Africa.

“A local Black kayaker invited Mr. Mzolo to learn the sport. … Now Mr. Mzolo runs a canoe club that trains Black paddlers, opening up a world to them, just as it opened to him.

“ ‘Canoeing pulled my life off the course it was on and put me on a different one,’ he says.

“Today, he coaches more than 75 young, Black kayakers in Soweto, near Johannesburg, hoping the sport, known to South Africans as canoeing, might do the same for them. ‘I want to give them something in their lives to look forward to,’ he says.

“In a sports-mad country still wrestling with the legacies of segregation and colonialism, integration in sports is a deeply political issue. During apartheid, South Africa was banned from international competitions like the Olympics for refusing to send racially mixed teams. Today, there are controversial racial quotas for the national teams in most major sports. But Mr. Mzolo’s paddlers are part of a generation that grew up thinking they could play whichever sport they chose.

“The club Mr. Mzolo now leads, the Soweto Canoe and Recreation Club (SCARC), was started in 2003 by Brad Fisher, the advertising executive and paddler who sponsored Mr. Mzolo’s education. He later hired Mr. Mzolo, who was working as a gardener in Johannesburg, as one of the club’s early coaching recruits.

“Since then, the club has trained some of the country’s top Black paddlers. Mr. Mzolo himself has gone on to finish the Dusi Canoe Marathon, the long-haul race he watched as a boy, 17 times. But more importantly for coaches like Mr. Mzolo, the club has given thousands of kids a passion they might never have otherwise found.

“ ‘My talent is in the water,’ says Chwayita Fanteni, who is 16 and has been paddling for three years. ‘I like the energy I get from winning.’ … 

“ ‘My goal is to go to Russia. For the Olympics,’ says Nhlamulo Mahwayi, who is 12 and has been training with SCARC since he was nine. So far, he’s only been as far as Cape Town, which he rates as ‘so fun and so clean. I saw people surfing.’

“Like many of the young paddlers here, when Mr. Mahwayi joined the club in 2018, he didn’t know how to swim.

“ ‘Ninety-five percent of these kids, I would say, they come here not knowing how to swim at all,’ says Mr. Mzolo. That too is a legacy of apartheid, which barred Black South Africans from most pools and beaches. Today, many parents never teach their kids how to swim because they themselves don’t know how to.

“New recruits to SCARC, then, often spend months in a nearby public pool before they ever dip a paddle in the water. …

“Mr. Mzolo comes here when he can, when he isn’t working a night shift as a firefighter and paramedic, or sleeping one off. … It’s exhausting, he says, but nowhere near the worry he felt last year when the club was closed for five months during South Africa’s coronavirus lockdown.

“During those months, he spent his days rushing COVID-19 patients to hospitals, and his nights wondering how his athletes were doing, many attempting to do homeschooling with no internet, computers, or even sometimes electricity. Some lived in informal settlements with no reliable water or power. Many of their parents had lost their jobs.

“With public facilities like parks and dams closed, the club couldn’t train. Mr. Mzolo went door to door visiting his athletes and bringing food parcels to their families – just as he often did before the pandemic. … On a recent afternoon, the coaches arrived in a minibus loaded with heavy bags of cornmeal, rice, tinned beans, and oil, enough for every athlete to take home a share.

“ ‘Looking at myself, I started where these kids are,’ he says. ‘Now I’m trying to be part of their journey.’ ”

More at the Monitor, here.

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Photo: Hornplayer
JustALittleFurther: “We rose extra early to be here to witness Paramaribo’s most unusual pastime … a bird singing competition.”

In Suriname, a country that borders Brazil on the south and the Atlantic Ocean on the north, there’s an unusual sport that only men engage in — from businessmen in suits to tough-guy boxers. It involves songbirds.

Anatoly Kurmanaev reports at the New York Times, “Every Sunday just after dawn, while much of the city sleeps, a group of men gather on the overgrown lawn of a public park in a quiet neighborhood in the capital of Suriname, South America’s smallest country. They huddle together, and hush.

“They have bird cages, each carrying a songbird — a picolet, a twa-twa or a rowti, as the species are known here. Over the next few hours, the men will lean in, silent and focused, and listen to the birds as referees note the duration of each burst of singing, and rate each songster’s performance on a chalk board.

“The audience is engrossed, but wins and losses are greeted by handlers with the same quiet collegiality that has marked the morning.

“Birdsong competitions, a sort of a Battle of the Bands between trained tropical birds, are a national obsession in Suriname. …

“ ‘Some people like football or basketball,’ said Derick Watson, a police officer who, on his days off, helps organize the competitions with a cigar in his mouth. ‘This is our sport. It’s a way of life.’ …

“The yearly bird song championship, which culminates in final rounds that are broadcast on national television in December, draws around a hundred competitors that square off for trophies and a moment of national glory. …

“The most accomplished birds, with renowned stamina, sell in Suriname for up to $15,000, a fortune in the poor former Dutch colony, which gained independence in 1975. But part of the sport’s appeal is that at entry level, it is accessible to anyone, with young untrained birds available for just a few dollars in pet shops.

‘It’s a tradition,’ said Arun Jalimsing, a Surinamese pet shop owner and one of champions of last year’s competition. ‘We grew up with it. When my father gave me money to buy a bicycle, I went and bought a bird.’ …

“Training a songbird requires expertise, but also immense patience and perseverance. To build the birds’ singing endurance, aficionados spend years stimulating them through interaction, regulating their diets and putting them in proximity with female or male partners, according to elaborate training strategies meant to elicit courtship or competitive behavior from each songbird. …

“Suriname is a diverse country, a legacy of the Dutch colonial system, which brought enslaved people and indentured laborers from around the world to work sugar, coffee and banana plantations. … The bird enthusiasts support different political parties and often live in separate, ethnically-defined neighborhoods.

“Suriname’s few decades since independence have been turbulent. … Yet politics, race, class and other differences that have bred confrontations in other arenas seem not to intrude on the collegiality of the songbird owners’ community.

“ ‘Everybody is friends when they come here,’ said Marcel Oostburg, a bird aficionado and a senior official at Suriname’s National Democratic Party, which dominated the country for decades before being ousted in a tense election last year. ‘We never talk politics here.’ ”

More at the New York Times, here.

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Photo: Kristen Hartke/NPR
For the 2018 grand prize winner in Asheville, the judges were impressed by the intricate, working gingerbread gears of the clock inside Santa’s workshop.

Following up on last week’s post about extreme Christmas cooking, I’ll just say that whether the labor is for love or business, for fun or for cutthroat competition, it’s a treat to see what sorts of edibles our cooks turn out for the winter holidays.

Kristen Hartke reported at National Public Radio (NPR) on Christmas Eve last year, “Nadine Orenstein never expected to judge gingerbread houses. But several years ago, the curator in the Department of Drawings and Prints at New York’s Metropolitan Museum of Art happened to see a program on the Food Network about a competition in Asheville, N.C., and was intrigued. …

“Fourteen years later, Orenstein is still a judge for the National Gingerbread House Competition. … ‘In a way, it’s very similar to what I do as a career and, in some ways, completely different,’ she says.

“The biggest difference, of course, is that each entry must be entirely edible — although it’s fairly rare for the judges to actually eat the sweet creations — and must consist of at least 75 percent gingerbread. …

“The competition didn’t originate as a contest in 1992, but as simply a display of gingerbread houses made by Asheville locals. … This year, there were 195 entries from across the U.S. and Canada, which means that judging this contest is no cakewalk.

“Other than Orenstein, most of the eight judges come with a serious pastry pedigree, like Mark Seaman, master sugar artist for Barry Callebaut chocolate company, one of the world’s largest cocoa producers. Seaman has been judging the competition for over a dozen years.

” ‘It is a long and somewhat complicated process,’ he says. ‘Some people are literally spending hundreds of hours creating their entries, so we want to pay attention to the work they’ve put into it, but we also have to do all the judging in one single day.’ …

“Using specific criteria — creativity, difficulty, overall appearance, consistency of theme, and precision — each judge starts the morning by spending two hours choosing 10 favorites in each category. The competition staff collects the information, plugs it into Excel, and tabulates the first round of results, narrowing it down to a universal top 10 entries. Then the judges really get down to business, parsing the technical difficulty and design elements in half-points — numbers that go back into the spreadsheet for the final result.

“But while the competition relies on numbers to achieve fairness — sometimes the grand prize winner isn’t even selected by all the judges as one of their initial top 10 favorites — it’s ultimately a combination of technique and creativity that determines the winners. …

“For Seaman, craftsmanship is a key element, particularly when he sees something especially innovative, like this year’s

grand prize winner, which depicts Santa’s workshop with a clock made of functional gingerbread gears. The gingerbread was baked by creators Julie and Michael Andreacola, of Indian Trail, N.C., for several hours, then precision-cut with lasers. …

“While Orenstein finds the technical elements impressive, she is also looking for a compelling story, … ‘Sometimes, the lack of perfection is key in art,’ says Orenstein, ‘but what I’ve learned over time is that perfection in these gingerbread houses matters.’ …

“Those details might be the tiny copper Moscow mule mugs that grace a table where a group of reindeer are playing a game of poker, the labels on the cans lining the walls of a general store — all edible, mind you — or realistic-looking candles made of white chocolate that stand next to a gingerbread clock. …

” ‘You don’t enter a competition because you want to win,’ says Seaman. ‘You enter because you want to do the best work you can possibly do. The people who win are attached to the piece in some personal way. Even though the technique is really important, you shouldn’t learn how to do hot sugar just for the purposes of entering this contest.’ ”

More at NPR, here.

Noncompetitive gingerbread displays involve less pressure and may be more fun. Here are a few local efforts: one at the library, two at the Colonial Inn.

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121219-Frozen-movie-as-Gingerbread

121219-Scouts-do-gingerbread

 

 

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Photos: N. Boak
Brown Bears at Katmai National Park and Preserve gain a lot of weight during the spring and summer to prepare for winter hibernation. Alaskans and friends around the world compete to vote on which bear looks the fattest.

I just learned about a funny competition that even the inventive, competition-loving Finns hadn’t thought up. The story was on the wonderful radio show Living on Earth.

“RADIO HOST STEVE CURWOOD: The rangers at Katmai National Park in southern Alaska are hosting a fishing derby, but in this case it’s not the biggest fish that wins, it’s the biggest one who catches fish.

“These contestants are very large bears, the eight and nine footers of Katmai, which is home to the largest concentration of brown bears in the world. These bruins can lose as much as one third of their weight while sleeping through the long cold Alaska winter, so summer and fall, they pack on extra pounds with sockeye salmon.

“And to let the public decide which bear appears to have caught and eaten the most fish, park rangers host a fat bear contest each year. People can watch the live stream of the bears snagging fish on the Brooks River in Katmai and then go to Facebook to vote for the ursine angler they think should be named the fattest. For details of the fat bear tournament Living on Earth’s Bobby Bascomb spoke with Katmai media ranger Naomi Boak.

“BOAK: It’s like March Madness for bears. We create brackets, and we have head to head matchups. And people from all over the world vote for who they think is the fattest bear this year at the Brooks River. And we have several bear cams here which stream live the activities of the bears all season. …

“BASCOMB: I was watching the live stream online and it’s really fun just to watch these bear stand so stoically, and try and catch the salmon coming upstream. And that’s how they’re fattening up right now. Right?

“BOAK: Yes, and they’ve been doing that all summer. We have one of the largest sockeye salmon runs here on the Brooks River. And it was a great salmon run; last year was record breaking. And the bears came back nice and healthy. And this year was another great year. The bears are really obese, and they’re working very hard to be as fat as they can for their winters hibernation. …

“When they go into hibernation in the winter, they’re not completely asleep. But they do not eat; they lose maybe 30 to 40% of their fat stores. So if they’re not fat enough, they’re going to have a hard time surviving the winter.

“And when they come out of hibernation in early spring, there’s not a lot of food around. So they’re eating grasses, it’s not very nutritional, they will continue to lose weight. And for sows, it’s important for them to get fat because they won’t get pregnant unless they’re fat. With bears, there’s what’s called delayed implantation. So the bears mate early in the season. Spring and early summer, mostly. But the eggs don’t implant in the uterus until the sow is fat enough. …

“BASCOMB: You have some before and after photos on your website of some of these bears, and I gotta say they’re pretty shocking. I mean, you can see the same bear when it comes out of hibernation in June, as you mentioned, and again in September, they hardly look like the same animal. …

“BOAK: No, they don’t, which is why we want to celebrate what they’ve done all summer. And to really let the public know. And it’s hard for us to identify the bears from the beginning of the year to the end of the year, they look so different. They change colors, they shed their coats, and the coats are different. …

“BASCOMB: Last year’s winner, Beadnose I think her name was, looks more like a furry hippo or something than a bear. Her belly is practically dragging on the ground. Does she have some kind of special technique to get so big, you know, how is she catching her fish better than the other bears?

“BOAK: Well, yes, she was very successful. But bears have different fishing techniques. They can be on the lip of a falls, which is a delicate balancing act, but it’s a very great position to be in. Beadnose liked to do that. Another technique that the really big guys like is to fish in the jacuzzi, which is the eddy right below the falls. It’s where the fish wait to make the jump up the falls. And these bears are big enough. So they can sit down on their haunches and with their front paws, fish. And so they don’t have to move. They just have to fish with their front paws. … Bears don’t like to get their ears wet so they will snorkel. …

“Bear 747 is certainly a fan favorite. He is humongous. He looked like he was ready to hibernate back in July. Bear 435, Holly, who is a very famous female here. She has had several litters, and she actually adopted a lone yearling a few years ago. So it’s made her a fan favorite. She is also gi-normous. She does look like a hippo. …

“CURWOOD: For links to the live stream of the fat bears of Katmai go to our website LOE.org.”

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Photo: Associated Press
If it’s a heavy metal knitting competition, it has to be Finland. Finland has the world’s most unusual contests.

I love stories about the unique contests the Finns come up with. Remember cellphone tossing, swamp soccer, and wife throwing? So glad the Huffington Post shared this July report from the Associated Press.

“Armed with needles and a yarn of wool, teams of avid knitters danced Thursday to the deafening sounds of drums beating and guitars slashing at the first-ever Heavy Metal Knitting World Championship in eastern Finland.

“With stage names such as Woolfumes, Bunny Bandit and 9″ Needles, the participants shared a simple goal: to showcase their knitting skills while dancing to heavy metal music in the most outlandish way possible. …

“The competition took place in a packed square in the small town of Joensuu close to the Russian border. An eclectic group of around 200 people watched the performances, from families with young children and elderly to the less conspicuous heavy metal fans donning leather-jackets and swirling their long hair to the fast-paced rhythm of the music.

“A niche musical genre in many countries, heavy metal is more mainstream in Finland, with several bands household names frequently played on the radio. Its popularity grew further in 2006 when the Finnish band Lordi won the Eurovision Song Contest dressed as monsters. …

” ‘In Finland it’s very dark in the wintertime, so maybe it’s in our roots. We’re a bit melancholic, like the rhythm,’ said Mark Pyykkonen, one of three people judging the competition. …

“Said Mari Karjalainen, one of the founders of the event, ‘[Winter] really gives us lots of time to plan for our short summers and come up with silly ideas.’

“Thursday’s competition saw participants from nine countries, including the United States, Japan, and Russia, put on inspired performances full of theatrics, passion and drama and the jury struggled to agree upon a winner.

“Finally, it was a Japanese performance by the five-person Giga Body Metal team that clinched the title with a show featuring crazy sumo wrestlers and a man dressed in a traditional Japanese kimono.

“ ‘It’s a great release,’ said Elise Schut, a 35-year-old nurse from Michigan who performed with her 71-year-old mother and 64-year-old family friend, Beth Everson, who added that ‘knitting is such a meditative activity but now it’s energetic and heart pumping.’ ”

More.

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Photo: TV Tropes

You know about the imaginative world of hobby-horse competitions in Finland, but did you also know Finland is a leader in air guitar? And what is air guitar, you ask?

You would know the answer to that if you had seen the goofy 1989 film Bill and Ted’s Excellent Adventure, in which the heroes frequently launch into pretend guitar riffs.

Byrd McDaniel explains it all at the Conversation.

“Advertised as the ‘greatest thing you’ve never seen,’ the 2019 U.S. Air Guitar Championships will take place this summer. Competitors from around the country will don elaborate costumes, construct fantastical personas and perform comedic pantomimes of famous rock solos. Impaling themselves with their air guitars, swallowing them and smashing them to smithereens, they’ll elevate guitar playing to heights only imagined by real guitarists.

“The winner will go on to represent the U.S. in the Air Guitar World Championships, which will take place in Oulu, Finland, in late August.

“As an ethnomusicologist, I’ve studied air guitar competitions as a scholar, audience member and competitor. In fact, I was named the third best air guitarist in Boston in 2017 – truly one of my proudest moments.

“Beyond the humorous, ironic façade of these performances is a sincere craft that has exploded in popularity over the past couple of decades.

“The phonograph, which became a common household item in the the first decade of the 20th century, inspired some of the earliest known instances of solo air playing. The Minneapolis Phonograph Society described how some of its members, from the privacy of their homes, had ‘taken to “shadow conducting,” that most exhilarating phonographic indoor sport.’ …

“One journalist for the Washington, D.C., Evening Star wrote an article about patients at an asylum, including ‘one young girl [who] appeared to be fingering an imaginary guitar.’ And a 1909 article in The Seattle Star described a pantomiming prisoner who ‘spends his time in jail playing on an imaginary piano, hoping thus to give the impression that he is insane and so escape a more severe punishment.” ‘ …

“Some of the first known instances of live musicians breaking out the air guitar occurred during the 1950s and 1960s. Notable examples included Bill Reed and the Diamonds air guitaring on the Steve Allen Show in 1957, and Joe Cocker famously shredding an air guitar during his performance at Woodstock in 1969.

“But rock fans didn’t really start taking up air instruments of their own until the 1970s, when they found themselves unable to resist mimicking their favorite performers, who had become more and more inventive with their guitar playing. …

“Fans soon began copying the wild gestures of their favorite guitarists to mirror their onstage energy. As journalist Chris Willman wrote, Eddie Van Halen possessed ‘the fingers that launched a hundred-thousand air-guitar solos.’ And in the late 1970s, fans famously started bringing cardboard cutouts of guitars to Iron Maiden shows at The Bandwagon Heavy Metal Soundhouse in London. …

“By the early 1980s, air guitar had gone mainstream. Beer companies, radio stations and colleges staged lip sync battles and air guitar competitions all over the United States. John McKenna and Michael Moffitt published ‘The Complete Air Guitar Handbook‘ in 1983, a how-to guide and psuedo-history of air guitar playing. …

“In 1996, the Oulu Music Video Festival in Finland arranged to have an air guitar competition. … This year marks the 17th annual contest, and air guitarist Georgia Lunch will be competing as the reigning champion.

“In 2018, her routine included carrying a lunchbox onstage, sipping Jägermeister out of a hamburger flask and a spastic strumming style.

“Her challengers include a group of well-known names from the air guitar circuit: Airistotle, Cindairella, Shred Nugent, Lieutenant Facemelter, Kingslayer and the Rockness Monster. She’ll also face some first-time competitors, who hope to unseat the air apparent.”

Come up with a cool name of your own and join the fun. More here.

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Photo: Dmitry Kostyukov for the New York Times
A girl performing during a hobbyhorse competition in Helsinki in March 2019.

Now here’s an unusual pastime: hobbyhorse competitions. Who knows how these things get started with kids? They make up their own fun. It starts out as private play, under the radar, and before you know it, it’s on TV.

Ellen Barry reported from Finland for the New York Times. “A dozen girls waited in line in a Helsinki arena for the dressage competition, ready to show off their riding skills, their faces masks of concentration.

“The judge put them through their paces — walk, trot, canter — and then asked them for a three-step rein-back, that classic test of a dressage horse’s training and obedience. The judge looked on gravely, occasionally taking notes.

“If anyone thought it strange that the girls were riding sticks, no one let on. The make-believe world of the hobbyhorse girls extended as far as the eye could see.

“A veterinarian lectured girls on hobbyhorse vaccination schedules, saying ‘check that the eyes are clear and there is no nasal discharge.’ The girls discussed hobbyhorse bloodlines and hobbyhorse temperaments, hobbyhorse training routines and hobbyhorse diets. There were rhinestone-studded bridles for sale. …

“ ‘The normal things, that normal girls like, they don’t feel like my things,’ [Fanny Oikarinen, 11,] said. But she is at home in the world of hobbyhorses, where boys and grown-ups have no place.

“Fanny and her friend, Maisa Wallius, are training for summertime competitions. They have choreographed a two-part dressage routine to a song by Nelly, the rapper. Asked which types of girls are drawn to hobbyhorses, Maisa thinks for a while before answering.

“ ‘Some are sports girls,’ she said. ‘Some are really lonely girls. And some can be the coolest girl at school.’

“It is impossible to say exactly when the Finnish hobbyhorse craze began, because it spread for years under the radar before adults became aware of it.

“In 2012, a filmmaker, Selma Vilhunen, stumbled across internet discussion boards used by hobbyhorse enthusiasts and was enraptured.

“Teenage girls had invented a form of hobbyhorse dressage, in which the rider’s lower body pranced and galloped like a horse, while her upper body remained erect and motionless like a rider. This evolved into an elaborate network of coaches and students and competitions, but it was discussed only online, for the most part.

“ ‘It was like a secret society,’ Ms. Vilhunen said.

“One of the girls she sought out as a guide to the hobbyhorse scene was Alisa Aarniomaki, a teenager from a city on Finland’s west coast.

“Leather-jacketed and fuchsia-haired, Ms. Aarniomaki was a celebrity in the online world for her hand-sewn hobbyhorses and riding videos, but she was apprehensive about letting her classmates know about it. When she was 12, some friends happened to spot her practicing in the woods near her school, and teased her for playing a child’s game. …

“When Ms. Vilhunen’s documentary film, ‘Hobbyhorse Revolution,’ was released in 2017, it captured its subjects in long spells of raucous joy. This was important to the filmmaker, who has made adolescent girls the focus of much of her work.

“ ‘Little girls are allowed to be strong and wild,’ she said. ‘I think the society starts to shape them into a certain kind of quietness when they reach puberty.’ …

“Within the rapidly expanding community of enthusiasts, the problem of ridicule really doesn’t come up. ‘I haven’t run into that sort of situation in a long time,’ [Ms. Aarniomaki] said. ‘I live in a bubble that is filled with hobbyhorses.’ ”

More here.

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Photo: J. J. Williams/Public domain
Hawaiian hula dancers photographed in J. J. Williams’s photo studio, circa 1885. The art form was suppressed for many years but is now celebrated around the world.

I was thinking recently that I’d love to learn some new dance forms. I took lots of ballet as a kid, and I keep reading that dancing is good for your health when you’re older. Essentrics, an exercise program I love, has taught me to focus on moves that are beneficial, not contorted. So what kind of dance would be good? Someone I know teaches salsa. Should I try that?

The following article got me wondering if hula might be good for me.

Ligaya Malones writes at Atlas Obscura about Hawaiʻi’s Merrie Monarch hula festival, “arguably the most prestigious event of its kind.

“Every spring, thousands of hula fans descend upon the Hawaiian town of Hilo and line the bleacher seats at Edith Kanaka’ole stadium. Thousands more across the islands — those unable to make it to Hilo themselves — watch live broadcasts on their televisions or computer screens. All these people are showing up and tuning in for the beloved Merrie Monarch Festival, sometimes referred to as ‘the Olympics of hula.’ …

“The three-day competition is part of several week-long events held throughout Hilo, home of Merrie Monarch since 1963. … Much credit is given to King Kalākaua, the last of Hawaiʻi’s kings, for reclaiming hula’s place in Hawaiian society. He was elected to the throne in the 1870s by the Hawaiian legislature, and often hosted hula-filled celebrations, including at his coronation. Merrie Monarch was Kalākaua’s endearing nickname and it is his contribution to hula that the competition honors every year.

“ ‘It’s electrifying,’ says Robert Ke’ano Ka’upu IV, who grew up in Hilo. Ka’upu has participated in the invitation-only competition for the last 30 years as a spectator, dancer, chanter, costumer, and now as kumu hula. … ‘I don’t get excited like this for any other competition,’ he says.

“During the festival, every inch of a performance is scrutinized. Dancers are evaluated and earn points for the way they enter and exit the stage, their facial expressions, posture, costume, lei, and adornment, says Ka’upu. However, the bulk of scoring is placed on the kumu’s interpretation of a song, known as a mele, and how well dancers interpret their kumu’s vision of the performance.

“To assist in deliberations, every competing group provides judges with a fact sheet that corresponds to each performance. These fact sheets, which are due before the competition, explain everything from a mele’s background to the meaning of the lei that dancers wear ‘so [the judges] get a better understanding of what each halau is doing,’ says Ka’upu. He adds that his halau will submit more than 70 pages of fact sheets to the judging panel for the competition this year. Judges bestow high scores to those who best personify technical excellence, and ultimately the expression of Hawaiian identity through chant and dance. …

“Hawaiian culture existed without the written word until western contact, so Hawaiians passed down knowledge orally and through dance. Through chant and movement, hula narrates place; honors goddesses and gods, such as Pele, goddess of fire; celebrates nature’s surroundings, from birds to waterfalls; and records genealogy and human emotion. ‘Kaulilua,’ for example, is one of Merrie Monarch’s most performed ancient hulas. The mele likens a woman to the island of Kauaʻi’s verdant Mount Waiʻaleʻale. …

“As Western influence grew and Hawaiʻi’s fate approached annexation and eventual U.S. statehood, so did the need for local manpower to fuel its new sugar economy. In 1858, missionaries with a keen interest in sugar’s profits pursued legislation to suppress hula even further, citing lethargy in sugar cane fields, promiscuity, and attrition from Sunday service. Records show a code of conduct published in 1859 required a license for ticketed, public hula performances. Yet hula persisted under the mesh of legal restrictions and moral shaming. Hawaiians still danced, particularly in more rural areas where government oversight trickled, missionary presence was scarce, and police all the more so. ‘Hula was never lost,'” says Dr. Taupouri Tangarō, director of Hawaiian culture and protocols at University of Hawaiʻi at Hilo.

For more on the competition and for more-contemporary hula photos, check out Atlas Obscura.

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Photo: Cliff Owen/Associated Press
The Afghan team at the opening ceremony of the First Global robotics competition in Washington in July.

Did you read about the ups and downs of the young Afghan girls who ran into the travel ban when they tried to come to July’s robotics competition in Washington?

Emily Cochrane wrote about it at the NY Times.

“It took an international outcry and intervention from President Trump and other officials to allow [six] girls from an Afghan robotics team to receive visas after two rejections, letting them travel to the United States for participation in First Global, an international robotics contest.

“For three days in the Daughters of the American Revolution Constitution Hall, where an African-American woman was once denied the right to sing before an integrated audience in the 1930s, the Afghan girls in head scarves were stars on an international stage, with cameras, lights and whispers trailing them from practice to competition. …

“Wai Yan Htun, 18, a member of Myanmar’s team who stopped to get the Afghans’ signatures on his shirt, said: ‘We love them. They’re like superheroes in this competition.’ …

“In the competition, teams of three, equipped with kits that included wheels, gears and two video game controllers, chased down blue and orange balls, which represented clean and contaminated water. In two-and-a-half-minute rounds, teams guided the robots to sweep the balls into openings based on their color.

“ ‘It’s way more fun, way more exciting than bouncing a ball,’ said Dean Kamen, one of the organization’s founders and inventor of the Segway. ‘That’s not a competition out there. That’s a celebration.’ …

“The six students were chosen from an initial pool of 150 applicants. They built their robot in two weeks, compared with the four months some of their competitors had, because their kit’s shipment was delayed. …

“While the team did not place in the top ranks overall, their final performance, they agreed, was better than they had hoped for. …

“ ‘I am so happy and so tired,’ Alireza Mehraban, an Afghan software engineer who is the team’s mentor, said after the competition concluded.

“Mr. Mehraban said the contest had been an opportunity to change perceptions about the girls’ country. ‘We’re not terrorists,’ he said. ‘We’re simple people with ideas. We need a chance to make our world better. This is our chance.’ …

“ ‘God made this planet for something like this, all the people coming together as friends,’ said Alineza Khalili Katoulaei, 18, the captain of the Iranian team, gesturing to the Iraqi and Israeli teams standing nearby. ‘Politics cannot stop science competitions like this.’ ”

More at the NY Times, here.

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The Arab world is divided on whether Jennifer Grout is an interloper or the reincarnation of their beloved Egyptian chanteuse Umm Kalthoum. Last night she placed third in the Beirut-based “Arabs Got Talent.”

You will be hearing a lot about this young American singer of classical Arabic songs, who is wowing judges without being able to speak a word of Arabic. If nothing else, she is giving the show international recognition. This story is from Agence France Presse (AFP).

Having taught herself to sing “the Arab world’s best-known, most difficult songs,” says AFP, Grout gave contestants in “Arabs Got Talent” a run for their money.

In early December, “Her blonde hair loose and without a sign of make-up, the 23-year-old appeared before a panel of judges to audition for the ‘Arabs Got Talent.’

“When Egyptian film star and panel member Ahmed Helmy asked her in Arabic what her what her name was, she didn’t have a clue what he was saying.

“But then she began to play the oud and sing a classic by Egyptian diva Umm Kalthoum, ‘Baeed Annak’ (Far From You).

“She stunned the audience, enunciating every word to perfection as her voice effortlessly navigated the quarter-notes that make Arabic music so distinctive. …

“As a 20-year-old student in Boston, Grout says she ‘came across an online article about Fairouz” [a Lebanese singer often referred to as ambassador to the stars].

” ‘I listened to her and watched a video of her, and I was just really intrigued and mesmerised by her voice. So I decided to start exploring Arabic music more,’ Grout told AFP.”

Read more about her discovery of Arab music and the classical instrument called the oud three years ago and how she ended up competing on a show in Lebanon, here.

Photo: Joseph Eid/AFP
Jennifer Grout, a contestant in the pan-Arab TV show “Arabs Got Talent”, poses for a photo at the MBC television station studios in Zouk Mosbeh, north of Beirut, on December 4, 2013.

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Thousands of languages are becoming extinct as the last of the people who speak them die off.

In a race against time, some determined souls who value the richness and insights that individual languages provide are making efforts to save as many minority languages as possible. We posted about that here.

Today National Public Radio had a feature on another approach to preservation, the Liet International Song Contest.

“Auditions are now underway for next May’s Eurovision Song Contest — that often-ridiculed television spectacle that has drawn millions of viewers around the world every year since 1956. In 2012 the host country will be Azerbaijan, since that country fielded last year’s winner. The show’s performers rely on outlandish costumes, dance moves and gimmicks to grab attention because most viewers can’t understand what they’re singing. But language is at the heart of another Eurovision-sponsored song and performance competition this weekend in Italy. The Liet International Song Contest is a very serious attempt to keep some of the continent’s neglected languages alive.”

Read more.’

 

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