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Posts Tagged ‘graphic novel’

The website of radio show “Studio 360,” here, offers a glimpse into an intriguing new graphic novel. Check out the slide show illustrating:

(1) “The covers of Gene Luen Yang’s two-part graphic novel Boxers & Saints.

(2) “A page from the book. The author describes the Boxers, depicted here, as poor villagers who believed they could summon the Chinese gods from the skies, who would grant them superpowers. ‘I grew up reading superhero comic books,’ Yang says. ‘And that was one of the ways I found a connection with these Boxers.’

(3) “Boxers transformed for a battle.

(4) “Four-Girl, who isn’t accepted by her family, converts to Catholicism — but she has many questions about the new religion.

(5) “Yang, a practicing Catholic, says he ‘grew up within a tension of Western belief systems and Eastern culture.’ Aspects of the book reflect ‘an ambivalence I have about my own identity.’

(6) “American Born Chinese is Yang’s semi-autobiographical story of a kid desperate to fit in. At one point, the story turns into a sitcom with a laugh track and comic relief courtesy of the grossly stereotypical Chin-Kee. Yang says he wanted make his readers squirm.”

I heard the radio interview with the artist. He said it worried him when people told him they loved the character Chin-Kee in American Born Chinese. Kind of made me want to see the show — and figure out how his message could have gone so wrong. Find the whole interview here.

Photo: First Second Books
The covers of Gene Luen Yang’s two-part graphic novel Boxers & Saints.

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Back in December, Asakiyume and her daughter and I went to see a graphic art exhibit in Fitchburg. We were all quite taken with a dark, wordless story that Lynd Ward carved nearly a century ago. So I thought I would mention that, according to the New York Times, a documentary about Ward will be shown in Maine next Saturday.

Scroll down in a column by Eve Kahn, here, to the subhead “An Illustrator’s Life.”

“The prolific illustrator Lynd Ward had fans as diverse as superhero-comic-book collectors, the poet Allen Ginsberg and the graphic novelist Art Spiegelman. In the 1920s and ’30s Ward carved woodblocks for wordless books about capitalism’s oppressive side effects. …

” In later years Ward mainly illustrated stories by other authors, but his compassion for the underdog still came through, especially in his 1942 watercolors for Hildegarde H. Swift’s ‘Little Red Lighthouse and the Great Gray Bridge.’ ”

The Times reporter interviews filmmaker Michael Maglaras, who “has devoted much of the past two years to a new movie, ‘O Brother Man: The Art and Life of Lynd Ward,’ which will have its premiere on March 31 at the Maine Festival of the Book in Portland.

“Mr. Maglaras and the producer Terri Templeton based the film partly on archives that the family preserved after Ward’s death in 1985, and they extensively interviewed Ward’s younger daughter, Robin Ward Savage.”

Now, that is a movie I would like to see. Here’s a clip.

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