Nrityagram, what the New York Times calls “a refuge with a single-minded focus on classical Indian dance,” includes studios, a small temple and living quarters.
I guess that for people with little outside contact in normal times, coronavirus doesn’t pose much of a threat. At least, that seems to be the case with a dance school in India, where the pandemic is otherwise taking a huge toll.
From Marina Harss at the New York Times: “The other day, I took a tour around Nrityagram. This small community near Bangalore, in southern India, is an oasis of calm and utter devotion to an ancient art: classical Indian dance. Birds were calling, and around the low, earth-colored buildings containing dance studios, living quarters and a small temple, stood hundreds of vibrantly green trees. …
“This early morning scene — the trees, the gray sky threatening rain, people sitting at breakfast — unfolded as I peered into a screen on my phone late at night in my New York apartment. The tour was virtual, conducted on WhatsApp. That is more or less the only way you can visit Nrityagram these days, since it closed its doors to the outside world at the beginning of the pandemic.
‘We have been living our lives exactly as if nothing has happened,’ Surupa Sen, Nrityagram’s artistic director of 23 years, said later in an interview on Zoom. Under her leadership, Nrityagram continues to be what it always has been, but more so: a dance haven. …
“Even before a general lockdown was declared in India, Nrityagram limited access. The dance students — nearly 150 from nearby villages and as far as Bangalore attend classes — have been asked to stay away, for fear of introducing Covid-19 into this small, intimately entwined community.
“Because there is so little communication with the outside world, the people who live within this self-contained hamlet don’t wear masks, and training continues unperturbed, in studios that are open on the sides to the elements, allowing the breeze to blow through year-round.
“The only people who come and go are a small group of women from the nearby village, who help with daily chores. Upon arrival, they are asked to change into clothes that have been washed on-site and to don masks.
“The form practiced by Ms. Sen and her dancers is Odissi, which originated in the eastern state of Odisha. It is one of India’s eight official classical dance forms, with movements and shapes that evoke the sculptures and bas-reliefs on medieval temples. …
“ ‘The idea is that you submit yourself to a universal something,’ Ms. Sen said. … Ms. Sen and her dancers devote most of their waking hours to perfecting this art, refining and strengthening their bodies through exercise, and perfecting their dancing through technique classes and rehearsals in which they learn traditional Odissi choreography as well as new works by Ms. Sen. …
“At 6 a.m., they rise for a morning run. Then, each woman is responsible for cleaning some part of the hamlet and for placing flowers on the small altars in the dance studios. …
” ‘It’s part of their training,’ said Lynne Fernandez, Nrityagram’s executive director. Next, they warm up by doing yoga or practicing the Indian martial art form Kalaripayattu.
“At 10:30 a.m., dance class begins, starting with exercises that target one kind of movement and then another — sharp and fast, slow and supple, low to the ground, up in the air, and more. In its gradual, almost scientific progression from one part of the body to the next, it is not dissimilar to a ballet class.
“After lunch — ‘our favorite moment of the day!’ one of the dancers, Abhinaya Rohan, said during our WhatsApp tour — they return to the studio for another three or four hours, more if Ms. Sen is creating a new dance.
“In the evenings, they teach. These days, that happens over Zoom, though everyone agrees that it’s not good for conveying the nuances of dance. …
“That makes for at least six hours of dancing each day (except Mondays, their day off), plus conditioning. It sounds exhausting, but Ms. Rohan said: ‘The strange thing about dance is that it energizes you. I never feel tired.’ …
“There are six other members of the community, whose work allows the dancers to devote themselves to their art: Two office workers and two volunteers who are helping to set up a Food Forest, a haphazard-looking but productive and low-maintenance agricultural system that produces most of the community’s food; And there are Ms. Fernandez and her mother, whom everyone refers to as nani, or grandmother. Nani makes meal plans and prepares pickles to last them through the year.”
More of the story here. Lots of gorgeous pictures, too.
Suzanne's Mom's Blog 
Sounds like quite the place. Submitting yourself to a “universal something” is not a bad idea.
I liked that phrase, too. It’s a way of embracing all philosophical or religious views.
It surely does.