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Photo: Maxine Wallace/Washington Post.
Above, a men’s book club that meets every month in Maryland. The club celebrated its 30th anniversary in May.

Although my book club experience years ago didn’t work for me, I know what such reading groups have meant to friends of mine, especially the long-lasting groups. Most people I know have been in women’s groups, a few in co-ed ones, but this is my first time reading about a long-lasting men’s book group.

Maggie Penman writes at the Washington Post, “On a sunny Sunday afternoon in late April, eight men in Silver Spring, Maryland, gathered for a monthly tradition that began 30 years ago: a book club meeting.

‘The club is an eclectic group of men, mostly in their 70s — a former high school English teacher, a retired diplomat, an Israeli Army veteran — and they read widely. Fiction, nonfiction, poetry. Faulkner, Dostoevsky, J.K. Rowling. Being Mortal: Medicine and What Matters in the End, by Atul Gawande. Tomorrow, and Tomorrow, and Tomorrow, by Gabrielle Zevin.

“Whoever is hosting chooses the book, and on this day it was Michael Slott’s turn. The only rules are that the book is generally available at the library and ideally no more than 400 pages long. Slott broke both with his choice of the obscure 1974 science fiction novel, The Mote in God’s Eye, by Larry Niven and Jerry Pournelle (592 pages in some editions).

“The discussion began with someone asking for a show of hands of who finished the book — about half had. This is slightly lower than their usual batting average. … Dave Main said the book was very much of its time. ‘When I read a book, I think about when it was written,’ Main said. ‘This is totally a Cold War novel.’ …

“Mozena argued that the book didn’t age well because of the dearth of female characters and people of color. …

“After about 45 minutes, Slott brought out leftover chocolate cake from his wife’s recent birthday, and the conversation moved on to other books, specifically the older ones that the group thought had aged well (they had all loved Kurt Vonnegut’s Slaughterhouse-Five) and the ones that hadn’t (many of them were disappointed when they reread Joseph Heller’s Catch-22). …

“The book club was started by Schneider in May 1996 during a very different time in his life, when he was still working and had young kids at home.

“ ‘I can’t imagine how I did it,’ Schneider said. He worked in the labor movement, advocating for health and safety regulations for construction workers, and his days were long; he left the house before 7 a.m. and often didn’t return until 6 p.m. ‘But, you know, one book a month, it’s not a lot to read.’

“At first it was just him and a few neighbors — a way of getting people together. He and Bill Arnold had kids around the same age, so they met through the PTA; Ted Schroll and Slott lived on his street. Some people have come and gone, but the original members remain. Everyone attributes its longevity to Schneider’s commitment and organizational abilities — he maintains a list of books the group has read — the document is nine pages long, single-spaced — and sends reminders about meetings.

“ ‘I think the really difficult thing about keeping a book group going is picking good books,’ Schneider said. His daughter is a librarian and often gives recommendations. When in doubt, the group will fall back on classics or prize winners, though that isn’t a foolproof method. …

“Since the group takes turns choosing books, the men often suggest something they’ve already read and liked, knowing they’ll have seven friends with whom to discuss it. Favorites have included Hilary Mantel’s Wolf Hall, Isabel Wilkerson’s The Warmth of Other Suns, Patrick Radden Keefe’s Say Nothing and A Day in the Life of Abed Salama, by Nathan Thrall.

“As the April meeting wrapped up, the group discussed who would host in May (Mozena) and what book they would read next (he chose The Sentence, by Louise Erdrich, a ghost story set in a Minneapolis bookstore).

“Despite having had criticisms of that night’s book, Mozena made a point of thanking Slott for suggesting it, especially since he wouldn’t have chosen to read it himself.

“ ‘It’s worth taking the time to read books,’ Mozena said.”

More at the Post, here. I do admire people who are game to read something they would never have chosen for themselves. I probably I lose out by not being like that, but there’s so much I already want to read — and read again.

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Photo: Jose Sarmento Matos/Washington Post.
Members of The Archers crew — from left, Vanessa Nuttall, Kim Greengrass, Tim Bentinck and Sunny Ormonde — during rehearsals in a BBC studio in Birmingham, England, on Jan. 13.

Radio will never die. As often as people predict it won’t be able to compete with whatever the new thing is, it reinvents itself. Plus, as today’s story shows, there are old-time triumphs that manage to evolve and stay the same.

Steve Hendrix writes at the Washington Post in January, “Something bad — or harrowing or heartwarming — is always about to happen on The Archers, a preposterously popular daily BBC radio soap opera that marks its 75th anniversary this month. People fall off roofs, roofs fall on people, tractors overturn, young women get pregnant (sometimes by accident) and young men get married (sometimes to other men).

“There are stabbings and affairs and bar fights and barn burnings. But there are also pie contests, cow milkings, pints at the pub, and lots and lots of tea around kitchen tables … in the fictional farm village of Ambridge, somewhere in anywhere Middle England. And for three-quarters of a century, Britain has been hanging on every twist.

The Archers, recognized by Guinness World Records as the longest-running serial drama on the planet … endures as a real-time chronicle of ever-evolving, never-changing modern Britain.

“ ‘It’s part of the fabric of our national life,’ said Sybil Ruscoe, a former BBC agriculture reporter who grew up listening to The Archers in Shropshire and joined the show four years ago as its farming and countryside adviser. ‘It’s universal human drama that takes place in a rural setting, with the hedgerows, the horses, the wellies, the thermal vests.’

“All the pastoral pathos makes the BBC Radio 4 production a surprisingly enduring star in the broadcaster’s vast lineup, attracting more than 5 million weekly listeners on the air and hovering routinely at or near the top of shows streamed on the BBC Sounds app. (Listeners outside the U.K. can find it on BBC.com.)

“Cliff-hanger episodes still become national happenings, with media coverage and mentions in Parliament, as in 2016 when a verdict was reached in the case of organic cheesemaker Helen Archer, on trial for plunging a knife into her psychologically abusive husband.

“The legions who listened on smart speakers to that nail-biter may be nothing like the 20 million (about 40 percent of the United Kingdom’s population) who were glued to their Philcos in 1955 when newlywed Grace Archer was killed in a stable fire, but it is still a striking level of relevance for a Churchill-era radio drama. …

“[Emma Freud, a British journalist and commentator] ticked off the show’s topical march from rationing in the 1950s to unwed mothers in the 1960s and onward to sperm donors, gay marriage, modern slavery, domestic violence and immigration — societal shifts that never stop churning. …

“The mix has created a diverse and devoted fan base, populating countless Facebook groups, subreddits and message boards. Ian McKellen is known to be a listener, as is Stephen Fry. Judi Dench appeared on the 10,000th episode, and when Queen Camilla hosted a party for the show, she dazzled the cast and crew with her encyclopedic command of Archer-cana.

“ ‘She could be one of our continuity researchers,’ Jeremy Howe, the show’s senior editor, said.

“That a horsey-set royal would follow along may be less surprising than the number of young Britons (along with Americans, Romanians and Russians) checking in on Ambridge at 7 o’clock, six evenings a week. … The Archers is one of the BBC’s most popular downloads by 18-to-35-year-olds.

” ‘It’s stunning the people I meet who listen to this program,’ Ruscoe said. ‘And every single one of them has an opinion to share.’

“Physical Ambridge, such as it is, exists in a cluttered suite of rooms the size of a two-bedroom apartment in the center of Birmingham. Eight days a month, actors, producers and sound effects wizards gather in this dedicated BBC studio piled with all the objects that fill the fictional county of Borsetshire with noise: ironing boards as rusty gates, portable doors and windows that slam, a staircase to nowhere equipped with metal, carpet and wood treads. There’s a full kitchen with running water, a classic AGA stove, and lots of cups and cutlery for clinking on cue.

” ‘A live room,’ the most open space with the least soundproofing, suffices for any capacious setting, such as a church or village hall or the Bull, the Ambridge pub and social hub. An adjacent ‘dead room’ is lined with foam panels playing, ironically, the great outdoors, with birdsong and traffic and the ineffable whoosh of open sky layered on digitally as scenes are recorded.”

What a fun article! Do you have a favorite soap opera?

More at the Post, here.

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