I met Dedalus Wainwright when he was collaborating with a colleague of mine on an exhibit about carbon fiber. He is an artist, a sculptor.
Dedalus is having an open house this weekend at the Allston studio he rents from Harvard University.
In the studio, three tables full of models trace the origin of the full-sized painted aluminum sculptures you see here. He created the canes, or strips, in his models by cutting up drawings he had done in the past. Then he painted the blank sides with bright colors. I was intrigued by that multilayered approach and by what I could see by bending down and looking through the strips. I liked one model with especially intricate and colorful drawings and another that from the back reminded me of an Edvard Munch forest of ominous skinny trees.
I learned that a bird planted the seed that grew into the sculpture project.
Dedalus had been listening to a bird singing outside all day long. It may have been a mockingbird because it had so many different songs. At night, counting 47 different calls without one repeat, he dozed off, and when he awoke he had an idea for a sculpture with upright pieces such as you see here. If you look behind him, you also can see his studies of his pillars. Some are rising from what might be destruction, others from something more luminous.
There is a short bio of Dedalus at the Kinodance site. Read it here.

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