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Posts Tagged ‘personality’

Photo: Molly Matalon.
“I wanted her to have eyes that were expressive, that looked real,” said Bonnie Erickson, who designed the first Miss Piggy.

Who doesn’t love Miss Piggy?

In January, the New York Times took a look at the origins of the iconic diva as she put her stamp on the latest Muppets special.

Darryn King wrote, “Nearly 50 years ago, a prima donna pig made her first appearance on The Muppet Show and quickly became its breakout star. Within a few years, she was a sought after Hollywood celebrity, a pinup model and the author of a best-selling book.

“Well, Miss Piggy is ready for her close-up once again. Jennifer Lawrence, Emma Stone and Cole Escola (Oh, Mary!) are currently developing a movie for the character. And a new Muppet Show special will premiere on Disney+ and ABC on Wednesday. Piggy is front and center in that special, making snidely aristocratic remarks in a Regency-era sketch, hijacking Kermit’s duet with Sabrina Carpenter and ‘giving the people what they truly want: Moi.’

“For Eric Jacobson, playing a glamorous pig has been the role of a lifetime. In recent decades, he has become the lead voice and puppeteer behind several instantly recognizable Muppets, among them Bert, Grover and Oscar the Grouch on Sesame Street and Fozzie Bear. But when it comes to aura and cultural significance, he said in a recent phone interview, ‘Miss Piggy’s on another magnitude, as she would tell you herself.’

“It wasn’t always the case. An early version of Piggy appeared as a minor player in one of Jim Henson’s failed Muppet television pilots, which aired in March 1975. The puppet was designed and constructed by Bonnie Erickson, who had fond childhood memories of chasing piglets for her pig farmer uncle. …

“Over a few weeks, Erickson carved the pig out of a 1-foot cube of soft foam using nail scissors, then used a belt sander to smooth the contours and curves. Crucially, by the time The Muppet Show premiered in September 1976, she had infused her creation with something extra: Piggy became the only major Muppet to get eyes with irises. The pupils even have highlights. …

“A sow in opera gloves would have been a decent gag in itself, but it soon became clear that the character was destined for greater things. … A script specified that she deliver a mere slap, but the puppeteer Frank Oz instead had Piggy execute a swift karate chop — preceded by a full-torso windup and accompanied by a ‘Hiii-yah!‘ — that sent Kermit flying. Miss Piggy was born. …

“Oz went on to devise an elaborate back story for the character involving the loss of her father in a tragic tractor accident and a fraught mother-daughter relationship. His voice for Piggy alternated between a dainty coo and a withering growl that recalled Bette Davis in All About Eve.

“Piggy was deeply insecure yet utterly convinced of her own star quality, girlish and refined but occasionally compelled to, say, maul Florence Henderson in a jealous rage. … Balancing those sometimes conflicting impulses could be tricky, according to Jerry Juhl, the head writer for The Muppet Show. Juhl, who died in 2005, said that writing for Miss Piggy hadn’t been easy.

“ ‘You’re walking a fine line with that character,’ Juhl said in an archival interview, as quoted in Jim Henson: The Biography (2013), by Brian Jay Jones. ‘If she isn’t a bitch, she isn’t funny. But you’ve got to feel the other side.’ …

“The new Muppet Show special has Kermit, Miss Piggy and the whole furry, felted company return to the variety show format … with an array of cheerfully bonkers acts, that irresistible theme tune and chaos behind the scenes. …

“The writer Albertina Rizzo said that the writing team had been honored to cook up new outrageous things for one of their comedy heroes to say. ‘Strangely, I think reading Barbra Streisand’s autobiography really helped,’ Rizzo said. Streisand ‘has such a strong sense of self,’ she explained. ‘So if you mix that with a boatload of delusion and some beginner French, you’re kind of on the right track.’

“ ‘The thought process was, What would a reasonable, grounded, normal person say?’ she added. ‘Then write the opposite of that.’ ”

More at the Times, here.

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The other day I was chatting with my three-year-old grandson about language. I can’t remember how we got started, but I found myself talking to him in “Goose Latin,” which was all the rage when I was about 10. He listened with a bemused look on his face and then said politely, “I don’t know that language.”

I may not be able to speak anything but English and a few lines of French poetry, but I do love learning about language. So I appreciated receiving this tidbit from the Economist magazine on how language interacts with personality.

The reporter RLG writes, “Many multilinguals report different personalities, or even different worldviews, when they speak their different languages.

“It’s an exciting notion, the idea that one’s very self could be broadened by the mastery of two or more languages. In obvious ways (exposure to new friends, literature and so forth) the self really is broadened. Yet it is different to claim—as many people do—to have a different personality when using a different language. A former Economist colleague, for example, reported being ruder in Hebrew than in English. So what is going on here?

“Benjamin Lee Whorf, an American linguist who died in 1941, held that each language encodes a worldview that significantly influences its speakers. Often called ‘Whorfianism,’ this idea has its sceptics, including The Economist, which hosted a debate on the subject in 2010. But there are still good reasons to believe language shapes thought. …

“Bilinguals usually have different strengths and weaknesses in their different languages—and they are not always best in their first language. For example, when tested in a foreign language, people are less likely to fall into a cognitive trap (answering a test question with an obvious-seeming but wrong answer) than when tested in their native language. In part this is because working in a second language slows down the thinking. …

“What of ‘crib’ bilinguals, raised in two languages? Even they do not usually have perfectly symmetrical competence in their two languages. But even for a speaker whose two languages are very nearly the same in ability, there is another big reason that person will feel different in the two languages. This is because there is an important distinction between bilingualism and biculturalism.

“Many bilinguals are not bicultural. But some are. And of those bicultural bilinguals, we should be little surprised that they feel different in their two languages.”

If you’re interested, there’s a great deal more explanation at the Economist, here.

Photo: Alamy

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