Photo: Christie’s
Alireza Hosseini, a refugee from Afghanistan, says of his 2019 painting “Embrace God”: “I was a man who did not know a god. I went to a sage and he told me to imagine two chairs: one for me, the other for God.” (Story at the Guardian,)
It can be discouraging being a refugee if your new countrymen see you more as a concept than an individual. That is why a program in France, though struggling itself, has been determined to do something that opens minds.
PBS NewsHour‘s “Arts Canvas” recently posted a report by Jeffrey Brown on letting refugees tell their stories through their art.
“JEFFREY BROWN: Portraits of migration, the troubles faced along the way, the trauma of making a new home.
“ABDUL SABOOR: I’m from Afghanistan, but, sometimes, I say from nowhere.
“BROWN: Photographer Abdul Saboor experienced it himself. In Afghanistan, he says, he worked in transportation for the U.S. Army, but fled when the Taliban began threatening him and his family. During a harrowing two-year journey, part of it spent in an abandoned train station in Serbia, he began taking pictures with a donated camera.
“SABOOR: When I show to the people, I say, that’s not normal, how we lived there.
“BROWN: His photographs became a bridge to overcome language and other barriers and raise awareness about the plight of refugees, which he continues to do in Paris. … Saboor is one of some 200 refugee artists from more than 40 countries now getting support from the Agency of Artists in Exile.
“On our visit to its makeshift building off the Seine River, an Ethiopian man belted out a traditional song with accompaniment from this phone. Across the hall, a Yemeni woman used her vast trail of official asylum-seeking papers, accumulated over two years of navigating France’s legal process, to create an art installation. … And a Kurdish actor who fled Turkey practiced a monologue about his first days in Paris. …
“Judith Depaule is director of the studio, which opened in 2017 with funding from the French Ministry of Culture.
“JUDITH DEPAULE: In the beginning, you are, like, in the state of shock. … because nobody wants you there. It’s difficult. You have to do a lot of papers. … It’s like a panic. …
“BROWN: President Emmanuel Macron has sought to criminalize illegal border crossings, while tightening restrictions on asylum, even as far-right parties in the country call for more.
“But France also has a long tradition of being a sanctuary for artists, including Pablo Picasso and James Baldwin. The idea here was to give artists a place to connect with one another, to work on and exhibit their crafts, and to help with all the practical challenges of living as a refugee.
“ARAM TASTEKIN (through translator): First of all, they helped us find a place to live. Secondly, they helped us get a work visa, find a lawyer. Some people needed psychologists, things like that.
“BROWN: Kurdish actor and drama teacher Aram Tastekin fled Turkey in late 2017. So, why did you leave Turkey?
“TASTEKIN (through translator): Because it’s complicated living there. I’m a conscientious objector. I am anti-military. I’m an artist who tries to make art and theater in the Kurdish language, to protect the Kurdish language. But when we make Kurdish art or theater, they always say it is terrorist propaganda. And that really hurts. How can a language be terrorist propaganda?
“BROWN: In 2018, graffiti artist and painter Ahlam Jarban fled her native Yemen amid its years-long civil war. She says she faced added persecution for her family’s Somali and Ethiopian roots and for her wanting to be an artist as a woman. She left everyone and everything behind, and says she still doesn’t know if it was the right decision.
“AHLAM JARBAN: Because, all of us, we are we are without our families. So we feel lonely. We feel — there is a lot of problem. But when we are together, when we speak, when we share this story, it makes us a little less stressed, make us little — keep fighting. So it is good to have this place. …
“BROWN: To further make its case and showcase its artists, the agency recently presented its third annual month-long festival titled Visions of Exile. …
“JARBAN: When they see our artwork, they don’t see it as a refugee. This see it as artist, and artist make this thing. We do all this journey to be something. We have hope, and we are human before we come.” More here.
Even under difficult circumstances, the need for art is great. Shows how vital art is, even though it is often dismissed as frivolous.
Yes. As I head to my sister’s memorial service in a few hours, I think should concentrate on the church’s beautiful stained glass windows and not the possibility of death by committee before I get to the other side.