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Posts Tagged ‘Derbyshire’

Photo: Chris Webb.
Husband and wife Gavin and Alice Munro have been turning trees into furniture since 2006 in Derbyshire, England. Each chair takes six to 12 years to make.

Visiting my grandfather in Beverly Farms, Massachusetts, when I was a kid, I found so many aspects of his place magical. One was a bench in the woods that had been created by tying a plank of wood between two saplings and giving it time.

Naturally, I thought about that when I read today’s story by Sydney Page at the Washington Post. It’s about a couple who created an unusual job for themselves when they began to create unusual chairs.

“When Gavin Munro was about 7 years old,” Page reports, “he looked at his parents’ overgrown bonsai trees and noticed that the silhouette of one looked like a throne. The image stayed with him.

“At the time, Munro was spending long stretches in the hospital being treated for scoliosis and Klippel-Feil syndrome, a rare bone disorder. He passed the time by watching the trees and wildlife outside his window. Nature, he said, helped him heal.

“ ‘The first seeds were sown when I was a little boy,’ said Munro, who has spent the past 20 years trying to grow trees into chairs.

“Since 2006, Munro and his wife, Alice Munro, have been shaping young trees into furniture on a field in Derbyshire, England, that they refer to as the Chair Orchard.

“The process takes six to 12 years per chair — depending on the species and weather — and so far, they have produced about 15 prototypes.

“For me, it’s about sustainability and watching the amazing wildlife developing in the orchard,” Alice said.

“Some of the chairs are usable as furniture, but for now they are sold as works of art, and are priced beginning around $87,000. The Munros hope to ramp up production, and they have led workshops at schools and design programs in the hope of teaching others their technique.

“Gavin, who is a furniture designer by trade, and Alice, who has a background in horticulture, run
Full Grown, a company the employs specialized ancient techniques — including coppicing, grafting, pleaching and espalier — to shape living trees into chairs. …

“Before he began experimenting, Gavin said he read about others who had grown furniture from trees, including John Krubsack, a banker from Wisconsin who created a chair in a similar fashion, and Axel Erlandson, who made sculptures and furniture by grafting branches and trees together. …

“In 2006, the Munros took over a shady, windy corner of a friend’s farm in Derbyshire to start testing. They quickly realized that the trees didn’t get sufficient sunlight, so they leveled the hillside into flat rows and replanted — only to have cows trample over the trees. …

“The experiments then moved to Alice’s late mother’s garden, where their first chairs were produced. In 2008, the Munros planted some 3,000 trees on a rented field that became the Chair Orchard. Over the years, they’ve experimented with several tree species, including willow, oak, ash, hazel, beech and cherry.

“The process begins with a single sapling, left to establish its roots and grow for about five years. The Munros then coppice the tree — cutting it down to the stump — which encourages new shoots to grow from the roots. Those shoots are guided around a frame, shaping them gradually into the form of an upside-down chair.

“To coax the tree into the correct shape, the Munros prune unwanted branches and graft others — which involves binding shoots together so they slowly fuse into one. They also make small cuts in the bark to influence the direction of growth. Once the chair is ready to be harvested, it is dried indoors for a year. …

“It has been, the Munros said, a constant process of trial and error — which is why they have far fewer finished chairs than they had hoped at this point.

“ ‘The generation we thought was going to work actually grew out of shape when it got close to harvesting,’ Gavin said, adding that they have also produced lamps, tables, benches and structures.

“Along the way, they have learned to lean into nature.

“ ‘We’re trying to ask as little as possible from the trees and offer as much protection,’ Gavin said.

“ ‘The better you treat the tree, the more it’s going to work with you,’ said his wife. ‘The more we’ve worked with nature rather than trying to control nature, the more successful we’ve been.’ “

Lots more at the Post, here. Fascinating photos.

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Photo: Richard Saker/Guardian.
Staff at Hardwick Hall making final adjustments to restored tapestries that Bess of Hardwick bought for £326 15s 9d [~$406] in 1592.

This story is reminding me of childhood visits to the Cloisters before my father had his stroke and how he liked to point out the years of work that went into medieval tapestries.

Jessica Murray, Midlands correspondent of the Guardian, reports on 24 years of work just to do repairs.

“After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavor in its history.

“[In July] the final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and handstitch the huge pieces one at a time, at a cost of £1.7m [~$2,118,718].

“ ‘It has been quite emotional because this is the first time I’ve seen them all on the walls together, and this project was in the background of my every day for so long,’ said Denise Edwards, the former general manager of the estate who retired last year, having overseen the project since 2003.

“ ‘They were supposed to be completed in 2021, the year I was due to retire, but they got delayed because of Covid so I stayed on because I really wanted to see the project through to the end,’ she said. ‘It has taken up a lot of my life for 20 years.’

“The enormous works, 6 metres tall [~20 feet] and more than 70 metres [~230 feet] in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

“Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coal mines. ‘You can imagine all the pollution that brought, and with leaky windows they were absolutely filthy,’ Edwards said. ‘And cleaning them is just the beginning of the battle – then it’s repairing all the damage done to the fine silks of the tapestries.’

“The set was bought by Bess of Hardwick, one of the richest women of her time and a friend of Elizabeth I, in 1592 after the death of the lord chancellor Sir Christopher Hatton, who had commissioned them for his estate in Northamptonshire. …

“The set, which depicts the biblical story of Gideon who led an army to save his people from the Midianites, has remained in the long gallery at Hardwick Hall since the end of the 16th century, and unlike many other tapestry sets it has never been moved or cut up. …

“Each tapestry took more than two years to restore, after a process involving a thorough vacuum to remove loose fibers, dust and soot, and a journey to Belgium for specialist wet cleaning.

“National Trust conservators used specialist conservation stitching with hand-dyed yarns to repair damaged areas, with each tapestry taking about 5,000 hours to complete.

“ ‘We work through it slowly … and we use different conservation stitches to bring structure to the tapestry and to fill in the design where it’s missing due to damage,’ said Yoko Hanegreefs, a textile curator, adding that ‘recipe books’ for bespoke dye colors were created to maintain consistency over the life of the project.

” ‘We use wool and stranded cotton to do that because they have faded and no longer have the brightness new silk would have.’ …

“Visitors can see the full Gideon set at Hardwick Hall, and there are plans to remove portraits hanging on some of the tapestries so they can be viewed unrestricted as they would have been 400 years ago.”

More at the Guardian, here. No firewall.

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