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Posts Tagged ‘revival’

Photo: Gerry Hadden/The World.
The art of hand-painted gold leaf signs, like this one by artist Victor Bert, is enjoying a renaissance in France.

I love listening to radio show The World because they find international stories I don’t usually hear on US radio. Recently there was one I liked about the resurgence of handpainted signs in France. Gerry Hadden had the story.

“Victor Bert rummaged through an old wooden tackle box filled with brushes, paints, and emulsions. His assignment,” Hadden reports, “was simple. He needed to paint three words onto a wall: ‘Men,’ ‘Women,’ and ‘Shoes.’

“They’d be on display at the hip Parisian clothing store Asphalte. The project would likely take all day. As an artisanal letter painter, Bert was tasked with handpainting each letter in gold leaf. But that didn’t seem to bother him.

“ ‘This is my passion,’ Bert said. ‘I could spend my life doing this.’

France is known for its quaint and classy handpainted signage on storefronts and hotels. The art form dates back to the early 19th century and was almost wiped out by cheaper high-tech alternatives that emerged in the 1980s. But today it’s enjoying a renaissance and artisans are busier than ever.

“The technique requires a lot of dedication and patience. Instead of painting in cut-out letters, like in traditional stenciling, Bert explained that he makes hundreds of pinholes following the contours of each paper letter.

“After tapping and rubbing the paper against the wall with a special talcum powder dispenser that passes the powder through the tiny holes, the outline of the words appear as little dots that can then be painted over by hand. Like calligraphy, it’s one-stroke work.

“Bert, 32, has been practicing this craft for 11 years, and there are a dozen or so other artisans like himself in Paris.

“When machines started taking over in the ‘80s, the appeal was that it was cheaper and faster to print stickers, decals, and plastic printouts that could be stuck directly onto windows or walls. … But those products turned out to not be very durable. Stickers became unstuck. Vinyl decals cracked, and the ones exposed to the sun aged badly.

“Just when people started souring on decals, the COVID-19 pandemic struck. And when Parisians emerged from lockdown seven long weeks later, artisans like Bert became stars of sorts.

“ ‘Everyone was just dying to get back outside and do stuff,’ he said. …

“ ‘What Bert does, it’s part of the history of stores in Paris,’ said Jonathan Gauthier, the store manager who hired him. ‘It was important for us to embrace this. Plus, we wanted to give the shop a little caché. Gold leaf lettering enriches our image.’

“There’s not much room for error in this process. Bert once had to make tiny inscriptions on $5,000 bottles of wine.

Any mistake, and the artisan has to start from scratch.

“ ‘I’ve only messed up once,’ Bert said. ‘I ruined a $200 bottle of men’s perfume,’ which he then had to pay for. …

But, he’s done other jobs where you simply cannot err. He was tasked with etching the engraving on the tombstone of late French Prime Minister Michel Rocard.

“The inscription read: ‘Happiness to the artisans of peace.’ ”

More at The World, here. And you may recall a previous post, here, about Trader Joe’s hiring artists for handmade signs.

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Photo: Jerry Holt, Star Tribune
Bill Gossman is mayor of New London, Minnesota, and a potter who knows firsthand how arts can build community. Legacy funding from a law updated in 2009 has helped spur the town’s revival. 

The arts are often good for business, and the experience of towns in rural Minnesota provides a good example.

Jenna Ross reports at the Star Tribune, “One by one, they took the stage and told their stories. A man in his 80s, leaning on a cane. A teenage girl. A retired farmer.

“ ‘Times were good for farmers in west-central Minnesota in the 1940s,’ Ed Huseby began his tale about a tractor that went rogue.

“In the audience, residents laughed, cheered and, after one man described how lung cancer cut short his wife’s life, cried. They were gathered for a Sunday afternoon ‘story show,’ organized by the owner of the Flyleaf Book Shop. The one-page program didn’t mention funding from the Legacy Amendment. But like all shows onstage at the Little Theatre — and most arts events in this small but growing city two hours west of Minneapolis — that money played a key role.

“Legacy funding cuts the cost of renting the theater to $100. It pays the part-time salary of the manager who greeted audience members and pulled closed the curtains. Soon, it’ll fund a new projector and screen. …

“New London, like small cities across Minnesota, has felt the influx of dollars from the Legacy Amendment, passed a decade ago. …

“ ‘In the Twin Cities, there’s a pretty established arts infrastructure,’ said Sue Gens, executive director of the Minnesota State Arts Board. Now Legacy grants are helping build that in communities across the state, she said. …

“In New London, pop. 1,355, such grants have funded a summer music festival. A 10-foot-tall sculpture that stands near the Middle Fork Crow River. And a wood-fired kiln in Bill Gossman’s backyard.

“Gossman is a potter, one who whistles while he digs his thumbs into a piece of porcelain clay. He’s also the mayor. …

“In 2010, Gossman won a $7,000 Legacy grant to add a large new chamber onto his kiln, which is fueled by firewood, giving his pots, vases and vessels an earthy glow. Last month, as they do each year, potters from across the state trekked to Gossman’s place. They drank coffee, chopped wood and packed the massive chamber with hundreds of their pieces. …

“When Gossman took office in 2008, [the] recession had weakened a local economy in flux with the consolidation of family farms. The grocery store had closed, and the hardware store was about to. For-sale signs hung in Main Street windows.

“Today, not a single empty storefront remains. Galleries and gift stores line the compact downtown. …

“A Star Tribune analysis of Legacy dollars shows that from fiscal 2010 to 2017, the biggest recipients of funds via the state and regional arts boards was the Guthrie Theater. …

“Outstate Minnesota has received its fair share of Legacy dollars [largely] because of the 11 regional arts councils, established in the 1970s, that broadened the reach of public arts funding. …

“Speaking at rural conferences across the country, [John Davis, executive director of Lanesboro Arts,] always mentions Minnesota’s Legacy Amendment, which other places regard as a model. …

“But the amendment isn’t perfect, Davis said. He believes that some arts funds should be set aside for rural capital projects, as many small cities struggle with infrastructure challenges in the wake of waning tax revenue and cuts to Local Government Aid.

“ ‘Right now an organization could get money to host a ballet, but if their roof is caving in … they can’t access it,’ Davis said. ‘I think that was something that just out of the gate was a structural flaw.’ ”

More here.

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