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Photo: Wave Murano Glass.
Roberto Beltrami, pictured, is one of the youngest Murano glass masters, founding his workshop when he was just 25 years old. 

I had a memorable trip to Europe when I was 16, and one of the highlights was Venice and the glassmaking island of Murano. Have you been there?

Rebecca Cairns reports at CNN that the ancient craft of Murano glassmaking has benefited from new and younger talent.

“Born in the Italian town of Brescia, Roberto Beltrami grew up just a few hours’ drive from Venice and the island of Murano, world-famous for producing beautiful glassware. But it was nearly 4,000 miles away in Boston, Massachusetts, that he first came across the art of glassblowing. …

“It was 2011, and Beltrami, then a sophomore physics student at Boston University, was captivated by an exhibition of the work of American artist Dale Chihuly. Known for pushing the boundaries of contemporary glassblowing, Chihuly’s pursuit of his craft has taken him around the globe, including a stint in Murano in the 1960s.

“Beltrami visited the island on his summer break, taking up a class in glassblowing. That class turned into an apprenticeship, and the summer turned into a year. Beltrami quit university, trading lecture halls for roaring furnaces, sweating it out in centuries-old workshops, and studying under some of the world’s most renowned glassblowing masters.

“At one time, Murano was the global leader in glassmaking, renowned for unparalleled quality, style, and innovation, including the invention of ‘cristallo,‘ clear glass. …

“With a long legacy of closely guarding their trade secrets, workshops in Murano are reluctant to welcome newcomers, said Beltrami, 34. ‘Everybody was afraid you were going to steal their job, and nobody wanted to teach you anything.’ …

“Frustrated by the lack of opportunities, Beltrami decided to strike out on his own. In 2017, the then-25-year-old started his own workshop, Wave Murano Glass.

“Now with a team of 20, many of them in their twenties and thirties, Beltrami — believed to be the youngest glass master in Murano — is ushering in a new generation of artisans. …

“In Venice, glass has been manufactured for over 1,000 years. To prevent fires from the hot furnaces and keep trade secrets from escaping the city, all the glass factories were moved to Murano in 1291, where they’ve remained since.

“In addition to the invention of cristallo, Murano became well-known for its ability to add vibrant color to clear glass.

“ ‘It’s not so easy to have different colors of glass together and have them match chemically,’ said Beltrami, explaining that each shade uses a unique element — such as cobalt for purple-blue, lead for pale yellow, or tellurium for a pink tint — which expand and contract at different rates when they heat and cool. …

“The size and weight of many of the glass objects require at least one person to hold the pipe and turn the molten glass, while another shapes it, and another person may be required to torch the glass to keep it pliable, or add embellishments. ‘It’s like a choreography,’ Beltrami added. …

“The small factories struggle to compete on large-scale industrial orders, said Beltrami. Murano instead focuses on luxury and artistic glassware, although that too has been threatened by an influx of counterfeit goods. … The industry has been further impacted by a series of crises, including the financial crash of 2008, the Covid-19 pandemic, and rising gas prices. But despite the challenges, Beltrami is optimistic about the future of the craft.

“A major problem he saw across the factories he worked in previously was antiquated equipment and inefficient processes. So, at Wave Murano Glass, he introduced a variety of modern technologies, including streamlining administrative workflows with AI-enabled software and introducing more energy-efficient furnaces.

“Designed in the US, these furnaces capture heat that is typically lost via exhaust fumes and reuse it to preheat the air going into the burner, reducing gas usage by 80% compared to furnaces of a similar size, said Beltrami.

“According to Beltrami, Murano’s factories have historically worked on small-scale industrial orders, with many rejecting commissions of less than a few hundred but unable to cater for those of a few thousand. Seeing a missed opportunity, he set up his furnaces to be flexible, allowing Wave to cover anything from one-off pieces, to a few dozen, up to 1,200 pieces.

“While the bulk of Wave’s output is white label products for brands, designers, and artists, up to 10% of the company’s turnover comes from classes and tours, which Beltrami hopes can share the art of glass blowing with a wider audience.

“His efforts have already paid off. Beltrami has made a point of offering internships to young, enthusiastic talent from around the globe, many of whom are now employed at Wave, including several women, who are underrepresented in the industry.

“For Beltrami, finding new talent is an essential step in preserving the craft he’s come to love — and continuing its legacy of artistry and innovation.”

More at CNN, here. No paywall. Great videos of glassmaking.

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Eben Horton, a glassblower with a studio in Wakefield, Rhode Island, loved hearing how glassblowers in Lincoln City, Oregon, had hidden special creations on a local beach for a community treasure hunt.

Inspired to do something similar, he settled on the idea of glass floats, the kind traditionally used on fishing nets.

The Block Island Tourism Council helped Horton launch the Glass Float Project. The council’s site has details.

“WHEN: The hunt begins June 2nd, 2012, and continues indefinitely. It only ends when all the floats have been found!

“WHAT: 200 Glass Floats (glass orbs about the size of a grapefruit) will be hidden on Block Island. Floats will be dated, numbered and stamped with the shape of Block Island. All floats are clear glass except for 12 (because it is 2012), which are special colored orbs. One super special float is made entirely out of gold leaf.

“WHERE: 100 floats on beaches and 100 floats on Greenway trails. Floats will be hidden above the high tide mark but NEVER in the dunes or up the bluffs.”

Understandably, they don’t want people walking on the dunes, which protect the island in storms.

Check the council website for the bio on the artist, too: “Eben creates custom one of a kind pieces on an individual basis out of his studio that he calls ‘The Glass Station’- a converted 1920’s gas station.” More.

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