
Miami City Ballet is one of the few national ballet companies this year putting on a production of The Nutcracker.
Holidays go on, one way or another. On Friday, our church had an online carol sing (secret of success: only one person unmuted at a time), and I was able to see my grandchildren in two different states mouthing the words and dancing. Someone else I know watched her friend’s son perform (virtually) as the Prince in a local Nutcracker. In Miami, another Nutcracker is taking place outdoors.
Gia Kourlas reports at the New York Times, “Lourdes Lopez, the artistic director of Miami City Ballet, is facing a new unknown. It’s a fear she’s never had. And it stresses her out.
“ ‘I just hope that at the last minute that they don’t close us down,’ she said. …
“Against the odds during a pandemic, the company will present its reimagined production of ‘George Balanchine’s The Nutcracker’ this month. Normally, Ms. Lopez said, her worries would fall more along the lines of, are the costumes going to be ready? …
“Now she is thinking about the backstage choreography of the crew and the dancers, since masks will not be worn during performances. ‘We have to make sure that when you’re exiting, no one is in that wing,’ she said. …
“ ‘The Nutcracker’ ” is more than a beloved holiday staple. For ballet companies across the country it’s a financial lifeline that supports the repertory for the rest of the year. This year, most productions have been relegated to virtual offerings, but Miami has something that some other cities, like New York, don’t: warm weather at holiday time.
“The company’s production of Balanchine’s 1954 classic already pops with an abundance of color and heat. In 2017, it was given a vibrant Miami makeover, with designs and costumes by Isabel and Ruben Toledo and projections by Wendall K. Harrington. …
“Miami City Ballet’s production is, Ms. Lopez noted, a true community effort. ‘Think of a hospital, a government agency, a real estate investment firm and a ballet company somehow coming to the table,’ she said. ‘Never in my wildest dreams would I ever, ever have thought of that.’
“She hadn’t planned for this to happen.
‘This is not because I’m a visionary,’ Ms. Lopez said. ‘It was just opportunities that arose and it came, honestly, from a “What can we do?” ‘ …
“It was Ms. Harrington who, over the summer, suggested to Ms. Lopez that the company should present a ‘Nutcracker.’ … ‘I’m not like the hugest fan of “The Nutcracker” in all the world, but I do know of its healing effects,’ she said. ‘And right now we need a little Christmas, as the song goes.’ …
“The company has teamed up with a health care partner, Baptist Health South Florida, and abides by a stringent testing and safety protocol. Masked audience members will be seated in socially distanced pods that accommodate up to four people each. The intermission has been cut to five minutes — more of a pause — and the idea is to get people in and out efficiently.
“Ms. Lopez credited early actions that the Miami City Ballet organization took when the coronavirus forced a shutdown in March. It quickly formed a Covid task force, which led to engaging an industrial hygienist who examined the studios for safety. …
“Ms. Lopez was able to hold the school’s summer course — an indoor, in-person program for 100 students — for five weeks in July. ‘We were biting our nails because Florida in July was a red-hot state,’ she said. ‘And we didn’t have one single case in those five weeks. We sent the staff home. You couldn’t come into the building if you weren’t part of the school or faculty.
“ ‘And so there was a real sense that we could do this, that we knew how to do it safely in the building. That’s really how it started.”
“When Downtown Doral Park became available, Ms. Harrington refocused her thinking. … ‘I had to look through the ballet and figure out how the storytelling can continue without the numbers of people that you would want in the party scene and the battle scene. … One big change is an Act 2 overture in place of the young children who usually play Angels. For it, she created a journey from the snow scene that ends Act 1 to the beach, ‘because it’s Miami,’ Ms. Harrington said. …
[Ms. Harrington] was always baffled by the abrupt change in setting, from the Act 1 snow scene to Act 2’s tropical Land of the Sweets. ‘It was snowy and now there’s a pineapple onstage,’ she said. … ‘It was within my grasp to fill in the gaps. …
“ ‘I felt like this could be a thrill. I hope I’m right. I believe in theater and art. … I just needed it to happen.”
More here.
It’s inspiring to see people adapt to the circumstances.
And did you catch the one-hour Handel & Haydn “Messiah” on GBH2 last night, which was done with social distancing and special, box-like masks for singers? Stunning! A keeper for the normal times to come!
No! I missed it.
It was super. I’m sure there’ll be other opportunities.
Good luck to them.
I know. I’m both inspired and worried.