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Posts Tagged ‘artist colony’

Photo: Ben Hovland/MPR News.
Art Shanty #1 stands on the frozen surface of Lake Harriet in Minneapolis.

I once read that an eggshell is simultaneously one of the most fragile and also the most durable of Nature’s materials. Isn’t art like that, too? Both lasting and ephemeral?

Consider the on-again off-again role of ice in artistic output, from New Year’s Eve ice sculptures to colonies of working artists on frozen lakes. Alex V. Cipolle reported at Minnesota Public Radio about the latter.

“In the winter of 2004, something funny was afoot on Medicine Lake. There were ice fishing houses like always. But on the frozen lake, away from the fishing holes, was another shanty. This one was made with shiny red vinyl, a circle window and a wood sign hanging from the door that said, ‘The Poet is In.’

“The inhabitants weren’t fishing. Instead, they hosted birthday parties and built a heart-shaped ice skating rink for Valentine’s Day. They had a sleepover and screened the icy horror flick The Thing.

“This was the first-ever Art Shanty, created by local artists Peter Haakon Thompson and David Pitman.

“ ‘I had been talking with a couple of friends and was trying to convince them that we should build this shanty that we were going to put on Medicine Lake for the winter as our sort of fort-clubhouse-art studio,’ recalls Thompson.

“ ‘Just the creativity of what the possibilities were, were endless,’ Pitman adds. ‘As we’ve sort of seen 20 years later.’

“Twenty years later, one shanty has become a village, and a circle of artist friends became an arts nonprofit — Art Shanty Projects —  annually programming two weeks of free art events on ice. Now on Lake Harriet, Jan. 27 to Feb. 11, the frozen lake becomes a temporary arts community with about 20 shanties, each with a different theme, which host live performances, yoga sessions, and a polar bear (‘Lady Bear’) that walks the grounds. …

“To mark the 20th anniversary of the little red shack, the Art Shanty Projects team has recreated it, calling it Art Shanty #1.

“ ‘I had been going through old photos,’ says Erin Lavelle, the artistic director for Art Shanty Projects. ‘And the picture of the original shanty is just so iconic.’ … Lavelle wanted to bring in new artists to activate the classic shanty, so she tapped Richard Parnell and Tony Chapin, both based in Minneapolis and longtime shanty artists. During December and January, they rebuilt Art Shanty #1 in the Ivy Arts Building in South Minneapolis, using photos of the original as a guide. 

The original shanty was built with found materials and red-vinyl-covered plywood lifted from a Walker Art Center dumpster, says Thompson. 

“ ‘In the spirit of the way they had built theirs, we repurposed a lot of materials,’ Parnell says. Parnell volunteers in public schools so had access to gymnastic floor mats and plexiglass COVID shields that were being thrown out. The floor mats are now insulation and the shields are windows. …

“Thompson and Pitman, who are no longer officially involved with the event, say they are excited to see the shanty recreated, and the art shanty village flourishing two decades on.

“ ‘I don’t think either of us anticipated that it would be something that would continue hardly for any time at all,’ Thompson says. …

“ ‘What really excited me was seeing all these other people coming up with ideas for similar things within the limitations that were kind of set in this unregulated land,’ Pitman says.

“ ‘Relatively unregulated,’ Thompson adds, laughing. (The Hennepin County Sheriff’s Office Water Patrol board and the Department of Natural Resources require permits.) …

“The growing art village hopped from Medicine Lake to White Bear Lake and now Lake Harriet, and has had a few evacuations due to melting ice. In 2023, Art Shanty Projects moved it ashore for ‘Plan Beach.’ … 

“Today, the Art Shanty Projects is sometimes jokingly referred to as ‘Burning Man on Ice.’

“ ‘I’ve always been rankled by the whole Burning Man, Frozen Man comparison,’ Thompson says. The ever-expanding Nevada festival has become infamous for its impact on the environment.  With the art shanties, Thompson says, ‘We’ve followed this “Leave No Trace” ethos on the ice.’ ”

More at MPR, here. No paywall.

This year was one when the ice colony had to evacuate. The New York Times has that story here.

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I met Mary Driscoll in playwriting class last summer.

Mary has had a lifetime focus on social justice for marginalized people. She has traveled to foreign countries to work with refugees. For people with HIV, she has taught pilates and the healing art of telling one’s stories. She has performed with mission-oriented theater troupes. And she is the founder of  OWLL, On with Living and Learning, which helps ex-offenders build new lives after prison.

At Mary’s invitation, my husband and I found our way last night to what is a virtual artist colony in the long-abandoned but reemerging warehouse district of South Boston. In Mary’s loft apartment, one of the artists she has drawn into her orbit presented a wonderful cabaret show to raise money for OWLL’s production of Generational Legacy about mothers and children after prison.

Michael Ricca interpreted songs by Michel Legrand with great humor and feeling (including the theme song of our wedding, “What Are You Doing for the Rest of Your Life?”). Ricca is performing the songs and others by Legrand at Scullers in March.

My husband and I enjoyed talking to Mary’s guests  — artists, actors, musicians, social activists, old  friends. We’re especially keen to keep an eye on the doings of the Fort Point Theatre Channel in the Midway Studios building, where Mary  lives and works. The collaborative productions in the Black Box Theatre sound intriguing and offbeat. We like offbeat.

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