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Posts Tagged ‘performing arts’

Photo: Landmark Media/Alamy.
Gia Carides and Paul Mercurio in
Strictly Ballroom in a scene filmed in Australia’s Petersham town hall back in the day. 

This is not a new thought, but we all know of underutilized spaces and worthwhile organizations looking for space. How can we make sure we use extra space productively?

Here’s what Maddie Thomas at the Guardian says some Australian town halls are doing.

“It’s been more than three decades since Baz Luhrmann’s Strictly Ballroom was filmed in Petersham town hall. But earlier this year, the 82-year-old building in Sydney opened its doors to the Inner West Theatre Company’s production of the classic, free of charge.

“Beautiful brick early 20th-century town halls were once venues for council meetings, award nights and country dances. But in recent decades many have been under-used or left entirely empty as modern buildings serve changing community needs.

“Sydney’s Inner West council is the product of repeated amalgamations and, as a result, has an unusually large number of former town halls serving no obvious municipal purpose. Since July it has opened no fewer than seven as arts and culture venues with no hiring fees, hoping both to revive its old buildings and address a crisis in the performing arts sector.

“Since the Covid pandemic about 1,300 live performance venues around Australia have closed, leaving many in the music and arts industries struggling to stay afloat. In Sydney, revered institutions including jazz club 505 have been lost, and the number of people attending popular venues has almost halved.

“The cost of hiring a commercial venue for rehearsals and a final show can be as high as $80,000. In the first three months of the council offering its spaces free of charge, it has had more than 1,100 bookings across Marrickville, Petersham, Leichhardt, Annandale, St Peters, Balmain and Ashfield town halls, 72% of them for independent theatre, music or dance productions.

“Kane Wheatley is the musical director of the Inner West Theatre Company.

“ ‘Being able to have the town hall at no cost means that our money can be spent in putting on great productions and … providing affordable theatre in a cost-of-living crisis for members of the community,’ Wheatley says.

“His company has booked two musicals to run at the Petersham town hall in 2025. Tickets will cost $49, which just covers the costs of bringing in sound and lighting equipment. …

“The council’s mayor, Darcy Byrne, says offering affordable spaces for rehearsal, exhibition and live performance mirrors one of the original functions of town halls.

“ ‘Most town halls in Australia traditionally were used for dances, concerts, major events and so, in a way, by repurposing them as arts and cultural venues, we’re going back to their traditions,’ Byrne says. …

“After the second world war, [Lisa Murray, formerly the historian for City of Sydney council] says, councils began building civic centers to expand their services and in the 1950s there was an ‘explosion’ of municipal libraries. …

“Like many of their counterparts around the country, the Inner West buildings have retained Victorian or early 20th-century heritage features. … They offer large performance spaces with elaborate stages and commercial kitchens, and have been fitted out with live performance and recording equipment. …

“ ‘In a lot of them, the acoustics are challenging because they were designed in the era when people were giving speeches without microphones,’ Byrne says. ‘There’s acoustic treatments that may be necessary but absolutely, in every town across Australia, there is one of these beautiful buildings that’s currently being greatly under-utilized.’ …

“North of Melbourne (which is home to 30-odd town halls), Clunes is the third largest locality in Hepburn shire council. It has recently restored its town hall, built in 1873, after cracks began to appear in the masonry and the symmetrical facade started to rotate.

“The project manager at the council, Sam Hattam, says revitalization of the building gets the community engaged to start using the space.

“Thirty minutes away, the council’s headquarters at Daylesford town hall are also due to undergo restoration and electrical works later this year. Creswick town hall, renovated in 2021, is used for the newly established folk n’ roots music festival CresFest.

“ ‘The councils across Australia are spending millions and millions of dollars every year on the maintenance and repair of town halls because they have enormous heritage and civic value,’ Byrne says. ‘But the truth is most of them are sitting empty, dormant and unused for 80% or 90% of the time, which is just a waste of a great public resource.’

“Byrne hopes the momentum from such efforts will make other council areas think about throwing open their doors as Inner West has done.”

Is your town hall living its best life? What about other buildings — schools, parish halls, etc.?

More at the Guardian, here. No paywall.

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Photo: Jonathan Atk/Cunard.
“Boundless as the Sea” is a new piece created for Cunard cruises by Owen Horsley from Shakespearean love scenes, including Romeo and Juliet, Macbeth, Othello, The Winter’s Tale, Troilus and Cressida, and A Midsummer Night’s Dream.

Several of my friends are back to taking cruises now that Covid appears manageable. Today’s post is about some new entertainment offerings on cruises. I enjoyed reading about them about as they bring to mind the “Royal Viking Singers and Dancers!” that our family got such a kick out of on our one cruise, 1990.

Siobhan Burke reported in January at the New York Times about a very modern dance group taking to the high seas. And Emma Powell had a Daily Mail story about Cunard Lines tapping the Bard.

Burke wrote, “On a late-summer night, three choreographers greeted friends at the New York opening of their latest show, exchanging hugs and chatting through masks over the blare of pop music. Neon projections in the theater, a nightclub-like space called the Red Room, exclaimed ‘Welcome to the Show!!’ Cocktail servers wove efficiently through the crowd with trays of drinks, as nimble as the dancers who would soon take the stage.

“It could have been one of the many clubs or theater spaces where the choreographers — Ani Taj, Sam Pinkleton and Sunny Min-Sook Hitt — had performed and presented their work over the past decade, as members of the Dance Cartel, a group founded by Taj in 2012 and known for its exuberant, open-to-all, party-meets-performance live events.

“But a few features set this space apart: the screen outside the entrance beckoning ‘Sail Into Something Spectacular’; the fluorescent signs reading ‘PORT’ and STARBOARD to mark stage left and stage right; the enormous pink inflatable whale onstage.

“How had the artists landed here, on a 2,770-passenger luxury cruise ship, which on this particular night was docked in Manhattan, en route to Miami? Among the three of them, they have choreographed for Broadway, television, opera, music videos, museums and other arenas. But as Taj said when they recently got together for a video interview, a foray into cruise ship entertainment was ‘not something any of us expected to be on the timeline of our careers.’

“ ‘We definitely had a moment of: A cruise ship — did they get the right people?’ Pinkleton said, recalling his confusion when he and Taj, who are represented by ICM Partners, were invited by their agents to pitch a show to Virgin Voyages, a new adults-only cruise line founded by the British billionaire Richard Branson. ‘I think we had a very narrow idea of what making a show for a ship would mean.’ …

“Dance shows on cruise ships typically take place on proscenium stages, for seated, stationary audiences. … In the group’s first and signature work, ‘OntheFloor, which Taj and Pinkleton directed, dancers maneuver around and among a standing audience, their irrepressible energy an invitation to join in. …

“Still, she and Pinkleton answered the call for a pitch.

“We said, ‘Yeah, we’ll accept that challenge and come up with something that surely won’t fly,” ‘ Taj said.

“ ‘We were like, “This seems like a fun exercise,” ‘ Pinkleton added, ‘and dared ourselves to present a pretty authentic version of what we would like to make.’

“That exercise, which began in 2017, has now become a full-fledged, hourlong production aboard the Scarlet Lady, the first Virgin ship to set sail for paying customers.”

Funny article. See it at the Times, here.

Meanwhile, the Daily Mail reports, “The Royal Shakespeare Company has teamed up with British cruise line Cunard to take the Bard’s work out to sea as part of a three-year partnership.

“Voyagers on the Queen Mary 2 will be able to enjoy several pieces during transatlantic crossings from Southampton or explorations around Norway’s fjords.

“One such performance is ‘Boundless as the Sea,’ a brand new piece created by Owen Horsley from Shakespeare’s iconic love scenes including Romeo and Juliet, Macbeth, Othello, The Winter’s Tale, Troilus and Cressida and A Midsummer Night’s Dream. …

“Workshops will be on offer as well as events ‘where the actors will perform their personal favorite sonnets and speeches, and answer questions from the audience.’

“The Queen Mary 2 will also host touring exhibition, ‘Digital Diorama: An Augmented Journey Through Shakespeare’s Stratford,’ with some of the RSC’s most popular productions including Hamlet, Henry V, The Merry Wives of Windsor and As You Like It screened in the on board cinema. … The first voyages will run from May 29 until August 12 and then again from September 15 to November 13.”

More at the Daily Mail, here.

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