Photo: Brian Peterson
Hmong writer Kao Kalia Yang with her father, Bee Yang. The daughter’s lyrical book about Bee Yang’s unconsciously artistic storytelling, The Song Poet, will be turned into a youth opera in Minnesota.
When I was working at a magazine that focused on the concerns of lower-income communities, I sometimes tried to get the voices of immigrant authors in there. One such author was Kao Kalia Yang, a Minnesota Hmong writer whose work I greatly admired.
Yang spent her early childhood enduring the privations of a refugee camp in Thailand but eventually moved with her family to St. Paul, where poverty and a strange new culture made life difficult in whole new ways.
One of Yang’s lyrical memoirs focuses on her father and the way he sang stories about life in the old country that brought other Hmong immigrants to tears. Now it’s being turned into an opera for young people.
Jenna Ross writes at the Star Tribune, “Author Kao Kalia Yang’s father has been a farmer, a refugee, a machinist. But in a book about his life, Yang elevated his true vocation — poet. Soon, his story will be an opera.
“The Minnesota Opera announced [in April] that it’s creating a youth opera based on ‘The Song Poet,’ Yang’s acclaimed 2017 memoir about her father, Bee Yang, who composed and sang songs about life and politics, love and family.
“It’s the first time a Hmong story will be translated to the operatic stage, Yang said. … The book follows a young boy [Yang’s father] whose father dies, who grows up in a warn-torn country, who tries to find the place his father was buried. The tale begins in Laos, moves to a refugee camp in Thailand, then makes its way to Minnesota. …
“For its Project Opera, a youth vocal training program, the Minnesota Opera is scouting for stories that connect with young audiences and reflect the Twin Cities community, said Jamie Andrews, the company’s chief learning officer. When he sat down with ‘The Song Poet,’ he knew it would make an incredible opera.
“ ‘Kalia’s writing is just so lyrical and beautiful — so singable,’ Andrews said. … ‘The Song Poet’ becomes the third opera commissioned for Project Opera, which will premiere it at the Lab Theater in Minneapolis in 2021. …
“Bee Yang has performed traditional song poetry, or kwv txhiaj, since he was 12 years old, becoming a keeper of Hmong history. ‘When I began singing song poetry, I discovered I could share our stories of hurt and sorrow, of missing and despair, of anger and betrayal,’ he said in the book.
“This daughter’s telling of his story — and how it shaped her own — won the Minnesota Book Award for memoir and creative nonfiction. The 39-year-old author and Harding High School graduate is best known for her 2008 book ‘The LateHomecomer: A Hmong Family Memoir,’ which nabbed two Minnesota Book Awards. After graduating from Carleton College, Yang earned an MFA in creative nonfiction at Columbia University. …
“To ensure that the cast is diverse, the opera company will reach into the Hmong-American community, Andrews said. It’s working with the Saint Paul Music Academy and talking with Theater Mu, an Asian-American troupe. ‘It’s not just a Hmong cast,’ Andrews said. ‘But we’re doing some strategies already now for 2021, to build those connections and find those kids.’ …
“When Yang was young, she took the occasional field trip to the Ordway or the Guthrie. ‘You’d go in knowing that you’d be entering into a different culture,’ she said. ‘I couldn’t have imagined, as a child, walking into a place and seeing something from the Hmong story represented.
“I hope that for those young Hmong people who get to see this, it opens up possibilities for them. Not just Hmong — but all refugee children.’ ” More.
I highly recommend Yang’s memoirs. Maybe some of you will check them out.
You always find the most interesting stories.
Thank you so much. Would really like to read a section of *The Song Poet* with advanced ESL students—the part in which the young daughter sees with amazement the effect of her father’s storytelling on a crowd of Hmong refugees.
The singing about the singing and the songs that kept the culture going . . . so cool. I love that the oral history will be honored and preserved thru the opera.
I’m into oral history just now as Suzanne is doing a series of interviews with my sister—using the StoryCorp app.
What a story! So moving!