
Photo: Hakim Bishara for Hyperallergic.
An abandoned painting in Brooklyn, New York.
When I first started getting serious about the internet in the mid 1990s, the browser I used was Netscape Navigator. Remember that? One thing I really loved about it was the way it put quirky website suggestions at the top of its home page. That was how I learned about the Museum of Bad Art (MOBA) in Dedham, Mass. For a long time I checked MOBA regularly to see what “new” paintings had been rescued from trash cans or abandoned on the side of a road.
I had almost forgotten about MOBA when I read a Hyperallergic story about a similar initiative, an Instagram account called Abandoned Paintings. These paintings are not necessarily “bad,” just no longer wanted. Hakim Bishara of the Soloway Gallery has a report.
“Last summer,” he writes, “while COVID-19 was still ravaging through New York, I began noticing an unusual amount of discarded paintings on the sidewalks of my neighborhood in Brooklyn. It became an almost daily occurrence as more people moved out to the suburbs or to other states. Instinctively, I started amassing a photo archive of these paintings for a potential project. But as often is the case with new project ideas, I soon found out that someone else has already done it.
“When I stumbled upon artist Jason Osborne’s Instagram account Abandoned Paintings, which has been archiving images of discarded paintings for the last decade, I immediately became a fan. Updated daily with submissions from around the world, it pays a final tribute to these disowned artworks before they fade into the trash heap of history.
“Osborne, an artist with a self-professed fondness for fringe and forgotten art, first started Abandoned Paintings as a blog about unseen paintings in storage facilities of American museums. Soon after, he began documenting discarded paintings that he spotted on sidewalks and trash bins across New York City. …
“In 2011, he [launched] an Instagram account that quickly gained popularity. In time, he started receiving contributions from like-minded fans from across the globe, including France, the United Kingdom, and Chile.
‘As a painting junkie, I like to think of all the other lives that paintings have other than the 10% that we see on the walls of museums and galleries,’ Osborne told Hyperallergic in an interview. …
“According to Osborne, abandoned paintings appear on the streets in cycles, mostly when art students leave their studios at the end of their studies or when people move out of apartments at the end of the month. The mass exodus from NYC during 2020 seemed to interrupt that pattern, adding more abandoned paintings to the streets. …
“With new submissions and inquiries flowing into his DMs daily, Osborne has a handful of anecdotes to share about the different lives that one painting can have. For instance, there have been several cases in which artists reached out to him saying that they identified a painting they had previously sold or gifted to others. One unlucky painting was abandoned twice.
“What’s also interesting is the way that people tend to leave paintings out on the street. Unlike other discarded objects, paintings are often leaned presentably against a wall or a fence, waiting to be noticed and taken. …
“If it were up to Osborne, he would ‘fill entire museums and galleries with discarded paintings.’ But until then, he says, documenting these forlorn artworks has contributed to his understanding of painting in myriad ways.
“ ‘It solved many problems I had in my own work,’ he said.”
More at Hyperallergic, here.
Goodness! I was thinking that painting looks as though it were done by Roy Lichtenstein’s less talented cousin. Anyway, for those on a tight budget, it would be a good way to pick up some art. And who knows? Eventually, some of the artists might actually become famous.
Exactly. One person’s “disaster” is another’s “inspiration”!
Hannah’s been having problems with WordPress commenting, but she sent this lovely note by email: “Loved this one. A number of years ago I cleaned out the house of a semi-hoarder who had a very large painting in her dining room. She had trash picked it. It was lovely—dark and moody, the sea, something like that. It was obviously not finished, and she figured it had been discarded by an art student. It was unsigned.
“Appraisers from the auction house took it on a whim. Lo and behold it went for over $1000! Also in the take was a print by someone, can’t remember who, a book of whose prints had recently been published. Turns out the one my friend had, which had been a gift to her father in lieu of payment for his services as a doctor, was a long lost work that wasn’t in the book because it was lost. There was some other connection as well, someone being related to someone, but that’s long in the past.
“It was all very exciting at the time. Haven’t been able to repeat that level of interest in any of the other downsizing jobs I have done in the years since.”
I’ve often wondered what might happen to my thousands of paintings when I die, will they be tossed into the landfill? All my lifes work, for nothing!
Oh, no, Tiffany! What a thought! Down the road, make a plan and get an arts executor you trust.