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Posts Tagged ‘klingon’

Photo: 20th Century Studios/AP Photo/picture alliance.
Varang (played by Oona Chaplin) is the leader of an aggressive Na’vi clan called the ‘Ash Peoplein Avatar.

Several of us here are interested in languages, including invented languages. I worked on learning Esperanto for a while in the 1980s and still speak it haltingly. That’s why I’ve indulged in a few posts about languages that have been created for shows — like Klingon in Star Trek. (Click here to the read the post “Sweden Opens Klingon Center.)

Elizabeth Grenier writes at DW about a man who got “to invent a new language that is heard by millions.” Linguist Paul Frommer talked to DW about how he developed the Avatar aliens’ language.

” ‘It’s been quite a remarkable event in my life,’ says linguist Paul Frommer, recalling his first encounter with James Cameron. Searching for someone to develop a constructed language for a science-fiction film, the renowned director had sent an email to the linguistics department of the University of Southern California. …

” ‘My life really hasn’t been the same ever since,’ Frommer tells DW ahead of the release of Avatar: Fire and Ash, the third film of the epic franchise, 20 years later.

“Cameron’s premise for the language was that it should sound ‘nice’ — ‘of course, that’s a subjective kind of thing,’ says Frommer. It also had to be easy enough for actors to learn it, as it was clear from the start that there wouldn’t be any electronic manipulation of the characters’ voices. …

“Even though there are different aspects of Na’vi that can be compared to other languages, it can’t be directly linked to any single one. ‘I wanted to make it unusual,’ says Frommer.

“Describing the process of developing the language, Frommer refers to the different ‘modules’ used in linguistics — the building blocks he worked with.

“First of all, at the core of a language are its phonetics and phonology, or its ‘sounds and the sound system,’ he explains. …

“He included, for example, ejective sounds — popping sounds that can be heard in parts of Africa, Asia and Native American languages. He also included unusual combinations of consonants in the language, basically ‘taking familiar sounds, but putting them together in unfamiliar ways.’

“Then, Frommer determined the language’s morphology, which is how words are built. … Even though he was inspired by constructions that also exist in other human languages, he ‘took certain things and put them on steroids.’

“For example, there are five levels of verb conjugation: the present, the immediate past, the distant past, the immediate future and the distant future. Word order is also very flexible in sentences. The function of a word in Na’vi is not determined by its placement in a sentence, but through declension, with six different cases. The German language, by comparison, has four grammatical cases — nominative (subject), accusative (direct object), dative (indirect object) and genitive (possession). [Like Latin.] …

“With each film in the franchise, new colloquialisms and dialects are developed to reflect the way the different Na’vi clans speak. The vocabulary thereby keeps expanding, and Frommer estimates there are now more than 3,000 Na’vi-language words. …

“Fans of Star Trek or J.R.R. Tolkien‘s Lord of the Rings famously demonstrate their enthusiasm for these complex fictional universes by learning Klingon or Elvish, which are also constructed languages — or ‘conlangs.’ 

“Similarly, there is now a community of Na’vi learners around the world, with a printed dictionary and a wealth of online resources for those who are interested in the language.’ ” More at DW, here.

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Photo: u-theopera
A scene from “u,” the first Klingon opera on Earth.

I was late to the Star Trek party. I didn’t get hooked until the spinoff Deep Space 9, which featured an actor I had performed with as a child (René Auberjonois). But I have friends who are lifetime Trekkies — Asakiyume for one. (She’s a Vulcan.)

Partly because I’m interested in invented languages like Esperanto, I have written before about Klingon, a language created for Star Trek. Today I’m here to tell you about a new Klingon center — in Sweden, if you can believe it.

Lee Roden writes at The Local, “The world’s first ‘Klingon tourist centre’ [opened February 3] in Sweden, in a collaboration between a Stockholm theatre and an organization which calls itself the Klingon Institute of Cultural Exchange.

“The doors of ‘Visit Qo’noS’ [are] open at Turteatern in southern Stockholm … until late March. No stone has been left unturned at what Turteatern’s Theresa Jonasson told The Local is the ‘first Klingon centre in Alpha Quadrant’ (which apparently is the part of the Milky Way where Earth lies, in Star Trek lore).

” ‘The visitors check in at the reception desk, where they will get some tourist information, such as a visitor map of the Klingon capital First City. They will then be invited into the ceremonial presentation hall. The non-hologram live-act presentation is performed by the four Klingon ambassadors Ban’Shee, Mara, Morath and Klag, all from the House of Duras,’ she explained.

” ‘The visitors/audience will be introduced to the Klingon culture and customs and acquire lifesaving tips to apply when interacting with Klingons. There will also be a singalong, dancing, Klingon opera, and scenes from the famous Klingon play Romyo je joloywI’ (better known on Earth as Romeo and Juliet), by Shex’pir.’ …

“Even by science fiction standards, Star Trek fans are known for being a particularly passionate bunch, and the Stockholm theatre has been careful to try to meet their high expectations when it comes to costumes and staging. It has also called upon the help of Klingonska Akademien (The Klingon Academy), an Uppsala-based society with expertise in the Klingon language. …

“The Klingons will be of the more traditional kind [says Jonasson]:

‘The most common question is if the Klingons look like the Klingons in the new Star Trek TV series Discovery, which of course they do not. That series is offensive for Klingons, and should not be mentioned during the presentation.’ …

“For any readers fluent in alien languages, a message from the Klingon Institute of Cultural Exchange in Klingon can even be found here.”

More at the Local, here.

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I’ve been thinking about a book I read earlier this year, In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and The Mad Dreamers Who Tried to Build A Perfect Language, by Arika Okrent. I thought it was a hoot! Even though some parts were impenetrable to anyone not a linguist like the author, I really enjoyed it. Okrent is a very good writer and knows how to choose and lead up to the funniest aspect of a constructed language — or of the inventor. I learned a ton of random facts, and I thought I knew it all, having a decent knowledge of Esperanto. Turns out, there are more than 900 known invented languages. One that was invented to express a woman’s perspective is Laadan and has words like this: “radiidin, non-holiday, a time allegedly a holiday but actually so much a burden because of work and preparations that it is a dreaded occasion; especially when there are too many guests and none of them help.”

Okrent gets into the wildly varied reasons people invent a language and why natural languages are more flexible. She covers some languages in depth (like Star Trek’s Klingon, invented only for artistic fun). I loved the part about the U.S. Office of Nuclear Waste Isolation asking “semiotician” Thomas Sebeok in the 1980s how to post warnings that would last 10,000 years on waste-storage sites. Sebeok recommended posting signs in all known languages, plus pictures, icons, and all sorts of symbols, and having the keepers every 250 years rethink the warnings based on current messaging. He also recommended creating a spooky mythology around the site that would be passed on from “priest” to “priest” beyond the time they could be expected to know the reason for it. All they would know is the “curse.”

Too many great tidbits to describe here. I laughed all the way through.

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Asakiyume writes: Your mention of Thomas Sebeok’s foray into how to convey a warning about nuclear waste sites reminded me of this article, “This Place Is Not a Place of Honor,” by  Alan Bellows, which includes interesting images designed to convey horror and stay-away-itiveness.

The poetry of it–it horrifies viscerally.
This place is a message… and part of a system of messages… pay attention to it!

Sending this message was important to us. We considered ourselves to be a powerful culture.
This place is not a place of honor…no highly esteemed deed is commemorated here… nothing valued is here.
What is here is dangerous and repulsive to us. This message is a warning about danger.
The danger is in a particular location… it increases toward a center… the center of danger is here… of a particular size and shape, and below us.
The danger is still present, in your time, as it was in ours.
The danger is to the body, and it can kill.
The form of the danger is an emanation of energy.
The danger is unleashed only if you substantially disturb this place physically. This place is best shunned and left uninhabited.

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