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Posts Tagged ‘fringe’

Photo: Robert Ormerod for the New York Times.
Graham Maxwell performing “The Flying Bubble Show” during the Edinburgh Festival Fringe.

Nowadays, hearing or reading about something cool is generally good enough for me. As interested as I might be in a foreign country or a new play or a natural wonder, I don’t often think, “I wish I had been there.”

But today’s story on bubble art is different. I would have loved to see these performances and be in the midst of audience reactions. They took place at the Edinburgh Festival Fringe in August.

Alex Marshall wrote at the New York Times, “In McEwan Hall last week, the atmosphere was riotous. For about an hour, some 400 adults and children were gasping, screaming and laughing as Louis Pearl, the Amazing Bubble Man, encased girls and boys in huge soapy globules, made bubbles levitate and wobble, filled many of the fragile spheres with smoke, and karate-chopped others in half.

“For the show’s finale, Pearl, 68, grabbed a long plastic stick with a ring on one end, dipped it into a vat of soapy formula and waved it above his head so that thousands of bubbles drifted over the audience. Children throughout the theater leaped out of their seats to pop them. …

“This year, four bubbleologists, as they like to be called, have shows on the Fringe. … Ray Bubbles has a show for disabled children and an ‘Ultimate Bubble Show‘; an act called the Highland Joker has the simply titled ‘Bubble Show‘; and Maxwell the Bubbleologist has a ‘Flying Bubble Show,’ largely performed midair.

“After his gig last Monday, Pearl posed for photos with fans and sold bubble-making kits outside the venue. ‘Bubbles are like dreams,’ he said later in an interview: ‘When you blow one, you go out of normal reality and this magical thing captures your attention until — boom! — it pops.’ …

“Born in San Francisco, Pearl said his bubble fixation began in the 1970s at Dartmouth College in New Hampshire when a roommate showed him a bubble pipe and they tried out some tricks like filling the bubbles with marijuana smoke.

“While working odd jobs after college, Pearl sold toy bubble pipes on the streets of San Francisco, and sometimes sold pot, too. His life changed in 1983 when he saw Tom Noddy, a bubble artist who once appeared on The Tonight Show, perform at the Exploratorium, a San Francisco science museum. Noddy’s tricks included creating a cube-shaped bubble, making smoke spin tornado-like inside a bubble, and blowing piled-up bubbles to form the shape of a goblet.

“Pearl said he spent ‘hours and hours’ replicating Noddy’s tricks and developing his own. During that time, Pearl recalled, he also had to work out the ideal mixture for bubble blowing. (His current recipe, he said onstage, calls for dish soap, water — and lube to make the bubbles stretchy.)

“At this year’s Fringe, Pearl is performing versions of some of Noddy’s best stunts. ‘In the bubble community, if you present tricks in a new way, it’s cool, Pearl said. ‘If you steal, it’s not. …

“When Pearl first took his ‘Amazing Bubble Man’ act to the Fringe, in 2007, he played a 100-seat venue. Now, he’s in an over-1,000-capacity hall, although he said a full house could be disastrous, in part because the heat generated by larger crowds creates air currents that make it harder to control the bubbles. …

“Yet Pearl is up against an even bigger challenge this year. For the first time, the most hyped bubble act at the festival isn’t his, but ‘The Flying Bubble Show,’ in which Maxwell the Bubbleologist blows hundreds of the iridescent orbs while flying on a harness around a circus tent.

“The spectacle’s performer, Graham Maxwell, 32, said in an interview that he had been putting on traditional bubble shows around the world for about a decade when, in 2024, he had ‘a vision’: He pictured himself suspended midair while using tai chi movements to make bubbles levitate, bulge and spin. That inspired him to train in a circus tent in Goa, India, where he learned how to use a wired harness. …

” ‘There’s a whole, deep world to bubbles, he said: Seeing one pop could prompt adults to recall their youth or dwell on their mortality, he said. How bubbles form and move can be used to understand fundamental scientific properties, he added, and for him, the act of blowing bubbles can induce a meditative state. …

“Last week, Maxwell performed his flying show to an audience of about 500. … As graceful classical music played, Maxwell — wearing a top hat and billowing velvet shirt — swooped overhead as the audience sat around a circular stage. Trailing behind him were elongated bubbles that he created by blowing through his soapy fingers or using ropes he had dipped in bubble-making fluid. During the hourlong show, he juggled bubbles midair, tried to create ‘the biggest bubble ever’ and performed his bubble-levitating trick.

“ ‘Bubbles, it’s such a lovely word,’ he said at one point. ‘You can’t ever say it without smiling.’ “

More at the Times, here. Amazing pictures!

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Steve McGonagle is a set designer whose community-theater work always amazed me back when I was a reviewer. One set that stands out in my mind was his huge train engine charging toward the audience in the Vokes Players performance of On the Twentieth Century (not to mention all the scene changes for that old-time musical).

Recently, Steve returned to school, to Boston University, to get his PhD, and he mentioned to me that he and other students were working on a BU Fringe Festival entry. (I blogged a bit about the original, 50-year-old Edinburgh Fringe Festival here.)

On Sunday my husband and I went to see the 90-minute opera in the black box space upstairs from the Huntington Theater.  It was wonderful in every way, not least because Steve designed and built a beautifully plausible Golden Gate Bridge with only a $200 budget.

The new Jake Heggie opera, Three Decembers, was based on a Terrence McNally play. The story revolves around a self-centered and overbearing stage diva. Her grown children find her maddening and hurtful but still important to them. The acting was subtle and true to life in a way that opera seldom is, for me anyway. And we were amazed at the clarity of the words sung by the cast from BU’s School of Music Opera Institute. (We got the “blond cast” and understood that there was also a “brunette cast” to give more students opportunities.)

We admired the variety of styles and moods in Heggie’s score, some of it wonderfully lyrical. Three Decembers had a libretto by Gene Scheer and was directed by Tomer Zulun. Allison Voth was music director. More here.

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