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Posts Tagged ‘endangered’

Maria Popova linked to this story on twitter. It’s about how climate change is affecting a way of life for Fiji Islanders.

Meehan Crist writes at the blog Nautil.us, “The day that conservation biologist Joshua Drew, his two students, and I arrive in the Fijian village of Nagigi, the wind is blowing so hard that the coconut palms are bent sideways. ‘Trade winds,’ we are told. And, ‘El Nino. The villagers here also know that climate change is affecting the weather, but their more immediate problem, shared across the Pacific—and, indeed, the world—is an ocean ecosystem sorely depleted by overfishing.

“Nagigi is a village of about 240 people living in tin-roofed wooden homes strung along a sandy coastline. A single paved road runs the length of the village, parallel to the ocean, and along this road are homes clustered by family, painted in cheerful pastels, and connected by well-worn paths through the crab grass. ‘Before,’ said Avisake Nasi, a woman in her late 50s who has been fishing this reef her whole life, ‘you just go out and you find plenty fish. Now, you have to look.’ …

“If pressures mount from too many sides at once—rising ocean temperatures, acidification, pollution, overfishing—the combined pressure will be too much even for Fiji’s remarkably resilient reefs to bear. …

“Conservationists and humanitarian groups have recently united in the call for sustainable resource management, and in this trend, Nagigi is ahead of much of the Western world. Villagers have been discussing how they might use a traditional ban on fishing known as a tabu (tam-bu) to help manage their marine resources in new ways. …

“Drew presents his findings about how fish here are interconnected with other reefs, and how to best protect the species most important to the village in terms of food and income. He talks about how, for the last three years, he has been collecting baseline data about the species present on the reef so that if the village sets up a tabu, its effects can be measured.

“His audience is most interested in what Drew has to say about where to set up a tabu—include the mangroves at the left side of the village shore, because they act as fish nurseries—and for how long—three years would give crucial species enough time to mature and spawn. There has been some talk of a one-year tabu, which would be less of a hardship for villagers who will have to walk a mile or more to reach ocean where they are allowed to fish. But Drew’s data suggest this wouldn’t be long enough to make the sort of difference the village wants to see. ‘I can only offer information,’ Drew says at the end of his presentation, ‘the decision is yours.’ ”

The reporting for Crist’s  story was made possible by a grant from the Mindlin Foundation.

Try to see the related climate-change movie Revolution, which I wrote about here.

Photo: Meehan Crist
The view from Nagigi’s school to the sea, where many locals make their living

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You have heard of “slow food” and perhaps “slow money” (a loan with a long time to pay back) and other efforts designed to help us reduce the often meaningless haste of modern life. Well, Cousin Claire has been posting news on Facebook about another slow movement that is sure to intrigue you, Slow Textiles.

Says Slow Fiber Studios on its About page, “We are founded on a simple intention: to offer real-world insight into the multifaceted and holistic practice of textile-making. Slow Fiber Studios™ offers dynamic, hands-on field study programs in diverse areas of the world where textile culture runs deep — India, Mexico, Japan, France, Italy, and on. We believe the best way to understand a philosophy is to see it being lived.”

Here is a description of a 2012 offering: “Special opportunity to travel throughout India with Yoshiko, who has been exploring this country for over 30 years (lived in Ahmedabad in 1983/84 on an Education & Culture Fellowship and frequent 3-month residencies spanning 3 decades). Yoshiko will introduce her friends in India who are involved in welfare, community empowerment, and cultural sustainability projects.

“Tour Highlights: natural dyes, organic cotton cultivation, handloom weaving, khadi, biodynamic farming, architecture, local food and religion, contemporary art and design educational institutions, museums, solar energy development, hand spinning and weaving wild silks and Tibetan wool in Himalayan communities.” More here.

How well I remember the wistful feeling I got in reading the book Lark Rise to Candleford when the beautiful handmade lace was spurned as soon as the factory-made came in. There is something to be said for speed and efficiency, but also something to be said for craft.

Photos: Slow  Fiber Studios

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According to Christopher Joyce at National Public Radio, young whooping cranes learn from older ones, and when older cranes are unavailable, they can learn from ultralights.

“Being a wildlife biologist in the 21st century increasingly means rescuing rare animals from extinction. Among the success stories is the whooping crane. Seventy years ago there were only about 16 birds left on the planet. Now there are about 600.

“But breeding more birds isn’t enough. Scientists want to restore the crane’s way of life, too. And a team of ecologists at the University of Maryland have discovered something that suggests they are succeeding: Captive-bred are picking up tips from older birds about how to skillfully navigate south for the winter.

“It’s a sign that those whooping cranes are passing knowledge from one generation to the next and, in a sense, rebuilding their culture.”

So how do whoopers raised in captivity learn to follow and where to go when there are no older birds around?

“Workers drive around the enclosures in an ultralight, one-person aircraft … that moves along the ground. It’s the first step in teaching these birds to identify an as a mature whooper. Then when the birds are yearlings and it’s migration time, they’re shipped up north, to Wisconsin.

” ‘The ultralight in Wisconsin not only circles on the ground and teaches them to follow,’ [Greg Smith of the U.S. Geological Survey] says, ‘but it also ultimately lifts up into the air’ and accompanies the whooping cranes on their great migration, which lasts between 50 and 100 days.”

More.

Photo: Joe Duff/Operation Migration USA Inc.
This young whooping crane is on its first fall migration, guided by an Operation Migration ultralight aircraft. Each whooper in this population wears an identification band, and many carry tracking devices that record their movements in detail.

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Have you ever taken out-of-town guests to see the glass flowers at Harvard? They are among the area’s must-see attractions.

The Czech father-son team Leopold and Rudolf Blaschka created the flowers in the 19th century, when they also made glass replicas of sea creatures.

Now scientists are comparing the duo’s marine life to what exists today. Have the creatures evolved? Are some extinct?

“I’ve been a marine biologist my entire professional life,” write C. Drew Harvell in the Science section of the NY Times, “spending more than 25 years researching the health of corals and sustainability of reefs. I’m captivated by the magic of sessile [attached by the base]  invertebrates like corals, sponges and sea squirts — creatures vital to the ecosystem yet too often overlooked in favor of more visible animals like sharks and whales.

“The filmmaker David O. Brown and I want to change that. To make a documentary, Fragile Legacy, we are on a quest to lure these elusive and delicate invertebrates in front of the camera lens.

“Our inspiration springs from an unlikely source: a collection of 570 superbly wrought, anatomically perfect glass sculptures of marine creatures from the 19th century.

“These delicate folds and strands of glass make up the Blaschka collection of glass invertebrates at Cornell, of which I am the curator — enchanting and impossibly rare jellyfishes of the open ocean; more common but equally beautiful octopus, squid, anemones and nudibranchs from British tide pools and Mediterranean shores.

“They are the work of an extraordinary father-and-son team, Leopold and Rudolf Blaschka.”

The rest of the story is worth your time. Check it out.

Photo: Kent Loeffler
A glass sculpture of Facelina drummondii, a sea slug in Cornell’s Blaschka collection.

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