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Posts Tagged ‘randy kennedy’

The Barnes Collection is a quirky museum that is now located in Philadelphia. The eccentric art collector required all his art to be displayed a particular way. Which is perhaps why two Cézannes hidden behind other works weren’t uncovered before now.

Writes Randy Kennedy in the NY Times, “In 1921, the wily art collector Albert C. Barnes wrote to Paris to his friend and fellow collector Leo Stein, who was in dire need of money and had deputized Barnes to sell some of his holdings in the United States. They included five watercolor landscapes by Paul Cézanne, but Barnes reported that he had failed to find ‘anybody who seems to think they are sufficiently important to want to own them.’

“It was pure mercantile flimflam. Barnes turned around and bought the watercolors for himself, at $100 each, installing them permanently in his personal museum near [Philadelphia]. Now it turns out that Barnes got a better deal than even he had thought: A conservation treatment of the watercolors has revealed two previously unknown Cézanne works — a graphite drawing and a watercolor with graphite — on the verso (the reverse side) of two of the watercolors.

“Hidden beneath brown paper backing, the newly discovered pieces are unfinished, but they have sent tremors through the world of Cézanne scholarship, where additions to his body of work are exceedingly rare and where even the resurfacing of long-unseen pieces can be huge news. …

” ‘These are a perfect example of how much we still don’t know about this collection,’ said Martha Lucy, a consulting curator at the Barnes and an expert on its Renoir and Cézanne holdings. ‘To add new work to Cézanne’s oeuvre is incredible.’ “

More here.

Art: “New” Cézanne at the Barnes Collection in Philadelphia

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And speaking of payment systems, community-supported agriculture has been around for years and, more recently, community-supported art. I blogged about the approach here in 2011, when the Cambridge Center for the Arts embraced the concept.

The NY Times has written about it, too. Randy Kennedy lays out the principles: “For years, Barbara Johnstone, a professor of linguistics at Carnegie Mellon University [in Pittsburgh], bought shares in a C.S.A. — a community-supported agriculture program — and picked up her occasional bags of tubers or tomatoes or whatever the member farms were harvesting.

“Her farm shares eventually lapsed. (‘Too much kale,’ she said.) But on a recent summer evening, she showed up at a C.S.A. pickup location downtown and walked out carrying a brown paper bag filled with a completely different kind of produce. …

“ ‘It’s kind of like Christmas in the middle of July,’ said Ms. Johnstone, who had just gone through her bag to see what her $350 share had bought. The answer was a Surrealistic aluminum sculpture (of a pig’s jawbone, by William Kofmehl III), a print (a deadpan image appropriated from a lawn-care book, by Kim Beck) and a ceramic piece (partly about slavery, by Alexi Morrissey).

“Without even having to change the abbreviation, the C.S.A. idea has fully made the leap from agriculture to art. After the first program started four years ago in Minnesota … community-supported art programs are popping up all over the country …

“The art programs are designed to be self-supporting: Money from shares is used to pay the artists, who are usually chosen by a jury, to produce a small work in an edition of 50 or however many shares have been sold.”

Read all about it, here. Could be risky if you really don’t want a sculpture of a pig’s jawbone. But if you look at it as supporting the arts, you are likely to be satisfied with that side of things — and there’s always a chance you will love what you get or find its value increase.

Photo: Zoe Prinds-Flash
Drew Peterson’s prints and Liz Miller’s collages were among the art for members of this C.S.A., community-supported art, in Minnesota.

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Some artists have had an idea that spins off the “whistlestop” train tours that politicians since Lincoln have taken to connect to voters.

Randy Kennedy writes at ArtsBeat in the NY Times, “Chartered train trips tend to conjure images of flag bunting, stump speeches and glad-handing politicians.

“But a cross-country whistle-stop tour now being planned as a kind of rolling public art project by the artist Doug Aitken might give train travel considerably more cultural cachet.

“Mr. Aitken, who works in Los Angeles and whose pieces in video and film often explore speed and people in transit, has organized a three-week journey from New York to San Francisco, with 10 stops in between, called ‘Station to Station: a Nomadic Happening,’ which will include not only shows by visual artists but also music, poetry and food. …

“ ‘This really came out of a kind of restlessness, the feeling that art forms are too often segregated, music played in the same clubs and art shown in the same galleries and museums,’ Mr. Aitken said in an interview. ‘I felt like we needed to experiment with a new model.’ ’

The trip will go from September 8 to September 28. Read more to see if it will stop in your town.

Photo: Wikimedia Commons
President and Mrs. Roosevelt on a whistlestop tour.

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