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Posts Tagged ‘immigrant’

Photo: Sarah Matusek/The Christian Science Monitor.
Nixon Garcia, a teaching artist at El Sistema Colorado, conducts students at the music school in Denver.

People sometimes forget that we need more immigrants, not fewer. Their contributions to the economy are well documented. In 2021, for example, they contributed more than $500 billion just in taxes (see Forbes here). Not to mention that they willingly apply for necessary jobs that go begging, sometimes for years.

And there are other contributions getting less attention. Consider what this one musician is doing. Sarah Matusek wrote about his work recently at the Christian Science Monitor.

“A few dozen children in Denver settle into seats, violins and violas in hand. With short cropped hair and a focused gaze, Nixon Garcia observes from off to one side. …

“This is a fall show-and-tell for parents at El Sistema Colorado, a free music school that prioritizes kids from low-income families. The Denver program was inspired by the original El Sistema in Venezuela, which since its founding in 1975 has sparked similar projects around the world. …

“With flutters of his hands and flicks of his wrists, the 22-year-old conjures up simple songs that he learned as a boy in the Venezuelan program. He’s brought that same sheet music to students in the United States, along with hopes for asylum. Working as a teaching artist at the Colorado program, he’s come full circle.

“ ‘El Sistema has been my second home throughout my whole life,’ says Mr. Garcia, who teaches in Spanish and English. 

“The original program’s catchphrase, ‘tocar y luchar‘ – or ‘play and fight’ in English – has evolved into a personal mantra of perseverance for the young conductor who can’t imagine returning home.  By the time he left Venezuela, in 2022, says Mr. Garcia, he’d been kidnapped three times. 

“Backdropped by mountains in northwest Venezuela, the town of La Fría sits near the Colombian border. Mr. Garcia’s family, who ran a poultry farm there, enrolled their son in the popular music program at a young age. …

“At age 5, he began learning the Venezuelan cuatro, which has four strings. Later on came the clarinet. As a teenager, Mr. Garcia began teaching other El Sistema students – a key mentorship feature of the program – and developed a love of conducting. But basic needs were stark; some students he taught sat on the floor, because there weren’t enough chairs. And beyond the solace of class, violence lurked.

“When he was a young teenager, in 2015, a criminal group, called a colectivo, kidnapped him and his family at a gas station. The group held them for several hours, his family says, and demanded thousands of dollars for their release. 

“Venezuela, meanwhile, devolved into further economic, political, and human rights crises under President Nicolás Maduro, causing millions to flee. Mr. Garcia began attending pro-democracy protests. …

‘You can see how everything is terrible. But in the end, you still love your country,’ he says. ‘You don’t want to leave.’ …

“Mr. Garcia was captured again by an insurgent group on his family farm in La Fría. Yet neither was he safe at college in another city, Mérida, where he studied engineering. … Although his family had arranged private security for him in La Fría, they decided that he had to leave. …

“A tourist visa that his family had secured some years prior still hadn’t expired. That became his ticket to the U.S. last year. Yet even as he moved into his cousin’s home in Monument, Colorado, an hour south of Denver, the adjustment was isolating. … A family member suggested he retreat to nature, take a moment to breathe. A prayerful hike in the nearby mountains, Mr. Garcia says, helped right his course. 

“Inspiration struck, tuning-fork clear: Why not return to music?  A Google search for nearby orchestras yielded a name he knew. The young conductor, in awe, reached out to El Sistema Colorado. …

“Mr. Garcia started out as a volunteer at El Sistema Colorado before the federal government issued the asylum-seeker his work authorization. That allows him to work legally while his asylum case moves forward. Now paid, he teaches groups of strings-learning students in an orchestra group called Allegro.

“The teaching artist is a ‘positive light’ at the music school, says Ingrid Larragoity-Martin, executive director of El Sistema Colorado. ‘He’s passionate about kids, and he knows how to work with them.’ …

“Meanwhile, he awaits the outcome of his asylum application, which may take years. Mr. Garcia says he wants to ‘work, make a life, and try to share as many things as we can from our country.’ ” 

More at the Monitor, here.

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Photo: Natacha Larnaud for CBS News.
From CBS News: “Jacqueline and her two kids sit at a bus station in Brownsville, Texas, hours after being released from Border Patrol custody on April 30, 2021.”

This is the season of the couple who had no place to rest — and the baby who whose gifts were gold, frankincense, and myrrh. Will all the newly displaced children of 2023 have any gifts?

Theresa Vargas wrote at the Washington Post last year about a program for migrant children that made some little travelers very happy.

“The young boy in the red and black jacket didn’t need to look through the toys sitting on the blanket in front of him. As other children walked past stuffed animals, puzzles and building blocks, looking for items that called to them, he made his way straight to a dump truck almost half his size. If you had peeked in on that moment, which took place outside a Virginia church, you would have seen that boy holding the truck tightly. …

“Days before the volunteer collective Food Justice DMV planned to hold the giveaway event on Dec. 17, founder Denise Woods sent out an SOS, letting supporters know that volunteers didn’t have enough food or toys this year to give to the migrant families they serve in the Washington region. What makes the group’s toy collection different from the many others that take place at this time of year is volunteers gather secondhand items and get them to families who might fall beyond the reach of other organized efforts, because of language barriers and deportation fears.

“ ‘It pains me that people who have lost all coming here, may not celebrate Navidad the way they deserve and the way we want: a warm plate of food from home: beans, rice oil and maseca and a side of gifts,’ Woods wrote in an email at the time. …

“People in D.C., Maryland and Virginia started looking through their homes and gathering the toys their children and grandchildren no longer used. They then drove them to one of several places that were collecting items on behalf of Food Justice DMV.

“They brought puzzles and board games and art kits. They brought a toy stove, a toy shopping cart and a bike. They brought small stuffed animals and medium stuffed animals and jumbo stuffed animals. …

“Thousands of people throughout the Washington region responded. All it took was learning that children around them might go without to decide they wouldn’t let that happen. …

“By the time the giveaway event arrived, volunteers were carting truckloads of items to a church in Falls Church. There, migrant families found them spread across blankets and tables. Children who might not have received anything for Christmas left with their arms full and their parents left carrying bags of items. …

“[One teen] said her mom is from Guatemala and works hard at her cleaning job to pay the rent and keep the family fed, but that doesn’t leave much money for her to buy presents during the holidays. That day at the church, the teenager said, her mom and the whole family left smiling.

“ ‘We were so thankful,’ she said. ‘I just want to thank everyone so much.’ …

“ ‘For so long I think we felt, not accurately, that no one really cared, because we were existing on fumes and praying we would make our food costs,’ Woods said. ‘Now we know people do care and care deeply.’ …

“The strangers who came together to help the families recognized the system is broken, not people, she said.”

More at the Post, here.

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Photo: Maya Pontone/Hyperallergic.
Xiyadie, “Butterfly” (2023), paper cutout featured in July art show in Queens.  

Queens, a borough of New York City, is often a gateway to America for newcomers, and as a result it has a diverse and interesting population. The art that residents produce is also diverse and interesting, as an unusual show in a mini-mall recently revealed.

Maya Pontone reports at Hyperallergic, “Located at the tail end of the 7 train not far from LaGuardia Airport, Flushing is a magnet for both longtime Asian American Pacific Islander (AAPI) residents and newcomers from overseas. Home to New York City’s largest Chinatown, the Queens community has served as an entryway for new immigrants in search of work and housing.

“A new exhibition pays homage to Flushing and its history by spotlighting the work of eight artists, most of whom are residents of the neighborhood, and encouraging community contributions and interaction. Home-O-Stasis: Life and Livelihoods in Flushing, curated by Herb Tam and Lu Zhang, is staged in one of the area’s many mini-malls — places increasingly threatened by gentrification. …

“On the inside of the space, you can find a butcher, a beauty shop, a cell phone service store, a money transfer service/tea shop, and a barber; and in the far back, a 99-cent store. …

“A community-driven exhibition, Home-O-Stasis is interwoven into the mini-mall space as though camouflaged, blending in and standing out in understated yet profound ways. At the building’s entrance among hanging real estate ads, shoppers are greeted by a red paper-cut butterfly made by Chinese artist Xiyadie, who was taught traditional paper-cut artistry by his grandmother. Decorated with Buddhist etchings and an impression of the U-Haul clocktower on College Point Boulevard, the delicate work was created for the migrant workers who come to the mini-mall in search of housing.

A handwritten sign written by Xueli Wang that reads ‘Mom, have you eaten?’ catches people searching the bulletin board off guard. …

“Above the paper ads directly in view of the shop owners, a deconstructed calendar with dates and symbols carefully cut out by hand hangs from two delicate red threads tied to the ceiling beams — an allusion to the boundless, continual nature of passing time by Flushing-born sculptor Anne Wu. …

“For Home-O-Stasis, Yuki He and Qianfan Gu from the collective Mamahuhu created ‘Flushing Polyphonous’ (2023), a humorous reinterpretation of Flushing’s map as a Monopoly-like board game. With magnetic pieces and a pair of die, the game takes players through the Queens neighborhood focusing on landmarks and shared hyperlocal experiences. …

“ ‘You would say, “Oh, you go to that dumpling house next to the gas station.” Nobody uses the title of the shop,’ Zhang, one of Home-O-Stasis’s curators and artist contributors, told Hyperallergic. …

” ‘You can get everything you need when you start a life in New York,’ Zhang said, pointing out how many newcomers, luggage in hand, will often stop at the mini-mall first to browse the bulletin’s housing options, set up their phones, buy food, send money abroad, and purchase other home supplies. …

“ ‘In the new malls, each vendor is separated in their room. It has like a hierarchy,’ she said, adding that this mini-mall’s open layout gives it a ‘more organic community.’ …

“Zhang also said that when she and Tam were first hanging up the exhibition, some of the shop owners in the mini-mall seemed skeptical. But not long after Home-O-Stasis opened in late May, local businesses adapted to the art, welcoming the works and even caring for the installations when the curators aren’t present. …

“The daughter of the barber shop’s owner, Nikki, moved the cards and magnets to the side from ‘Flushing Polyphonous’ when she noticed that people kept knocking the game pieces to the ground. Tina Lin, who runs the skincare shop Tina House, has taken to caring for Wang’s reimagined flyers and Janice Chung’s photographic series HAN IN TOWN (2022) when the works get moved around. …

“One of the final elements of the exhibition, called Dream City 2.0, is dedicated to a community archive of personal landmarks and experiences. Inspired by a 1940s commercial development project that would have eradicated much of the neighborhood, the project calls on residents to build another version of Flushing based on past dreams rather than a reimagined future. On a sheet, residents have written down the names of vanished noodle shops, bookstores, and other spaces that have since been replaced by new businesses and apartments.” Oooh, I love that concept!

See other unusual art at Hyperallergic, here. No firewall. Subscriptions encouraged.

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Photo: Getty Images via New York Post.
Helping recent migrants put a strain on overworked cops in Chicago.

There are no easy stories about migration. Although most people would rather make a good life at home if they could, many launch themselves into the unknown with a vague idea that someplace else will be safer. As a popular destination, however, the US has not been on top of things for a very long time.

In one example, described by Eric Cox and Ted Hesson at Reuters in May, our confused system left “Chicago’s new mayor [grappling] with how to house hundreds of migrants arriving on buses from the U.S.-Mexico border, with some sleeping in police stations and shelters strained after border crossings. …

“Officials in the third-largest U.S. city have said they cannot afford to rent hotel rooms for all arriving migrants and have pressed for more federal funding. Some migrants seeking a safe place to sleep have turned to police stations.

” ‘We’re waiting to see where they’re going to place us,’ said Tomas Orozco, a 55-year-old migrant who arrived at a Chicago shelter on Wednesday with his family after an arduous seven-week journey from his home country, Venezuela.

“The trip took them through the Darien Gap, an inhospitable jungle separating Colombia and Panama, and his family members were still sick from drinking contaminated water, Orozco said. …

“Earlier this month, Texas Governor Greg Abbott [resumed] a campaign of busing migrants to Democratic strongholds further north, including Chicago and New York City. The busing aims to alleviate pressure on border cities and call attention to what Abbott says were overly lenient policies by Biden’s [administration].

“On Thursday, Texas began busing migrants to Denver, where [Mayor] Michael Hancock is already struggling to house new arrivals.

“New York City Mayor Eric Adams … has called on the Biden administration to provide more funding to cities. Adams suspended some of New York’s right-to-shelter rules last week, citing the strain of housing asylum seekers, and is considering using school gyms as shelters.

“Chicago Mayor Brandon Johnson … reaffirmed the city’s commitment to welcoming asylum seekers in his inauguration speech, saying ‘there’s enough room for everyone.’ …

“Dean Wynne, who owns a Chicago building serving as a temporary shelter for nearly 200 migrants, said families were ‘subdued and quiet’ on the first day they arrived.

” ‘By the second day, I could see little kids were playing around, playing catch, kicking the ball and stuff,’ Wynne said. ‘They were just happy.’

More at Reuters, here.

A more recent article, from July, may be read at the Chicago Sun-Times, here. Said one migrant through a translator, “You can rest, but this isn’t life. … I’m happy to work because that’s my goal. Because I want to fight and learn each day a little more than what I knew.”

The immigrants I’ve worked with as a volunteer in ESL classes are often suspicious of police in their home countries. I imagine the Chicago experience is unsettling, but then, maybe not as unsettling as that dangerous trip.

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Photo: Elayna Yussen — Bloomberg/Getty Images.
It’s not just hospitals that have critically low staffing levels. Our aging population is retiring, and most industries are hurting for labor. We need more immigrants.

Happy Fourth!

We think of ourselves as a nation of immigrants, but only for the past. We have turned against immigration at a time we badly need more applicants for every kind of job. The effects of labor shortages can be dangerous if we are talking about hospitals or aviation, for example. But it’s bad all over. I’ve read that even the military is having trouble finding recruits.

Today’s article is about nurses, but you can substitute almost any job category and think about whether better immigration policies, with a good route to citizenship, would help.

Alex M. Azar and Kathleen Sebelius wrote in Time magazine’s Ideas section, “The United States is about to learn the hard way what happens when an entire generation of nurses retires without enough new clinicians to fill their shoes at the bedside.

“As a result, hospitals in the same country that performed the first successful kidney transplant and pioneered anesthesia and heart rhythm restoration will have no choice but to ration care.

“That’s the only way to describe what happened to an Alabama man who was turned away from 43 different hospitals across three different states before ultimately dying of a cardiac emergency 200 miles from home because no nearby system had an available intensive care bed it could staff. …

“And it’s what happened to expecting mothers in Idaho earlier this year when the only hospital in the 8,000-person city of Emmett said it had become ‘unsustainably expensive to recruit and retain a full team of high-quality, broad-spectrum nurses to work.’ That followed an earlier decision by an upstate New York facility to pause its maternity services after struggling to recruit enough replacements to offset staff resignations and retirements. …

“A nurse old enough to retire today has only known the U.S. health care system in a nursing shortage, but they’ll tell you it’s never been more challenging. It’s a crisis in five parts, including increased demand for care by an aging population and workforce, restraints that hinder nurses from practicing at the top of their licenses, lingering burnout from the pandemic, an inability to educate enough new nurses, and a recently throttled pipeline of qualified international talent.

To fill the gap in care left by retirements and burnout, federal economists calculate that the U.S. health care system will need to add at least 200,000 new nurses every year through 2026.

Nursing schools reject tens of thousands of applicants every school year. It’s not because these would-be nurses failed to meet admission criteria — it’s largely because the schools don’t have enough nurse educators to train them. As limited instruction capacity squeezes the number of new matriculating nurses, hospitals have increasingly relied on foreign-educated nurses, who’ve grown to represent roughly 15% of the U.S. nursing workforce.

Employment-based health care immigration is a complex labyrinth of rules and regulations that doesn’t make it easy or fast for an international nurse to emigrate and begin treating American patients. Under current law, international nurses compete for the same limited number of employment-based green cards within an enormous pool of applicants that include IT workers, lawyers, engineers, and architects. Unlike those other workers, nurses do not qualify for temporary visas. So, while many computer engineers from other countries apply for green cards after moving to the U.S. and working under an H1-B visa, nurses must complete the immigration process entirely overseas.

“Under the best conditions, that’s a multi-year process in which the nurse has passed English language and licensure exams, established a sterling overseas clinical record, and secured a job offer that has been demonstrated not to harm U.S. workers. Now, that timeline will grow significantly, thanks to a recent visa freeze instituted by the U.S. State Department.

“The State Department tightly monitors the number of employment-based green cards issued against the remaining number for the fiscal year, which is set by Congress and has been untouched since 1990. Post-pandemic resurgent demand for this category recently forced State to issue a notice of visa retrogression, an immigration term of art that refers to eligibility backdating when demand exceeds equilibrium. As a result, any nurse who became eligible for their green card after June 1, 2022 — which amounts to thousands of nurses who have been winding through the system for upwards of two years — is ineligible to enter the country until the backlog has cleared. In practical terms, American hospitals won’t be get the nurses they’ve been counting on any time soon.

“Despite the urgency to get more nurses to the bedside, the State Department and the White House have zero discretion. The responsibility falls to Congress, which reserves the authority to issue visas and allocate them for specific immigrant preference categories. Each year, processing issues and other inefficiencies across various government agencies involved result in thousands of issued visas going unused. Health care advocates have begun pressing Congress to recapture some of these allocated-but-untouched green cards for the express use of immigrant nurses. There’s precedent: Congress did just that in 2000 and 2005.

“More recently, one bipartisan proposal introduced last Congress, the Healthcare Workforce Resilience Act, would have set aside tens of thousands of these mothballing visas for nurses and doctors. But it didn’t pass, and a new version has yet to be reintroduced. According to the nonpartisan Congressional Research Service, there are roughly 220,000 employment-based visas that were available for recapture as of 2021. …

“The nursing shortage isn’t a red-vs-blue, rural-vs-urban issue. It’s not about the southern U.S. border or the gridlock that defines D.C. It’s about a pregnant mother getting the care she and her baby deserve. It’s about the heart attack patient not being turned away because the emergency room doesn’t have the nurses to treat him. This is a whole-of-America crisis and we need a whole-of-government response, including a sensible loosening of licensing requirements, prioritize positive patient outcomes by modernizing the responsibilities and standards of nursing, supporting expanded educational opportunities, and enabling lawful employment-based immigration.”

More at Time, here.

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Photo: World Farmers.

Immigrants to the US, if they were farmers in their home countries or just want to grow food they can’t find here, may end up working in agriculture. And as this University of Rhode Island professor’s research shows, many are joining the new wave of urban growers.

Frank Carini reports at ecoRI News on John Taylor, associate professor of agroecology at URI, who recently received a $973,479 award from the National Institute of Food and Agriculture for his research.

I had to look up that new-to-me field of study. The Soil Association says that “agroecology is sustainable farming that works with nature. Ecology is the study of relationships between plants, animals, people, and their environment – and the balance between these relationships. Agroecology is the application of ecological concepts and principals in farming. [It] promotes farming practices that mitigate climate change … work with wildlife … put farmers and communities in the driving seat.” Read all about it here.

Carini writes, “The $973,479 award from the National Institute of Food and Agriculture was one of 12 to receive funding through the institute’s Urban, Indoor, and Other Emerging Agricultural Production Research, Education and Extension Initiative. The agency’s $9.4 million in grants are part of a broad U.S. Department of Agriculture investment in urban agriculture, funding research that addresses key problems in urban, indoor, and emerging agricultural systems.

“The project will bring together Taylor’s research with immigrant gardeners and farmers in Rhode Island, Julie Keller’s agriculture-focused work with diverse communities, Melva Treviño Peña’s work with immigrant fishers, and Patrick Baur’s work on food safety and urban agriculture. …

“Although always a part of city life, urban agriculture has recently attracted increased attention in the United States, as a strategy for stimulating economic development, increasing food security and access, and combating obesity and diabetes.

“Food justice is about addressing access to healthy and affordable food for low-wealth and marginalized communities. It seeks to ensure the benefits and risks of where, what, and how food is grown, accessed, distributed, and transported are shared equally.

“Many neighborhoods in metropolitan areas, including in Rhode Island’s urban core, have little to no access to fresh food or full-service grocery stores — a situation often referred to as living in a ‘food desert.’ Other marginalized communities are surrounded by ‘food swamps,’ areas in which a large amount of processed foods, such as fast food and convenience-store fare, is available with limited healthy options.

“One solution to this environmental justice problem is to encourage the growing of local food. Developing effective policies and programs demands as a first step the accurate mapping of existing urban agriculture sites, according to Taylor. He hopes to provide that template.

“Taylor and colleagues at URI, the University of Maryland, and the University of the District of Columbia will soon begin mapping the alternative food provisioning networks of immigrant communities and communities of color in three East Coast cities — Providence, Baltimore, and Washington, D.C. — to better understand these networks.

“He hopes this transdisciplinary research will reap new information about alternative food provisioning networks in the Northeast, evaluating their impact on food system outcomes, and identifying opportunities for policy support. …

“At URI, Taylor’s ‘home garden’ is a quarter-acre plot at the Gardiner Crops Research Center [at] the bottom of the Kingston Campus. His plot, visible from Plains Road, represents in microcosm the immigrant foodways he will be studying for his research during the next few years.

“At URI’s Agrobiodiversity Learning Garden and Food Forest, he grows crops that are integral to the food traditions of Rhode Island’s diverse communities: South American sweet potatoes, Mexican tomatillos, Haitian tomatoes, Mediterranean herbs, Asian bok choy, and produce from an African diaspora garden. Taylor tends the garden with students in URI’s Plant Sciences and Sustainable Agriculture and Food Systems programs and URI master gardeners, demonstrating how sustainable farming reinforces community-building.

“With the learning garden, he follows a lead set by generations of immigrants who moved to Providence and cities like it, bringing their growing practices, and sometimes seeds, with them. …

“A descendant of five generations of Pennsylvania farmers, he grew up on a 100-acre integrated crop-livestock farm near Pittsburgh. Taylor began gardening at the age of 6 and started a market garden while in high school. He left the farm to attend the University of Chicago … then managed federal education studies for 10 years before returning to school to study horticulture and practice landscape architecture.”

More at ecoRI News, here.

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Photo: Matthew Healey/Boston Globe.
Jeremy Garcia, 22, of Providence takes a break from working on a mural at “The Avenue Concept” in Providence, Rhode Island.

Kids love contributing to community murals. I know because Suzanne and John helped paint one in our town years ago. But that mural — about local history — was bland compared with the passionate work of self-expression and healing by urban youth in Providence.

Alexa Gagosz writes at the Boston Globe, “After setting down her paint brush, Deborah Ndayisaba gazed up at the purple-colored protestors who spread across a section of a new large-scale mural on the exterior of The Avenue Concept’s headquarters.

“A senior at La Salle Academy in Providence, Ndayisaba, 17, said she had her own ‘advocacy awakening’ when the Black Lives Matter movement took off in 2020. She joined the diversity club at school, became involved in PVD World Music, which looks to celebrate and enrich traditional African music and arts, and researched how many of the racial injustices of the Civil Rights era are now still relevant today.

“The protestors, for her, are symbolic. ‘It’s unfair how racial discrimination can touch everything. And activism isn’t just marching on the streets,’ said Ndayisaba, who is applying to colleges to eventually go into the medical field where she hopes to help women of color.

“It’s those kind of personal elements that scatter this newly finished collage mural by local youth who are involved with the Nonviolence InstituteRhode Island Latino ArtsHaus of Codec, and PVD World Music — all Providence-based organizations. The effort was led by The Avenue Concept, a public arts organization, and international community-based public art organization Artolution. …

“The Avenue Concept, which is the state’s leading public art program, was founded in Providence in 2012. Since then, artists from around the world have been commissioned to paint mammoth-sized murals across downtown that are part of the city’s skyline today. …

“A few of the Concept’s most notable works address longstanding community issues, such as ‘Still Here‘ by muralist Gaia, which depicts Lynsea Montanari, a member of the Narragansett tribe and an educator at the Tomaquag Museum, as they hold a picture of Princess Red Wing, a Narragansett elder who founded the museum. In September, Boston-based artists Josie Morway painted a new mural in Warren that addresses sea level rise.

“This new project, which was completed after 10 painting days on Sept. 30, is a pilot for a larger community participation program that was identified in The Avenue Concept’s latest strategic plan. The goal of the program, Thorne explained, was to address representation, neighborhood voice, unique cultural perspectives, and community needs in their upcoming projects.

“ ‘Over the last year, we’ve really tried to listen and better understand the stories that are intersecting in our own neighborhood,’ [Yarrow Thorne, executive director and founder of The Avenue Concept] said. ‘We are looking to do more than just the giant pieces of beautiful art in downtown, but to serve the community that surrounds us.’

“Thorne said the Concept, which is based in the Upper South neighborhood of Providence, selected the four local organizations because of how their work makes an impact across a diverse set of communities. Each organization brought four to five members of their youth communities to learn, connect, co-create themes, and eventually execute the mural with the help of Artolution’s co-founder Dr. Max Frieder.

“Frieder, a Rhode Island School of Design graduate and former classmate of Thorne’s, brings public art projects around the world — including in refugee camps. Frieder said he trains refugee-artists on how they can work with kids who have been through trauma and teach them to express what’s most important to them through art.

“ ‘With this project, we brought four very different community groups together and it has been remarkable to see them come together and reflect on their similarities,’ said Frieder, who has participated in public art installations on all seven continents. …

“Each participant painted a scene in a ‘memory ball,’ which looked like a golden orb with a scene of their choice inside. Some painted themselves playing basketball, another read ‘stop drug abuse,’ and one painted themselves playing a trumpet.

“One memory ball said, ‘You only get one life. It’s your duty to live it as fully as possible.’ It’s a quote inspired by Jojo Moyes, an English journalist and novelist.

“Each participant talked about the issues they and their families face in South Providence today: their communities getting priced out as the cost of living increases. Others have faced racism and homophobia in school. Some say their family’s generational trauma has prevented their own parents from healing.

“For example, Jeremy Garcia, 22, a self-described ‘proud, Black-Latino,’ described the stereotypes of South Providence being considered an ‘urban hood’ where residents are predominantly people of color. Garcia said many of their neighbors have watched cases of police brutality, such as the killing of George Floyd, and are afraid to call the police.

“ ‘These are the people who are supposed to save us and who we should be able to turn to when we are in danger,’ Garcia said. ‘If you can’t turn to the police, where do you turn?’

“Expressing themselves ‘and letting go of their past is the only way we can can heal and move forward,’ said Cedric Huntley, the executive director of the Nonviolence Institute. ‘We need more of this — in Providence and around the world. We all focus so much on the negative, which certainly impacts all of us, but there’s more to it in these young people’s lives.’ ”

More at the Globe, here. Nice photos. For a no-firewall article on the mural “Still Here,” check the Brown University newspaper.

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Photo: Carlin Stiehl for the Boston Globe.
Belarusian opera singer Ilya Silchukou rehearsing with pianist Pavel Nersessian. Silchukou and his wife, a mezzo-soprano, “fled their native Belarus after Silchukou publicly sided with protesters following the 2020 election,” reports the Globe.

If you live near Boston, check out a concert tonight at First Church. Not sure what is more impressive — the baritone’s voice or the backstory about defying the totalitarian regime of Belarus. To see what Ukraine would be like if Russia’s invasion succeeded, look no farther than the puppet government on Ukraine’s northern border.

Malcolm Gay reported at the Boston Globe, “By the time Ilya Silchukou performed upon the steps of the Bolshoi Theatre of Belarus in Minsk, more than 6,000 protesters had already been detained.

“It was August 2020, one tumultuous week after President Alexander Lukashenko, often described as ‘Europe’s last dictator,’ had claimed victory in a widely disputed election. His opponent had already fled the country. The government had briefly severed Internet service, as police fired rubber bullets and beat demonstrators who’d clogged the streets to protest.

“Silchukou, one of the country’s best-known opera stars, had already publicly renounced three awards he’d received from Lukashenko.

“And now he was prepared to use his most powerful tool to support the cause, channeling his rich baritone to sing ‘Kupalinka,’ a beloved song that had become an anthem of the protests.

‘Two years later, Silchukou, his wife, Tatsiana, and their three children live a quiet life in a rented house in [Wayland] west of Boston, where Silchukou tends the owner’s garden of eggplants. Their furniture is entirely donated, and Silchukou, once a star soloist at the Minsk Bolshoi who sang at opera houses across Europe, now teaches music at Star Academy, a private K-8 school, as he seeks to establish a stage career in the United States.

“ ‘It’s going to be hard,’ said Silchukou, who remains all but unknown to US audiences. ‘On the other hand, I’ve found so many new friends who support us and help us. I look forward with optimism.’

“Among those new friends is renowned Russian pianist Pavel Nersessian, who will perform a concert of songs and arias with Silchukou on Saturday at First Church Boston in Back Bay.

“Nersessian only recently met Silchukou, but during a recent rehearsal at Boston University, he described the singer’s voice as ‘multicolored,’ capable of subtly expressing the full spectrum of human emotion. …

“Silchukou joined the Bolshoi Theatre when he was just 23, making a name for himself as a soloist with leading roles for baritone, such as Tchaikovsky’s Eugene Onegin and Marcello in Puccini’s La Bohème. He traveled abroad frequently for singing competitions, winning the 2011 Hans Gabor and Helicon prizes at the prestigious International Hans Gabor Belvedere Singing Competition, among others. …

“He walked a fine line: He quietly disapproved of Lukashenko’s grip on power, but as an employee of the national opera, he was often called upon to perform at official functions. …

“In the months following the 2020 election, however, Silchukou felt compelled to take a stronger stance. He signed an open letter calling for an end to the violence and an election recount. He publicly supported other artists who’d been fired for speaking out, and he indicated his support from the stage, flashing the ‘victory’ sign as performers received red and white bouquets from the audience, a sign of resistance. …

“That October, Silchukou collaborated with other artists in a video calling for a national strike. He was fired within days, his working card stating he’d committed ‘an act of immorality.’

“Stuck at home with COVID-19, Silchukou decided to play his last card: a highly produced video he’d recorded of ‘Mahutny Bozha,’ a hymn that has become an anthem of the anti-Lukashenko movement.

“ ‘That video was in my pocket,’ Silchukou said of the searing indictment that would go on to rack up more than 500,000 views. ‘I’d been afraid to publish it because I was still working in the theater, but then I said, we have nothing to lose.’

“The family fled the following summer. …

“ ‘I dream to see Belarus free,’ he said. ‘I belong to that land.’ ”

When you think of asylum seekers, remember that most would give anything not to have had to leave their home.

Tickets at https://silchukou.eventbrite.com/ and at the door. More at the Globe, here.

This is courage.

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Photo: Nathan Klima for the Boston Globe.
Health care professionals at a Mass. General vaccination van parked near the La Colaborativa food pantry administered COVID-19 vaccines and tests for residents during a mini-festival for teens in Chelsea, Mass., on Oct. 06, 2021.

Today I’m thinking about all the people who keep on keepin’ on. Some may think they have no choice, but that doesn’t make them any less heroic to me. There is a kind of unconscious daily heroism of putting one foot in front of the other without any expectation of light at the end of the tunnel that I used to see among tired commuters on the subway. Endless Covid has a bad effect on my gumption, so I greatly admire truckers, grocery workers, nurses, doctors, hospital cleaners, housecleaners, farmers, teachers, and the many others who just keep going.

Today’s article from the Boston Globe shows, I hope, that such dedication pays off. Even if things get worse after they get better, it pays off again and again.

Felice J. Freyer, Bianca Vázquez Toness and Diana Bravo wrote last fall, “The crew had been out on the streets for more than an hour before they found a man who needed a shot.

“The five young people in torn jeans and mint- and cantaloupe-colored T-shirts had already accomplished a lot on this bright late-September day. Stopping stroller-pushing moms on the sidewalk and knocking on the doors of triple-deckers, they told people about the food pantry, the English classes, the sports and music lessons for children, the upcoming block party, where to get help with a leaky oil tank — even how to register to vote.

“But until they came across Gato, sitting at the open door of a shed under the staircase to his home, the promotores de salud — community health workers — did not have occasion to talk about the vaccine against COVID-19, an illness that had stormed this small impoverished city with notorious ferocity.

“ ‘Have you been vaccinated, Gato?’ asked Natalia Restrepo, the 29-year-old engagement coordinator for La Colaborativa, the community service group that hired and trained the promotores.

“ ‘No,’ he said. Restrepo knows Gato; he’s friends with her husband. But she did not know this troubling fact about him.

“He was a member of the unvaccinated minority. According to state data, 74 percent of Chelsea residents are fully vaccinated, above the state average of 67 percent. That happened even though Chelsea’s population is dominated by groups traditionally hard to reach — immigrants, poor people, Latinos. …

“And new COVID-19 cases in Chelsea have plummeted to below the statewide average. Chelsea has made itself into a vaccination standout, the result of a person-to-person campaign by multiple community groups.

“ ‘The Chelsea experience is one we really need to learn from,’ said Carlene Pavlos, executive director of the Massachusetts Public Health Association. ‘It’s one where we can see the value of efforts that are locally designed, locally led, and developed by the people most familiar with the community and most trusted by the community.’ …

“The pandemic had raged like a wind-whipped fire in Chelsea, a 2.5-square-mile city across the Mystic River from Boston, bringing fevers and hacking coughs to apartments and houses packed with grandparents, mothers and fathers, sons and daughters — a mysterious sickness that rode home with folks who took the bus to jobs serving food or cleaning hotels or hospitals.

“In April 2020, according to a new report from the environmental group GreenRoots, the COVID-19 infection rate in Chelsea was one of the highest in the nation, 57 per 10,000 residents, higher than the worst days in New York City, six times the statewide infection rate. Researchers at Massachusetts General Hospital found that by April 2020 one-third of the city’s residents had acquired antibodies to the virus, indicating they’d been infected. …

“But sickness wasn’t the only source of pain: By June 2020, with the economy flattened by the pandemic, one in five Chelsea residents was out of work. …

“Founded in 1988 to serve a new influx of Latino immigrants, La Colaborativa [offered employment and more]. It set up a food pantry, delivering food and medicine to those in quarantine. ‘We became the survival center,’ said Dinanyili Paulino, the chief operating officer.

Gladys Vega, the CEO, recalls encountering an 11-year-old in the food line. The girl had been left to care for her 6-month-old sibling when their mother was suddenly hospitalized with COVID-19.

“ ‘We adopted that girl for three weeks,’ Vega said, making sure she had diapers and food, and neighbors checking in on her.

“So when it came time to vaccinate, Paulino said, community members wondering whether the vaccine was safe turned to La Colaborativa —’the people that have been with them from the beginning.’ …

“When the COVID-19 vaccines were approved in late 2020, the organization trained mothers to form a cadre of promotores, who teamed up with doctors from Massachusetts General Hospital going door to door to talk about the importance of vaccination. …

“Despite such preparations, despite the severity of COVID-19 in Chelsea, the vaccine itself was slow to arrive. … Advocates were outraged, and undeterred. …

“The first big vaccination clinic in Chelsea opened on Feb. 4. The doses didn’t come from the state. Instead, the East Boston Neighborhood Health Center received them through a federal program and agreed to set up a clinic at La Colaborativa.

“Offering the vaccine at their headquarters, Vega said, ‘sent a strong message that, if we are welcoming the vaccination, that means that you as an individual should get vaccinated.’ ”

More at the Globe, here.

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Photo: Josh Reynolds for the Boston Globe.
Phalla Nol of Lowell weeded rows of garlic in her plot at White Gate Farm in Dracut.

I’ve really been intrigued by the Boston Globe “States of Farming” series — “occasional stories looking at Black, indigenous, and people of color (BIPOC) farmers in New England.” Today’s article addresses how a Cambodian who arrived here as child went about building a well-respected produce business.

Jocelyn Ruggiero writes that after Phalla Nol’s family “entered the United States as refugees in October 1981, they settled in Revere. Nol spoke ‘a little bit’ of English and could understand well enough to get along at the local high school, where the students were friendly. The adults in the community weren’t as welcoming.”

After an act of arson that left Nol’s family homeless, they rebuilt their lives in Greater Boston, got jobs, and made friends.

Her father “was 71 in 1998 when he retired from the New England Seafood Company and was among the first participants in the New Entry Sustainable Farming Project, an initiative of Tufts University’s Friedman School of Nutrition Science and Policy. The farmer training program supported his plot at Smith Farm, a training site owned by the Dracut Land Trust, where New Entry trained him in such skills as sourcing seeds, selling produce, using small farm equipment, pest and disease management, and drip irrigation. …

“Although Nol ‘loved the farm,’ it didn’t generate enough revenue to interest her. ‘He didn’t care about money, but me, I do care about the money.’ Beginning around 2007, however, Nol saw an opportunity for profit. She began purchasing produce from Cambodian New Entry farmers and graduates and resold those vegetables at local farmers’ markets. This proved to be a financial success.

“In 2013, New Entry found that they had more Southeast Asian crops from their Cambodian farmers than they could use in their CSA. So Hashley approached Nol with a proposition.

“ ‘Phalla was . . . already organizing and buying and selling from other farmers for her own markets,’ [New Entry director Jennifer Hashley] said. New Entry proposed that Nol become a ‘broker’ of sorts between the farmers and Whole Foods. ‘We helped her get the necessary insurance and distributor’s license she needed to aggregate orders among the farmers and sell directly to Whole Foods. We also connected her to Russo’s in Watertown to do similar wholesale sales.’ …

“Tony Russo, the owner of Russo’s in Watertown, has nothing but respect for Nol after doing business with her for eight years. ‘Phalla’s remarkable. . . . She’s honest, she’s responsible, she’s skillful. All the products she gives us are always just what they’re supposed to be, never less than that, and she’s fair with her prices. She’s a very hardworking person in a very difficult business environment. She’s a tower of strength.’

“Today, Nol leases five acres from the town of Westford and a smaller plot from the Dracut Land Trust. Her sister drives from New Jersey to help every weekend, and nieces, nephews, cousins, and other relatives do what they can to chip in. Although Nol pays a couple of people to plow and till, her mother, Kimsan Ly, ‘is with me 24 hours. . . . She’s my main helper. She’s stronger than me!’ Nol and her mother begin many days at 5:30 in the morning, and some nights harvest until well after dark, preparing for farmers’ markets and wholesale deliveries. Since so much of the business’s financial success is tied to her family’s help, Nol is unsure of what the business will look like 10 years from now. ‘The older we get, the more challenging it is.’ …

“Despite the challenges and despite the uncertainty of the future, she’s proud of the business she’s built: ‘My stand, what a crazy thing,’ Nol laughs. ‘At my stand, people line up, from here to there,’ she says, making a wide gesture. ‘They fight to get to my veggies!’ ”

For more on the family’s difficult history in Cambodia and both challenges and successes in American, check out the Globe, here.

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Photo: Suzanne Kreiter/ Globe staff.
Henrietta Nyaigoti with her mother, Veronicah Nyaigoti (right), working with baskets of chinsaga spider plant seeds.

Some years ago, for the magazine I edited, I acquired an article about Hmong immigrants in Lancaster, Massachusetts, and the role that their community garden played in their new life. The garden was called Flats Mentor Farm, and I’m excited to see it’s still going strong.

Jocelyn Ruggiero wrote recently at the Boston Globe about a Kenyan transplant whose family’s garden inspired a new business. “Six days a week, May through October, 33-year-old Henrietta Nyaigoti arrives at Flats Mentor Farm by 7 a.m. She waters the inside of her two high tunnels, checks the progress of the vegetables growing there, and walks her family’s 2 acres to assess any damage from pests and weather.

“During planting season, she puts seeds in the ground, and during growing season, tills weeds and makes any necessary soil amendments. At 2:30 p.m. on weekdays, she drives 15 minutes home, where she lives with her two young daughters, then showers and changes before heading to her job as an assistant program manager at a group home for individuals with traumatic brain injuries. She works there 50 to 70 hours per week during farm season, and 80 to 100 hours in the off-season. All year round, Nyaigoti spends 30 hours a week as a home health aide at an assisted living facility. She recently began a position as a sales coordinator for World Farmers — the nonprofit that operates Flats Mentor Farm — which has so far been a 10-hour a week commitment. … And this May, after three years of hard work, she will complete coursework for her Master’s in Public Health at Southern New Hampshire University.

Nyaigoti says, ‘I work hard because I have an opportunity that many people don’t, especially in Kenya.’

“Nyaigoti was almost 14 in 2001 when, ‘seeking greener pastures,’ her family immigrated to Massachusetts from a small town in Kenya called Rigoma Market. Her parents were teachers and, like everyone they knew, grew the vegetables — managu, chinsaga, amaranth, maize, and kunde — that their family ate. When they packed their bags, Nyaigoti says, ‘we did … what a lot of people did back then. We dried our vegetables and traveled with them … because we didn’t know if we were going to find them here. And lo and behold, we didn’t.’ …

“TIn [2003] Nyaigoti’s mother first visited Manny’s Dairy Farm in Lancaster. She was delighted to discover something she hadn’t seen since her time in Kenya: amaranth. She struck up a conversation with Manny, who invited her to pick the vegetable. Shortly after, he introduced her to Maria Moreira, the executive director and cofounder of World Farmers, the Lancaster-based nonprofit whose mission is to support small farmers in sustainable agricultural production.

“In 2004, Moreira offered her a parcel of land at the 70-acre Flats Mentor Farm, where World Farmers provides infrastructure and marketing assistance to small refugee and immigrant farmers — today approximately 25 countries represented — whose ethnic specialty crops (cleared by the government for planting and growing) make their way to more than 15 farmers’ markets, dozens of direct-to-consumer outlets, and a World Farmers’ CSA. …

“By 2006, [Nyaigoti] wanted to help her mother more, who she saw ‘working crazy hours [at her day job], and still struggling at the farm.’ She knew, though, she wasn’t going to farm the way her mother did. She explains, ‘When we came to the States, we were put into a system where you have to work for somebody in order to survive.’ She saw the farm as an opportunity for a degree of economic independence. ‘When I started working it [the farm], I said, I’m not going to sweat for free.’ Nyaigoti’s personal network of Kenyan friends had grown at UMass Lowell, and she was increasingly aware of the wider Kenyan diaspora in the region. She recognized the potential value of their Kenyan crops in this narrow target market.

“She began in 2007 with a single Kenyan church. ‘I would literally just get there, and in 30 minutes’ time, I’m done selling my produce, and I’m heading home.’ The more she sold, the faster word spread within the Kenyan community. The demand became so great that by 2008, she didn’t have enough supply to keep up. She went to Moreira, who helped facilitate ‘farmer-to-farmer sales’ between Nyaigoti and approximately 10 Flats Mentor farmers. The growers Nyaigoti subcontracts from are mostly Kenyan, however, she also buys from Tanzanians, Liberians, Burundians, and Haitians. …

“Once CDC regulations prevented large numbers of people from gathering in church parking lots to pick up their orders, Nyaigoti pivoted, fast: ‘If I know you’re not coming to the church, how can we make our relationship still work? Where can you get the vegetables where you are at? My commitment to people is: “Don’t worry about it, I will deliver.” ‘ …

“Nyaigoti wants to pack more and more of these orders: ‘my personal goal is to find a new community every year.’ She has her sights set on Cambodian, Tanzanian, and Ugandan communities next. In her own business and as sales coordinator for World Farmers, she wants to familiarize Massachusetts residents with Kenyan and other cultural crops grown by farmers at Flats Mentor Farm. She plans to share recipes and cooking videos to introduce new customers to these vegetables.”

More at the Globe, here. For information on Henrietta Nyaigoti and her business, visit www.facebook.com/Lexavahproducts. And there’s more about the Flats Mentor Farm at www.worldfarmers.org/flats-mentor-farm.

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Photo: John Moore / Getty Images
Stamford elementary school teacher Luciana Lira, 42, kisses baby Neysel, then 2 1/2 weeks, before showing the newborn for the first time to his mother Zully, a Guatemalan asylum seeker gravely ill with COVID-19, and her son Junior, 7, via Zoom.

I wanted my blog to be the first place you saw this story, but you can’t keep a good story down. Yesterday I noticed that the Washington Post had picked it up from a May 2 report by Christine Dempsey at the Hartford Courant. Read on.

“One month ago,” Dempsey wrote, “Luciana Lira, a bilingual teacher at a Stamford elementary school, got a call from a parent like no other. The mom, gravely ill with the coronavirus and about to deliver a premature baby, could barely breathe. ‘Miss Lira?’ she said in Spanish. ‘I need help.’

“The call set off a chain of events that led to Lira agreeing to take the woman’s newborn while the mother and her other family members recover from COVID-19. The 42-year-old educator spent most of April teaching online during the day and warming up bottles and feeding the baby at night, all while looking after her own son, husband and in-laws.

“For the baby’s mother, Zully, recovery has been slow. Her breathing tube was removed only on April 18, and she still is testing positive for COVID-19. Zully’s son — Lira’s student — Junior, 7, also tested positive, as did Zully’s husband, Marvin. …

“In the urgent phone call, Zully asked Lira to call her husband, Marvin. She gave Lira his number.

“At the time, Lira wouldn’t have known Marvin if she walked into him, she said. … But after Zully’s April 1 request, Lira was now on the phone with him, speaking Spanish, and he was a mess.

” ‘All he could do is cry. And cry. And cry,’ Lira said. …

“Lira realized she needed to act as an interpreter for the family. So she went to the hospital, but was turned away when staff learned that she was not a relative. A few days later, with Marvin’s approval, she was allowed to receive medical information on behalf of the family. Lira was now the point person for communication between Marvin and Stamford Hospital. In addition to talking to Marvin, she has been communicating with family members as far away as Guatemala.

“Her role was stressful. Zully was doing very poorly. She delivered her 5-pound, 12-ounce baby boy while in a medically induced coma, Lira said. …

“While Zully lay in a hospital bed, unaware she had given birth, the conversation turned to the baby, who eventually was named Neysel. …

“Marvin, who strongly suspected he, like his wife, had COVID-19, was afraid his newborn would contract the disease. He had no available relatives who could take the baby home. …

“ ‘Mrs. Lira, I know I can’t ask you this,’ he said one day, according to Lira.

“ ‘I said, “Don’t even say it because I’m going to,” ‘ Lira said. ‘ “You don’t even have to ask. My answer is yes.” ‘

Marvin insisted on making Lira’s husband Alex — who only knows a little bit of Spanish — part of the conversation before she brought a strange baby into the house, she said. ‘Marvin is amazing, a very, very responsible man,’ she said. ‘Even the nurse was crying.’ ..

“A colleague from school set up a gift registry for baby items. People donated supplies and food, she said. Then came the day of discharge. Donning a mask, gloves and protective covering, Lira took a car seat and headed to the hospital. … Marvin, who, like Lira, also was wearing head-to-toe protective gear, was standing on the opposite corner of the room, recording the moment from a distance with his phone.

“ ‘Oh … my … God. Hi, Baby,’ Lira said. The baby opened his eyes, looked at her and blinked, as if trying to figure out her role in his new life. …

“Since he arrived at her house, Neysel has been doing ‘amazing,’ said Lira, who sounds upbeat even when she’s dog-tired. ‘I work full time during the day, and at night, the baby’s up.’ Asked when she gets sleep, she laughed. ‘I’m getting strength from God.’ …

“Lira is more worried about Zully than herself. While her condition gradually improved, and Zully was discharged, she is far from recovered. She is having trouble walking. Lira said doctors wanted Zully to go into a rehabilitation center, but Zully and Marvin lack the insurance to pay for it because they both got laid off from their jobs at the beginning of the health crisis, essentially falling victim to the coronavirus twice. …

“ ‘My dream would be to have her home, with the baby, for Mother’s Day,’ she said.”

More at the Hartford Courant, here, and at the Washington Post, here.

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Photo: Erin Clark/Globe Staff
Note that they are wearing gloves! Members of Chelsea Collaborative in Massachusetts pray before opening the doors to a pop-up food pantry. Covid-19 food distribution has been operating for about a month with food donated by local businesses and food pantries.

A sad but hardly surprising aspect of the Covid-19 plague is that the poor, minorities, and immigrants are often the most affected. A community in the Greater Boston area has been learning that the hard way. But in Chelsea there is a spirit of helping your neighbor that is a lesson for us all

Boston Globe columnist Adrian Walker writes, “Gladys Vega’s office at the Chelsea Collaborative does not normally resemble a food pantry. But normal times ended in Chelsea roughly six weeks ago.

“’We probably have 2,000 people lined up, and I’m giving out food in an hour,’ she said when I talked to her Thursday afternoon.

“In a state that has become a hot spot of the coronavirus, hard-hit Chelsea might be its white-hot center. But the frightening prevalence of COVID-19 is only part of the reason her nonprofit has become such a popular spot.

“The city’s status as home to a large population of undocumented immigrants has taken on new meaning in recent weeks. The people Vega advocates for are being shut out of other means of assistance, such as stimulus checks — one more way the pandemic has deepened the divide between haves and have-nots.

“ ‘They don’t have income,’ Vega said. ‘And now they are not able to pay bills or buy food.’

“Vega is giving out not just donated food, but diapers and other supplies as well. For this, she has relied upon a network of donors cultivated over many years.

“That’s where her friend Bob Hildreth came in. Hildreth is a wealthy philanthropist, having made many millions in finance. After walking away from that he founded a nonprofit in Lynn to help poor families, especially immigrant families, save up to send their children to college by matching their savings. …

“Hildreth told me he thinks this is a critical time for philanthropists to do as much as possible to help those the federal government won’t.

“ ‘I don’t think my fellow philanthropists are acting fast enough,’ Hildreth said. “’When you need food and drink you need it within a week. I think this requires an extraordinary effort to get money to grass-roots organizations.” …

“The tragedy in Chelsea has mobilized donors large and small, Vega said. A produce collaborative has contributed food. A group of women in Cambridge have made regular deliveries of diapers and baby formula. Local bodegas that may not survive the lockdown are donating to the food supply.

“ ‘I’ve been so blessed,’ Vega said. ‘Two weeks ago I was crying because I had no food and I had a list of 200 people looking for food. Today we delivered 65 boxes of 25 pounds of food for people with COVID who can’t come out of the house. We call ahead and leave it outside.’

Especially striking has been the philanthropy of Chelsea residents with relatively little to give. ‘A man on Social Security gave me $10,’ Vega said. ‘A woman I don’t know gave me her stimulus check. She said, “You don’t know me, but I want to help.” It’s been the most beautiful show of poor people helping poor people.’

“By Vega’s reckoning, Chelsea’s recovery will be a long haul. The city had been turning around, but that’s been stopped in its tracks. As of last week, Chelsea had the highest per capita number of coronavirus cases in Massachusetts.

“ ‘The coronavirus in one month has taken five years of progress,’ she said. ‘This is a war zone right now.’

“Still, she and her staff keep performing their daily triage operation, with no plans to slow down. She said she’s getting about two to three hours of sleep a night. For now, that’s enough.

“ ‘You see the line and it gives you energy,’ she said. ‘You don’t have time to think about pain. You just continue to go.’ ”

I crossed paths with philanthropist Hildreth in my last job, and I can attest that he is sets an example for philanthropy. But what touches me the most is that people who don’t have much are giving such a big chunk of what they have.

More at the Globe, here, and at the Chelsea Collaborative, here.

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Photo: Irena Stein Photography/Immigrant Food
Chef Enrique Limardo says the “Columbia Road” bowl at his restaurant, Immigrant Food, combines elements of Salvadoran and Ethiopian cuisine. A special side dish: opportunities to help recent immigrants.

People say, “I’m upset, but I don’t know what to do.” Or, “I don’t have time to do anything extra.”

Look, when you shop, do you have time put a can in the food pantry bin? Do you have time to write a handful of postcards to voters once in a while? There is always time to put a can in a bin; there are always nonprofits that will accept a tiny bit of volunteering. It adds up.

And here’s the biggest benefit: you will feel better. Was it Ann Landers or Dear Abby who was always recommending helping someone worse off as a cure for nonclinical blues? You just need to find a volunteer gig that fits your interests.

This post is mostly about a cool restaurant in Washington, but be sure to note what the owners are trying to do in addition to presenting delicious, creative dishes.

In November, Catherine E. Shoichet reported at CNN about a new restaurant that opened up in the nation’s capital.

“It’s called ‘Immigrant Food,’ ” she wrote, “and it’s just a block from the White House. The fast-casual spot caters to a weekday lunchtime crowd, with bowls blending cuisines from different cultures around the globe — like a dish that combines Vietnamese spicy-rice noodles with pickled bananas in what the restaurant says is an ‘ode both to Central America’s favorite fruit and to German-style pickling.’

“It also gives diners a chance to donate to local immigrant advocacy groups, all under a slogan aiming to bridge the political divide and find common ground: ‘United at the Table.’

“[Co-founder Peter Schechter] wants people to feel at home here, and to hear the story he’s excited to tell. …

“As the child of immigrants from Austria and Germany, Schechter says he felt like he had to respond to the surge in anti-immigrant rhetoric across the United States.

” ‘This isn’t the America I recognize. … Immigrants have been the foundation of growth and vibrancy. This country has been great again and again and again because of immigrants. …

” ‘Immigrants are feeding America,’ he says. ‘All of the industries that make food, whether it is the picking or the shucking or the meatpacking or the slaughterhouses, (or) in restaurants, the servers, the bus boys, this is an industry that is dominated by immigrants.’ …

“At Immigrant Food, menus available by the door describe each of the nine fusion bowls and five vegan drinks on tap. They also encourage visitors to donate to and volunteer with local immigrant advocacy groups.

“Among the suggestions listed on the restaurant’s ‘engagement menu’: teaching English, visiting detention centers, staffing hotlines and helping with mock ICE interviews. …

“There’s also a photo booth featuring a world map. Diners can point to where their families are from, snap a selfie and get a text message with a frame around the image that says, ‘We are all immigrants!’ …

‘People say, “I’m really upset about what’s happening, but I don’t know what to do,” ‘ Schechter says. ‘And so, you come to this restaurant, we will give you stuff to do — concretely and easily.’

“Local immigrant advocacy groups will also be able to use the restaurant’s upstairs space for things like meetings and English classes, free of charge. And on its website, the restaurant will serve up bite-sized breakdowns of immigration policy issues, dubbed ‘The Think Table.’ …

“The location turned out to be a case of serendipity, Schechter says. ‘[But] I really think it goes beyond the political.’ …

As he sips on a drink called ‘Across the Border’ — which blends cacao, dates, peppers, allspice, vanilla and cashew milk — Robert Evans, 72, says he loves the concept but worries the restaurant might end up preaching to the choir rather than crossing political lines.

“But then again, he says, one day someone who works in the White House might stop by. … In Schechter’s view, immigration shouldn’t be a polarizing topic. He points to polls that show most Americans say immigration is a good thing. And he hopes Democrats and Republicans will dine at Immigrant Food together.

” ‘The table, the restaurant, has always been a place where people unite,’ he says.” More.

By the way, if you’re ever in Providence, the immigrant restaurant called Aleppo Sweets is just fantastic. An extra treat for me is running into one of my former ESL (English as a Second Language) students who’s working alongside her family members there.

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Photo: Christie’s
Alireza Hosseini, a refugee from Afghanistan, says of his 2019 painting “Embrace God”: “I was a man who did not know a god. I went to a sage and he told me to imagine two chairs: one for me, the other for God.” (Story at the
Guardian,)

It can be discouraging being a refugee if your new countrymen see you more as a concept than an individual. That is why a program in France, though struggling itself, has been determined to do something that opens minds.

PBS NewsHour‘s “Arts Canvas” recently posted a report by Jeffrey Brown on letting refugees tell their stories through their art.

“JEFFREY BROWN: Portraits of migration, the troubles faced along the way, the trauma of making a new home.

“ABDUL SABOOR: I’m from Afghanistan, but, sometimes, I say from nowhere.

“BROWN: Photographer Abdul Saboor experienced it himself. In Afghanistan, he says, he worked in transportation for the U.S. Army, but fled when the Taliban began threatening him and his family. During a harrowing two-year journey, part of it spent in an abandoned train station in Serbia, he began taking pictures with a donated camera.

“SABOOR: When I show to the people, I say, that’s not normal, how we lived there.

“BROWN: His photographs became a bridge to overcome language and other barriers and raise awareness about the plight of refugees, which he continues to do in Paris. … Saboor is one of some 200 refugee artists from more than 40 countries now getting support from the Agency of Artists in Exile.

“On our visit to its makeshift building off the Seine River, an Ethiopian man belted out a traditional song with accompaniment from this phone. Across the hall, a Yemeni woman used her vast trail of official asylum-seeking papers, accumulated over two years of navigating France’s legal process, to create an art installation. … And a Kurdish actor who fled Turkey practiced a monologue about his first days in Paris. …

“Judith Depaule is director of the studio, which opened in 2017 with funding from the French Ministry of Culture.

“JUDITH DEPAULE: In the beginning, you are, like, in the state of shock. … because nobody wants you there. It’s difficult. You have to do a lot of papers. … It’s like a panic. …

“BROWN: President Emmanuel Macron has sought to criminalize illegal border crossings, while tightening restrictions on asylum, even as far-right parties in the country call for more.

“But France also has a long tradition of being a sanctuary for artists, including Pablo Picasso and James Baldwin. The idea here was to give artists a place to connect with one another, to work on and exhibit their crafts, and to help with all the practical challenges of living as a refugee.

“ARAM TASTEKIN (through translator): First of all, they helped us find a place to live. Secondly, they helped us get a work visa, find a lawyer. Some people needed psychologists, things like that.

“BROWN: Kurdish actor and drama teacher Aram Tastekin fled Turkey in late 2017. So, why did you leave Turkey?

“TASTEKIN (through translator): Because it’s complicated living there. I’m a conscientious objector. I am anti-military. I’m an artist who tries to make art and theater in the Kurdish language, to protect the Kurdish language. But when we make Kurdish art or theater, they always say it is terrorist propaganda. And that really hurts. How can a language be terrorist propaganda?

“BROWN: In 2018, graffiti artist and painter Ahlam Jarban fled her native Yemen amid its years-long civil war. She says she faced added persecution for her family’s Somali and Ethiopian roots and for her wanting to be an artist as a woman. She left everyone and everything behind, and says she still doesn’t know if it was the right decision.

“AHLAM JARBAN: Because, all of us, we are we are without our families. So we feel lonely. We feel — there is a lot of problem. But when we are together, when we speak, when we share this story, it makes us a little less stressed, make us little — keep fighting. So it is good to have this place. …

“BROWN: To further make its case and showcase its artists, the agency recently presented its third annual month-long festival titled Visions of Exile. …

“JARBAN: When they see our artwork, they don’t see it as a refugee. This see it as artist, and artist make this thing. We do all this journey to be something. We have hope, and we are human before we come.” More here.

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