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Posts Tagged ‘Kentucky’

Photo: Tom Hansell.
Wind farm in Wales coal country.

It’s possible that a US Senator who makes money off coal hasn’t gotten the message, but there are miners and mining unions getting practical about the future. This Living on Earth story appeared even before the devastation of Covid was added to the troubles of mining communities.

“STEVE CURWOOD: Some of the fiercest opposition to climate action in the US has come from regions that built their economies on fossil fuel extraction. Think Texas and Oklahoma for oil and gas and especially Wyoming, Kentucky, West Virginia, Pennsylvania, and Ohio for coal. Those regions have been hit hard economically as coal production dropped, leaving miners out of work, and their communities with shrunken tax bases and fewer paying customers for local businesses. It’s a story that has also played out in Wales in the UK. The experiences on both sides of the Atlantic are the theme of Tom Hansell’s new book, After Coal: Stories of Survival in Appalachia and Wales. … So, Tom, how did you get involved with the story of After Coal?

“TOM HANSELL: I learned about this long-term exchange that had been started by, through the center for Appalachian studies here and learned that they were bringing students and community members over to South Wales where the coal mines had shut down in the 1980s. And so I thought that would be really interesting to go over, gather stories of how those communities had survived, bring them back to Appalachia, and start an international conversation about how communities can survive the loss of the main industry that they were built around.

“CURWOOD: Now, one of the most interesting parts of your reporting here, Tom, is about the unions. And in both places, unions have been a major part of how these coal communities’ function. And one of the things that’s really interesting about the union phenomenon, it’s like a huge, almost secular society of the people who live in these communities. …

“HANSELL: I was really interested to learn that in Wales, the unions were not just doing these gathering spaces you were talking about and building political power for the miners, but they were also providing continuing education services. There was a whole system of miners’ libraries and free courses after hours so that miners could continue their education and fully participate in civic life. [And] then other kind of cultural aspects of the unions including male voice choirs or brass bands are big things happening in the UK. In Appalachia, union halls also very much community gathering places, places where local foods are celebrated, places where you can hear great traditional music.

“But the difference between the actually complete domination, closed shop and nationalized industry in the UK and the private industry and the lesser power of the unions in the United States was also pretty much a stark contrast. … These cultural spaces, these democratic spaces, for the most part, were built up around this industry, and what is there to take their place when the industry crumbles? [People] are still gathering sometimes in churches or chapels, sometimes around arts projects. There were some interesting arts projects, particularly the higher ground of Harlan County project that I followed in Eastern Kentucky that provided really interesting ways for diverse groups of people to participate in making something new that spoke to their identity and their history and their hopes for the future. [In America, there] is a lot of community life happening, but it’s perhaps a lot more dispersed than it was in the days when union halls were the place that you went to see your neighbors. …

“CURWOOD: How do we support those communities affected by taking the economy greener and climate disruption? …

“HANSELL: The only way to get deep and lasting solutions is to reach out very first to people that have been part of an extractive economy, whether that’s the oil fields, or the gas fields or the coal fields. These places that have been built up around a single industry need other options [and] maybe need some extra support. … For most of the 20th century, there was coal that helped us win world wars, there was coal that helped build the strongest industry and economy in the world.

And very little that wealth was left behind. Most of that wealth went to corporations that were headquartered outside of the coal fields. And there needs to be some system where some of that wealth gets returned. …

“I was actually really impressed at the amount of local farming that’s sprung up really during the time of the After Coal Project. My last project was actually looking at the controversy around a coal-fired power plant in southwestern Virginia. In Wise County, Virginia. That plant eventually was built. … But it was interesting at those forums, people wanted to talk about farming and agriculture and local foods. And it took me a while to listen and to understand that when they were talking about diversifying the economy, that’s where they saw their assets.”

More at Living on Earth, here.

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Photo: Invaluable
“Summer Farm Scene,” oil on canvas painting by self-taught artist Helen LaFrance of Kentucky.

Whatever kind of art you make, I have a question for you. What matters most to you: being in the moment of making? Or the aftermath? And if you feel satisfaction in pleasing someone else with your art or joy in selling it, are those experiences all part of the making or entirely separate things?

See what the late folk artist Helen LaFrance had to say about the relative importance to her.

Penelope Green wrote the New York Times obit on the artist. “Helen LaFrance, a self-taught artist whose vibrant and intimate ‘memory paintings’ of scenes from her childhood in rural Kentucky brought her renown late in life, died on Nov. 22 at a nursing home in Mayfield, Ky. She was 101. …

“In glowing colors and sharp brush strokes, Ms. LaFrance painted church picnics and river baptisms; tobacco barns; backyard gardens with geese and children racing through them; kitchens with bushels of apples and jars of preserves shining like stained-glass windows. Her exuberant scenes of rural life invited comparisons to the work of Grandma Moses, Horace Pippin and other regional painters who drew from their memories to tell stories about a vanished time and place.

‘It’s just a way of reliving it all again,’ Ms. LaFrance told a television interviewer in 2010. The next year she told another interviewer, ‘If I do something somebody likes, well, I’m satisfied because somebody liked what I did, but I don’t think it’s important.’

“The author Kathy Moses Shelton, who, with the gallerist Bruce Shelton wrote ‘Helen LaFrance: Folk Art Memories’ (2011), called Ms. LaFrance ‘an American treasure.’ …

“Ms. Moses Shelton said in a phone interview. ‘She grew up under Jim Crow. She was 10 when the Great Depression hit. Her art doesn’t reflect the pain of that era. … Instead what comes through is joy, and the values of family and work. Her family owned and farmed their own land when sharecropping was the norm, and they were self-sufficient and lived in dignity. Her blend of personal experience, Black American culture and heritage, and her skill all come into play to make her work unlike anybody else’s.’ …

“Helen LaFrance Orr was born on Nov. 2, 1919, in Graves County, Ky., the second of four daughters. Her parents, James Franklin Orr and Lillie May (Ligon) Orr, known as Bud and Hon, grew tobacco and corn.

“Helen did not attend much school. Her parents instructed her in reading and math, and her mother taught her to paint, guiding her hand and helping her mix colors from dandelions, berries and Bluette laundry detergent. She and her sisters worked in the family fields; Helen drew after her chores were done. She recalled loving the smell of the crayons her mother would bring her.

“Ms. LaFrance spent most of her life no more than 10 miles from her birthplace. She worked in a tobacco barn and in a hospital as a cook. She made custom whiskey decanters for a local ceramics company and worked as a retoucher in a photography studio. She owned property, commercial spaces and land.” To read more of the story and to see more art by LaFrance, click here.

And speaking of outstanding, self-taught artists, I never lose an opportunity to point people to a special children’s book about WWI soldier Horace Pippin, here. You will love it.

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depp_1

Photo: Amanda Matthews/Prometheus Art Bronze Foundry & Metal Fabrication
A clay model of a statue of Netti Depp, the first woman to be honored with a public monument in Kentucky.

Now that we’re removing statues and other honors for men whose dark side has become obvious (think segregationist president Woodrow Wilson, whose name has been removed from an institution at Princeton), how do we choose who deserves a statue? It’s possible some of the women and minorities we want to honor are known not only for praiseworthy things but also more troubling activities or associations. People are complicated.

Hakim Bishara reports at Hyperallergic, “Next year, Kentucky will raise a public statue of a woman for the first time in its history. The monument will honor Nettie Depp, a Kentucky educator who died in 1932.

“The statue will be unveiled at the Kentucky Capitol on August 21 of 2021, Kentucky’s Lieutenant Governor Jacqueline Coleman announced in a speech on August 5. It will be the first monument honoring a woman on state-owned land.

‘A failure to observe women in places of honor narrows the vision of our youth and reveals a lack of understanding of American history regarding women’s work, sacrifice and the immeasurable and timeless contribution to society’s advancement,’ Coleman said.

“The statue is designed by Amanda Matthews, a sculptor from Lexington, Kentucky, who spent years lobbying state officials for a monument honoring a woman.

“In 2015, Matthews founded the nonprofit the Artemis Initiative to campaign for a monument for Depp upon the recommendation of Kentucky’s Commission on Women. Matthews is Depp’s great-great niece (another distant relative of Depp’s is Kentucky-born actor Johnny Depp, who is her a great-great-nephew).

“Later in 2015, the Kentucky Human Rights Commission backed Matthews’s campaign with a resolution encouraging the state and local governments to erect statues of women of historical significance and outstanding achievements. A year later, Kentucky’s Historic Properties Advisory Commission started reviewing the Artemis Initiative’s proposal for a statue of Depp, and in 2017 it voted unanimously in favor of the monument.

“ ‘My hope is that this sculpture will break through the obstinate norm that has held fast in Kentucky since 1792 and move the needle toward a more inclusive future for women, minorities, and children,’ Matthews told Hyperallergic in an email.

“Last year, Matthews designed a sculpture of Alice Dunnigan for the Seek Museum in Russellville, Kentucky. Dunnigan was an award-winning Kentucky journalist and the first Black woman credentialed to cover the White House. … Presently, along with her sculpture of Depp, she is completing a monument for investigative journalist Nellie Bly, which will be installed next year at New York City’s Roosevelt Island.

“Depp was a Kentucky teacher and principal. In 1913, she became the first woman to be elected as Superintendent of Barren County Schools … During her tenure, Depp built 13 new schoolhouses, repaired 50 others, dug water wells, fought for fair pay for teachers, and promoted stricter enforcement of the Compulsory Education Laws to reduce literacy rates.

“After finishing her four-year term in 1917 (Depp declined to run for a second term), she went on to become principal at Cave City School until 1923. She spent the last decade of her career as a teacher in Scottsville from 1923 to 1931. …

“But there are questions to be raised about Depp’s legacy. As superintendent, she was tasked with overseeing 100 segregated schools across the county. There are no historical records that explicitly show her stances about segregation, and Depp does not appear to have advocated for integration. However, she is believed to have worked to improve learning conditions for Black students. …

“ ‘In the context of Kentucky in 1915, this should not be understated,’ Matthews told Hyperallergic. ‘Barren County Kentucky was located in solidly Confederate territory only a few decades prior. Depp’s public advocacy on [better Black schools] was groundbreaking, and possibly even dangerous.’ …

“However, in 1920, Depp helped write an endorsement for President Woodrow Wilson’s re-election for a third term in her capacity as a member of the Resolutions Committee of the Barren County Democratic Party’s local convention. … Wilson supported the resegregation of federal offices and held virulently white supremacist views, according to historians. In 2015, Princeton University removed his name from its School of Public and International Affairs. …

“ ‘It is honestly a disappointment to me that she publicly endorsed Wilson’s candidacy, but there is evidence that her first and most passionate interest was improved education for all children, and she never wavered on her stance on that,’ Matthews said. …

“ ‘I have no intent or interest to whitewash Depp’s history or that of my ancestors, but I do have an interest in bringing more equity to those who are marginalized,’ said Matthews. ‘Nettie Depp may not have done everything right, but she certainly did some things right.’ ”

More at Hyperallergic, here.

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29sci-elk9-superjumbo

Photo: Morgan Hornsby
Elk on view at the Salato Wildlife Center. Kentucky is reintroducing elk where coal mines are no longer operating.

It’s interesting to me that when people compare the economic benefits of, say, working in the coal business with working in the elk-tourism business, they don’t routinely include the economic benefits of things like better health. High unemployment is a serious concern, but I do know that miners routinely got black lung disease and that there were pollution dangers to their families.

The story that made me think about this was by Oliver Whang at the New York Times.

“On a bright morning early this spring, David Ledford sat in his silver pickup at the end of a three-lane bridge spanning a deep gorge in southeast Kentucky.

“The bridge, which forks off U.S. 119, … spills out onto Mr. Ledford’s 12,000-acre property, which he and his business partner, Frank Allen, are developing into a nonprofit nature reserve called Boone’s Ridge. ..

“When Boone’s Ridge opens in 2022, it will offer a museum and opportunities for bird-watching and animal spotting. Two independent consultants have estimated that it could draw more than 1 million annual visitors and add over $150 million per year to the regional economy. This is in Bell County, in rural Appalachia, which has a poverty rate of 38 percent and an average household income of just under $25,000, making it one of the poorest counties in the United States.

The decline of the coal industry created a multibillion-dollar hole in the economy and left hundreds of thousands of acres of scarred land. But it has also created opportunities.

“Boone’s Ridge is being established on reclaimed mine land, and one of its biggest selling points is a big animal that has only recently returned to Kentucky: elk.

“When Daniel Boone wandered through the Cumberland Gap and into Kentucky in the late 1700s, the state was filled with wildlife. … But in less than a century, land development and hunting decimated or eliminated buffalo, turkey, whitetail deer, river otters, bald eagles, quail and other animals. Elk — their presence enshrined in place-names like Elk River and Elkhorn City — were among the first to go. …

“In 1944, the Kentucky Department of Fish and Wildlife Resources was established and charged with reintroducing animals of all kinds and regulating their numbers for hunting and conservation. Whitetail deer, which numbered fewer than 1,000 after the Depression, now number more than 1 million and generate $550 million in state revenue from hunting licenses, tourism and the sale of rifles and other hunting-related paraphernalia. …

“With most of the region’s threatened game restored, attention turned to restoring other species, among them elk. In 1997, the Rocky Mountain Elk Foundation, an association of hunters, offered to fund a multimillion-dollar six-year plan to airlift more than 1,500 elk to Kentucky from the western United States. …

“The plan was popular; more than 90 percent of state residents supported it. There was only one problem: Each elk eats over 40 pounds of vegetation a day, and the grassland habitats of western Kentucky, where the animals were populous in pre-settlement times, had all been developed. Farm owners did not want half-ton animals destroying their crops,. …

“But in the eastern half, where craggy mountains had previously prevented elk population growth, hunters and conservationists were presented with a remedy to this problem: abandoned coal mines. …

“Unregulated, the environmental effects of mountaintop removal-mining can be devastating and lasting. … But when reclaimed correctly, the landscape can offer opportunities for different kinds of land use, including cattle farming, housing developments and sites for tourism. …

“In 1997, a year before the bridge leading to Mr. Ledford’s land was constructed, 4,000 people gathered on the grassy slope of a reclaimed mine in Perry County as Governor Patton threw open the doors of a trailer and an elk stepped foot on Kentucky land for the first time in more than 150 years. …

“Absent any real predators, the animal’s population has exploded: The state is now home to 13,000 elk and counting, all clustered in the 16 counties of coal country. …

The economic impact is tangible. The state now issues a couple hundred tags for elk hunting each year, and a small market has developed — elk sightseeing tours, elk hunting guides — that adds about $5 million to local economies, according to the state fish and wildlife department.

“The elk industry will not come close to replacing what was lost when coal left, but ‘coal business will not be back,’ said Rodney Gardner, a naturalist at Jenny Wiley State Resort Park in Floyd County.” Read more here.

Now I want to know what Steven Stoll, author of Ramp Hollow: The Ordeal of Appalachia, thinks about all this. Through his book, I was made aware for the first time that when conservation efforts preclude subsistence farming, families often suffer.

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56876a3cc5470-imagePhoto: Richmond Register
When artist Ken Gastineau moved to Berea, Kentucky, in 1987, there were few artists working in Old Town. Today, with taxpayer support, artists have become Berea’s economic engine.

Residents of Berea, Kentucky, have long known that their arts college was internationally admired. But it wasn’t until the loss of local mining jobs, that people began to see the arts as their most promising economic engine.

Ivy Brashear writes at NextCity, “One of the things people notice after spending any amount of time in Berea’s historic downtown is the density of galleries. For a small city in the foothills of the Appalachian Mountains, there are a lot of them.

“The state-designated ‘Folk Arts and Crafts Capital of Kentucky’ attracts visual artists, ceramicists and traditional craftspeople just like Nashville lures country musicians, albeit on a smaller scale. …

“City officials count 40 galleries in total, and three new restaurants and a gallery-cafe have opened in the past two years — not a bad showing of entrepreneurship in a city of fewer than 20,000 people.

“ ‘I believe we can legitimately claim we’re a town where art’s alive because any visitor, almost any time of the year, will be able to encounter active arts in motion,’ says Mayor Steve Connelly. …

“The little town that sprung up around Berea College [is] a rare growing, thriving city in a region that’s confronting steep population decline and rising rates of joblessness due in large part to the collapse of the coal industry. Eastern Kentucky alone has lost nearly 7,500 coal jobs since 2012. … The hope is for something place-based that can keep the economy humming while encouraging businesses to invest locally. In Berea, that thing is art and culture.

“Since 2010, the population of the city has grown by nearly 12 percent, making it one of the fastest growing places in the state. … With new people and businesses moving in, the city’s unemployment rate is four percent, compared to a statewide rate of five percent and a rate of seven percent in nearby communities, 2016 Census Bureau data shows.

“It’s difficult to make a direct connection between any one economic strategy and growth, but local officials say that their investment in building an arts economy has paid off because it gives people a reason to stay. …

“The [arts] culture was largely unsupported by any local government entity until about a decade ago. It was at this time that the city began to recognize what Connelly refers to as its ‘artistic infrastructure,’ and the need to invest in it. …

“It didn’t take long for local officials to recognize that Berea’s greatest local asset was its arts community, something that had been woven into the fabric of the town since the very beginning.

“Local artists were investing in Berea in big ways: by opening galleries and weaving shops, making and selling art, and starting local festivals that continue today.

“They were doing it largely on their own with little to no help from the government or Berea College. They were doing it because there was energy and synergy behind their efforts — a confluence of creativity and economy that city commissioners saw as an investment worth making.

“In 1982, the City Commission passed a hotel/motel tax and started a tourism commission. The World’s Fair was in Knoxville that year, and Berea wanted to catch I-75 travelers on their way south. The commission passed a 3 percent tax, and from 1982 to 2007, the all-volunteer tourism commission received about $125,000 a year from the tax.

“Further tax reform was made in 2007 during the Great Recession when Berea raised its property tax rate from the lowest in the state at .03 percent, to 10 percent. Soon after, they instituted a 3 percent restaurant tax, and the tourism budget quickly shot up to nearly one million dollars a year. …

“Berea Economic Development Director Danny Isaacs describes the decision to move away from traditional industries and look to the arts as a economic engine as one of sheer logic. …

“ ‘[Economic growth] goes back to building on what you have and what you’re known for,’ Isaacs says. ‘For Berea, the natural choice was arts and crafts.’ ”

More at NextCity, here.

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Photo: Goodman-Paxton Photographic Collection/Kentucky Digital Library
A Pack Horse Librarian returning over the mountainside for a new supply of books.

Here’s another story about dedicated book people making sure that books get to people in remote places. This one is from the 1930s Depression in the United States.

Eliza McGraw writes at Smithsonian, “Their horses splashed through iced-over creeks. Librarians rode up into the Kentucky mountains, their saddlebags stuffed with books, doling out reading material to isolated rural people. …

“The Pack Horse Library initiative, which sent librarians deep into Appalachia, was one of the New Deal’s most unique plans. The project, as implemented by the Works Progress Administration (WPA), distributed reading material to the people who lived in the craggy, 10,000-square-mile portion of eastern Kentucky. …

“In 1930, up to 31 percent of people in eastern Kentucky couldn’t read. Residents wanted to learn, notes historian Donald C. Boyd. Coal and railroads, poised to industrialize eastern Kentucky, loomed large in the minds of many Appalachians who were ready to take part in the hoped prosperity that would bring. ‘Workers viewed the sudden economic changes as a threat to their survival and literacy as a means of escape from a vicious economic trap,’ writes Boyd. …

“There had been previous attempts to get books into the remote region. In 1913, a Kentuckian named May Stafford solicited money to take books to rural people on horseback, but her project only lasted one year. …

“Unlike many New Deal projects, the packhorse plan required help from locals. ‘Libraries’ were housed any in facility that would step up, from churches to post offices. Librarians manned these outposts, giving books to carriers who then climbed aboard their mules or horses, panniers loaded with books, and headed into the hills. …

“Carriers rode out at least twice a month, with each route covering 100 to 120 miles a week. …

“The books and magazines they carried usually came from outside donations. [Lena Nofcier, who chaired library services for the Kentucky Congress of Parents and Teachers at the time] requested them through the local parent-teacher association. She traveled around the state, asking people in more affluent and accessible regions to help their fellow Kentuckians in Appalachia. …

” ‘ “Bring me a book to read,” is the cry of every child as he runs to meet the librarian with whom he has become acquainted,’ wrote one Pack Horse Library supervisor. ‘Not a certain book, but any kind of book. The child has read none of them.’ …

“Some mountain families initially resisted the librarians, suspicious of outsiders riding in with unknown materials. In a bid to earn their trust, carriers would read Bible passages aloud. Many had only heard them through oral tradition, and the idea that the packhorse librarians could offer access to the Bible cast a positive light on their other materials.”

More here.

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Photograph: Cassady Rosenblum
Garland Couch (seated) works on some code with James Johnson. The men are part of an effort to turn coal country into Silicon Holler.

About a year ago, I wrote a post about Mined Minds, a nonprofit founded by two young Northerners to help jobless miners learn computer coding skills.* This follow-up shows that the idea is taking root and spreading.

Cassady Rosenblum writes at the Guardian, “As Highway 119 cleaves through the mountains of eastern Kentucky, exposed bands of black gold stretch on for miles – come get us if you can, they tease. And for years, miners did: they had good employment that earned them upwards of $70,000 a year and built a legacy of blue-collar pride in the region. ‘We felt like what we did was important,’ says Rusty Justice, a self-described entrepreneur who hauled his first truck of coal in eighth grade. And it was. In 2004, coal powered half of America’s electrical needs.

“But by 2011, Justice and his business partner, Lynn Parish, who worked in coal for 40 years, began to worry. … So the two coal men from Pikeville began thinking about how they could diversify.

Coal country must transform itself into something else, a new place on the map the hopeful call ‘Silicon Holler.’

“In its own, proud way, Pikeville has a new message for America: we’re ready to move on if you’re ready to let us do it our way. That means some help from the government, but not a handout. ‘We need to identify the doers and facilitate their ideas,’ Justice says. …

“ ‘We considered just about everything. Windfarms, solar farms, hog farms – you name it,’ he laughs. As unemployment tore through their 7,000-person town, Justice and Parish prayed for a business idea that would not just pay, but pay people what they had been making before in the mines. …

“Their breakthrough came when Justice and Parish visited a workforce retraining expo in 2014 in Lexington, where they learned about coding.

“The concept appealed to them. Each year, 600,000 US tech jobs go unfilled, jobs that ultimately go overseas but could be on-shored if more Americans had the right skills. Even better, the job paid the same as the mines.

“Justice had seen first-hand how miners employed logic to solve life or death problems underground. Still, he wondered, could a coal miner really code? He called his computer-savvy friend Justin Hall with that question. ‘I don’t see why not,’ Hall said. ‘Great, you’re hired,’ Justice told him.

“They placed ads for their new web and app design company, Bitsource, in 2015, then watched as more than 900 applications rolled in. From this pool, they chose 11 former miners who scored highest on a coding aptitude test. Two years later, in an old Coca-Cola factory by the Big Sandy river, nine men and one woman remain.

“On a late March day, Hall stands at a whiteboard [and] fills the board with modules and nodes as the guys shout out ideas in lingo that eventually makes Garland Couch, a 55-year-old coder, pause at how far they’ve come. ‘Man, we’re nerds now,’ he laughs, pushing his Under Armour cap back on his head. After the session, they break for lunch, then return to work with Drupal software on laptops whose Apple icons glow next to bumper stickers that say ‘Friend of Coal.’

“Despite the team’s new profession, the stickers are a nod of respect to an industry they all got their start in, an industry that still employs some of their friends and family. As Parish is fond of saying, change is necessary, ‘but you don’t want to upset the one who brought you to the dance.’ ”

Read about other companies retraining miners in Kentucky, here.

*Update May 12, 2019: Uh-oh. Read about an unfortunate outcome, described at the New York Times, here. I still think it was a worthy effort.

 

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In honor of the Kentucky Derby last month, Karen Given reported a story on Only a Game about the naming of thoroughbred horses. At the end, the radio show’s host, Bill Littlefield, did a  funny imitation of calling a race. I won’t be able to do it justice. You’ll have to listen to the clip.

“Since 2004,” Given reports, “Rick Bailey has been the registrar for the Jockey Club, and he really enjoys the creativity he gets to witness in his job. Bailey and his staff review about 40,000 names every year and approve two-thirds to three-quarters of them. The numbers add up pretty quickly.

” ‘We do have 350,000 to 400,000 names that are considered active,’ Bailey says.

“With that many names off the table, maybe owners are just running out of normal horse names to choose from? …

“The list of available names is getting bigger, Bailey says, because the horse racing industry is getting smaller.

“There will never be another Secretariat or Seabiscuit. Those names have been permanently retired. But the names of less successful horses are eventually released. Bailey publishes those names on the Jockey Club’s website every year. This year, that list included more than 45,000 names. …

“The list includes Bambi le Bleu, Fabulous Rex, and Zippity Doodah Day. …

“Most ancient horses, says [Philip Sidnell, who has written the book on ancient warhorses], are named for pretty mundane reasons. Take the horses who ran in the ancient Roman chariot races.

” ‘They had names like “Swift” or another called “Snotty” and one called “Chatterbox.” ‘ “

Listen to Littlefield showcase some unusual horse names in the clip, here. “It’s Cookie Monster, Maple Syrup and Spineless Jellyfish  … Cookie Monster is hungry on the outside …”

 Photo: Only a Game

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Building energy savings into school design means more money for education.

At Yes! Magazine, Erin L. McCoy describes what planners did for the rural Richardsville Elementary School near Bowling Green, Kentucky.

“When Richardsville opened its doors in fall 2010, it was the first net zero school in the nation, meaning that the school produces more energy on-site than it uses in a year.

“Solar tubes piping sunlight directly into classrooms eliminate much of the school’s demand for electric light, while a combination of geothermal and solar power cut down on the rest of the energy bill. Concrete floors treated with a soy-based stain don’t need buffing. The kitchen, which in most schools contributes to 20 percent of the energy bill, houses a combi-oven that cooks healthier meals and eliminates frying. This means an exhaust fan doesn’t pipe the school’s temperature-controlled air to the outdoors all day long.

“Meanwhile, ‘green screens’ in the front hall track the school’s energy usage so kids can see the impact of turning off a light in real time.

“These and other innovations make Richardsville better than net zero. It actually earns about $2,000 a month selling excess energy to the Tennessee Valley Authority. …

“Three factors are essential to making a green school work: First, you need the participation of the community and the local power company; second, you can’t forget that a school is a dynamic learning environment; and third, you need to speak the language of money.

“Since the economic recession began in 2008, school districts have suffered. Local tax bases were shaken as property values plummeted, and states have cut back on funding to districts, which were pushed to cut funds wherever they were able. Addressing energy use made a lot of financial sense.”

More.

Photograph: Michael Heinz/The Journal & Courier/AP/File
Students gather on the first day of school at Wyandotte Elementary School near Lafayette, Ind., in 2011. Wyandotte is one of many US schools that have made cutting energy use a priority.

 

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