Photo: Talia Herman for The New York Times
Girls wearing traditional dance attire on the Yurok Indian Reservation in Klamath, Calif. Young people are learning to make regalia the old-fashioned way, from materials like elk and deer sinew.
As dedicated tribal members revive customs that were once disparaged, young people are responding. For youth from the Yurok tribe in California, hands-on creation of traditional dance materials has been the starting point for an awakening of cultural pride.
Patricia Leigh Brown writes at the New York Times, “The gathering known simply as ‘Uncle Dave’s camp’ begins at daybreak on the pebbled banks of the Klamath River, the age-old spruce and redwoods on the bluffs shrouded in mist.
“Here on the Yurok Indian Reservation near the Oregon border, so remote that certain areas have yet to receive electricity, young male campers sit on cedar logs while keeping tabs on a river rock heated in a fire. The rock, hand-hollowed and chiseled with basketry patterns, contains a molten glue made from the dried air bladders of sturgeons.
“The syrupy concoction is a crucial ingredient for making feathered headdresses, hide quivers, obsidian-blade sticks and other forms of ceremonial dance ornaments, or regalia, that are at once works of art and living conduits to the spirit world.
“The fishing camp that David Severns, a tribal member, started over 20 years ago has grown into a grass-roots culture camp dedicated to making regalia the old-fashioned way, before mail-order. The source is nature itself — elk and deer sinew, baleen from a whale stranded in the river and delicate fibers from wild irises culled from forested high country. It is part of a broader revival of ancestral ceremonial practices, including dances and songs, among native youths. …
“ ‘Regalia is collective medicine,’ said Mr. Severns, 54, who spends most of April through October sleeping under the stars with the campers and his wife, Mara Hope Severns, 49, from the Kanatak tribe in Alaska. ‘To make them, you’ve got to have a pure heart, because the character of a person is reflected.’ …
“Each spring, Mr. Severns and the young men erect the camp from logs that have washed downstream during winter rains. Soon, the stretch of river known as ‘Blake’s Ripple,’ for his maternal great-grandfather, springs to frenetic life. It’s a place where finely-crafted cedar boxes holding eagle and condor feathers are hollowed out with an adze, and brothers braid each others’ hair. …
“ ‘You wear your culture,’ said Melissa Nelson, a Turtle Mountain Chippewa who is an associate professor of American Indian Studies at San Francisco State University and president of the Cultural Conservancy, a native-led indigenous rights organization. ‘Young people are hungry for meaning,’ she added. ‘The opportunity to do hands-on work with abalone, clam beads, pine nuts and other materials is a thread to a healthier and more sustainable way of being in the world.’ …
“To the Yurok and other tribes, the regalia, resplendent with abalone and the scarlet crests of woodpeckers, are a dazzling life force. ‘It’s just another bird until you pray for it, burn a root for it, have a dance leader bless it — then it’s regalia,’ Josh Meyer, a camper turned teacher, said of the eagle feathers he was assembling on the beach for the Brush Dance, a healing ceremony for sick children. The United States Fish and Wildlife Service makes eagle, condor and some other feathers available for religious and cultural use. …
“ ‘Spirituality is the basis of who we are as a people,’ said Susan Masten, a former president of the National Congress of American Indians who served as Yurok tribal chairwoman. ‘For young people, a strong sense of culture and spirituality helps with whatever they face out in the world.’…
“Mr. Meyers, the teacher, grew up with alcohol in the family and a lot of anger. ‘A lot of us didn’t have father figures in our lives,’ he said. ‘We looked to Dave for that.’
“On his exquisite regalia box, Mr. Meyers chiseled a triangle pattern meant to suggest the back of a sturgeon, burnishing it with a torch to give it a coppery patina. ‘I showed up one day and never left,’ he said of the camp. ‘Making regalia is a big part of who I am.’ ”
More at the New York Times, here.
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