Feeds:
Posts
Comments

Posts Tagged ‘new york’

081119-early-shadows-on-ladder

Recently, I took a couple trips to New York to see my sister, who’s been having ups and downs with the brain cancer. We had decided to have a sibling gathering when the Midwest and West Coast brothers were in town with wives and several kids.

I’m not going to show you the group photo from our delicious Maialino lunch because my poor sister, despite feeling much better, is still horrifically bruised from tripping and getting a black eye. Falling is one of the biggest worries these days.

Instead I’ll share other pictures from my trips and explain any that need explaining.

In July, I took Amtrak from Kingston, Rhode Island, where there is a cute historic train station and, across the track, some interesting graffiti.

In New York, my camera was drawn to verbal images: Biblical messages chalked on the sidewalks, a port-a-potty pun for my collection, and outreach to immigrants (I saw the electronic kiosk message in Spanish and Chinese, too).

I also shot a giant balloon version of the city mascot (just kidding, it’s not the mascot) and one of the ubiquitous mini gardens planted around street trees. I especially admired the gardens that managed to do without the “curb your dog” signs because they completely spoil the charm. But how do people protect the plantings otherwise? I wondered. Do the doormen rush out and chase away dogs? Is there a spray deterrent that dogs hate? Some successful mini gardens used higher fences.

A large and glorious volunteer-maintained series of gardens in Riverside Park proclaimed a different kind of success with its clouds of delirious, happy butterflies, like the butterfly below. Red Admiral? Not sure.

Olmstead’s tinkling waterfalls in Central Park make me delirious.

072419-Kingston-RI-train-station

072419-graffiti-Kingston-RI

081319-NYC-sidewalk-wisdom

081319-23rd-Psalm-on-sidewalk

081219-potty-title

081119-ICE-not-Welcome

072419-NYC-protects-immigrants

081219-NYC-rat

072719-garden-without-ugly-dog-sign

081119-.delirious-butterflyJPG

Read Full Post »

072619-.NYC-rooftop-garden

For the princely sum of $10 a year, a New York senior — my sister, for example — can visit a serene rooftop flower garden any day in the week. And the public can come for free on Sundays.

We made a pilgrimage to the Lotus Garden last Thursday, and it was delightful. The only people who were there at the time were two nannies and two toddlers.

Here is some history from the website. “Once upon a time back in the 1960s, two grand old movie theaters (the Riverside and Riviera) stood on the west side of Broadway, north of 96th Street. Eventually the theaters closed, the building fell into disrepair and was demolished — leaving an empty lot. Would-be gardeners in the neighborhood took over, planting a riot of flowers in the ‘Broadway Gardens,’ while the local politicians, realtors and bankers squabbled over the future of the lot. (Would an Alexanders department store serve the community better than an apartment house?) In the face of fierce community opposition a number of development projects fizzled.

“Determined Upper West Siders organized; local block associations joined the gardeners, along with the City Planning Commission, Community Board 7, and the Trust for Public Land, among others. Out of this emerged a committee, spearheaded by community activists Carrie Maher, a horticulturist, and Mark Greenwald, an architect, which worked with would-be real estate developer William Zeckendorf Jr. on the project for more than a year, persuading him to translate this neighborhood green space into an amenity that would enhance his building’s charm and value.

“Zeckendorf built stairs to the roof from a gate on the street; a cherry picker lofted 3-1/2 feet of topsoil onto the garage roof. Then Carrie and Mark, who headed the garden, laid out winding paths, installed two fish ponds and planted fruit trees and flowering shrubs. At last in the spring of 1983, a group of local residents, including new residents of the Columbia, began to plant flowers and herbs beneath the north facing windows of the Columbia’s tower.  Today 28 families tend garden plots there.  Thus the Lotus Garden, a community garden, came to be built on the roof of the garage of the Columbia condominium, on West 97th Street in Manhattan.” See pictures of the development stages here.

The only drawback I can think of is that the space is not wheelchair accessible. But if you can climb stairs, you are in for a treat. Here are the pictures I took. The peaches on the tree had just started to ripen.

072619-.stairs-to-roof-garden

072619-.Lotus-Garden

072619-peach-tree-Lotus-Garden

Read Full Post »

072719-Jae-has-healing-plants

When in New York, I like to walk from the Upper West Side to Central Park in the morning. I often walk east on the West 101 Street path that goes past the Frederick Douglass Houses. On the right is a playground and a popular little swimming pool (three feet deep, lifeguards provided), and on the left is a big field for sports and an empty lot converted to a garden.

When the garden fence was open recently, I stopped in and talked to Jae the gardener, whose passion for growing and feeding people is an inspiration.

Jae says she used to overthink food shopping, experiencing a kind of paralysis in the market as she asked herself, Where was this fruit grown? Who grew this vegetable? Were they paid a fair wage? Were pesticides used?

But she found her calling when she started growing her own food. First she helped gardeners by learning to compost, and she is still crazy about the whole idea of composting. “That’s where I come from as a gardener. I love worms!”

A full-time volunteer, Jae is eager to show visitors around the converted tennis-court farm. The garden has been built on top of the court, starting with piles of compost. Although her partner organization, Project EATS, notes the garden is not an official production farm this year, Jae sells some produce in hopes of saving up to hire a Haitian neighbor as a full-time gardener at some point. (“I don’t speak Haitian, he doesn’t speak English, but we both speak Farm.”) She gives half to the partner organization.

Jae has a completely organic approach (no pesticides or herbicides), and she expresses a feeling of awe at how nature works without such interventions. She shows how Mother Nature has let her plants flourish despite the views of “schooled farmers” that there was inadequate sun in that space.

When I told Jae I come to the city to visit my sister, who has cancer, she said my sister should come enjoy the garden’s healing aura and should bless the plants by breathing out carbon dioxide to help them grow.

I left Jae hand-removing squash borer eggs. (“Look how symmetrically they are laid! Isn’t it beautiful?) As beautifully as those eggs are laid, she knows she has to destroy them to protect the squash plants. Follow Jae on Instagram, @growwithjae .

Jae’s partner organization describes its own mission thus: “Social inequalities lead to health inequalities and ill-being in our communities. They affect our access to fresh food, life expectancy, physical and mental well-being, quality of education, employment opportunities. income, and share of public resources. They shape our behavior and expectations, and what we perceive and believe is possible for our communities, our society, and us.

“To achieve its mission of a fair society, Project EATS is a neighborhood-based project that uses art, urban agriculture, partnerships, and social enterprise to sustainably produce and equitably distribute essential resources within and between our communities. Especially those where people live on working class and low-incomes.

“To do this, we bring diverse neighbors together to take agency over the use of land in their neighborhood, provide the infrastructures and support for a community to develop their resources into productive spaces. We share knowledge and skills that support the ability of people to turn these relationships and resources into sustainable social enterprises employing community residents and stimulating local economies.”

Note the happy sunflower, one of several that Jae rejoices in, especially as she was told there was not enough sun to make gardening worthwhile in that space.

072719-squash-west-101-st-NYC

072719-Jae-in-organic-garden

072719-checking-squash-for-borers

072719-Jae-loves-her-sunflowers

Read Full Post »

072619-unicorn-tapestry-Cloisters

I’m in New York for a few days to spend some time with my sister and brother-in-law. They indulged me in a trip to the Cloisters, an amazing castle that is part of the Metropolitan Museum. I hadn’t been there since childhood, when my family went to see the Medieval tapestries, especially the unicorn tapestries.

The Cloisters are way up north in the Washington Heights part of Manhattan, and it was a little challenging to get there. We decided not to take public transportation as my sister’s cancer has slowed her down somewhat. The taxi driver said that in his 35 years of driving a cab, he had never been to the Cloisters. But he seemed pleased to learn about it.

Here’s what Wikipedia has to say. “The Cloisters museum in Fort Tryon Park in Washington Heights, Manhattan, New York City, specializes in European medieval architecture, sculpture and decorative arts, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—which were purchased by American sculptor and art dealer George Grey Barnard, dismantled in Europe between 1934 and 1939, and moved to New York. They were acquired for the museum by financier and philanthropist John D. Rockefeller, Jr. …

“The museum’s building was designed by the architect Charles Collens, on a site on a steep hill, with upper and lower levels. It contains medieval gardens and a series of chapels and themed galleries. …

“It holds about 5,000 works of art and architecture, all European and mostly dating from the Byzantine to the early Renaissance periods, mainly during the 12th through 15th centuries. The varied objects include stone and wood sculptures, tapestries, illuminated manuscripts and panel paintings. … Rockefeller purchased the museum site in Washington Heights in 1930, and donated it and the Bayard collection to the Metropolitan in 1931.”

We had a beautiful day and enjoyed walking around indoors and outdoors, listening in on guided tours and taking pictures. More here.

Update: I just added my brother-in-law’s photo of a beautiful Madonna, carved in wood. He was drawn to her because she looked so contemporary and because the weight of the world seemed to be on her shoulders. (The carved Baby Jesus didn’t survive intact through the centuries.)

072619-Cloisters-Met

072619-Cloisters-garden

072619-weight-of-the-world-Madonna-Cloisters

072619-Jesus-on-donkey-Cloisters

072619-Benedictine-chapel-Cloisters-NYC

Read Full Post »

goat-arrival1

Photo: Matthew Perlman
“Pamplona has the running of the bulls; the Upper West Side has the running of the goats,” says New York’s West Side Rag.

I’m in need of a silly story today. The kind of silly that just makes a person feel better about things. This story concerns a nature-friendly initiative to get the grass cut in Riverside Park while entertaining the locals.

The West Side Rag reports, “Twenty-four goats from the Hudson Valley were released into the not-so-wild [recently] and ran from their truck onto a weed-choked hill in Riverside Park that will be their home for the summer.

“There were more than 1,000 people there to greet them.

“It was like the Fresh Air Fund in reverse (maybe the dirty air fund?). The goats immediately started snacking on weeds. …

“Mildred Alpern sent photos and the following account: ‘Cheering and clapping crowds and luminaries were on hand to [welcome] the 24 goats into Riverside Park at Riverside Drive and 120th Street this morning. Riverside Park Conservancy employees guided the goats as they strutted and galloped along the path to the grassy and hilly enclave where they will reside until the end of August. Beribboned and numbered, the goats behaved like New Yorkers – confident, casual, and cool.’ ” More here.

The Riverside Park goats even eat the poison ivy. I wouldn’t mind having friends who do that! You can search this blog on “goats” to find other examples of four-footed weed control. I also posted here about the Basilica of St. Patrick on New York’s Prince Street, which used sheep as lawn mowers last year. If you know of similar examples, do share the details.

Hat tip: Gloria K.

Read Full Post »

041119-New-York-sunrise

Today I wrapped up my latest visit to New York, where I spent time with my sister and her husband. The city was great in both rain and sunshine. I loved every minute spent in Central Park — amazing at all times of year, but especially in spring. I also enjoyed an exhibit of JRR Tolkien’s art and letters at the Morgan Library (available only until May 12) and my visits with a number of my sister’s friends.

The first picture is of dawn on the Upper West Side. Next are flowering trees near the West Side Community Garden, followed by photos of the garden itself. How terrific to see that much prime real estate being used in this way!

I photographed the Tolkien poster, but no picture-taking was allowed inside the actual exhibit, alas. Tolkien was a fascinating artist as well as a writer of fantasies like The Hobbit and the Lord of the Rings trilogy. Among the works shown at the Morgan were the illustrated letters from Father Christmas to Tolkien’s children, which I showed you in 2018, here.

The concluding pictures are from Central Park. I can’t get over what an artist the landscape architect Frederick Law Olmstead was to create so many diverse vistas showcasing nature, never disrupting it. There are wonderful rock formations, hills and valleys, grottoes, woodland paths, waterfalls, streams …

It’s also impressive to observe how residents and city government alike use and cherish the park these days. I remember a time when I wasn’t supposed to go near it when walking my aunt’s corgi in the morning. Nowadays, the mornings are filled with bikers, walkers, runners, dogs — and the lucky people whose work commute is on foot through all that beauty.

041219-New-York-is-blooming

041219-West-Side-Community-Garden

041219-.community-garden-in-spring

041119-Tolkien-at-the-Morgan

041119-Central-Park-playground

041119-daffodils-and-bench

041219-.flowering-trees-Central-Park

041219-red-bud-and-forsythia

041119-Lagoon-Central-ParkJPG

041219-SuzannesMom-as-photographer

Read Full Post »

master__detail_carousel

Image: Green Tara Protectress from Eight Fears; Tibet; 19th century; Pigments on Cloth; Rubin Museum of Art; Gift of Shelley and Donald Rubin. The Eight Fears are 1) water, (2) lions, (3) fire, (4) snakes, (5) elephants, (6) thieves, (7) false imprisonment and (8) ghosts.

When I was in New York this week visiting my sister, she suggested we go to the Rubin Museum on West 17th St. She told me that the museum, which opened in 2004, was notable not only for the founders’ Himalayan art collection but for its peaceful aura.

It really was a treat. Here’s what the website says about the current exhibit. “Gateway to Himalayan Art introduces visitors to the main forms, concepts, and meanings of Himalayan art represented in our collection. A large multimedia map orients the visitors and highlights cultural regions of a diverse Himalayan cultural sphere that includes parts of present day India, China, Nepal, Bhutan, and Mongolia. …

“In addition to sculptures and paintings, objects such as a stupa, prayer wheel, and ritual implements demonstrate that their patrons sought the accumulation of merit and hoped for wealth, long life, and spiritual gains, all to be fulfilled through the ritual use of these objects and commissioning works of art.

“Among the featured installations are a display that explains the process of Nepalese lost-wax metal casting and a presentation of the stages of Tibetan hanging scroll painting (thangka).”

At the base of the museum’s circular stair we encountered male and female lions with fire (I think) flaming from their mouths.

021419-fierce-lion-at-Rubin-Museum

There was also an interactive table on which we were bidden to type our “intentions” (for the visit or perhaps for our lives). When we hit “enter,” our phrases whooshed up toward the ceiling, joining the flow of little star-like lights and other visitors’ “intentions” on the underside of the spiraling stairs. I typed “find light in shadow,” and my sister typed “experience peace.”

From the impressive collection we learned about the interconnection of Buddhist and Hindu culture and imagery. Among the highlights was a recreated Tibetan shrine where butter lamps were burning and visitors were enveloped in the deep, deep voices of monks chanting.

021419-Tibetan-shrine-at the-Rubin

There were also two excellent art recreations, one showing how artisans make a sculpture (the museum hired contemporary artists in Nepal to create the different stages of the process to be displayed in a glass cabinet) and the other demonstrating the steps for making a painted cloth hanging, a thangka. At first my sister was puzzled by the hanging’s label because it said “2014,” and all the other labels had ancient dates!

She, in turn, showed me an amazing thing that I had passed right by. It was a kind of virtual-reality video of what the houses of the Buddhist gods might look like, but the most amazing part came when the video swooped in on an aerial view. By George, a mandala! A mandala can be an aerial view of the houses of the gods. Probably other people know that, but I didn’t.

Here is a mandala that Melita showed me in process at MIT a few years ago. Colored sand was painstakingly dripped on a floor space by a visiting monk.

mg_8348sm

Read Full Post »

Older Posts »

%d bloggers like this: