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Photo: Shimabuku.
Unlike animals that spend their days eating, sleeping or mating, octopuses “have time to wander — time for hobbies,” says Shimabuku, who makes art for sea creatures to enjoy. 

There’s an artist in Japan who makes art for marine animals just to see how they react. The responses of octopuses seem to be the most gratifying to him. The whole time I was reading this story, I was wondering why I had never heard the naturalist Sy Montgomery, author of The Soul of an Octopus, talk about this on Boston Public Radio in one of her her weekly visits. I must have missed that day.

“When the Japanese artist Shimabuku was 31 years old,” writes Francesca Perry at CNN, “he took an octopus on a tour of Tokyo. After catching it from the sea with the help of a local fisherman in Akashi, a coastal city over 3 hours away from the Japanese capital by train, he transported the live creature in a temperature-controlled tank of seawater to show it the sights of Tokyo before returning it safely to its home the same day.

“ ‘I thought it would be nice,’ the artist, now 56, said about the experience, over a video call from his home in Naha, Japan. …

‘I wanted to take an octopus on a trip, but not to be eaten.’

“Documenting it on video, Shimabuku took the octopus to see the Tokyo Tower, before visiting the Tsukiji fish market, where the animal ‘reacted very strongly’ to seeing other octopuses on sale, the artist said. …

“The interspecies day trip, resulting in the 2000 video work ‘Then, I Decided to Give a Tour of Tokyo to the Octopus from Akashi,’ kickstarted a series of projects Shimabuku has undertaken over the decades that engage with octopuses in playful, inquisitive ways. A portion of this work is currently on show in the UK, in two exhibitions that explore humanity’s relationship with nature and animal life: ‘More than Human‘ at the Design Museum in London (through October 5) and ‘Sea Inside‘ at the Sainsbury Centre in Norwich (through October 26).

“Fascinated by what the sea creatures might think, feel, or like, Shimabuku has documented their reactions to various experiences, from the city tour of Tokyo to being given specially crafted artworks. ‘They have a curiosity,’ he said. …

“When he lived in the Japanese city of Kobe, Shimabuku would go on fishing trips with local fisherman, taking the opportunity to learn about octopuses. ‘Traditionally we catch octopuses in empty ceramic pots — that’s my hometown custom,’ he said. Fishermen would throw hundreds of pots into the sea, wait two days, then retrieve them — finding octopuses inside. ‘Octopuses like narrow spaces so they just come into it,’ explained Shimabuku.

“When he saw the animals within the pots, he discovered they were ‘carrying things’: shells, stones, even bits of broken beer bottles. He began to save the small objects the octopuses had gathered. …

“Shimabuku started to think, ‘maybe I can make sculptures for them.’ … In his 2010 work ‘Sculpture for Octopuses: Exploring for Their Favorite Colors,’ Shimabuku crafted a selection of small glass balls and vessels, in various colors. At first, he went out in a fishing boat and threw the sculptures in the sea, ‘like a present to the octopuses.’ But then he wanted to see how the animals were reacting to the objects.

“Collaborating with the now-closed Suma Aqualife Park in Kobe, he repeated the effort in a large water tank, where he could film the reaction of octopuses.

“ ‘They played with them, and sometimes they carried them,’ said Shimabuku. … ‘They keep touching, touching.’ The resulting film, and photographs, show the octopuses wrapping their tentacles around some of the glass objects, grabbing and rolling them across the sand, and even holding them in their suckers as they move across the side of the tank.

“In 2024, Shimabuku had a landmark solo show at Centro Botín in Santander, Spain. Specially for the exhibition, he collected an assortment of glass and ceramic pots to offer to local octopuses. Some of the vessels were made by the artist and others were from ‘second-hand shops and eBay.’ …

“Although octopuses are colorblind, Shimabuku wanted to see through these projects whether they were attracted to objects of certain colors. ‘What I heard from fishermen is that octopuses like red,’ he said. ‘Long ago in Kobe, I found an octopus in a red pot, so I believe they like red.’ Perhaps more so than the hue, Shimabuku is convinced that octopuses are drawn to very ‘smooth, shiny’ glass objects. He doesn’t have evidence to back this up, [he’s just] a man entranced by eight-legged mollusks is dedicating his time to engaging with them through art.”

More at CNN, here.

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Images: Public domain.
Depictions of sea creatures in 13th C manuscripts
. How marvelous these illustrations are!

The maritime archaeologist in today’s article says it was just a coincidence that he was reading ancient Norse texts and connected the description of a sea creature to recent observations of whales. But I believe it’s not a coincidence. Everything connects to everything, and the more widely you read, the more likely you are to find the connections.

The researchers noted: ‘Definitive proof for the origins of myths is exceedingly rare and often impossible, but the parallels here are far more striking and persistent than any previous suggestions.’

Donna Lu writes at the Guardian, “Mysterious whale feeding behavior only documented by scientists in the 2010s has been described in ancient texts about sea creatures as early as two millennia ago, new research suggests.

“In 2011, Bryde’s whales in the Gulf of Thailand were first observed at the surface of the water with their jaws open at right angles, waiting for fish to swim into their mouths. Scientists termed the unusual technique, then unknown to modern science, as ‘tread-water feeding.’ Around the same time, similar behavior was spotted in humpback whales off Canada’s Vancouver Island, which researchers called ‘trap-feeding.’

“In both behaviors the whale positions itself vertically in the water, with only the tip of its snout and jaw protruding from the surface. Key to the technique’s success, scientists believe, is that fish instinctively shoal toward the apparent shelter of the whale’s mouths.

“Flinders University scholars now believe they have identified multiple descriptions of the behavior in ancient texts, the earliest appearing in the Physiologus – the Naturalist – a Greek manuscript compiled in Alexandria around 150-200CE.

“Dr John McCarthy, a maritime archaeologist at Flinders University in Adelaide, South Australia, and the study’s lead author, made the discovery while reading Norse mythology, about a year after he had seen a video of a whale tread-water feeding.

“He noted that accounts of a sea creature known as hafgufa seemed to describe the feeding behavior. ‘It really was a coincidence,’ McCarthy said.

“The most detailed description appeared in a mid-13th-century Old Norse text known as Konungs skuggsjá – the King’s Mirror. It reads: ‘When it goes to feed … the big fish keeps its mouth open for a time, no more or less wide than a large sound or fjord, and unknowing and unheeding, the fish rush in in their numbers. And when its belly and mouth are full, [the hafgufa] closes its mouth, thus catching and hiding inside it all the prey that had come seeking food.’

“The King’s Mirror was an educational text used for explaining the world to young people, McCarthy said. ‘They exaggerate the size … [but] it’s not a fantastical description with any kind of supernatural elements.’ …

” 1986 analysis of the King’s Mirror had found correlations between 26 Old Norse descriptions and scientifically recognized marine animals, but had concluded that the hafgufa ‘must be relegated to the world of the miraculous.’

“ ‘The hafgufa was frustrating for these scholars because they couldn’t quite figure out any animal that this matched to,’ McCarthy said. …

“In the Naturalist – a 2,000-year-old text that ‘preserves zoological information brought to Egypt from India and the Middle East by early natural historians like Herodotus, Ctesias, Aristotle and Plutarch’ – the ancient Greeks referred to the creature as aspidochelone.

“A surviving version of the text reads: ‘When it is hungry it opens its mouth and exhales a certain kind of good-smelling odor from its mouth, the smell of which, once the smaller fish have perceived it, they gather themselves in its mouth. But when his mouth is filled with diverse little fish, he suddenly closes his mouth and swallows them.’ …

“Bryde’s whales and humpbacks are both rorquals, a type of baleen whale. The study was published in the journal Marine Mammal Science.”

More at the Guardian, here. No firewall. Donations encouraged.

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