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Photo: Shah Meer Baloch.
Afghan refugee Mohammed Hasan Zamri in his shop in Pakistan, where he keeps his collection of rare music cassettes from his homeland.

For the Afghan diaspora, you have to celebrate joy where you find it. In October, for example, Afghan friends lit up social media because of an unexpected triumph in cricket.

“I had a quick shower and was heading towards the office when I learned about Afghanistan’s phenomenal cricket victory against Pakistan, with the news dominating my socials,” Shadi Khan Saif exclaimed in the Guardian. …

“The team’s phenomenal performance has lifted up not just the devastated nation but millions in the Afghan diaspora, including in Australia. At Dandenong Park in Melbourne’s south-east, hundreds joined in on the traditional Attan dance to mark the victory. The scenes in Kabul and other cities in Afghanistan were equally charged with joy and celebration.

“Amid international isolation, Afghanistan’s cricket team has once again proved itself as the only source for the Afghans to connect with the outer world. Afghanistan’s tri-color flag – now replaced with the white Taliban flag – and the Republic-era anthem are still kept alive by the cricketers on the world stage.”

As unusual as was that moment of delight, it is clearly not the only way Afghans seek out joy. Some turn to a collector in Pakistan who is saving Afghan music for posterity.

Shah Meer Baloch reports for the Guardian, “Afghan music fans from Kabul and Jalalabad have crossed the border to the city of Peshawar in Pakistan to offer thousands of rupees to Mohammed Hasan Zamri’s workshop for just one cassette.

“Zamri, an Afghan refugee, refuses them all as he continues his quest to copy and, one day he hopes, digitize his collection of more than 1,000 rare and old Afghan music cassettes of various genres.

“It is his contribution to help preserve a musical culture that existed for centuries before the Taliban existed.

“Since retaking control of the country in 2021, the Taliban have imposed their rigid interpretation of Islam, restricting and even criminalising music and arts. In July, they publicised a bonfire of seized ‘illegal’ musical instruments, reminding Afghans that the sale of instruments was a punishable offense.

“ ‘The Taliban just use religion as an excuse to ban music and say it is haram, prohibited, in Islam. This is not true and it is part of our culture for centuries, but the Taliban have senselessly put a ban on it, says Zamri.

“Zamri fled Afghanistan during the Soviet invasion and went back for a few years after the war had ended and the Taliban had started to consolidate their power. He left again in 1996 and has been running a workshop fixing tape recorders and TVs ever since.

“Most of the space in his small workshop is taken up by stacks of cassettes, neatly arranged on a wall opposite the entrance. His collection includes tapes of renowned Afghan musicians including Munawar, Nashenas, Taj Mohammad and Haikal.

“ ‘I have done recordings of many singers myself who had fled Afghanistan in the 1990s or had come to Peshawar, which has been a thriving hub for Afghan refugees and musicians,’ he says.

“ ‘The love for music is there but the musicians, music and art is banned in the Taliban’s Afghanistan. Today, we have many singers but because of the ban, they cannot perform. They have fled Afghanistan.’

“Listening and copying his cassettes, Zamri reminisces of times when Afghan audiences could enjoy music and culture with freedom – the same freedom afforded to musicians and artists, men and women. … ‘The people who have heard these songs or lived through the era are the ones who come to buy cassettes. …

“ ‘Naseema, Kashan, Benazir and Zarghona were the best female singers who dominated Afghan music three to four decades ago. Now, if they do not allow men to sing or create music, how will they allow women?’

“Until [August], Zamri was unknown to many Pashto-speaking people until local media featured his attempts at saving Afghan music cassettes. He has since received both threats and messages of appreciation.

“ ‘I have been threatened on Facebook from people to stop my work and they would burn down my shop and that this is against Islam. But there were some positive and appreciative comments too. …

” ‘Some people are addicted to smoking, some people love pets and some are fond of many other things. I am addicted to Afghan music. It is my hobby and passion,’ he says.”

More at the Guardian, here.

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123119-record-cabinet

Do you listen to your old LPs? It took us a while to get a decent record player after the old one wore out, but now we can listen anytime — if we remember we have a vinyl collection. That’s not a given: it’s more automatic to turn on the radio.

And you have to get back in the habit of noticing when one side has finished playing and it’s time to flip the record. We did play the Mormon Tabernacle Choir when the children were in the house at Christmas. But then we forgot to turn off the machine.

I have been reading that some music connoisseurs prefer the sound of vinyl to CDs and the ubiquitous MP3s, and now it seems that other consumers are catching on.

In September Elias Leight reported at Rolling Stone that the revenue generated by record sales was on track to surpass the revenue generated by CDs.

“Sales of vinyl records have enjoyed constant growth in recent years. At the same time, CD sales are in a nosedive. Last year, the Recording Industry Association of America’s (RIAA) mid-year report suggested that CD sales were declining three times as fast as vinyl sales were growing. In February, the RIAA reported that vinyl sales accounted for more than a third of the revenue coming from physical releases.

“This trend continues in RIAA’s 2019 mid-year report. … Vinyl revenue grew by 12.8% in the second half of 2018 and 12.9% in the first six months of 2019, while the revenue from CDs barely budged. If these trends hold, records will soon be generating more money than compact discs.

“Despite vinyl’s growth, streaming still dominates the music industry — records accounted for just 4 percent of total revenues in the first half of 2019. In contrast, paid subscriptions to streaming services generated 62 percent of industry revenues.

” ‘We welcome [the growth in vinyl],’ Tom Corson, now the co-chairman and CEO of Warner Records, told Rolling Stone in 2015. ‘[But] it’s a small percentage of our business. It’s not going to make or break our year. We devote the right amount of resources to it, but it’s not something where we have a department for it.’

“Still, the vinyl resurgence has been a boon for some artists, especially classic rock groups. The Beatles sold over 300,000 records in 2018, while Pink Floyd, David Bowie, Fleetwood Mac, Led Zeppelin, Jimi Hendrix, and Queen all sold over 100,000.”

More at Rolling Stone, here.

Of course, reissues of classic records on vinyl are one thing, but original vinyl is quite another. The website Work+Money says that 28 particular classics are worth a combined total of nearly $2 million today.

According to reporter Eli Ellison, they include “The Beatles, ‘The Beatles’ (aka ‘White Album’) … Elvis Presley, ‘My Happiness’/’That’s When Your Heartache Begins’ … Sex Pistols, ‘God Save the Queen’/’No Feeling’ … Bob Dylan, ‘The Freewheelin’ Bob Dylan’ … and The Velvet Underground, ‘The Velvet Underground & Nico.’ ” More about that here.

Wonder what our collection is worth.

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