
The Al-Rifa’i Mosque in Cairo. The city’s redevelopment highlights every kind of culture, from mosques to belly-dancers.
Members of my extended family were in Egypt recently, and judging from the videos and photos, they had a fantastic time. It made me think of an article I saw back in January about Cairo.
Donna Abu-Nasr at Bloomberg CityLab had a report on how the city’s “revival blends ancient Egypt with modern tastes.”
She wrote, “When Egyptian ballerina Amie Sultan decided to go into belly dancing, she raised eyebrows among her friends and fellow professionals. Why switch from an art form that’s highly respected to one that’s often scorned in her home country and the rest of the Arab world?
“Six years later, Sultan wants to elevate a dance focused on shaking hips and torsos in low-end cabarets to the theater. It’s just one of the ways Egyptians are trying to establish a contemporary cultural identity in Cairo that taps into their heritage.
“The renaissance of traditions spans everything from new museum exhibits to artisans integrating old crafts into modern furniture and designers selling handmade jewelry, bags and shoes online. There’s also the redevelopment of buildings to champion Egyptian identity. For her bit, Sultan says her goal is to preserve, document and revive the performing arts. Egypt is the spiritual home of belly-dancing, which traces its roots back to ancient times. …
“Perhaps the most striking example of the cultural resurrection was when 22 mummies were transported through central Cairo [in April 2021] to their latest resting place at the new National Museum of Egyptian Civilisation. The multi-million dollar spectacle was broadcast live on state television. …
“Some parts of the sprawling metropolis are being refurbished in an attempt to recapture more of the tourism market. … One of those areas is central Cairo, also known as Khedival Cairo in reference to Khedive Ismail, the ruler under whom downtown Cairo was built in the late 19th century. The country’s sovereign wealth fund plans to redevelop the mid-20th century Mogamma building, a hulking government office complex. …
“Private entrepreneurs, like Karim Shafei, 48, have also for years been actively working on restoring that part of town. … The vision that he and his partner, Aladdin Saba, an investment banker, have for downtown is to make it a real city center that reflects Egyptian identity: a meeting point for Cairenes from all walks of life and a platform for innovation and creativity.
“ ‘There’s nowhere in Cairo where tourists can go and experience the contemporary Egyptian lifestyle, unlike many other cities such as Beirut, Istanbul, Paris and New York,’ said Shafei. ‘Today, there’s a big portion of tourism that’s intended to experience a country in its modern form. You want to experience the way cuisine is, the way people live, how they dress.’
“One thing that Shafei has noticed is a change in the government’s attitude toward restoration. In the past, authorities would just focus on painting a wall or fixing a sidewalk. In the past year, the discussions have become deeper.
“Sultan, the dancer, has likewise found a sympathetic ear for her project, which she is doing through her company Tarab Collective. When she has approached government officials with her idea, ‘there’s some shock, but then as they listen they actually see that this is a serious project.’ . …
“Belly-dancing has been associated with smoky cabarets where alcohol is served. … It’s also informally performed by people at home, at picnics or celebrations. …
“Last year, Tarab Collective produced a tribute to the golden age of Egyptian cinema and the dance’s divas from 1940 to 1960. It featured 12 performers and premiered at the closing of the Gouna Film Festival in October.
“[Sultan’s] company is also working on setting up an institute to teach the dance, register it with UNESCO as intangible heritage and change its name from one that comes from the French danse du ventre to ‘Egyptian dance.’
“ ‘At the end of the day, this dance represents Egypt,’ she said. ‘It’s how we show ourselves to the world, just like we identify Spain with flamenco.’ “
More at Bloomberg CityLab, here. I know I’ve told you that there was a wonderful belly-dancer at our son’s wedding — with flaming candles in her hair, no less. If I can get into my old computer, I’ll post a picture.
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