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Posts Tagged ‘folk’

Photo: Gerrit de Bruin/Re-Emerging Films via Wikimedia.
Pianist, jazz singer, and civil rights icon Nina Simone in 1969.

I have been a fan of Nina Simone since my early teens, so I was delighted to read that some of her fans have taken it on themselves to ensure that her childhood home continues to honor her.

Melissa Hellman reports at the Guardian, “It was a surreal experience for Dr Samuel Waymon, Nina Simone’s youngest sibling, to walk back into the renovated childhood home that he once shared with the singer and civil rights activist.

“On that day in the fall of 2025, Waymon, an 81-year-old award-winning composer, said that memories flooded back of him playing organ in the house and cooking on the potbelly stove with his mother as a child in Tryon, North Carolina. He was overjoyed to see the large tree from his youth still standing in the yard. Simone, born Eunice Waymon, lived in the 650 sq ft, three-room home with her family beginning in 1933.

“After sitting vacant and severely decayed for more than two decades, the recently restored home is now painted white, with elements of its former self sprinkled throughout the interior. On the freshly painted mint-blue wall hangs a shadow box that encases the rust brown varnish of the original home. A small piece of the Great Depression-era linoleum sits on the restored wooden floor like an island of the past in a sea of the present.

“ ‘It does conjure up wonderful tears of joy in my heart and in my eyes when I stand in that house, on the porch, going into the rooms where the stove is, and I’m saying, “Wow, this is actually real. The house is restored,” ‘Waymon said. ‘It’s like time travel.’

“The home was bought for $95,000 in 2017 by four Black artists behind the collective Daydream Therapy LLC – the contemporary artist Adam Pendleton, the painter and sculptor Rashid Johnson, the abstract artist Julie Mehretu, and the collagist and film-maker Ellen Gallagher. For them, the structure is an assertion that Black history is worthy of investing in.

“The restoration comes at a time when historians and researchers say that the federal government is attempting to diminish the contributions of Black Americans. A presidential executive order has directed the vice-president, JD Vance, to discontinue spending on programs or exhibits based on race at the Smithsonian Institution and its museums and research centers. The restoration of Simone’s childhood home could serve as an example of how privately funded projects can preserve Black history during a time when federally funded programs are under threat.

“On 1 September, the total rehabilitation of the home was completed after several years of planning and fundraising of nearly $850,000 in materials, construction and engineering costs for the renovation, which began in June 2024. The project has been overseen by the African American Cultural Heritage Action Fund (AACHAF), which is now working with a consulting team and the Tryon community to create a long-term management and programming plan for the site. They hope to create a cultural district around the home, which is projected to open to the public for tourism in 2027. …

“Said Tiffany Tolbert, the AACHAF’s senior director for preservation, ‘Being able to preserve the birth or childhood home of these icons, activists and leaders in the African American community is really important so that future generations will understand where we came from. … Having this home still extant, having it where people can visit, where they can learn, is significant because they greatly enhance the understanding of the African American experience in the middle 20th century in itself.’

“When he received a message from a museum curator who alerted him that it was for sale. At first, Pendleton considered other people who might be able to preserve and protect the home, but then he pondered the final line from poet June Jordan’s ‘Poem for South African Women‘: ‘We are the ones we have been waiting for.’ …

“Walking through the home shortly after its purchase, Pendleton was struck by how much he felt the spirit of the home. ‘This is where it all started for Nina, in this humble home,’ he recalled thinking. …

“Now that the home is restored, the AACHAF and a consulting team are working with St Luke’s CME church, where Simone’s mother, Kate Waymon, preached, to incorporate the surrounding East Side neighborhood into future programming. Pendleton sees the future of the home as being a site for reflection, he said, and to ‘become a place where artists go with intention to write music, for example, or to perform in the town. …

“If Simone were to visit the house today, Waymon said that his sister would be amazed and grateful that it has been restored.”

More at the Guardian, here.

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In India, a man who saw sculptural possibilities in castaways has left behind hundreds of pieces of art in a public rock garden.

Nek Chand, an Indian artist who rose to prominence by quietly building a sprawling kingdom of folk sculptures in northern India that became one of the country’s most popular tourist destinations, died on [June 12] in Chandigarh. He was 90. …

“Mr. Chand’s life’s work, known as the Rock Garden of Chandigarh, covers several acres and is populated by rock sculptures and figures of dancing women and animals, many of them fashioned from found objects like the mudguards of motorcycles and broken bangles.

“It stands in contrast to the striking if neglected government buildings conceived by Le Corbusier, who planned Chandigarh — the capital of the states of Punjab and Haryana — in the 1950s.

“For some, the Rock Garden, which has thousands of visitors a day, is an antidote to what, with its stark Modernist buildings, is seen as something of a bureaucrat’s city. …

“Mr. Chand was born Nek Chand Saini on Dec. 15, 1924, in the village of Barian Kalan, which became part of Pakistan after partition. He was newly arrived in the city of Chandigarh just after India’s independence in 1947. He worked for the government as a road inspector, according to the Department of Chandigarh Tourism website. But, [Rupan Deol Bajaj, a retired government functionary] said, he became fascinated by found objects, including weather-beaten rocks.

“ ‘I started building this garden as a hobby’ in the 1950s, he said in an interview with Agence France-Presse in December. ‘I had many ideas, I was thinking all the time. I saw beauty and art in what people said was junk.’

“By night he slipped onto a patch of land and artfully arranged rocks and construction waste behind a barricade of empty tar drums.”

The garden was a secret for a long time. When the authorities learned about it, a debate on its future ensued. But, says the Times reporter, “a groundswell of support led to its official opening to the public in 1976.” More here.

Photo: Reuters
Nek Chand, at 76, next to one of his sculptures. He died in June at age 90.

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