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Posts Tagged ‘ordinary people’

Photo: Erika Page/Christian Science Monitor.
Karim Arfa (left) works on a bench in his workshop in El Mourouj, a neighborhood of Tunis, Tunisia. He often shoulders jobs that government should have been tackling.

You were thinking from this post’s title that it was about the US? No. Not overtly. I certainly am preoccupied with harnessing the power of ordinary people in the US these days.

But no, this post is about Tunisia.

Erika Page writes at the Christian Science Monitor about how good, no-nonsense people can — and do — take civic problems into their own hands. Just because the work needs doing.

“Chadia Jarrahi can still taste the sting of embarrassment she felt when the principal sent her young sons home from school, their clothes too wet and muddy to attend class. From that day on, whenever the river was high, Ms. Jarrahi took the two boys piggyback across the ravine separating her village from the main road on the other side. …

“It’s a common story in the mountainous, interior regions of rural Tunisia, where fewer government resources are directed to infrastructure and services than along the more urban coast. The residents of Al Taraiya, in the northwestern province of Béja, had been fighting since the 1990s for a bridge connecting their community to the only nearby school, mosque, grocery store, and hospital. [Local] officials deemed the project too expensive.

“Then Karim Arfa caught wind of the residents’ plight. In recent years, the building and painting contractor has made it his mission to take on just that sort of impossible-seeming project. Using mainly scrap metal and his own creativity in his workshop in Tunis, he has built much-needed infrastructure and equipment, from furniture for schools to pedestrian bridges.

“Mr. Arfa’s work serves to assure those who have long felt abandoned by their national and local governments that regular people can come up with solutions to entrenched problems – even where resources are scarce. …

“Today, a bright pink bridge stretches from the winding highway to the rolling hills on the other side of the river. Ms. Jarrahi’s children play with other kids along the walkway; neighbors lead donkeys and motorcycles to and from the homes that are just visible across the valley. Residents no longer worry about missing work, running out of places to buy food, or not being able to go to the hospital when rain makes the river swell. …

“The bridge will help reduce absenteeism and school dropouts in the area, predicts Mohamed Jouili, a professor of sociology at the University of Tunis, over email. He also says Mr. Arfa’s initiative ‘encourages other members of the community to recognize their own agency and actively contribute to improving their environment.’

‘If everyone does something small, we can do it all,’ says {Karim] Arfa.

“Mr. Arfa himself grew up in a rural area of Tunisia, some 100 kilometers (62 miles) south of Al Taraiya. He nearly dropped out of school because of the difficulty of getting to and from class. … He eventually opened his own workshop on the outskirts of Tunis. But he never turned away from his rural roots. ‘I wanted to do something to repair their situation, as if I was repairing something for myself,’ he says.

“He started with a school dormitory that burned down in 2018, redecorating the space and then building a new library for the school in an abandoned room. From there, he began repairing desks and chairs in schools and maintenance hole covers for roads. After hearing about a young girl who died crossing a river on foot in 2019, he and his team of volunteers began building their first bridge, in the province of Kasserine.

Steep mountains meant the machinery couldn’t get to the bridge site, so they had to dig out the base by hand.

“ ‘Karim goes to the places the government doesn’t go,’ says Cherif Ait Daoud, a Tunis-based architect who helped design the bridge. …

“The bridge in Béja, Mr. Arfa’s sixth such project, was finished in 2023. ‘One year, seven days, and two hours ago,’ recalls Ahmed Terroui, a resident of Al Taraiya. He and others spent two months helping Mr. Arfa assemble the bridge, often after working long shifts as day laborers on nearby farms.

“The bridge’s railings are made of rods from old school desks, refurbished and repainted at Mr. Arfa’s workshop. Three-fifths of the steel is recycled. Only the cement, gravel, sand for the foundation, and the rest of the steel had to be bought. Officials had predicted that construction could total 2 million dinar (about $635,000). … Mr. Arfa and his team pulled it off for 41,000 dinar. …

“So far, he has relied on donations alone, either in the form of scrap metal or money. But it has been difficult to secure stable funding. 

“As trucks and motorcycles whir by, Basma Ammouri rolls dough into a ball, presses it into a wide circle, and sticks it on the inner wall of an open clay oven to bake. She set up her makeshift roadside bakery across the bridge from her home in Al Taraiya, just after it was inaugurated. She now has reliable access to customers who stop along the highway to buy her traditional tabouna bread. That income helps support her young children.”

When we think, “What can one person do?” it helps to remember people like Mr. Arfa. Even if you can’t build an actual bridge, you can build bridges to others. And then there’s the “stable funding” piece of the puzzle: even small monthly donations to worthy causes help people who do the work you value and lets them know how much they can plan for.

More at the Monitor, here.

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Refugees continue to be on my mind, and I can’t resist any story about ordinary, kind-hearted people who recognize that no one would leave their homeland on a dangerous, uncertain journey unless they were desperate.

Sam Warner at Huck magazine (“Huck celebrates independent culture – people and movements that paddle against the flow”) has examples of kindness from the past year.

“Where European governments have largely failed, individuals across the continent have stepped up to help the plight of  refugees in any way they can. Here are some of them.

“Two Dresden writers showed solidarity with the refugees by painting ‘welcome’ in Arabic on the side of a train carriage in the city. …

“As migrants arrived in Munich, they were greeted with applause from Germans waiting for them at the train station. On top of that, they were given food, water and toys for the children and people also held up signs that said ‘welcome.’

“While refugees were stuck in Hungary, a convoy of Austrian volunteers called ‘refugeeconvoy’ crossed the border to distribute aid and help refugees cross through Western Europe.  …

“Numerous Icelandic residents have joined an initiative to help the refugees, started by writer Bryndis Bjorgvinsdottir. Her Facebook page Syria is Calling already has over 17,000 likes, using the slogan: ‘Just because it isn’t happening here doesn’t mean it isn’t happening.’

“It encourages the government to take in more refugees, whose numbers have been officially capped at 50. It has also inspired American initiative Open Homes, Open Hearts US – with Syrian refugees, which aims to raise awareness across the Atlantic and lobby the US government to accept more refugees. …

“Outside Budapest’s main railway station, a group of volunteers set up a projector and screened Tom and Jerry for refugee children to watch. They had been barricaded outside the station by authorities for 48 hours … .

“Refugee Phrasebook is an online collaborative project that aims to give important vocabulary for orientation that can be distributed to refugees. Its collaborative aspect means that experts can improve and update the material as it goes along. The project has phrases in 28 languages.”

More here.

Photo: Thomas Rassloff on Flickr

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Art: Thomas Hart Benton
One of my favorites: Spring on the Missouri, 1945, oil and tempera on Masonite panel. On loan to the PEM from the North Carolina Museum of Art.

 

 

When I was moonlighting as a theater reviewer, I always liked to “sleep on it” before writing anything, just in case my unconscious had anything useful to add.

Well, I slept on the big Thomas Hart Benton exhibition I saw yesterday, and sleep confirmed that certain lesser-known aspects of his work are troubling. I still adore the wavy energy of his landscapes, people, horses, trains, clouds, smoke, even fence posts. I still love the way Benton honors ordinary people and ordinary jobs and the way his paintings comment on social injustice.

But I really did not like the gruesome murals of invading armies that Benton created to jolt overly complacent Americans after Pearl Harbor. There was something cheap about them.

Of course, there was a lot more than that to the exhibition “American Epics: Thomas Hart Benton and Hollywood,” a sweeping retrospective of most of the artist’s work: murals showing Indians or slaves being mistreated, paintings of the the vibrant life of the West and Midwest, detailed depictions of the inner workings of Hollywood sets, designs for the Henry Fonda version of The Grapes of Wrath, illustrations for an edition of Huckleberry Finn, posters touting the contributions of African Americans to the war effort.

The day before, I had been hearing about Irving Berlin’s dedication to the war effort, and I think these two different artists conveyed, more viscerally than I had previously experienced, the underlying fear prevalent at that time. Since I grew up after it was all over, I probably unconsciously assumed that everyone always knew the Allies would win.

Do go to the show at the Peabody Essex Museum in Salem. You have until September 7. An enormous array of Benton’s work has been gathered from near and far — and there are some intriguing movie clips. (I was moved by a character’s tears to put The Grapes of Wrath on my Netflix list.)

Details of the exhibition here, at the PEM website.

071215-Thos-Hart-Benton-show

071215-Thos-Hart-Benton-at-PEM

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