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Photo: Emily Turner.
Emily Turner (pictured) planned to take 16 buses in total, traveling exclusively by buses that fall under the government’s £2 [$2.40] local bus program. 

The other day, a friend asked me what I will do if I decide to give up driving: for example, how will I get to the Providence grandchildren from Massachusetts. Public transportation, I said. It will take all day, and I’ll have to go there less often and stay longer, but it’s doable. I’ve tested it.

Because public transportation in the US is not the best, I think you really have to reorganize your life around using it. And you have to assume everything will take a lot longer. But what’s the hurry?

Here’s a woman in the UK who decided to test how far she could go just using public buses. She’s been buoyed by all the people following her adventure on social media.

Sophie Zeldin-O’Neill reported last month at the Guardian, “A British woman undertaking an epic three-day expedition from London to Scotland using only local buses has expressed her surprise at the level of support from thousands of people following the chronicles of her journey on Twitter.

“Writer and podcast host Emily Turner, from London, began her nearly 400-mile journey in the early hours of [Feb. 10], announcing on Twitter: ‘I’ve been wanting to do this for YEARS!!’ …

“She plans to arrive at her destination, Edinburgh, on Sunday, taking 16 buses in total, and traveling exclusively by those that fall under the government’s £2 [$2.40] local bus program. …

“Turner, who hosts the Roundel Round We Go podcast about the London underground, planned her trip to coincide with her 35th birthday on Friday, and is attempting to keep the total cost under £35 [$42].

“On Friday night, she tweeted: ‘And that concludes my 35th birthday. When my mother turned 35, she was about to give birth to me, but I feel like today I have given birth to a whole Twitter bus lover community, so to each their own.’

“In response to one Twitter user who commented ‘I bet it’s going to cost more than a single megabus ticket,’ Turner replied, ‘Oh definitely! It was more about the journey than saving money.’

“Upon arriving in Leeds, she explained some of the background to her penchant for public transport, saying: ‘Leeds is a city I’ve spent about three weeks in previously. They were while I was doing intensive teacher training, and I was spending a lot of time with large groups of people, which I found exhausting, so I’d escape and go ride buses.’

“Thousands of people around the UK have followed her account before and during her journey, providing tips and encouragement – and sharing their own bus-related anecdotes. One Twitter user said: ‘Looks like you passed my house on the Stagecoach 59 from Barnsley this morning. Wish I’d known, I’d have got you a coffee and a sandwich from Noble’s at Busy Corner.’ …

“Turner has been compiling a bus-themed playlist, with songs including Erica Banks’ ‘Buss It’ and ‘Vengabus’ by the Vengaboys.

“In response, she has been offered tips for audio accompaniments to the voyage: ‘I hope you liked the 16-minute @GratefulDead song I recommended earlier,’ said one follower. ‘If you’ve got another long bus ride still to come, I’ve got a 30-minute one ready for you.’

“A newer follower added: ‘Very much enjoying the @ETWriteHome bus tour … I did a similar hitchhike to Paris from Edinburgh in 2010. If you can muster the energy down to @NewbarnsBrewery when you make it to Edinburgh there will be a drink on the bar for you.’

“Despite trying to adhere to a strict schedule en route to Scotland, Turner’s journey has been disrupted and delayed at various points. On Friday, she boarded an unplanned bus at Luton, and on Saturday, she got stuck after her card was declined – something which, it transpired, was because she had carried out more than the permitted number of Apple Pay transactions in a single day.

“At the time of writing, Turner is in Newcastle. She plans to get the train back to London on Sunday evening.”

Have you had public transportation adventures worth sharing? I seem to recall that blogger Asakiyume tweeted that her son had planned a similar trip in the US. And the reason I learned that public transportation to and from Providence was doable was a blizzard.

I left my car in the Amtrak garage in Providence and trained it to South Station in Boston. From there, I took the subway to Porter Square, Cambridge, and hung around for the commuter rail to my town. When I got to town, I walked across the snowy street to my house, a block from the train.

It was the only moment I needed my snow boots.

More at the Guardian, here.

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Permission to Stay Warm

Photo: Henry Nicholls/Reuters.
Residents take shelter inside London’s Roehampton Library, Dec. 14, 2022. The library is being used as a “warm bank,” according to CSM, welcoming members of the community to spend time there in the winter months as an alternative to heating their homes amid increased energy costs.

After Russia invaded Ukraine a year ago, oil prices and heating costs went up for everyone. And rather than help people out, oil companies gave their windfall profits back to themselves. In the long run, that can only help to spur alternative energy development. But meanwhile, folks are just trying to keep warm.

Natasha Khullar Relph writes at the Christian Science Monitor, “String lights, boxes full of postcards to share a story, or a sign on the door that lists the top five David Bowie songs with the message, ‘Come in and argue’: There are many ways to make people happy to come out of the cold and into a public warm space, says Maff Potts. The key, he adds, is to make sure they feel welcome and not judged.

“ ‘What gets people in is that it’s not a church. It’s not a charity,’ says Mr. Potts, who founded Camerados, a social movement that’s been opening public living rooms in communities across the United Kingdom since 2015. ‘There’s no fixing, no answer. There’s just permission.’ …

“While the U.K. Health Security Agency is encouraging people to warm their homes to at least 18 degrees Celsius (64.4 F), more than 3 million low-income households cannot afford to heed this advice.

According to analysis by the Joseph Rowntree Foundation, around 710,000 households across the U.K. cannot pay for warm clothing, heating, and food, with approximately 2.5 million households – a fifth of all low-income households – going without both food and heating.

“And with power prices hitting record levels and energy costs double what they were last year, warm spaces have popped up all over the country. To avoid any potential stigma, they’re being presented as communal spaces where people can come to chat rather than charitable offerings of heat or food. While the main reason someone would go to a warm space or public living room is most likely to be warmth, it’s the camaraderie and conversation that keeps people there. …

“Britain’s poor people face the worst winter in living memory, tweeted former Prime Minister Gordon Brown in December. ‘A year ago we talked about people having to choose between heating and eating, now many can’t afford either,’ he wrote. Two-thirds of the country will be in fuel poverty come April, which includes 70% of pensioners [retirees] and 96% of single-parent families with two or more kids, he noted. …

“If you’re struggling to pay to heat your home, you only really have three options, says Matt Copeland, NEA’s head of policy: You could rack up debt with your energy supplier, ration your energy and use less than you need to stay warm, or simply turn off the heating, the impact of which can be significant. Research shows that more people die from cold homes than they do from alcohol’s short- and long-term effects, Parkinson’s disease, or traffic accidents.

“ ‘We know of households with prepayment meters who just can’t afford to top them up at all,’ says Mr. Copeland. ‘They’re going days, weeks, and sometimes months without access to energy.’ …

“Where the government is failing, communities are stepping up. ‘It is completely absurd that one of the 10 richest countries in the world can’t put a sufficient priority on things and make the right choices so that we have somewhere to keep people warm,’ says Mr. Potts of Camerados, whose public living rooms are now being used as templates for warm spaces around the country. After almost 30 years of working with people at the margins, Mr. Potts says he doesn’t have faith that the solution lies in the civil service. …

“An LGBTQ+ community space in Brighton. A bakery in North Yorkshire. A gaming cafe and ‘geek culture’ store in Ipswich. A vegetarian restaurant in Tunbridge Wells. A brewery in Devon. A former shoe store in Worcestershire. Warm spaces are popping up all around the country, in all manner of ways, in a community effort that started organically, from the grassroots, without a central organizer.

“In addition to community halls and churches, hotels, hairdressers, and cricket clubs are opening up their doors for anyone who needs some warmth, some company, and perhaps even a drink. Even legendary soccer club Manchester United has gotten in on the action and is offering Old Trafford, the club’s stadium, as a free warm hub, with its restaurant, the Red Café, opening its doors on Monday and Wednesday evenings ‘to help those facing difficult months ahead.’

“The Warm Welcome campaign, an organization that has encouraged thousands of faith groups, charities, and businesses to provide such public spaces, said they’d seen 80,000 people use their facilities during December’s cold snap. The campaign notes that there are now warm spaces in every town and city in the country, and lists over 3,200 venues on their website, which include spaces run by local authorities, charities, and businesses. …

“ ‘What we have in Brighton and Hove is a tremendous community-mindedness among residents. Despite the stark reality facing residents this winter, people have stuck together and they’ve really helped each other through some of the starkest problems,’ says Brighton and Hove City Council Leader Phélim Mac Cafferty, who notes there are more than 40 warm spaces available to the public across the city. …

“This nationwide response to the energy crisis is unique in how much of a community effort it is. The effort to create warm spaces was neither government- nor council-led, nor the work of any one particular organization. As the need became obvious, first volunteers, then organizations, and later local councils jumped in feet first.”

More at the Monitor, here. No firewall.

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Photo: BBC.
Carer Beth Forster leads music workshops for seniors with dementia in the UK.

At Thanksgiving, we had the pleasure of meeting Meg, a relatively new member of our family who shared a bit about using music therapy with hospitalized patients suffering from mental illness. So I was interested to read today’s story about a similar music program in the UK, one that focuses on people with dementia.

Sarah Gwynne and Woody Morris had this report at the BBC.

“An orchestra is attempting to bring people living with dementia back into the present. The work being done by Manchester Camerata has never been more important, given that there are about 900,000 people with the condition in the UK, a number that is predicted to nearly double by 2040. …

“People with dementia often find listening to music can reignite old memories from long ago. Much more overlooked, though, is the impact that making music can have on the present.

“While some with dementia can often feel trapped in the past, some researchers believe the act of creating music – as well as listening to it – can help to reconnect them to the here and now.

“A new BBC documentary — Dementia, Music and Us — follows the work of Manchester Camerata and its principal flautist Amina Hussain.

“Amina, who is also a professional music therapist, leads classes across the north-west of England that have been described as life-changing.

” ‘Taking part in the ‘Music in Mind’ workshops has been an enormous privilege for me as a musician,’ she said. …

“Classes for the community consist of improvisation, singing, and writing their own music and lyrics.

“Keith Taylor, 62, was diagnosed with frontotemporal dementia when he was 53. … Like many, he really struggled to come to terms with his new reality.

” ‘The best way I could explain it,’ he said, ‘is if you’re in a pine-wooded area and all of the trees are in grids and blocks and you’re walking through that and it’s dark and you can see the mist coming up behind you and you can feel it catching you.’ …

“Keith’s partner of 14 years, Joan, said they had found the sessions to be genuinely life-changing. ‘I think the thing that saved us was the first ever music group we went to because from that group it opened other groups up for us,’ she said. ‘It’s been fantastic.’

“Keith added: ‘I live life every week. Not every day — every week because I’ve got music sessions.’ He said the workshops ‘make him smile, enjoy life and it just brings the best out of you.’

“Researcher Dr Robyn Dowlen is seeking to better understand the ‘in the moment’ benefits of music-making for people with dementia. … She believes the improvisational music workshop experience allows people to ‘create something that is held now in the moment.’

“Keith described how the sessions and being in what Dr Dowlen calls the ‘musical spotlight’ had helped him ‘stand up taller.’

“Dr Dowlen added: ‘Improvisational music-making is particularly important for people with dementia, especially when it comes to building their confidence and their self-esteem.’

“Beth Forster, from Liverpool, started her career in caring as a volunteer two years ago when she found herself furloughed during the pandemic. When a staff position subsequently became available she applied and has never looked back.

“The 28-year-old decided to get involved in the music workshops after news began to spread about the positive impact they could have on those living in care homes. A musician herself, Beth received training from Manchester Camerata’s professional music therapists so she could lead her own workshops.

“Beth said: ‘I feel like I’ve got more strategies to bring residents into the present to help them if they’re distressed… I can’t really believe this is my job. … it is a real privilege.’ “

More at the BBC, here.

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Photo: Emli Bendixen/Arts Fund/PA.
The venue in London’s Forest Hill, says the
Guardian,”is the capital’s only museum where environment, ecology and human cultures can be seen side by side.”

What special features are people looking for in museums these days? The traditional recorders of art and history keep changing. A look at a museum award in the UK may provide an insight into what is currently valued.

Nadia Khomami writes at the Guardian, “The Horniman museum in London has been crowned the Art Fund museum of the year 2022 for its work to inspire the next generation. …

“Its director, Nick Merriman, was presented with the £100,000 [about $117,000] prize – the world’s largest museum prize – by the DJ and broadcaster Huw Stephens at a ceremony at the Design Museum. … The Horniman was commended for completely reconfiguring its program in 2021 after the pandemic, Black Lives Matter and the increasing urgency of the climate crisis.

“It set up its ‘Reset Agenda,’ which focused on reorienting activity to reach diverse audiences more representative of London. This included embedding a Climate and Ecology Manifesto – from an online club of Environment Champions to the creation of a microforest to combat local air pollution.

“ ‘From a takeover of the galleries by children to its youth panel of 14-19-year-olds, work experience opportunities and Kickstart apprenticeships, the museum is inspiring the next generation,’ Art Fund, the UK’s national art charity, said.

“A further focus of the Reset Agenda was the 696 Program, an interrogation of the power and responsibility that public organizations have in supporting local music.

“The museum was said to showcase Black British creativity through a sold-out festival that reached 8,000 visitors, while nearly 20,000 experienced the related exhibition.

“Jenny Waldman, Art Fund director and chair of the judges, said: ‘The Horniman museum and gardens has now blossomed into a truly holistic museum bringing together art, nature and its myriad collections.’ …

“Dame Diane Lees, director-general of the Imperial War Museums and fellow judge, said the museum was championing the natural environment and commissioning artists and music festivals ‘to bring the eclectic collections of Frederick Horniman new relevance with diverse communities.’ …

“The 2022 edition of the annual award championed organizations whose achievements told the story of museums’ creativity and resilience, and particularly focused on those engaging the next generation of audiences in innovative ways.

“The other four shortlisted museums – the Story Museum in Oxford, the People’s History Museum in Manchester, Ty Pawb in Wrexham [Wales], and the Museum of Making in Derby – each received a £15,000 [about $18,000] prize in recognition of their achievements.”

I’m looking at an example form the Horniman website. An upcoming show, “We Breathe, Together: A Day of Community Air Action and Exploration” invites all who “dream of a clean air future – and want the tools to take action.

“From building (and racing!) your own hydrogen car, learning the skills to create a 2D stop motion clean air animation, to co-designing immersive climate adventures and ink breath painting. Meet incredible local campaigners in our Clean Air Village and listen to expert talks.

” ‘We Breathe, Together’ extends the conversation around ‘Breathe:2022‘ by artist Dryden Goodwin, the ambitious multi-site artwork exploring air pollution produced by Invisible Dust. ‘Breathe:2022’ combines over 1,000 new drawings, appearing as large-scale still and moving images on sites close to the heavily polluted South Circular Road and beyond, from May to December 2022.

“As part of the day, you can also immerse yourself in ‘Airborne,’ artist Sarah Stirk’s audio-visual installation that seeks to make the invisible threat of pollution visible.”

More at the Guardian, here. I know I have friends in the UK. If you go, will you share your reactions?

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Photo: Kerry Jones.
Artist Kerry Jones turned her old trailer into one of the smallest cinemas in the UK.

Today we have another idea on taking what you have and turning it into something that can delight others.

“Until fairly recently,” writes the BBC, “Kerry Jones’s caravan lay rotting and forgotten about in her garden in Galashiels in the Scottish Borders — a home for discarded bric-a-brac.

“But during the Covid-19 lockdown, the artist and filmmaker saw new potential in the 1980s Swift Pirouette, and resolved to turn it into a tiny, traveling cinema. With a maximum of eight seats, it could be one of the smallest cinemas in the UK.

” ‘It isn’t the first cinema caravan to exist,’ said Kerry. ‘There was one over in Dumfries and Galloway that a friend of mine made at the beginning of the 2000s, that was really inspiring. I’m really interested in projects that involve people out in your community.’ …

“Over the pandemic, Kerry secured a bursary [grant] from the Alchemy Film and Arts charity based in nearby Hawick as part of a local arts program running between July 2021 and December 2023. She used it to renovate the caravan inside and out, swapping the retro mint paneling for a bright red that could be seen for miles. … Inside, she plans to install between six and eight seats, again in a plush, cinematic red fabric.

“Speaking to Mornings with Stephen Jardine, she said: ‘[I’ve] had it for 12 years — it’s been out and about, it’s been used for people to stay, it’s been a spare room. But over the last few years, but it’s just been one of those spaces that you put things in and forget about.’

“Kerry’s caravan cinema project — named Moving Images — [made] its debut at Hawick’s Alchemy Film Festival on 28 April, screening nine short films all made by people in the south of Scotland.

“It comes at a time when Scotland has lost one of its smallest cinemas — the Schoolhouse Cinema in Shetland. This 20-seat cinema, run by local magician Chris Harris, was put up for auction in 2020 after he decided to leave the islands.

“Around the same time another tiny theater opened in the Highland village of Cromarty — a 35-seat facility that took two years to come to fruition.

“Kerry aims to cater for an even more intimate experience, and will be using a small portable projector to save on power without sacrificing picture quality.

“The caravan itself is solar powered, but Kerry said she will borrow a high-quality battery as back-up until she can crowdfund her own.

“Any spare cash will then be put towards taking the caravan on the road — possibly for a tour of free screenings and running filmmaking workshops at local primary schools.

“Kerry added: ‘It’s going to be really adaptable. Selkirk’s market square have said they’d be quite interested in having the caravan there. I’d love to take it out to some of the more rural areas like Duns and Gordon.

” ‘We’re also going to work with a group called Connecting Threads and they’re doing lots of projects along the Tweed [river] — I’d love to see it there, that would be quite magical.’ “

There’s more to read at the artist’s website. “As part of The Teviot, the Flag and the Rich, Rich Soil, our programme exploring the pasts, presents and futures of Hawick and the Scottish Borders and investigating the town and wider region’s cultural identities in relation to land, water, industry, territory, place and environment, Alchemy is offering a number of bursaries to Borders-based artists. These bursaries will support a range of community-oriented projects between July 2021 and December 2023.”

More at the BBC, here, and Jones’s website, Alchemy Film and Arts, here.

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Photo: James O Davies/The Historic England Archive, Historic England.
Sphinx House, Moulsford, Oxfordshire, is an example of Egyptian influences on the work of newly rehabilitated British architect John Outram.

Sometimes a person whose work hits a wall of resistance from contemporaries is merely ahead of the times. That may be the case with UK architect John Outram.

Guardian reporter Oliver Wainwright talks to the architect about his philosophy and rehabilitation. ” ‘Our beginning was a worm,’ says John Outram. ‘It had light-sensitive cells at one end that later turned into eyes.’ He is standing in the bathroom at the top of his house in London’s Connaught Square, explaining the symbolism of the patterns that line the walls of his shower.

“Three white worms wiggle their way across a background of blue mosaic tiles at the base of the cubicle, while a black I-shape floats against a band of red tiles above, denoting ‘the emergence of the ego.’ A third yellow band at the top marks the realm of light, where the figure of ‘thought’ appears between two triangles, signifying the parted halves of the ‘heap of history.’

“It’s a lot to digest before breakfast – and we haven’t even got on to the symbolic ceiling (the ‘raft of reason’) or the hexagonal serpent-skin floor tiles.

“ ‘I stand here every morning to do my exercises,’ says Outram, breaking into an infectious giggle. ‘A good dose of metaphysics sets one up for the day.’

“The eccentric architect has reason to be cheerful. At the age of 87, he is enjoying an unexpected wave of popularity. Having been stamped with the label of postmodernism – out of favor since the 1990s, when his work was described as ‘architectural terrorism’ – he has been rediscovered by a new generation, thirsty for color, pattern, ornament and fun.

“The last few years have seen several of his buildings listed, from the Isle of Dogs pumping station, that cartoonish temple to summer storms, to an opulent country house in Sussex built for the Tetra Pak billionaires Hans and Märit Rausing. Illustrations of Outram’s buildings can now be found emblazoned on T-shirts and mugs, while he has a growing following on Instagram, which he joined during lockdown, where he expounds his esoteric theories to a rapt audience. And now, for the first time, the full breadth of his maverick output has been brought together in a monograph. So how does it feel to be recognized so late in life, after years in the wilderness?

” ‘I call it being dug up,’ he says with a chortle. ‘Disinterred, as it were. It’s quite entertaining.’

“As Geraint Franklin, the book’s author, observes, the English have never quite known what to do with Outram. His buildings are hi-tech, neoclassical and postmodern all at once, yet they fit neatly into none of these categories. His chubby columns house sophisticated mechanical systems for ventilation, wiring and drainage, while simultaneously alluding to ancient mythologies in their richly layered ornament.

“A huge jet engine fan in the pediment of the pumping station helps to cool the machinery inside, while also standing as the symbolic source of the ‘river of somatic time.’ A pyramidal glass fireplace in the Egyptian-themed Sphinx Hill house in Oxfordshire summons momentous Pharaonic allusions, while cleverly sucking smoke beneath the floor to a hidden flue.

“In Outram’s world, embracing technology and modernity did not preclude the presence of poetry and history. … Outram piled it all on, mining inspiration from Sumerian, Egyptian, Chinese and Mayan cultures with magpie glee. …

“Born in Malaysia, where his army officer father was stationed, Outram’s outsider status owes something to his upbringing. His childhood saw spells in Burma and India, before he arrived at prep school in England at the age of 11, feeling like ‘a refugee from the British empire.’ His early exposure to the vivid sights and sounds of South Asian cities informed his impression of the classical world, as being ‘much more like India than like the British Museum. Very noisy, very smelly, very colorful.’ …

“Unlike his hi-tech peers, his projects rarely exceeded the capabilities of the average builder. ‘The problem with hi-tech is that it’s very expensive, and the tech isn’t very high,’ he says. ‘I’d been a pilot, so I knew what real hi-tech was – and it wasn’t suitable for architecture.’ …

“As Franklin writes, base materials are subject to an almost alchemical transformation in Outram’s hands. Humdrum concrete – which he once described as a ‘funereal porridge of muddy ashes’ – could be transformed into ‘blitzcrete with fragments of colored brick, ground and polished to an edible nougat finish. It debuted at his New House for the Rausings in Wadhurst, Sussex, in 1986, where five types of crushed brick swirl across the facade like confetti in the wind.”

More at the Guardian, here. Great Pictures. No firewall.

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Photo: Christopher Thomond/The Guardian.
Paul White: ‘After one 21-hour work day, I told my mum I planned to quit. As soon as I uttered the words, I felt the weight lift.’

Have you ever had a really bad boss? I have. I was afraid to quit without another paycheck in hand. It took five years to find one, but it was worth it. It turned out to be my best job.

One thing about the pause from normal life that we can chalk up to Covid is the reassessment of how we’ve been spending our time. The media is full of stories about people who thought deeply about their jobs and ended up quitting.

Today’s article is about a guy who felt a wave of relief when he turned his back on the stress of work and found a new line.

Deborah Linton at the Guardian gets the story from 35-year-old Paul White of Lancashire, UK.

“In May 2018, I became leader of my local council, Pendle, in Lancashire. A year later, after nearly a decade in local politics, I quit. Alongside my council duties, I had been growing a business: milk and grocery delivery to 100,000 customers, locally and elsewhere in the country. I had a 3 a.m. milk round, so I’d be up before dawn delivering bottles, jumping on a train to Westminster after lunch to meet government ministers, and heading back to chair a council meeting that evening.

“My heart was constantly racing. Shortly before my election as leader, I’d been diagnosed with cardiomyopathy – heart failure. I’d been fitted with a pacemaker and defibrillator, and put on medication, but I’d torn up the doctor’s note, convinced I was too busy to take time off. …

“After one 21-hour work day, towards the end of 2018, I told my mum I planned to quit; as soon as I uttered the words, I felt the weight lift. …

“For a while, I did nothing, which was an enormous and uncomfortable culture shift. Then I remembered dreams I’d harbored as a kid, when I’d draw maps of farms I wanted to own. I had studied rural enterprise at university, but the idea of working in agriculture got lost in business and politics. I’d kept an eye on the farming press and, in early 2021, still reeling from the pandemic, I spotted warnings of a turkey shortage at Christmas – a result of supply chain and labor issues stemming from Brexit.

“I rented an acre of woodland in[Laneshawbridge], bought 200 turkey chicks for £2,000 [~$2,500] , and read up on how to rear them. I set up the business in three weeks, figuring I’d see a return in 20 weeks, when the local pubs and butchers were ready for their birds.

“Each day, I get up with my turkeys at dawn and close them in at dusk. I work alone, but I’ve learned a lot, educating myself on the job – the weird ways the turkeys react to noise, how much they eat, and how loud they are. … I’ve rented 11 more acres and, this year, I’ll start a commercial flock of egg-laying chickens, then move on to sheep. …

“I was named Young Lancastrian of the Year in 2018, but, when I look back at photos, I seem grey, thin, ill. Now, I spend hours outdoors. I lead a walking group, and clock up even more miles with my dog. I tend to my turkeys by the river, and potter around the village talking to people. …

“There are downsides to life on the farm: rain, animals die, and you have to be very smart to make a living from it. … Emotionally, it’s been hard to come to terms with the change. Handing over the keys to the town hall was a huge relief, yet I toy daily with going back – it feels like unfinished business. People who wanted my attention for years, whom I considered friends, disappeared. I’ve also found it hard to reconcile myself with the idea that I’m not contributing to the world. … Now I question if it’s OK for life to feel this simple.”

More at the Guardian, here.

Just for fun, here’s a wild turkey in Providence, RI. Turkeys have to be the world’s most self-important birds. They never worry if they’re contributing to a better world.

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Photo: Westcountry_Hedgelayer/Instagram.
A newly laid hedge at a farm on Dartmoor, Devon.

I haven’t visited England in decades, so I didn’t realize it had gone through a period of ripping out its iconic hedgerows. How sad! But as Tom Wall writes at the Guardian, renewed interest in biodiversity is bringing them back.

“The emerald-green five-year-old hawthorn hedge glistens in autumnal sunshine. In the cider apple orchard and grass pastures below, younger hedges shoot off towards a fast-flowing trout stream.

“History has come full circle in Blackmore Farm, which nestles in the foothills of the Quantocks in Somerset. The owner, Ian Dyer, remembers helping his father, who arrived as a tenant farmer in the 1950s, grub out old hedges in the 1960s and 1970s. But – like increasing numbers of landowners – he has hired a hedgelayer to bring back his hedges to provide habitats for wildlife, capture carbon and slow water pouring off fields into rivers.

“ ‘In my life, I’ve probably taken out three miles of hedge. It was seen as progress at the time. The government was pushing for more and more production,’ he says, standing in the long grass on his 750-acre arable and beef farm. …

“Dyer, 62, has planted 1km of new hedges in the last five years and has noticed more insects, nesting birds and small mammals, including water voles, since the work started.

One study found that hedgerows provide 21 ecosystem services – more than any other habitat.

“ ‘My views have changed in the last 10 years. I want to live in a green and pleasant land – not in a [ecological] desert,’ he remarks. ‘It’s starting to look like I remember it as a five-year-old boy.’

“The National Hedgelaying Society, which held its national championship event this weekend, says its members have been inundated with requests to lay hedges this season, which runs from September to April. ‘There is more work than anyone could ever do for the rest of their lives,’ says Claire Maymon, one of the charity’s trustees. ‘Our founders in the 1970s were worried the craft would be lost for ever, but now we are worried that we don’t have enough young hedgelayers coming through to meet demand.’

“The Campaign to Protect Rural England estimates that over 25,000 workers will be needed to deliver on the Committee on Climate Change’s call to plant 200,000km of new hedges in the UK. The committee has calculated that the nation’s hedgerows will have to be expanded by 40% in order to reach net-zero by 2050. …

“The government wants the post-Brexit agricultural subsidy system to encourage farmers to better maintain hedges. A pilot scheme, offering farmers up to £24 per 100 metres of hedgerows, starts next month.

“Hedges need to be carefully managed throughout their lives, otherwise they thin and eventually gaps appear. Paul Lamb, the hedgelayer helping to transform Dyer’s farm, ‘pleaches’ – or splits – hawthorn, blackthorn and spindle stems so that they grow back dense and thick next spring. ‘Every hedgelayer has their own style,’ he says. … ‘For me, it’s so satisfying to plant and lay a hedge and then see it full of birds, insects and wildlife.’

“Business is booming for Lamb, who lives in a converted horsebox on a nearby farm. He has never been busier, with commercial farmers making up a growing proportion of his work. …

“ ‘When I started hedging, it was a way of earning a bit of beer money on a Saturday. I would never have expected to be booked up for a whole season. But here I am, booked up for this season and half of the next – and still people are phoning me with jobs. There is a renewed interest in conservation and craft – and a feeling that we need to live in a more sustainable way.’

“Britain lost half its hedgerows in the decades after the second world war as farmers were encouraged to create large arable fields to increase production. Since then, legal protections have been introduced and hedges are no longer being ripped out – but the decline has continued due to poor management, including some landowners over-trimming hedges mechanically, without simulating new growth below. But the growing demand for traditional hedgelaying leaves many in the craft feeling optimistic.

“Nigel Adams sits on the HedgeLink steering group, which advises [the UK’s Department for Environment, Food and Rural Affairs]. He says there has has been a sea-change in attitudes, with everyone from the National Farming Union to Natural England calling for more hedges. …

“Adams, who lays hedges throughout the country, including on Prince Charles’s estates, believes the role of hedges should not be underestimated. ‘Insects follow hedges and bats hunt along hedges,’ he says. ‘If we didn’t have hedgerows, then we would be living in a barren wasteland.’ ”

More at the Guardian, here. Since the Guardian is free, you have access to the pictures, too. I think you are going to love the water vole there.

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Photo: James Rebanks via BBC.
A farmer in England shows how regenerative farming can produce better food while fighting climate change.

There’s a farmer in the UK who hopes to change the way farmers farm in order to promote biodiversity and a healthier planet. He raises sheep.

Here’s a report by William Booth at the Washington Post: “Britain’s rock-star shepherd and best-selling author, James Rebanks, is out at the family farm, giving the tour, waxing rhapsodic about his manure. The glory of it — of the crumbly, muffin-top consistency of a well-made plop from a grass-fed cow. …

“Don’t get the man started on soil health. Rebanks is a soil geek, with the zeal of the convert. … Rebanks represents one possible future for farming, which is set to be transformed in the promise of a post-Brexit, zero-carbon world. The British government plans to strip away all traditional farm subsidies and replace those payments with an alien system of ‘public money for public goods.’

“What are these public goods? Not food. Bees! In 21st-century Britain, the goods will be clean water, biodiversity, habitat restoration, hedgerows, pretty landscapes, wildflowers, flood mitigation and adaptation to climate change. …

“This transformation could be huge: Farmland is 70 percent of England’s landscape and produces 10 percent of its greenhouse gases. There is no net-zero-carbon future without farmers.

“As the best-known farmer in the whole of the United Kingdom, Rebanks finds himself at the center of this transition. In agriculture circles, he’s a super influencer, famous for his Twitter feed. He has nearly 150,000 followers, who check for his posts and postcard-perfect videos and photos of his idyllic home in England’s poetic Lake District and the doings of his beloved Herdwick sheep.

“The shepherd riffs on the circle of life, the frenzy of lambing season, the deliciousness of grilled mutton and the wisdom of sheepdogs — speckled with rants against the alleged ruinous stupidity of industrial farming ‘where the field has become the factory floor.’ …

“He cannot fathom that the planet, and his little corner of it, has been so messed up. He also cannot make up his mind whether we are doomed or just might pull through, a feeling that resonates with many.

“He wrote two books about all this, both international bestsellers. The latest, published to stellar reviews this month in the United States, is Pastoral Song: A Farmer’s Journey.

“On one level, the book is about how cheap food culture, globalization and super-efficient, ­hyper-mechanized, highly productive modern farms (giant monocultures of beets, wheat, corn) are terrible for nature (insects, rivers, climate) and our health (obesity, diabetes) and our farmers (indebted, pesticide-dependent, stressed).

“On a deeper level, though, the pages are about healing, about how one farmer in Cumbria is trying very hard to turn his landscape into a sustainable, profitable little Eden by deploying both ancient and cutting-edge techniques. …

“British politicians make the pilgrimage to see what he has done. So do British journalists. He has made the cover of the Financial Times magazine and is the subject of a 30-minute documentary on the BBC. He pens guest columns for the right-wing Daily Mail and the left-wing Guardian. …

“The government is embarking on the biggest change in the management of its countryside since the end of World War II. No longer will farmers live on the Basic Payment Scheme. They will be paid for those new public goods; the old subsidies for ‘food security’ will end. It is a radical experiment, to be carried out on a national scale.

“Yesterday’s farms grew food and outgassed methane. The farms of tomorrow will grow food and sequester carbon. Or at least that is the idea. …

“British farmers, like their counterparts elsewhere in Europe, have subsisted for three generations on subsidies. Without the dole, government figures show, 42 percent of all farms here would operate at a loss. Most small operators wouldn’t survive without the checks. The payments — $3 billion annually — are to be phased out over the next seven years. …

“Rebanks doesn’t think the plan is nearly smart enough or big enough, or that the public understands how much it will cost to have a real impact for farmers, nature and climate. He thinks $3 billion year is ‘a drop in the bucket.’ …

“If anyone can make the switch to this new system of ‘public money for public goods,’ surely it should be Rebanks. He seems more than halfway there already. …

“His family has been shepherding in Cumbria for 600 years. His methods — moving sheep between the communal hilltop fells and the valley below — would be recognizable to the Vikings, who did the same when they settled here more than a millennium ago with a similar breed of hearty sheep.

“Over the past 10 years, with help from conservationists and supporters, he and his family — his wife and four kids — have ‘re-wiggled’ a drainage ditch and created a natural stream plus wetland. They’re planting 25,000 saplings. There were no ponds on the property before. There are 25 now, with otters. Three miles of hedgerows have been restored and 30 acres revived as a wildflower meadow. …

“He’s chopping up the farm to smaller and smaller fields — ‘it’s all hedges and edges, which is good for nature.’ He estimates he has taken 15 percent of his farm out of active production.

“ ‘Listen, the truth is there must be some letting go,’ he said. ‘You can’t drain it all and use it all for farming or grazing. You have to set some aside.’ ”

More at the Post, here.

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Clown Shortage

Photo: Pacemaker.
Noeleen and Henrik Fries Neumann on their wedding day in 2017. Clowns are serious about clowning.

One of my brothers performed as a clown for years at his church. In his other life, he was a professor doing research into how the immune system works. The great thing about clowns is how they help you look at things differently. Now that I think about it, that’s what scientific research does, too.

I thought of that brother when I read today’s story about how Covid and Brexit have caused a serious shortage of clowns in Northern Ireland.

In case you haven’t already heard more than enough about Brexit (the United Kingdom’s decision to leave the European Union), you can read up on the Northern Ireland complication at Wikipedia, here.

In a nutshell, Ireland itself is still enjoying all the benefits of being in the EU, but Northern Ireland, since it is part of the UK, has to have special treatment so it can still do a lot of what it used to do — and not reignite friction with its neighbor. Add Covid to that and what you have is a royal mess!

To see the problem in microcosm consider the shortage of clowns.

The BBC reports, “There’s a lot more to being a clown than just putting on a big red nose and a big baggy pair of pants. That’s according to David Duffy, co-owner of Duffy’s Circus, who is appealing for people from Northern Ireland to become clowns.

“The Covid-19 pandemic has caused a shortage of the performers, as many returned to their home countries when the first lockdown came into force in early 2020, according to Mr Duffy.

“But what makes a good clown?

” ‘Someone who’s willing to make themselves vulnerable,’ says Noeleen Fries Neumann, known professionally as Silly Tilly.

” Not everybody likes to be laughed at but for someone who is a clown, your worst nightmare would be to not be laughed at,’ Mrs Fries Neumann told the BBC’s Good Morning Ulster programme.

‘You have to be able to poke fun at yourself, it’s not about poking fun at other people.’

“During lockdown, Mrs Fries Neumann and her husband Henrik, who is also a clown known as Jarl, set up a big top circus tent in their garden, allowing them to continue to rehearse and perform.

“The couple first met at an international clown festival, before having a clown themed wedding in 2017.

“[Lockdown] was hard for Mr Duffy and his circus has been closed for more than 500 days. …

” ‘Because all the circuses in Europe and in England have been up and operational for the past six months, that huge pool of EU artists are already back at work and up until last week we haven’t been able to even get visas issued for non-EU artists and entertainers,’ Mr Duffy said.

” ‘That’s why we’re trying to reach out for any of our folks at home who feel that they can give it a go.’

“In order to be a clown, Mr Duffy says you have to be ‘really, really adaptable’ and be able to think on your feet. …

” ‘A clown actually can be the loneliest place because you’re in there on your own and you have to be able to read your audience, in a short couple of minutes you have to be able to get a rapport going with them and interact and feed off them.’

“Aspiring clowns will be performing a short piece during online auditions being held by Mr Duffy as he tries to recruit a new team of performers.” More at the BBC, here.

You know, some of the best clowns in the business worked for Ringling Brothers Barnum Bailey circus and attended the company’s clown school in Florida. Now that the circus is out of business, maybe there’s a clown or two who would consider relocating to Northern Ireland. What do you think?

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Photo: Robert Mckergan.
Robert Mckergan, 66, is a stick-maker from Portstewart, County Londonderry.

When I saw this story on traditional crafts, I thought of the late, great James Hackett of Moate, Ireland, and the handsome shillelagh he made for John. There was something so special about knowing the maker and knowing that his skill had been handed down through generations. Although his day job was harness making, I suppose James might also have been called a “stick-maker,” like the craftsman in this article.

Vanessa Thorpe wrote at the Guardian in March 2020 about organizations that are working to preserve traditional craft skills like those.

“Clay pipe making, wainwrighting, tanning and making spinning wheels – all are skills of the past that can offer us a sustainable future. This is the message behind a drive, launched this spring, to preserve endangered traditional crafts in Britain.

“With a new award of £3,000 available, together with fresh support from outdoor pursuits company Farlows, the Heritage Crafts Association is calling for a renewed effort to save old skills and pass them down to the next generation.

“The association’s list of ‘critically endangered’ ancient techniques has often been regarded as simply concerned with conserving history. But renewed interest in sustainability, together with a growing dislike of throwaway consumer culture, has prompted a new campaign. …

“The new HCA award was set up this month by Prince Charles, the association’s president: craftspeople are invited to submit a proposal to help secure the survival of a craft ranked either endangered or critically endangered on its official list. …

‘We have a rich heritage of craft skills that can be regarded as just as important as historic buildings and treasured objects,’ [Patricia Lovett, chair of HCA] said. ‘However we are in danger of losing a number of these crafts: our research has found that in some cases there are only one or two makers left.’

“The at-risk list is compiled by combining a conservation status ‘red list’ system used by the International Union for Conservation of Nature and the Rare Breeds Survival Trust watchlist.

“A heritage craft, usually carried out by an individual in small workshops or at home, is considered viable only if there are sufficient makers to hand down their skills to a younger generation. Last year the traditional paper-making skill of ‘mold and deckle’ was judged extinct, and the vanishing of production in turn endangers paper making. Those deemed merely to be endangered are those crafts which are not financially viable as a sole occupation and those which have no clear system for training or passing on skills. Among these are fan making, watch making and walking stick making – all involving the manufacture of items that are still popular with the public, and even regarded as essential by some.

“Farlows, a company closely associated with fields sports and makers of traditional fishing rods, works directly with many artisan manufacturers, in particular tweed makers, and so its management has decided to formalise that arrangement by backing the heritage association, which they see as a key umbrella body.

“ ‘There is a real knack to making something like a split cane rod. People who fish really value it,’ said [Robin Philpott, chief executive of Farlows].

“The danger, according to Farlows, which began trading 180 years ago and in 1942 switched all its manufacturing to support the war effort, lies in widespread mass production. Although the company now has a Russian owner, its management say it still aims to keep alive the key trades it supported when it was owned and run by family members. …

“Robert Mckergan, 66, is a stick-maker from Portstewart, County Londonderry. ‘For me, it started as a hobby, but I feel we need these crafts to go on. I am a retired engineer and while you can teach yourself as I did, not everyone can do it. You need to be competent with your hands.

“ ‘You couldn’t live on this work, I don’t think. Each stick is about 20 hours’ work. But you get a sense of achievement and of purpose. When I see a tree, I see all the potential carvings. And of course the smell that comes from a piece of wood, say cherry, as you work is lovely.’ ”

More at the Guardian, here. An update is at the Heritage Crafts Association, here.

Photo: Wikimedia.
Shillelaghs. See the one James made for himself, here.

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Photos: Ashleigh Whiffin.
Amateur nature recorders in the UK are providing vital data on beetles, soldierflies, and many lesser-known insects.

Britain’s long tradition of amateur scientists sets the stage for today’s enthusiastic volunteers mapping the nation’s insect population.

Isabella Kaminski writes at the Guardian, “Ashleigh Whiffin’s day job as assistant curator of entomology is to look after National Museums Scotland’s vast collection of preserved insects. But her passion for the creatures doesn’t end when she goes home; in her spare time she spends hours recording and verifying sightings of a specific group of large carrion beetles in the family silphidae.

“ ‘Silphidae are absolutely brilliant,’ Whiffin says from her Edinburgh office. ‘They’re decomposers, so they are really vital for recycling and also have forensic applications. Some of the members in the family are called burying beetles and they actually prepare a carcass, make a nest out of the corpse and then feed on the rotting flesh and regurgitate it for their kids. They’re quite a charming – but also grisly – insect.’

This banded burying beetle in the UK is a scavenger said to be able to smell a rotting carcass from two miles away. I’m thinking it’s a cousin of the endangered American Burying Beetle that John used to study in Rhode Island.

“Wanting to know more about the distribution of silphidae across the UK and how they were faring in conservation terms, Whiffin established what already exists for more charismatic species such as ladybirds: a national recording scheme. …

Whiffin is one of Britain’s tens of thousands of volunteer nature recorders, whose detailed sightings of flora and fauna, or key events in their lifecycles, are vital for keeping tabs on biodiversity as the climate warms, habitats shrink, and pesticides and pollution degrade the quality of land.

“It’s a hobby with a long history in the UK, where amateurs have been stuffing, pinning and pressing specimens for centuries. … These days, records are collated, verified and filtered through a patchwork of recording schemes and local environmental record centres. Many end up in the National Biodiversity Network’s Atlas, the country’s most comprehensive collection of biodiversity information. …

“The Biological Records Centre (BRC), a research institution in Oxfordshire set up in the 1960s, calculated a few years ago that about 70,000 people take part in biological recording each year, although Helen Roy, the BRC’s coordinator of zoological data and research, thinks that is probably an underestimate. Despite years of doom-mongering about the death of natural history as a pastime, the Royal Society for the Protection of Birds’ State of Nature 2019 reports calculated that there had been a 46% increase in the time donated to nature recording since 2000.

“Martin Harvey, who also works at the BRC but runs a recording scheme for soldierflies and their allied families in his spare time, says most insect surveys are run by volunteers. …

“But while there is little concrete data on demographics, recorders admit there is a lack of diversity among those involved. … Says Whiffin. ‘I have to say for the beetle community, that is predominantly white men and that is something that I’m very keen to change.’

“Whiffin has been advertising her recording scheme on social media and running beetle identification courses online to try to reach a wider range of people.

“Biological recording has also benefited from apps such as iSpot and iRecord, which allow citizen scientists to snap a picture of their subject and quickly upload it. …

“Harvey notes that people get involved at different levels, from casual recorders to those who go to ‘extraordinary lengths’ to specialise in a subject or species. … ‘For most, if not all, insects there’s a lot we don’t know and a lot of areas that don’t get recorded very well,’ says Harvey. ‘There’s also basic natural history gaps in how they live, what they feed on, what their lifecycle and behaviour is, and individual volunteer naturalists can and do make an enormous contribution to finding out that sort of information.’ …

“There are now 30,000 records on large carrion beetles from the silphidae family recording scheme combined with historical data gleaned from dusty museum notebooks. This enabled Natural England to commission a recent study on the prevalence of silphidae in the UK, which showed that several species were critically endangered or vulnerable.”

More at the Guardian, here.

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Rewilding in the UK

Photos: Murdo MacLeod
Scotland is inviting nature to return to abandoned industrial spaces.

The idea of “rewilding” industrial spaces, or turning them back to nature, makes me happy. One often reads about it happening in the UK, but we could do it, too, if we wanted to.

This photo essay in the Guardian is about how, in Scotland, rewilding often happens through benign neglect. Bella Bathurst wrote the text and Murdo MacLeod took the photos.

“Since the idea of rewilding took hold, it has generally been seen as a rural pursuit involving withdrawal from farmland so that animals and vegetation can restore their own ecology. At its most herbivorous, it includes allowing hedgerows or scrub to flourish unchecked. At its most primal, it involves deliberately releasing animals such as beavers or wolves in the belief that the re-entry of a single alpha species brings with it a cascade of ecological benefits. …

“The perception is that it is expensive, far away and often inaccessible. It certainly isn’t something that just anyone can do.

“But what if the wildest places of all were right under our feet? In the forgotten spaces in our cities, rewilding has always happened naturally, land falling under stone and resurging again, concrete lids flipped off before submerging once more. In the margins and the demilitarised zones, the abandoned embankments, the bits we don’t want or the lands already contaminated beyond human tolerance, ecology is thriving.

“In some places – such as the land around the abandoned Chernobyl nuclear plant in Ukraine – plant and insect life has adapted to the extreme conditions: boars have moved in, there is a new radiation-munching fungus and, in the thin strip of no-man’s land between the borders of North and South Korea, leopards and Asiatic black bears have been spotted. …

“In Scotland, the 40-mile strip between Glasgow and Edinburgh has always been mined, for not just coal, but stone, gravel, lead and even gold. After centuries of hard pickings, parts of Lanarkshire and Ayrshire have an upended appearance. What was underground is now on top and what was above has gone below, with buildings and bridges slumped over old drift mines and razor-lined spoil heaps terraced by extraction tracks. Wildfowl nest on lochs made from old coal holes and an orchid called Young’s helleborine, discovered in 1975, favours only the best iron ore. …

“At an explosives factory once owned and operated by the Alfred Nobel Company, [sections] are still in use, but most of the 330-acre site was long ago abandoned. Along the cracks in the old pipelines and through the decaying buildings, it would be quicker to list the native plants that are no longer there than those that are. …

“Public feeling is that big business should be obliged to make good what it has taken, but human attempts to restore land are often amateurish. Planting a few conifers and flinging around a mix of wildflowers may be a quick fix, but sometimes it appears that the best thing to do is nothing. …

“In 1913 the 13th Earl of Home tried to lift local unemployment at Douglas by allowing mining nearby. The mining unseated [his] castle, it was demolished, and the flooded workings (known locally as the Black Hole) are now so patterned with commuting birdlife that it resembles an avian Heathrow. …

“On the other side of the Clyde, between the Erskine Bridge and the old John Brown shipyard, lies what used to be the Beardmore naval construction works in Dalmuir. In the early 20th century it produced munitions, planes, submarines and warships before being converted into a fuel-supply depot and then being gradually abandoned.

“Now a cycle path runs through it, but otherwise there is nothing new here except nature: golden leaves of birch springing from the concrete jetty, hawkweed drifting Ophelia-like in the drowned oil storage tanks, wrens nesting in the rusted embankments, mallards cackling from the blackthorn scrub. …

“Dalmuir is beautiful, dangerous – and almost certainly contaminated. … Halflands like these can be among the most joyous and optimistic places on earth, but they can also carry with them a polluting sense of menace. Finding them means that you may end up meandering across an indeterminate line between a walk in the park and full-scale urban exploration; you explore at your own risk. …

“They also have a habit of vanishing. Brownfield sites tend to be classified as wasteland, and with the pressure on housing, they are first in line for redevelopment. Ardeer is intended for ‘regeneration’ and Dalmuir will shortly be dug up to make way for the Scottish Marine Technology Park, a deepwater ship hoist and a new small-vessel fabrication yard.”

More at the Guardian, here.

Abandoned naval construction works in Dalmuir, Scotland. Explore at your own risk.

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Photo: The Wildlife Trusts
What the Broadmarsh area of central Nottingham could look like if the Wildlife Trust’s post-Covid wildscape plan gets the go-ahead.

Although headlines tend to feature the thoughts of leaders with limited imagination, that doesn’t stop other people from thinking. Stories like today’s make me happy, whether or not the ideas ever are fully implemented, because it’s reassuring to know there are always people working on creative solutions to problems.

Phoebe Weston writes about a UK mall at the Guardian, “An empty 1970s shopping centre in Nottingham could be transformed into wetlands, pocket woodlands and a wildflower meadow as part of a post-pandemic urban rewilding project.

“The debate about Broadmarsh shopping centre, considered an eyesore by many, has rumbled on for years. This year it was undergoing a [$116 million] revamp by real estate investment trust Intu when the firm went into [bankruptcy]. …

“As retail giants such as Debenhams and Arcadia Group falter, Nottinghamshire Wildlife Trust has come up with a new model of inner city regeneration: urban rewilding.

“The trust wants to bulldoze the already half-demolished Broadmarsh building and turn it into [6 acres] of scruffy green space at an estimated cost of [about $5 million]. The designs were created with Influence Landscape Architects and could set a precedent for what to do with the growing amount of vacant retail space in other cities. …

“Ponds surrounded by reeds, crocus meadows and wet grasslands would attract butterflies, dragonflies and a range of birds including reed warblers and black redstarts, according to the Wildlife Trust, which is calling on people to back its green vision. It will put its plans to Nottingham city council in the coming weeks as the authority canvasses views on what Broadmarsh could become as part of a 10-week consultation process.

“The proposed scheme would run counter to the conventional idea of urban parks and instead hark back to what Broadmarsh would have looked like in centuries gone by.

“ ‘Often open spaces in cities can be manicured and a bit formal,’ said [Sara Boland, managing director of Influence].

‘The idea of this was to have more rewilding, restoring, protecting [so] the zones we then developed were about foraging, pond dipping and protecting species.’

“Nineteenth-century maps helped architects get a clear picture of what this part of Nottinghamshire once looked like – a fertile garden area covered in fruit trees. Old street names include Pear Street and Peach Street; those fruits would be grown in the park to reflect its heritage. Crisscrossing the park would be walkways based on centuries-old street layouts.

“Nottingham Wildlife Trust has long wanted to create green corridors in this area of the city to connect it to Sherwood Forest to the north. It has put up nest boxes on many buildings close to Broadmarsh to encourage black redstarts, which used to live in the city but are now rarely seen. …

” ‘Over the past 20 or 30 years … we’ve submitted ideas for roof gardens and new avenues, all sorts of greener features,’ said Erin McDaid, head of communications and marketing at Nottinghamshire Wildlife Trust. ‘We feel this could be a real opportunity for the city to stand out from the crowd as cities across the UK look to recover their economies and find a new direction for urban centres.’ …

“ ‘Anyone coming into Nottingham on the train would have to pass by [Broadmarsh] before they reached the city centre, and it was just this horrible, ugly building with no windows. It was very unwelcoming,’ [Nottingham resident Ewan Cameron] said. …

“David Mellen, Nottingham city council leader, said the conversation about the Broadmarsh site had captured people’s imagination. He said: ‘It’s a once-in-a-generation opportunity to reimagine a significant space right in the heart of one of the country’s core cities.’ ”

More at the Guardian, here.

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Six-Foot Tutus

Photo: Tyrone Singleton
Birmingham Royal Ballet dancers rehearsing in their socially distanced costumes.

Never underestimate the power of artists to work around obstacles! In today’s story, a dancer, a choreographer, and a costume designer figured out a socially distanced way to get dancers back to dancing. Anna Bailey reported the story at BBC Radio.

“Acclaimed Cuban ballet star Carlos Acosta says ‘it feels great’ to be venturing back to staging indoor performances for a live audience in the UK after months of being prohibited from doing so because of the pandemic.

” ‘It feels great because we’ve been in lockdown for far too long and it’s a kind of career where if you don’t exercise your body for a week you go back and pay for it,’ says Acosta. …

“Acosta and the Birmingham Royal Ballet are following in the footsteps of The Royal Ballet in London which recently performed in front of a live audience in a reduced capacity auditorium.

“But Acosta is going one step further by introducing socially distanced costumes in the form of extra wide tutus for the brand-new mixed bill Lazuli Sky.

“It is the first one-act ballet commissioned and presented by Acosta since he took over as director of the Birmingham company at the start of the year. It is also due to be performed at Sadler’s Wells in London at the end of [October and online Nov. 1].

” ‘When we started, we wanted a piece where nobody would touch each other and so the dancers will be wearing elongated structures that are not static but are constantly moving and creating different shapes, evoking your imagination,’ explains Acosta about the spiral-shaped costumes. …

” They’re great in terms of aesthetic and a record of the time that we live in,’ Acosta adds.

“He has devised Lazuli Sky with the help of his designer Samuel Wyer and the award-winning choreographer Will Tuckett.

The influence for their costumes came from the crinoline skirts worn by fashionable women in the 19th Century to protect themselves from smallpox, cholera – and unwanted male advances. …

” ‘The tutu has always been a socially distanced piece of clothing; a stiff skirt that sticks out half a metre from your body. So it’s taking that idea and going “let’s just push it a little bit further,” ‘ says Tuckett. ‘The movement is dictated by them and the dancers have been fantastically adaptive and collaborative. Both male and female dancers wear them and so far there have been no upsets.’ …

“In Tuckett’s production the tutus with [6.5-foot] trains will also act as part of the set, as the production crew are unable to move props during performances due to the risks of the virus.

” ‘We’ll be projecting images onto the skirts,’ says Tuckett, ‘and when the dancers come out on stage it’s hypnotic and other worldly. They also look like sails and flowers when they all open out, they completely fill the space.’

“Nature is at the heart of Lazuli Sky, which stands for ‘bright blue sky’ and focuses on the upsides of the pandemic, such as open skies and birdsong, rather than the downsides. …

” ‘It’s incredible, there were no planes flying, levels of contamination and pollution dropped, and I got to see the beauty of it all,’ says Acosta [of his time in quarantine]. ‘I just hope that people will take notice of this and try and find a solution to help the planet. We want to give people hope.’ …

” ‘It’s unnatural for human beings not to touch and we have this tribal aspect of who we are to be social beings and our art form has always been about interaction physically,’ he says. ‘If you take that away from us, I’m not sure what kind of art form you would get if you’re not able to do Sleeping Beauty touching each other.

” ‘But we will wear masks on stage if we have to, and the dancers and musicians are very disciplined, we take ourselves very seriously in that regard.’ …

“So, is he the man to champion bringing ballet back during the pandemic, particularly having overcome his own challenges growing up in Cuba?

” ‘Well yeah, I just want for the people, especially those in Birmingham, to try and break the stigma that ballet is yesterday and something distant,’ he says. ‘My story, everybody has heard it and what ballet has done for me, and I want to bring that same enthusiasm to everybody, challenge people’s perceptions and do the best I can to achieve diversity and a healthy turnout of audiences from different backgrounds.’ “

More at the BBC, here.

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